Issue 42 Spring 2011 Compassionate Conservation by Camilla Fox Life in the Puppy Lane at Wolf Park USA
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Martin Fido 1939–2019
May 2019 No. 164 MARTIN FIDO 1939–2019 DAVID BARRAT • MICHAEL HAWLEY • DAVID pinto STEPHEN SENISE • jan bondeson • SPOTLIGHT ON RIPPERCAST NINA & howard brown • THE BIG QUESTION victorian fiction • the latest book reviews Ripperologist 118 January 2011 1 Ripperologist 164 May 2019 EDITORIAL Adam Wood SECRETS OF THE QUEEN’S BENCH David Barrat DEAR BLUCHER: THE DIARY OF JACK THE RIPPER David Pinto TUMBLETY’S SECRET Michael Hawley THE FOURTH SIGNATURE Stephen Senise THE BIG QUESTION: Is there some undiscovered document which contains convincing evidence of the Ripper’s identity? Spotlight on Rippercast THE POLICE, THE JEWS AND JACK THE RIPPER THE PRESERVER OF THE METROPOLIS Nina and Howard Brown BRITAIN’S MOST ANCIENT MURDER HOUSE Jan Bondeson VICTORIAN FICTION: NO LIVING VOICE by THOMAS STREET MILLINGTON Eduardo Zinna BOOK REVIEWS Paul Begg and David Green Ripperologist magazine is published by Mango Books (www.MangoBooks.co.uk). The views, conclusions and opinions expressed in signed articles, essays, letters and other items published in Ripperologist Ripperologist, its editors or the publisher. The views, conclusions and opinions expressed in unsigned articles, essays, news reports, reviews and other items published in Ripperologist are the responsibility of Ripperologist and its editorial team, but are those of the authors and do not necessarily reflect the views, conclusions and opinions of doWe not occasionally necessarily use reflect material the weopinions believe of has the been publisher. placed in the public domain. It is not always possible to identify and contact the copyright holder; if you claim ownership of something we have published we will be pleased to make a proper acknowledgement. -
Star Trek" Mary Jo Deegan University of Nebraska-Lincoln, [email protected]
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by UNL | Libraries University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Sociology Department, Faculty Publications Sociology, Department of 1986 Sexism in Space: The rF eudian Formula in "Star Trek" Mary Jo Deegan University of Nebraska-Lincoln, [email protected] Follow this and additional works at: http://digitalcommons.unl.edu/sociologyfacpub Part of the Family, Life Course, and Society Commons, and the Social Psychology and Interaction Commons Deegan, Mary Jo, "Sexism in Space: The rF eudian Formula in "Star Trek"" (1986). Sociology Department, Faculty Publications. 368. http://digitalcommons.unl.edu/sociologyfacpub/368 This Article is brought to you for free and open access by the Sociology, Department of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Sociology Department, Faculty Publications by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. THIS FILE CONTAINS THE FOLLOWING MATERIALS: Deegan, Mary Jo. 1986. “Sexism in Space: The Freudian Formula in ‘Star Trek.’” Pp. 209-224 in Eros in the Mind’s Eye: Sexuality and the Fantastic in Art and Film, edited by Donald Palumbo. (Contributions to the Study of Science Fiction and Fantasy, No. 21). New York: Greenwood Press. 17 Sexism in Space: The Freudian Formula in IIStar Trek" MARY JO DEEGAN Space, the final frontier. These are the voyages of the starship Enterprise, its five year mission to explore strange new worlds, to seek out new life and new civilizations, to boldly go where no man has gone before. These words, spoken at the beginning of each televised "Star Trek" episode, set the stage for the fan tastic future. -
