John Walker Selected Filmography
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The Kenya Wildlife Service at Its Best
ihe Kenya wild Life service Iru the 2±st century: "Protective cqlobally significant Areas and Resoutrces The George Wright Forum The GWS Journal of Parks, Protected Areas & Cultural Sites volume 29 number 1 • 2012 Origins Founded in 1980, the George Wright Society is organized for the pur poses of promoting the application of knowledge, fostering communica tion, improving resource management, and providing information to improve public understanding and appreciation of the basic purposes of natural and cultural parks and equivalent reserves. The Society is dedicat ed to the protection, preservation, and management of cultural and natu ral parks and reserves through research and education. Mission The George Wright Society advances the scientific and heritage values of parks and protected areas. The Society promotes professional research and resource stewardship across natural and cultural disciplines, provides avenues of communication, and encourages public policies that embrace these values. Our Goal The Society strives to be the premier organization connecting people, places, knowledge, and ideas to foster excellence in natural and cultural resource management, research, protection, and interpretation in parks and equivalent reserves. Board of Directors BRENT A. MITCHELL, PRESIDENT • Ipswich, Massachusetts MOLLY N. ROSS, VICE PRESIDENT • Arlington, Virginia DAVIDJ. PARSONS, SECRETARY • Florence, Montana GARY E. DAVIS, TREASURER • Thousand Oaks, California BRAD BARR • Woods Hole, Massachusetts NATHALIE GAGNON • Ottawa, Ontario BARRETT KENNEDY • Baton Rouge, Louisiana FRANKJ. PRIZNAR • Gaithersburg, Maryland JANW. VAN WAGTEN'DONK • El Portal, California JOHN WAITHAKA • Ottawa, Ontario LYNN WILSON • Cobble Hill, British Columbia GRADUATE STUDENT LIAISON TO THE BOARD CARENA J. VAN RIPER • College Station, Texas Executive Office DAVID HARMON, EXECUTIVE DIRECTOR EMILY DEKKER-FIALA, CONFERENCE COORDINATOR P. -
HELENE KLODAWSKY Helene Klodawsky Has Been Writing And
HELENE KLODAWSKY Helene Klodawsky has been writing and directing social, political and arts documentaries for 20 years. Her films have been screened and televised around the world, and have received more than 25 awards, including honours from the Chicago International Film Festival, the San Francisco International Film Festival, the Jerusalem International Film Festival, the Mannheim International Film Festival, Hot Docs, Les Rendez-vous du Cinema Quebecois and the Academy of Canadian Cinema. Painted Landscapes of the Times (1986), Motherland (1994), What If (1999) Undying Love (2002) No More Tears Sister (2005), and Family Motel (2007) are some of her credits. Her newest feature documentary Malls R Us will be released in 2009. She is a graduate of the Nova Scotia College of Art and Design. Helene Klodawsky is a member of Doc Organization, the Director’s Guild of Canada and the Writer’s Guild of Canada. Contact: [email protected] FILMOGRAPHY RESEARCHER, WRITER AND DIRECTOR PRIMAL LOVE (feature film script in development) Set in the early 1970s, PRIMAL LOVE follows the adventures of troubled teenager Naomi Grossman as she discovers Primal Scream, a book that promises a revolutionary cure for “Neurosis”. Scriptwriting Grant, SODEC 2008. MALLS R US (to be released in 2009) A critical look at the global phenomenon of the shopping mall, explored through the eyes of mall developers, architects, labour organizers, environmentalists, dead mall activists, and an international cast of shoppers. Filmed in Canada, US, Europe, India, Dubai -
Registrants' List • GWS 2011 Conference • New Orleans, LA
