100 Necromancers and Their Plots 6

Total Page:16

File Type:pdf, Size:1020Kb

100 Necromancers and Their Plots 6 100 Necromancers and their Plots 6. Helosia Tremastag A grim beauty dwells in a ruined temple outside of town and is trying to drain beauty from other maidens. Her giant 1. Kustarg Durmargis undead ravens kidnap the girls from their beds. A middle aged necromancer who sets his students to work 7. Lady Marsia Beradee building a defence force of basic undead. From his Bathes in blood of young girls to retain her beauty. Her underground lair he has been seeking to plumb the secrets servants are helping her and she spends far too much time of a well reputed to hold a fragment of a dead god. with pretty young men to perfect the process. Any men 2. Dr Nosterang Barlanth who see her change to her true age her servants kill. Her A portly bespectacled dissections and flesh golem maker incomplete research keeps turning up after her destruction, has students grave robbing terrorising locals who fear spreading the cycle of death forever. relatives bodies being robbed. A pit filled with reject 8. Kiasaar Mendloth creations has started to make lots of noises. Had all her kin die in a plague but has returned them as 3. Lady Pahrzethra Molochi undead to serve her. She tries to cover it with illusions and A beautiful widow has been poisoning young men about invites travelers into her luxurious but dusty and a bit town to be her undead consorts, her students procure her stinky home. If they see the true horror she sets her kin to the bodies of those who she kills from afar. Locals are eat the defilers. living in fear and young men are fleeing the area. 9. Pariziah Kogoranth 4. Polhardrig Meshtaron A scrawny old man dwells beneath a ruined old house and Has been local undertaker for decades and now feels has developed a way to create minor phantoms which are locals are living lives contrary to the dead in his care. He spreading around the community. While not actually has adopted the title of death master in his senility and his deadly many live in terror and some have had grisly undead goons kidnap an punish locals for petty sins. accidents while fleeing. 5. Klardrag Menglestien Leads a secret black school working on a great undead colossus to rule the land. His students steal corpses and rob graves and rend the parts for the great project. As local corpses running low, they are now on murdering spree. 10. Dongelldenna Chrastell 15. Vorgnarg Terrill A deranged student wizard has been trying to A frustrated theatre manager who studied necromancy communicate with wights beneath a barrow near town. under his uncle as a youth. When his troop performed She does not realise she has awakened dozens of wights badly he poisoned them all and made them zombies. His who will soon arise en mass and destroy everyone for shows hide smell with incense but if exposed he will have miles. She is committed to her study and believes the dead to kill audience or any witnesses too. are misunderstood. When killed she arises as a spell 16. Talask Vorquiem casting wight. An astronomer using zombies with abacuses to perform 11. Largan Arbatt calculus. If bothered he miscounts and destroys dolts who A handsome romantic heart stealer attracts beautiful girls ruin his project. and keeps their hearts beating in bell jars and makes their 17. Dolazok Maarz bodies his zombie concubines. A long dead necromancer placed his spirit in a ring found 12. Lamardis Parmaj by a yokel ferryman Yars Tlinker. Now Yars has funny A local respectable merchant with wife and four kids who blackouts where he tips passengers in and drowned dead daily teleports across world to kill and murder for his pulls them under the river for a future army. colonial empire over tribal people in secret. 18. Maboath Trahn 13. Herizah Matonis From his ruined swamp sunk palace sends dreams across A lovely maiden who steals victims shadows and if the world to lure victims into his service. bothered releases them as undead Shadows. If driven off 19. Mahalia Terazzovan by priest they return naturally if killed character loses Keeps a pit of undead children she madly believes are shadow forever. getting a second chance at life. She tricks people to search 14. Kandibar Tolloses the pit for treasure to feed them. If her children are killed A sweet Young woman who has been stealing towns pets she flies into a mad rage. and robbing pet graves to make a horde of killer undead 20. Rolagadad Menzarl critters she loves. If discovered she tries to kill those who Runs a zombie sweatshop producing cheap inferior goods. find out. Local merchants and guilds seek an end to this economic peril and seek adventurers. 