The Final Solution (1976)
When? ‘The Autumn of Terror’ 1888, 31st August- 9th November 1888. The year after Queen Victoria’s Golden jubilee. Where? Whitechapel in the East End of London. Slum environment. Crimes? The violent murder and mutilation of women. Modus operandi? Slits throats of victims with a bladed weapon; abdominal and genital mutilations; organs removed. Victims? 5 canonical victims: Mary Ann Nichols; Annie Chapman; Elizabeth Stride; Catherine Eddowes; Mary Jane Kelly. All were prostitutes. Other potential victims include: Emma Smith; Martha Tabram. Perpetrator? Unknown Investigators? Chief Inspector Donald Sutherland Swanson; Inspector Frederick George Abberline; Inspector Joseph Chandler; Inspector Edmund Reid; Inspector Walter Beck. Metropolitan Police Commissioner Sir Charles Warren. Commissioner of the City of London Police, Sir James Fraser. Assistant Commissioner of the Metropolitan CID, Sir Robert Anderson. Victim number 5: Victim number 2: Mary Jane Kelly Annie Chapman Aged 25 Aged 47 Murdered: 9th November 1888 Murdered: 8th September 1888 Throat slit. Breasts cut off. Heart, uterus, kidney, Throat cut. Intestines severed and arranged over right shoulder. Removal liver, intestines, spleen and breast removed. of stomach, uterus, upper part of vagina, large portion of the bladder. Victim number 1: Missing portion of Mary Ann Nicholls Catherine Eddowes’ Aged 43 apron found plus the Murdered: 31st August 1888 chalk message on the Throat cut. Mutilation of the wall: ‘The Jews/Juwes abdomen. No organs removed. are the men that will not be blamed for nothing.’ Victim number 4: Victim number 3: Catherine Eddowes Elizabeth Stride Aged 46 Aged 44 th Murdered: 30th September 1888 Murdered: 30 September 1888 Throat cut. Intestines draped Throat cut. -
Curse Upon Mitre Square
THETHE CURSECURSE UPONUPON MITREMITRE SQUARESQUARE BY J.F. BREWER, 1888 INTRODUCTION BY CINDY COLLINS SMITH, 2002 THE CURSE UPON MITRE SQUARE BY J.F. BREWER, 1888 INTRODUCTION BY CINDY COLLINS SMITH, 2002 published 2002 by THE CURSE UPON MITRE SQUARE Earlier print editions of this book published by: Simpkin, Marshall and Co., 1888 (London); John W. Lovell Co., 1889 (New York); Private printing, 1999. Current eBook edition: Introduction and Book Design, Copyright © 2002 by Cindy Collins Smith. All Rights Re- served. ISBN 0-9727448-0-0 www.hollywoodripper.com Map of Aldgate, from 1888 edition of The Curse upon Mitre Square Locations mentioned in this book, such as the Holy Trinity Priory and the Mitre Tavern, really did exist during the eras discussed. The Mitre Tavern still exists today. TABLE OF CONTENTS Introduction Book I—The Tragedies in the Church of Holy Trinity, Aldgate Chapter 1. The Neophyte Chapter 2. The Stolen Meeting Chapter 3. Passion Exultant! Chapter 4. The Cell Chapter 5. The Tragedies at the High Altar Chapter 6. Annihilation of the Monastery Book II—Two Centuries After Chapter 1. Rumours of the Apparition Chapter 2. Merry-Making at the ‘Mitre’ Tavern Chapter 3. The Ghost Avenged Chapter 4. In Moorfields Book III—The “Year of Grace,” 1888 Chapter 1. Whitechapel Road by Day Chapter 2. Aldgate at Night INTRODUCTION OKAY, everything you’ve heard is true. The Curse Upon Mitre Square is a pulpy piece of exploitation trash. Think Elvis clones. Think Alien advisors to the White House. Think Batboy. Think entertainment value. Written and published in October 1888, this first piece of Jack the Ripper fiction exploits the recent and ghastly murder of Catherine Eddowes in Mitre Square, but makes no pretense of actually solving the Ripper case. -