Registrants’ List • GWS 2011 Conference • New Orleans, LA • March 14–18, 2011 page 1 Jayne Aaron James Akerson Dick Anderson Andrea Atkinson Arch. Historian/Planner Supervisory Ecologist Environmental Protection Specialist Quantitative Ecologist AARCHER Inc. NPS Mid-Atlantic Exotic Plant Mgt. Team Alaska Regional Office, NPS National Park Service - SFCN [email protected] [email protected] [email protected] [email protected] Andrew Ackerman Marc Albert Laura Anderson Doug Austen Social Scientist Stewardship Program Manager Postdoctoral Associate National Coordinator, Landscape Conservation Cooperative Denali NPP NPS - Boston Harbor Islands The University of Vermont U.S. Fish and Wildlife Service [email protected] [email protected] [email protected] [email protected] Craig Ackerman Jeff Albright Mark Anderson Dave Avrin Superintendent Hydrologist Aquatic Ecologist Chief - Resources Management Crater Lake National Park Natural Resource Program Center Glen Canyon National Recreation Area Gateway NRA [email protected] [email protected] [email protected] [email protected] Lisa Acree Judy Alderson Roger Anderson Maria Ayub Botany Program Manager Wilderness and NNL coordinator Training Manager - Cultural Resources Design Advocate for Veve of Afa Project Yosemite National Park Alaska Region-NPS National Park Service ASLA [email protected] [email protected] [email protected] [email protected] Marty Acree Katie Algeo Sean Anderson Timothy Babalis Ecological Restorationist Associate Professor -
Film Reference Guide
REFERENCE GUIDE THIS LIST IS FOR YOUR REFERENCE ONLY. WE CANNOT PROVIDE DVDs OF THESE FILMS, AS THEY ARE NOT PART OF OUR OFFICIAL PROGRAMME. HOWEVER, WE HOPE YOU’LL EXPLORE THESE PAGES AND CHECK THEM OUT ON YOUR OWN. DRAMA 1:54 AVOIR 16 ANS / TO BE SIXTEEN 2016 / Director-Writer: Yan England / 106 min / 1979 / Director: Jean Pierre Lefebvre / Writers: Claude French / 14A Paquette, Jean Pierre Lefebvre / 125 min / French / NR Tim (Antoine Olivier Pilon) is a smart and athletic 16-year- An austere and moving study of youthful dissent and old dealing with personal tragedy and a school bully in this institutional repression told from the point of view of a honest coming-of-age sports movie from actor-turned- rebellious 16-year-old (Yves Benoît). filmmaker England. Also starring Sophie Nélisse. BACKROADS (BEARWALKER) 1:54 ACROSS THE LINE 2000 / Director-Writer: Shirley Cheechoo / 83 min / 2016 / Director: Director X / Writer: Floyd Kane / 87 min / English / NR English / 14A On a fictional Canadian reserve, a mysterious evil known as A hockey player in Atlantic Canada considers going pro, but “the Bearwalker” begins stalking the community. Meanwhile, the colour of his skin and the racial strife in his community police prejudice and racial injustice strike fear in the hearts become a sticking point for his hopes and dreams. Starring of four sisters. Stephan James, Sarah Jeffery and Shamier Anderson. BEEBA BOYS ACT OF THE HEART 2015 / Director-Writer: Deepa Mehta / 103 min / 1970 / Director-Writer: Paul Almond / 103 min / English / 14A English / PG Gang violence and a maelstrom of crime rock Vancouver ADORATION A deeply religious woman’s piety is tested when a in this flashy, dangerous thriller about the Indo-Canadian charismatic Augustinian monk becomes the guest underworld. -
To the Top of Parks Canada
To the top of Parks Canada As Parks Canada’s centennial celebrations were getting underway, the agency’s chief executive officer, Alan Latourelle (pictured in Torngat Mountains National Park in Labrador), sat down for a conversation with the editors of Canadian Geographic. The complete interview appears here: CG Give us a sense of what the centennial of Parks Canada means for the agency. A.L. For Parks Canada, and for Canada, it is really celebrating the first national park organization in the world. This is a country that had the foresight and leadership to be the first to build an exceptional system of natural and heritage places. J. B. Harkin [first commissioner of the Dominion Parks Branch in 1911] and others before us set the way for a system plan that is representative of our country. So, for me, it is a celebration of who we are as Canadians and of the foresight and leadership of past heads of Parks Canada and past prime ministers. CG How do you go about celebrating that? Tell us about some of the events planned for 2011 that will bring that to life? A.L. It started this weekend with Winterlude here in Ottawa, where the opening ceremony included a project called the National Parks Project. Fifty musicians and filmmakers from Canada went through our national parks last summer and each produced a one‐hour documentary. Some of the best were being showcased at Winterlude. We want to connect Canadians to their stories, to our national parks, to our national historic sites, and invite them to celebrate with us. -