21. Panzarian Kellogmash 26. Trollek Barnjtard A pretty albino noble seeks beautiful dancers to serve in Has developed means of making regenerating zombies and his troop of undead ballet performers. A few bards for plans to test them on a village one night. He also requires orchestra needed too. From his castle undead giant bats troll blood and has upset local trolls who may aid heroes seize suitable victims his agents find. out to stop him. 22. Minaque Kodzolt 27. Parnara Willstone A traveling salesman has been selling undead repellent, if A beautiful but evil aristocrat has contacted shadow beings locals don't buy they strangely find zombies scratching at from the other world. Great winged pterodactyl shadows their door by night. from the dawn age are hers to command. She uses them to slay political and magical rivals. 23. Varius Mataan Found a crypt of mummified cats and raised them as an 28. Carnaria Danzral army to serve him, he dresses in an ancient crypt dressed A wicked necromancer queen vanished long ago before in finery guarded by mummified lions. the mob could find and burn her. Recently her full length mirror was purchased by a young warlock who has been 24. Tozikhaan Meldoth Follows adventurers with a wagon and collects bodies to using her techniques. A pocket world in her mirror has use in his experiments. "I'm not as bad as bastards who kill everything a necromancer might need but fresh corpses them". Has robed zombie guards when follows party into and victims to molest. dungeon, always polite to adventurers. 29. Tarquil Venger Has built a tower of headstones offending clerics from all 25. Kodlizok Bandashikag Likes to pit adventurers against his latest undead faiths. Inside he has gate to underworld where he plunders constructs, if heroes win he teleports away to build lost lore and treasure from the dead. something bigger and better till he wins. Then find new 30. Zargan Mackmoth adventurers. He dwells in a ruined castle at the end of the Collects severed wizard heads he can extract spells from world. and talk to. Friends of the murdered wizards have noted Zargan's use of secret spells he could not have developed. In his lair he has attached some heads to bugbear bodies to use as guardians. 31. Norath the Unquenchable 36. Targan Nightfang Sends out his undead to kidnap maidens for miles around Dwells with his pet giant spiders and makes undead from to present them as a gift to Orcus in return for spellbooks the cobweb mummified bodies they leave after snacking. seized by the demon prince long ago. Many prisoners are ensnared in his tower and he keeps them or conversation, letting his pets eat them when bored 32. Calaria Zanadar Has developed a taste for human brains she believes make of them. her smarter. Of late she has been laughing uncontrollably 37. Dolram Karmung and has become morbidly obese. Her undead ambush From his castle sends undead to slay the weak, illiterate, travelers and seize only their heads. diseased or anyone he feels is unworthy of life. His judgements are increasingly bizarre and he claims he 33. Zumdish Cadnaver Has been convincing people that undead made from makes the local people superior for his efforts. criminals is totally legit. Villages use them as labour and 38. Veerkam Meek are getting used to walking blasphemies among them. His A school teacher has become sick of being bullied and ran zombie scribes have published elegantly convincing to the hills with some necromantic tomes from the vaults brochures that have become popular discussion. He has in his town library. Undead now carry off those who means to control them all and see through their eyes. mocked him. 34. Terloc Bonebane 39. Arkam Zaragang Has built terrible self mobile siege engines from skeletons A failed adventurer now leads his dead comrades as that have been tested on isolated villages. His bone tower undead. He keeps repairing them and bringing them back is defended by skeletons and bone golems. He likes only and together they loot local dungeons. You might meet very skinny women so he keeps several locked up and him one day. starving in his dungeon. 35. Zaria Hellstrom Spurned by men for being scrawny has unleashed terrible famines with clouds that destroy crops so everyone will starve and look like her. The evil cloud creatures guard her and she calls them her babies. 40. Modren Kragmoth 44. Lorinda Katzenkeller Failed poet fled to the mountains in shame after his last Has prospered under tutelage of her hellcat and needs to recital was ridiculed. Since then bards and poets in area really earn a place in hell. She has traveled the land killing have all been killed with vampire like wounds. Villagers populations of orphanages for some dark unrevealed wisely staked them and debate if Modren was lucky or if reason to serve her masters bidding.