Jack the Ripper in Film and Culture
Jack the Ripper in Film and Culture Top Hat, Gladstone Bag and Fog Clare Smith General Editor: Clive Bloom Crime Files Series Editor Clive Bloom Emeritus Professor of English and American Studies Middlesex University London Since its invention in the nineteenth century, detective fi ction has never been more popular. In novels, short stories, fi lms, radio, television and now in computer games, private detectives and psychopaths, poisoners and overworked cops, tommy gun gangsters and cocaine criminals are the very stuff of modern imagination, and their creators one mainstay of popular consciousness. Crime Files is a ground-breaking series offering scholars, students and discerning readers a comprehensive set of guides to the world of crime and detective fi ction. Every aspect of crime writing, detective fi ction, gangster movie, true-crime exposé, police procedural and post-colonial investigation is explored through clear and informative texts offering comprehensive coverage and theoretical sophistication. More information about this series at http://www.springer.com/series/[14927] Clare Smith Jack the Ripper in Film and Culture Top Hat, Gladstone Bag and Fog Clare Smith University of Wales: Trinity St. David United Kingdom Crime Files ISBN 978-1-137-59998-8 ISBN 978-1-137-59999-5 (eBook) DOI 10.1057/978-1-137-59999-5 Library of Congress Control Number: 2016938047 © The Editor(s) (if applicable) and The Author(s) 2016 The author has/have asserted their right to be identifi ed as the author of this work in accor- dance with the Copyright, Designs and Patents Act 1988. This work is subject to copyright. -
An International Journal of English Studies 26/1 2017
ANGLICA An International Journal of English Studies 26/1 2017 EDITOR Grażyna Bystydzieńska [[email protected]] ASSOCIATE EDITORS Marzena Sokołowska-Paryż [[email protected]] Anna Wojtyś [[email protected]] ASSISTANT EDITORS Katarzyna Kociołek [[email protected]] Magdalena Kizeweter [[email protected]] Przemysław Uściński [[email protected]] ENGLISH LANGUAGE EDITOR Barry Keane [[email protected]] ADVISORY BOARD GUEST REVIEWERS Michael Bilynsky, University of Lviv Dorota Babilas, University of Warsaw Andrzej Bogusławski, University of Warsaw Bartłomiej Błaszkiewicz, University of Warsaw Mirosława Buchholz, Nicolaus Copernicus University, Toruń Maria Błaszkiewicz, University of Warsaw Bernhard Diensberg, University of Bonn Rafał Borysławski, University of Silesia, Katowice Edwin Duncan, Towson University Anna Branach-Kallas, Nicolaus Copernicus University, Toruń Jacek Fabiszak, Adam Mickiewicz University, Poznań Janusz Kaźmierczak, Adam Mickiewicz University, Poznań Jacek Fisiak, Adam Mickiewicz University, Poznań Anna Krawczyk-Łaskarzewska, University of Warmia and Mazury, Olsztyn Ewa Łuczak, University of Warsaw Elzbieta Foeller-Pituch, Northwestern University, Evanston-Chicago Małgorzata Łuczyńska-Hołdys, University of Warsaw Piotr Gąsiorowski, Adam Mickiewicz University, Poznań David Malcolm, University of Gdańsk Keith Hanley, Lancaster University Marek Paryż, University of Warsaw Andrea Herrera, University of Colorado Daniel Reynaud, Avondale College of Higher Education, Australia Christopher Knight, University of Montana Karolina Rosiak, Adam Mickiewicz University, Poznań Marcin Krygier, Adam Mickiewicz University, Poznań Paweł Stachura, Adam Mickiewicz University, Poznań Krystyna Kujawińska-Courtney, University of Łódź Ryszard Wolny, University of Opole Zbigniew Mazur, Marie Curie-Sklodowska University, Lublin Rafał Molencki, University of Silesia, So snowiec John G. Newman, University of Texas Rio Grande Valley Michal Jan Rozbicki, St. -