Michael Farnan NCN Thesis Text Body Final
The New Canadian Naturalist A thesis submitted to the College of Graduate Studies and Research in partial fulfillment of the requirements for the Degree of Master of Fine Arts in the Department of Art and Art History, University of Saskatchewan, Saskatoon. By Michael Farnan © Copyright Michael Farnan, October 2011. All rights reserved. PERMISSION TO USE In presenting this thesis in partial fulfillment of the requirements for a graduate degree from the University of Saskatchewan, I agree that the Libraries of this University may make it freely available for inspection. I further agree that permission for copying of this thesis in any manner, in whole or in part, for scholarly purposes may be granted by the professor or professors who supervised my thesis work or, in their absence, by the Head of the Department or the Dean of the College in which my thesis work was done. It is understood that any copying or publication or use of this thesis or parts thereof for financial gain shall not be allowed without my written permission. It is also understood that due recognition shall be given to me and to the University of Saskatchewan in any scholarly use which may be made of any material in my thesis. Requests for permission to copy or to make other uses of materials in this thesis in whole or part should be addressed to: Head of the Department of Art and Art History University of Saskatchewan Saskatoon, Saskatchewan S7N 5A4 Canada OR Dean College of Graduate Studies and Research University of Saskatchewan 107 Administration Place Saskatoon, Saskatchewan S7N 5A2 Canada i ACKNOWLEDGEMENTS I would like to thank my Supervisor Jennifer Crane for all her support and guidance, as well a big thanks to my committee members, Mary Longman and Keith Bell, and my external advisor Nancy Van Styvendale. -
Yorkton Community Profile
Yorkton Terriers (SJHL Hockey) 2014 RBC Cup Champions COMMUNITY PROFILE PROGRESSIVE RESOURCEFUL INSIGHTFUL THRIVING A MESSAGE FROM MAYOR BOB MALONEY Our community has the third largest trading area in amenities are just a few of the reasons why Yorkton is Saskatchewan and is the economic centre of east- one of the best places to live, visit, work, and invest. central Saskatchewan. The over 19,000 residents enjoy excellent schools, first-rate health care, great recreational MoneySense Magazine in 2015 ranked our community opportunities, and quality housing that is affordable to a as the fourth best community to live in Saskatchewan variety of incomes. and 86th out of 209 communities across Canada. Come see why Yorkton is a great place to live, work and play. Our growing and diverse economy provides endless You’ll be at home from the first hello! opportunities for new businesses and investment. A well educated and skilled workforce, moderate property I believe in sustainable growth through responsible taxes, and stable commercial, industrial and residential community development, and Yorkton is making sectors have fostered Yorkton’s emergence as one of tremendous progress in becoming one of the most Saskatchewan’s most promising economic regions. The sustainable communities in Saskatchewan through our presence of a thriving artistic, cultural and recreational outstanding efforts. scene provides many opportunities for children and adults alike. The City of Yorkton boasts more than twenty WE INVITE YOU TO CREATE AND BUILD YOUR parks and recreation areas offering many opportunities DREAMS HERE IN A COMMUNITY OF ENDLESS to enjoy the outdoors year round. OPPORTUNITIES. -
65Yearsbook.Pdf