Recommended publications
  • Monsters & Miscellanea
    Monsters & Miscellanea Volume 1-02: Skeletons by Barry Dore https://www.dmsguild.com/browse.php?author=Barry_Dore Title Art: Magz Wiseman https://www.yellowphonebox.com Cover Image: DMs Guild Creator Resource 3. Flesh Stealer Flesh Stealer, Undeath Dog 4. Skeletal Priests Skeletal Priest, Skeletal Priest of Orcus 5. Skeletons Skeleton: Crocodile, Giant Rat, Hill Giant, Wolf 6. Skeletons, Energy-Infused Cold-Infused; Skeleton, Mammoth Skeleton 7. Fire-Infused; Skeleton, Mastiff Skeleton 8. Lightning-Infused; Skeleton, Velociraptor Skeleton 9. Skeletons, Mold-Infested Mold-Infested; Skeleton, Hook Horror Skeleton 10. Bard Bard College: College of Bones 11. Magic Items Potions, Shodrom's Armaments DUNGEONS & DRAGONS, D&D, Wizards of the Coast, Forgotten Realms, Ravenloft, Eberron, the dragon ampersand, Ravnica and all other Wizards of the Coast product names, and their respective logos are trademarks of Wizards of the Coast in the USA and other countries. This work contains material that is copyright Wizards of the Coast and/or other authors. Such material is used with permission under the Community Content Agreement for Dungeon Masters Guild. All other original material in this Samplework is copyright 2019 by Barry Dore and file published under the Community Content Agreement for Dungeon Masters Guild. Not for resale. Permission granted to print or photocopy this document for personal use only. Monsters & Miscellanea 1-02 2 Flesh Stealer Undeath Dog This foul variant of the flesh stealer takes the form of a The flesh stealer appears at first glance to be a typical death dog's two-headed skeleton, empowered with a life humanoid skeleton, but it is far from the norm.
    [Show full text]
  • Abstract Rereading Female Bodies in Little Snow-White
    ABSTRACT REREADING FEMALE BODIES IN LITTLE SNOW-WHITE: INDEPENDENCE AND AUTONOMY VERSUS SUBJUGATION AND INVISIBILITY By Dianne Graf In this thesis, the circumstances and events that motivate the Queen to murder Snow-White are reexamined. Instead of confirming the Queen as wicked, she becomes the protagonist. The Queen’s actions reveal her intent to protect her physical autonomy in a patriarchal controlled society, as well as attempting to prevent patriarchy from using Snow-White as their reproductive property. REREADING FEMALE BODIES IN LITTLE SNOW-WHITE: INDEPENDENCE AND AUTONOMY VERSUS SUBJUGATION AND INVISffiILITY by Dianne Graf A Thesis Submitted In Partial Fulfillment of the Requirements For the Degree of Master of Arts-English at The University of Wisconsin Oshkosh Oshkosh WI 54901-8621 December 2008 INTERIM PROVOST AND VICE CHANCELLOR t:::;:;:::.'-H.~"""-"k.. Ad visor t 1.. - )' - i Date Approved Date Approved CCLs~ Member FORMAT APPROVAL 1~-05~ Date Approved ~~ I • ~&1L Member Date Approved _ ......1 .1::>.2,-·_5,",--' ...L.O.LJ?~__ Date Approved To Amanda Dianne Graf, my daughter. ii ACKNOWLEDGEMENTS Thank you Dr. Loren PQ Baybrook, Dr. Karl Boehler, Dr. Christine Roth, Dr. Alan Lareau, and Amelia Winslow Crane for your interest and support in my quest to explore and challenge the fairy tale world. iii TABLE OF CONTENTS Page INTRODUCTION………………………………………………………………… 1 CHAPTER I – BRIEF OVERVIEW OF THE LITERARY FAIRY TALE AND THE TRADITIONAL ANALYSIS OF THE FEMALE CHARACTERS………………..………………………. 3 CHAPTER II – THE QUEEN STEP/MOTHER………………………………….. 19 CHAPTER III – THE OLD PEDDLER WOMAN…………..…………………… 34 CHAPTER IV – SNOW-WHITE…………………………………………….…… 41 CHAPTER V – THE QUEEN’S LAST DANCE…………………………....….... 60 CHAPTER VI – CONCLUSION……………………………………………..…… 67 WORKS CONSULTED………..…………………………….………………..…… 70 iv 1 INTRODUCTION In this thesis, the design, framing, and behaviors of female bodies in Little Snow- White, as recorded by Wilhelm and Jacob Grimm will be analyzed.