AMEER BEN ALI NINA and HOWARD BROWN with the Face of ‘Frenchy’
June 2020 No. 167 AMEER BEN ALI NINA AND HOWARD BROWN with the face of ‘Frenchy’ sheilLa JONES AND JIM BURNS MICHAEL HAWLEY • ADAM WOOD • BRUCE COLLIE SPOTLIGHT ON RIPPERCAST VICTORIAN FICTION • PRESS TRAWL the latest book reviewsRipperologist 118 January 2011 1 Ripperologist 167 JUNE 2020 EDITORIAL: CONTEXT IS KING Adam Wood FRANCIS TUMBLETY AND JOHN WILKES BOOTH’S ERRAND BOY Michael L. Hawley THE SWANSON MARGINALIA: MORE SCRIBBLINGS Adam Wood MRS. BOOTH’S MOST UNUSUAL ENQUIRY BUREAU Sheilla Jones and Jim Burns CENTRAL NEWS Bruce Collie Spotlight on Rippercast: THE ROYAL CONSPIRACY A-GO-GO Part One AMEER BEN ALI AND AN ACTOR’S TALE Nina and Howard Brown Press Trawl THE SHORT REIGN OF LEATHER APRON VICTORIAN FICTION Eduardo Zinna BOOK REVIEWS Paul Begg and David Green Ripperologist magazine is published by Mango Books (www.MangoBooks.co.uk). The views, conclusions and opinions expressed in signed articles, essays, letters and other items published in Ripperologist Ripperologist, its editors or the publisher. The views, conclusions and opinions expressed in unsigned articles, essays, news reports, reviews and other items published in Ripperologist are the responsibility of Ripperologist and its editorial team, but are those of the authors and do not necessarily reflect the views, conclusions and opinions of doWe not occasionally necessarily use reflect material the weopinions believe of has the been publisher. placed in the public domain. It is not always possible to identify and contact the copyright holder; if you claim ownership of something we have published we will be pleased to make a proper acknowledgement. The contents of Ripperologist No. -
Reader Engagement in Transmedia Adaptations: Genre, Narration, and Characterization in Legends in Exile and the Wolf Among Us
Reader Engagement in Transmedia Adaptations: Genre, Narration, and Characterization in Legends in Exile and The Wolf Among Us Oubret, Pavla Master’s Thesis Master’s Programme in English Studies Faculty of Arts University of Helsinki April 2021 Abstract Faculty: Faculty of Arts Degree programme: Master's Programme in English Studies Study track: - Author: Oubret, Pavla Title: Reader Engagement in Transmedia Adaptations: Genre, Narration, and Characterization in Legends in Exile and The Wolf Among Us Level: Master's Degree Month and year: April 2021 Number of pages: 53 Keywords: comics, video games, transmedia, multimodality, immersion Where deposited: Helsinki University Main Library Additional information: - Abstract: This thesis examines how readers interact with stories across transmedia adaptations. By comparing three different works, an original comic Legends in Exile, a video game inspired by the comic called The Wolf Among Us, and the game’s adaptation back into a comic of the same name, I provide an insight into how medium affects the way a story is told. In contrasting the two comics and the video game, I demonstrate the impact of the inclusion of direct interaction with the narrative. The two comics are both detective fiction; Legends in Exile is a clue-puzzle and The Wolf Among Us a hard-boiled detective story. I use the concept of schemas in showing how the different generic properties come across in the different works, and how the medium affordances aid or impede the realization of the genre. Kai Mikkonen’s approach to narration in comics, which favors focusing on the relationship between what is shown and how it is shown, and who perceives and where the center of focalization is, reveals that the narration in The Wolf Among Us comic discourages engagement with readers, direct opposite of Legends in Exile. -