yorkton film festival 65 Years of film 1 Table of Contents 1937 – 1947: Beginnings – The Yorkton Film Council ……………………………………………………………………………2 1947 – 1960: The Yorkton Film Council Goes to Work ……………………………………………………………………………4 The Projectionist – Then and Now ……………………………………………………………………………6 The 1950s: Yorkton Film Council Screenings – Indoors and Out ……………………………………………………………………………7 1955: Good on You, Yorkton ……………………………………………………………………………9 1947: The Formation of the International Film Festival ……………………………………………………………………………10 1950s: The First International Festival ……………………………………………………………………………11 1952: The Ongoing Story ……………………………………………………………………………13 1954: Why Not Yorkton? ……………………………………………………………………………14 1950 – 1954: The People’s Choice ……………………………………………………………………………15 1956: The Russians Are Coming ……………………………………………………………………………16 1957: Fire! ……………………………………………………………………………18 1957: National Recognition ……………………………………………………………………………20 1960s: An End and a Beginning ……………………………………………………………………………20 1969 – 1979: Change ……………………………………………………………………………21 1969 – 1979: Change – Film, Food, and Fun ……………………………………………………………………………26 1969 – 1979: Change – “An Eyeball Blistering Task” ……………………………………………………………………………26 1969 – 1979: Change – The Cool Cats ……………………………………………………………………………28 1969 – 1979: Change – Money was a Good Thing! It Still Is… ……………………………………………………………………………29 1969 – 1979: Change – Learning the Trade ……………………………………………………………………………31 1971: A Message to Venice ……………………………………………………………………………32 1958 and 1977: The Golden Sheaf ……………………………………………………………………………33 -
264 March 1988
RESEARCH BULLETIN No. 264 March 1988 Parks Canada Archaeology in Western Region, 1984 Introduction The Western Region Archaeological Research Unit of Parks Canada administered 90 projects in Alberta and British Columbia in 1984 ( See Table 1). All projects were under the financial management and administrative responsibility of the Regional Archaeologist of the Historical and Archaeological Research Section. Projects were completed through utilization of in-house resources, under contract, or through special agreements. This was an increase of 54 per cent over projects covered under permit in 1983. Seventy-two projects were associated with various National Parks and National Historic Parks and Sites in Alberta while 18 projects were related to British Columbia parks and sites. Of these, 57 involved HRIAs (areal and linear site surveys and assessments), eight mitigations (salvage and conservation archaeology involving major or test excavations) and 25 special projects (support activities, special studies, overviews and research). Most of the heritage resources impact and assessment projects were conducted by Regional Salvage Archaeologist Ian Sumpter. Studies were completed in Elk Island, Waterton Lakes, Jasper, Yoho, Glacier and Banff National Parks. Project Archaeologist Rod Pickard completed three short-term mitigative projects in Jasper National Park at the mining community of Environment Environnement Cette publication est disponible en français. Canada Canada Parks Pares -2- Pocahontas (ca. 1908-21), the fur trade site of Jasper House (ca. 1830-84), and at two prehistoric sites (FfQm-26, FfQm-34) on Patricia Lake. Major investigations were continued at the early man Vermilion Lakes Site in Banff National Park under the direction of Project Archaeologist Daryl Fedje and assisted by Senior Research Assistant Jim White. -
Film Catalogue an Initiative Africa Supported Program
Film Catalogue An Initiative Africa supported Program The Addis International Film Festival brings to Addis Ababa and major cities of Ethiopia some of the best local and international documentary films and film makers. This year again we plan to screen over 40 thought provoking, entertaining and unforgettable films set across screens at the Italian Cultural Institute and Hager Fiker Theater. The Festival is also dedicated to show casing films made by young Ethiopian film makers. As a non-profit organization Initiative Africa relies on you to help bring the festival to life by making contributions, sponsoring and providing in-kind services and materials. The AIFF is grateful for your support and look forward to welcome you in April 2017. +251 11 662 26 40/41 [email protected] www.addisfilmfestival.org MESSAGE from the ORGANIZERS This year again we are pleased to come together to the 2017 Addis International Film Festival (AIFF), the annual event organized under the auspices of Initiative Africa, a local