    [Show full text]
  • DIVINATION SYSTEMS Written by Nicole Yalsovac Additional Sections Contributed by Sean Michael Smith and Christine Breese, D.D
    DIVINATION SYSTEMS Written by Nicole Yalsovac Additional sections contributed by Sean Michael Smith and Christine Breese, D.D. Ph.D. Introduction Nichole Yalsovac Prophetic revelation, or Divination, dates back to the earliest known times of human existence. The oldest of all Chinese texts, the I Ching, is a divination system older than recorded history. James Legge says in his translation of I Ching: Book Of Changes (1996), “The desire to seek answers and to predict the future is as old as civilization itself.” Mankind has always had a desire to know what the future holds. Evidence shows that methods of divination, also known as fortune telling, were used by the ancient Egyptians, Chinese, Babylonians and the Sumerians (who resided in what is now Iraq) as early as six‐thousand years ago. Divination was originally a device of royalty and has often been an essential part of religion and medicine. Significant leaders and royalty often employed priests, doctors, soothsayers and astrologers as advisers and consultants on what the future held. Every civilization has held a belief in at least some type of divination. The point of divination in the ancient world was to ascertain the will of the gods. In fact, divination is so called because it is assumed to be a gift of the divine, a gift from the gods. This gift of obtaining knowledge of the unknown uses a wide range of tools and an enormous variety of techniques, as we will see in this course. No matter which method is used, the most imperative aspect is the interpretation and presentation of what is seen.
    [Show full text]
  • The Adorabyssal Oracle
    THE ADORABYSSAL ORACLE The Adorabyssal Oracle is an oracle deck featuring the cutest versions of mythological, supernatural, and cryptozoological creatures from around the world! Thirty-six spooky cuties come with associated elements and themes to help bring some introspection to your day-to-day divinations and meditations. If you’re looking for something a bit more playful, The Adorabyssal Oracle deck doubles as a card game featuring those same cute and spooky creatures. It is meant for 2-4 players and games typically take 5-10 minutes. If you’re interested mainly in the card game rules, you can skip past the next couple of sections. However you choose to use your Adorabyssal Deck, it is my hope that these darkly delightful creatures will bring some fun to your day! WHAT IS AN ORACLE DECK? An Oracle deck is similar to, but different from, a Tarot deck. Where a Tarot deck has specific symbolism, number of cards, and a distinct way of interpreting card meanings, Oracle decks are a bit more free-form and their structures are dependent on their creators. The Adorabyssal Oracle, like many oracle decks, provides general themes accompanying the artwork. The basic and most prominent structure for this deck is the grouping of cards based on elemental associations. My hope is that this deck can provide a simple way to read for new readers and grow in complexity from there. My previous Tarot decks have seen very specific interpretation and symbolism. This Oracle deck opens things up a bit. It can be used for more general or free-form readings, and it makes a delightful addition to your existing decks.