DOCUMENT RESUME ED 358 491 CS 503 190 AUTHOR Allen, Sheilah TITLE the World According to Gene Rodenberry. PUB DATE NOTE PUB TYPE
DOCUMENT RESUME ED 358 491 CS 503 190 AUTHOR Allen, Sheilah TITLE The World according to Gene Rodenberry. PUB DATE [93] NOTE 20p. PUB TYPE Guides Classroom Use Teaching Guides (For Teacher) (052) EDRS PRICE MFO1 /PCO1 Plus Postage. DESCRIPTORS English Instruction; Higher Education; Instructional Innovation; *Mass Media Role; Mathematics Instruction; *Popular Culture; Science Instruction; Secondary Education; Time IDENTIFIERS Deep Space 9; *Star Trek; Star Trek the Next Generation; Story Concepts ABSTRACT A teacher of reading across the curriculum uses stories, many based on the television show "Star Trek"or its derivatives "Star Trek: The Next Generation" (STNG) and "Deep Space 9," to illustrate educational theories and practice,. Theteacher began a discussion of the nature of language, meaning and the significance of literacy by discussing an episode of STNG entitled "Darmok" in which an alien race spoke only in metaphor. Humor is present in many episodes of "Star Trek," as wellas concepts like the power of fear. Cultural differences are explored in a number of episodes of STNG. The teacher uses "Star Trek"as an introduction to a lesson and as an impetus for story writing. One of the most enduring qualities of the three series is their focuson problem solving, which can serve as demonstrations for students. The series are also used for teaching the technique of role playing. Episodes of STNG and of "Deep Space 9" can be used to teach contentareas such as English, mathematics, history, physics, chemistry, and biology: "Clues" involves an examination ofspace and time; "Drumhead" involves a Joe McCarthy-like investigator; "Cause and Effect" involves a time loop; "Time's Arrow," involving backward timetravel and Mark Twain; "Emissary" deals with guilt, responsibility,and explaining the nature of time to an immortal-ace; and "The Forsaken" which involves a "shape-shifting" character. -
ORDEM CRONOLÓGICA: 1ª Star Trek: the Original Series (1966-1969
ORDEM CRONOLÓGICA: 1ª Star Trek: The Original Series (1966-1969) 2ª Star Trek: The Next Generation (1987-1993) 3ª Star Trek: Deep Space Nine (1993-1999) 4ª Star Trek: Voyager (1995-2001) 5ª Star Trek: Enterprise (2001-2005) Jornada nas Estrelas: A Série Original (NCC-1701) Temporada 1 (1966-1967) 01. The Cage (1964) (A Jaula) -02. Where No Man Has Gone Before (1965) (Onde Nenhum Homem Jamais Esteve) 03. The Corbomite Maneuver (O Ardil Corbomite) 04. Mudds Women (As Mulheres de Mudd) 05. The Enemy Within (O Inimigo Interior) 06. The Man Trap (O Sal da Terra) 07. The Naked Time (Tempo de Nudez) 08. Charlie X (O Estranho Charlie) 09. Balance of Terror (O Equilíbrio do Terror) 10. What Are Little Girls Made Of? (E as Meninas, de que São Feitas?) 11. Dagger of the Mind (O Punhal Imaginário) 12. Miri (Miri) 13. The Conscience of the King (A Consciência do Rei) 14. The Galileo Seven (O Primeiro Comando) -15. Court Martial (Corte Marcial) 16. The Menagerie, Parts I & II (A Coleção, Partes I & II) 17. Shore Leave (A Licença) 18. The Squire of Gothos (O Senhor de Gothos) -19. Arena (Arena) 20. The Alternative Factor (O Fator Alternativo) 21. Tomorrow Is Yesterday (Amanhã é Ontem) 22. The Return of the Archons (A Hora Rubra) 23. A Taste of Armageddon (Um Gosto de Armagedon) 24. Space Seed (Semente do Espaço) 25. This Side of Paradise (Deste Lado do Paraíso) 26. The Devil in the Dark (Demônio da Escuridão) 27. Errand of Mercy (Missão de Misericórdia) 28. The City on the Edge of Forever (Cidade à Beira da Eternidade) 29. -