NGO working to help reduce poverty and broaden the participation of women in decision making. As always, AIFF remains a powerful tool for raising awareness of social issues and social justice wherever those struggles take place in the world. This year AIFF celebrates its Eleventh Edition from April 28- May 3,2017 by adopting the thematic program “Understanding the World of Refugees” and screening over 50 award winning films, from Ethiopia, USA, Italy ,Syria, Nigeria, Austria, France, Australia and more, and exposing thought provoking, inspiring and unforgettable films, set across two screens at Hager Fiker Theater and Italian Cultural Institute. -
Programme De Développement
PROGRAMME DE DÉVELOPPEMENT/DEVELOPMENT PROGRAM Liste des festivals admissibles pour le volet autochtone et le volet destiné aux Noirs et aux Personnes de couleur/ List of Qualifying Festivals for the Indigenous Stream and the Stream for Black and People of Colour • AFI Docs Film Festival, • AFI FEST - American Film Institute (Los Angeles) • African Movie Festival in Manitoba • Afro Prairie Film Festival • Alianait Arts Festival • American Black Film Festival (Miami) • American Indian Film Festival • Annecy International Animated Film Festival - Festival International du Film d’Animation Annecy • Arica Nativa International Rural + Indigenous Film Festival • Asinabka Film & Media Arts Festival • Atlanta Film Festival • Available Light Film Festival • Banff Mountain Film Festival • Banff World Media Festival • Barrie Film Festival • Beijing International Film Festival • Berlin International Film Festival • BFI London Film Festival • Big Sky Documentary Film Festival • Bleak Midwinter Film Festival • Blood in the Snow Canadian Film Festival • Bloody Horror International Film Festival • Boomerang Festival • Brussels International Fantastic Film Festival • Bucheon (previously Puchon) International Fantastic Film Festival (BiFan) – • Buenos Aires Festival Internacional de Cine Independiente - BAFICI - Buenos Aires International Festival of Independent Cinema • BUFF Malmö Film Festival • Busan International Film Festival Eligible • Calgary Independent Film Festival • Calgary International Film Festival • Calgary Underground Film Festival • California -
2018 Documentary Audience Research
Introduction QUESTIONNAIRE REFERENCE: Q1 1 2018 DOCUMENTARY AUDIENCE RESEARCH September, 2018 Acknowledgements 2 Hot Docs wishes to thank the funders of this study: Ontario Creates, Telefilm Canada, and the National Film Board of Canada. Any opinions, findings, conclusions, or recommendations expressed in this material are those of the author and do not necessarily reflect the views of Ontario Creates, Telefilm Canada, the National Film Board of Canada, the Government of Ontario, or the Government of Canada. The Governments of Ontario and Canada and their agencies are in no way bound by the recommendations contained in this document. Hot Docs also thanks the following outreach partners for their assistance with the promotion of the national online survey: ArtsLink NB, Atlantic International Film Festival, Available Light Film Festival, Belleville Downtown DocFest, BC Alliance for Arts + Culture, Calgary International Film Festival, Creative BC, DOXA Documentary Film Festival, The Harvard Seal Documentary Film Club, imagineNATIVE Film Festival, Inside Out, Knowledge Network, Lunenburg Doc Fest, National Film Board of Canada, National Screen Institute, NorthwestFest, Nunavut Film Development Corporation, Reel Asian International Film Festival, Rencontres internationales du documentaire de Montréal, TVO, Vancouver International Film Festival, and Yorkton Film Festival. Table of Contents 3 4 Introduction 5 Respondent Profile 6 Key Findings 11 Viewership Frequency 15 Viewership Sources 20 Viewership Location 22 Viewership Format 23 Discovering Documentaries 27 Picking a Documentary 36 Paying for Documentaries 40 Social Media 42 Conclusion Introduction 4 PREAMBLE What came next? Filmmakers make documentaries for audiences, plain and simple, but in such a rapidly changing marketplace, Four years later, we found ourselves in a changing marketplace and digital landscape.