    [Show full text]
  • Dragon Magazine #158
    S PECIAL ATTRACTIONS Issue #158 Vol. XV, No. 1 9 Weve waited for you: DRAGONS! June 1990 A collection of lore about our most favorite monster. The Mightiest of Dragons George Ziets Publisher 10 In the D&D® game, no one fools with the dragon rulers and lives for James M. Ward long. Editor A Spell of Conversation Ed Friedlander Roger E. Moore 18 If youd rather talk with a dragon than fight it, use this spell. The Dragons Bestiary The readers Fiction editor Barbara G. Young 20 The gorynych (very gory) and the (uncommon) common dragonet. Thats Not in the Monstrous Compendium! Aaron McGruder Assistant editor 24 Remember those neutral dragons with gemstone names? Theyre 2nd Dale A. Donovan Edition now! Art director Larry W. Smith O THER FEATURES Production staff The Game Wizards James M. Ward Gaye OKeefe Angelika Lokotz 8 Should we ban the demon? The readers respondand how! Subscriptions Also Known As... the Orc Ethan Ham Janet L. Winters 30 Renaming a monster has more of an effect than you think. U.S. advertising The Rules of the Game Thomas M. Kane Sheila Gailloreto Tammy Volp 36 If you really want more gamers, then create them! The Voyage of the Princess Ark Bruce A. Heard U.K. correspondent 41 Sometimes its better not to know what you are eating. and U.K. advertising Sue Lilley A Role-players Best Friend Michael J. DAlfonsi 45 Give your computer the job of assistant Dungeon Master. The Role of Computers Hartley, Patricia and Kirk Lesser 47 The world of warfare, from the past to the future.
    [Show full text]
  • African Concepts of Energy and Their Manifestations Through Art
    AFRICAN CONCEPTS OF ENERGY AND THEIR MANIFESTATIONS THROUGH ART A thesis submitted to the College of the Arts of Kent State University in partial fulfillment of the requirements for the degree of Master of Arts by Renée B. Waite August, 2016 Thesis written by Renée B. Waite B.A., Ohio University, 2012 M.A., Kent State University, 2016 Approved by ____________________________________________________ Fred Smith, Ph.D., Advisor ____________________________________________________ Michael Loderstedt, M.F.A., Interim Director, School of Art ____________________________________________________ John R. Crawford-Spinelli, D.Ed., Dean, College of the Arts TABLE OF CONTENTS LIST OF FIGURES………………………………………….. iv ACKNOWLEDGMENTS …………………………………… vi CHAPTERS I. Introduction ………………………………………………… 1 II. Terms and Art ……………………………………………... 4 III. Myths of Origin …………………………………………. 11 IV. Social Structure …………………………………………. 20 V. Divination Arts …………………………………………... 30 VI. Women as Vessels of Energy …………………………… 42 VII. Conclusion ……………………………………….…...... 56 VIII. Images ………………………………………………… 60 IX. Bibliography …………………………………………….. 84 X. Further Reading ………………………………………….. 86 iii LIST OF FIGURES Figure 1: Porogun Quarter, Ijebu-Ode, Nigeria, 1992, Photograph by John Pemberton III http://africa.si.edu/exhibits/cosmos/models.html. ……………………………………… 60 Figure 2: Yoruba Ifa Divination Tapper (Iroke Ifa) Nigeria; Ivory. 12in, Baltimore Museum of Art http://www.artbma.org/. ……………………………………………… 61 Figure 3.; Yoruba Opon Ifa (Divination Tray), Nigerian; carved wood 3/4 x 12 7/8 x 16 in. Smith College Museum of Art, http://www.smith.edu/artmuseum/. ………………….. 62 Figure 4. Ifa Divination Vessel; Female Caryatid (Agere Ifa); Ivory, wood or coconut shell inlay. Nigeria, Guinea Coast The Metropolitan Museum of Art, http://www.metmuseum.org. ……………………… 63 Figure 5. Beaded Crown of a Yoruba King. Nigerian; L.15 (crown), L.15 (fringe) in.
    [Show full text]
  • D I V I N a T I O N Culture a N D the H a N D L I N G of The
    Originalveröffentlichung in: G. Leick (Hrsg), The Babylonian World, New York/London, 2007, S. 361-372 CHAPTER TWENTY-FIVE DIVINATION CULTURE AND THE HANDLING OF THE FUTURE Stefan M. Maul n omen is a clearly defined perception understood as a sign pointing to future A events whenever it manifests itself under identical circumstances. The classification of a perception as ominous is based on an epistemological development which establishes a normative relationship between the perceived and the future. This classification process is preceded by a period of detailed examination and is thus initially built on empirical knowledge. Omina only cease to be detected empirically when a firm conceptual link has been established between the observed and the future which then allows omina to be construed by the application of regularities. In the Mesopotamian written sources from the first and second millennia BC, omina based on regularities far exceed those based on empirical data. Mesopotamian scholars generally collected data without formally expressing the fundamental principles behind their method. It was the composition of non-empirical omina as such which allowed students to detect the regularities on which they were based without this formulated orally or in writing. Modern attempts at a systematic investigation of such principles however, are still outstanding. It is interesting that there is no Sumerian or Akkadian equivalent for the terms 'oracle' or 'omen'. Assyriologists use the term omen for the sentence construction 'if x then y' which consists of a main clause beginning with summa ('if') describing the ominous occurence, and a second clause which spells out the predicted outcome.
    [Show full text]
  • And Corpse-Divination in the Paris Magical Papyri (Pgm Iv 1928-2144)
    necromancy goes underground 255 NECROMANCY GOES UNDERGROUND: THE DISGUISE OF SKULL- AND CORPSE-DIVINATION IN THE PARIS MAGICAL PAPYRI (PGM IV 1928-2144) Christopher A. Faraone The practice of consulting the dead for divinatory purposes is widely practiced cross-culturally and firmly attested in the Greek world.1 Poets, for example, speak of the underworld journeys of heroes, like Odys- seus and Aeneas, to learn crucial information about the past, present or future, and elsewhere we hear about rituals of psychagogia designed to lead souls or ghosts up from the underworld for similar purposes. These are usually performed at the tomb of the dead person, as in the famous scene in Aeschylus’ Persians, or at other places where the Greeks believed there was an entrance to the underworld. Herodotus tells us, for instance, that the Corinthian tyrant Periander visited an “oracle of the dead” (nekromanteion) in Ephyra to consult his dead wife (5.92) and that Croesus, when he performed his famous comparative testing of Greek oracles, sent questions to the tombs of Amphiaraus at Oropus and Trophonius at Lebedeia (1.46.2-3). Since Herodotus is heavily dependent on Delphic informants for most of Croesus’ story, modern readers are apt to forget that there were, in fact, two oracles that correctly answered the Lydian king’s riddle: the oracle of Apollo at Delphi and that of the dead hero Amphiaraus. The popularity of such oracular hero-shrines increased steadily in Hel- lenistic and Roman times, although divination by dreams gradually seems to take center stage.2 It is clear, however, that the more personal and private forms of necromancy—especially consultations at the grave—fell into disfavor, especially with the Romans, whose poets repeatedly depict horrible 1 For a general overview of the Greek practices and discussions of the specific sites mentioned in this paragraph, see A.
    [Show full text]
  • The Transformational Symbolism of the Skeleton As a Meaning of Rebirth
    상징과모래놀이치료, 제6권 제1호 Journal of Symbols & Sandplay Therapy 2015, 12, Vol. 6, No. 1, 1-24. The Transformational Symbolism of the Skeleton as a Meaning of Rebirth Mee-ra Kowen* <Abstract> In this study, the researcher considered the symbolic meanings of the skeleton in Korean folk tales, and analyzed how the skeleton has been developed into a symbol of rebirth in art, heritage, and religion. Also, the researcher interpreted the symbolic meaning of the skeleton, which appeared in the client’s sand-picture, through the lens of analytical psychology. Mankind, from ancient times, has connected the death of unconsciousness as a cooperator of salvation in moments of exhaustion, crisis, and desire in the conscious life. The appearance of the skeleton in tales and rituals represents not the end of life but rather coexistence with death, which cannot be detached from life. Through sandplay therapy, the researcher desired that the client solve the fear of meeting the unconsciousness that represents death, and encounter the archetypal meaning of the skeleton that exists in the client’s soul. Keywords : symbol, skeleton, transformation, rebirth, sandplay therapy * Corresponding Author: Mee-ra Kowen, Sandplay therapist & Psychotherapist, Mind Forest & Art Tree Counseling Center ([email protected]) - 1 - Journal of Symbols & Sandplay Therapy, Vol.6 No.1. Ⅰ. Introduction For modern men and women, who enjoy highly advanced conveniences, death is something to be dreaded. It is something they want to avoid. This may be due to their innate predisposition to fear death, and the struggle to escape it. The fact that death is inevitable and that no one can ever “experience” it beforehand exacerbates the fear.
    [Show full text]
  • The Skeleton Woman: Healing Through Relating
    The Skeleton Woman: Healing Through Relating By Françoise Aline Cloutier Jungian Psychoanalyst October 2011 Table of content Table of content .............................................................................................................................................. 2 1. Introduction ........................................................................................................................................... 3 2. The tale .................................................................................................................................................. 5 3. Interpretation : The context .................................................................................................................... 8 4. Being dragged upward ..........................................................................................................................11 5. Attachment and fears ............................................................................................................................12 6. Safe in his house with Raven and Sedna ..............................................................................................13 7. Instincts are back ..................................................................................................................................15 8. To untangle her from the fishing line ...................................................................................................17 9. How can she trust again? ......................................................................................................................19
    [Show full text]
  • The Soteriological Context of a Tibetan Oracle
    HIMALAYA, the Journal of the Association for Nepal and Himalayan Studies Volume 39 Number 1 Article 8 July 2019 The Soteriological Context of a Tibetan Oracle Katarina Turpeinen University of California, Berkeley, [email protected] Follow this and additional works at: https://digitalcommons.macalester.edu/himalaya Recommended Citation Turpeinen, Katarina. 2019. The Soteriological Context of a Tibetan Oracle. HIMALAYA 39(1). Available at: https://digitalcommons.macalester.edu/himalaya/vol39/iss1/8 This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. This Research Article is brought to you for free and open access by the DigitalCommons@Macalester College at DigitalCommons@Macalester College. It has been accepted for inclusion in HIMALAYA, the Journal of the Association for Nepal and Himalayan Studies by an authorized administrator of DigitalCommons@Macalester College. For more information, please contact [email protected]. The Soteriological Context of a Tibetan Oracle Acknowledgements The author would like to thank Lhamo Pema Khandro for patiently answering her questions in a series of interviews and allowing her to witness the possession rituals. She is also grateful to the nuns of Tsho Pema, especially Ani Yangtsen Drolma for guiding her in the social dynamics of the village, as well as Prof. Jacob Dalton for offering many helpful suggestions that shaped her writing. This research article is available in HIMALAYA, the Journal of the Association for Nepal and Himalayan Studies: https://digitalcommons.macalester.edu/himalaya/vol39/iss1/8 The Soteriological Context of a Tibetan Oracle Katarina Turpeinen This paper contributes to the study of Tibetan which is a practice of a village oracle often oracles by analyzing a distinctive case of a regarded as involving mainly mundane and contemporary Tibetan oracle living in exile pragmatic ends, is conspicuously integrated in India.
    [Show full text]
  • Guild Adventures- the Dragonslayer Gamebook
    1 Guild Adventures! The Dragonslayer (1st Edition) is written by John Buchhalter. Cover Art: Rafael Vaz Art Credits: William McAusland, The Forge Studio (Maciej Zagorski, Pawel Dobosz, Sylwia Siwiec), Martin Gyula Kiss, Erisian Entertainment (Dave Peterson, Ben Shultz), Forgotten Foes Clipart (Gary Dupuis), Reality Deviant Publications (Joseph Wigfield), Raging Swan (Lori Krell and Jae Young). Please go to the end of the book to see further detailed credits. This product is protected by the copyright laws of the United States of America. Any reproduction or unauthorized use of the written material contained herein is prohibited without the express written permission by the Play by Action Gaming Company. Artwork is used with permission from the individual artwork companies listed at the end of the book. Please contact them for permission to use their artwork for your projects. Thank you. Copyright © 2019 PbA (Play by Action) Gaming. All Rights Reserved. 2 Introduction Our story begins with a clever halfling named Billibon Strudeln who is the owner of the Adventurer’s Guild only a few leagues away from the free city of Rondor. Because of his reputation, many nobles come to provide rewards for contracts they offer in eliminating problems that occur for the inhabitants of the Lands of Bavidirian. On this fine day, a mysterious man enters the front doors to the guild tavern and hands over a scroll as of a bag of gold to the 3-foot halfling owner. Without a word or a moment to waste, the stranger leaves the same way he came in to never be seen again.
    [Show full text]