SHSU Video Archive Basic Inventory List Department of Library Science
SHSU Video Archive Basic Inventory List Department of Library Science A & E: The Songmakers Collection, Volume One – Hitmakers: The Teens Who Stole Pop Music. c2001. A & E: The Songmakers Collection, Volume One – Dionne Warwick: Don’t Make Me Over. c2001. A & E: The Songmakers Collection, Volume Two – Bobby Darin. c2001. A & E: The Songmakers Collection, Volume Two – [1] Leiber & Stoller; [2] Burt Bacharach. c2001. A & E Top 10. Show #109 – Fads, with commercial blacks. Broadcast 11/18/99. (Weller Grossman Productions) A & E, USA, Channel 13-Houston Segments. Sally Cruikshank cartoon, Jukeboxes, Popular Culture Collection – Jesse Jones Library Abbott & Costello In Hollywood. c1945. ABC News Nightline: John Lennon Murdered; Tuesday, December 9, 1980. (MPI Home Video) ABC News Nightline: Porn Rock; September 14, 1985. Interview with Frank Zappa and Donny Osmond. Abe Lincoln In Illinois. 1939. Raymond Massey, Gene Lockhart, Ruth Gordon. John Ford, director. (Nostalgia Merchant) The Abominable Dr. Phibes. 1971. Vincent Price, Joseph Cotton. Above The Rim. 1994. Duane Martin, Tupac Shakur, Leon. (New Line) Abraham Lincoln. 1930. Walter Huston, Una Merkel. D.W. Griffith, director. (KVC Entertaiment) Absolute Power. 1996. Clint Eastwood, Gene Hackman, Laura Linney. (Castle Rock Entertainment) The Abyss, Part 1 [Wide Screen Edition]. 1989. Ed Harris. (20th Century Fox) The Abyss, Part 2 [Wide Screen Edition]. 1989. Ed Harris. (20th Century Fox) The Abyss. 1989. (20th Century Fox) Includes: [1] documentary; [2] scripts. The Abyss. 1989. (20th Century Fox) Includes: scripts; special materials. The Abyss. 1989. (20th Century Fox) Includes: special features – I. The Abyss. 1989. (20th Century Fox) Includes: special features – II. Academy Award Winners: Animated Short Films. -
SCHEDULE of EVENTS
55 YEAR MISSION LAS VEGAS 2021 - SCHEDULE of EVENTS WHERE’S WHAT? Roddenberry Stage: Brasilia 7, Main Theatre: Pavilion, Photo op pick-up: Miranda 1-4, Photo ops: Miranda 5-8, Quark’s: Brasilia 1-3, Secondary Theatre: Brasilia 4-6, Ten Forward Lounge: Tropical C-D, Original Bridge Set: Palma, Roddenberry Display: Tropical E-H, Lego Display: Tropical A-B COLOR SYSTEM: Red – Main Theatre Programming, Light Blue – Secondary Theatre, Dark Blue – Roddenberry Stage, Green – Autographs, Purple – Photo ops, Orange – VIP schedule, Maroon – Private meet & greets PLEASE MAKE SURE TO SHOW UP AT THE START TIME TO MAKE SURE YOU DON’T MISS ANYTHING! WE CANNOT GUARANTEE A REPLACEMENT OR MAKE UP TIME IF YOU MISS YOUR PHOTO OP OR AUTOGRAPH. Celebrity preferences for Photo ops handout is available at registration Gold & Captain’s Chair pass holders – if you kept your packages from the postponed 2020 show, please visit the Ticket Booth, located at the far right front of the Vendors room to pick up your gift certificate. This schedule is subject to change. Our website will have the most up-to-date schedule. Schedule changes will be noted on the Updates handout, available at registration. REGISTRATION HOURS (ROTUNDA/MAIN ENTRANCE) TUESDAY, AUGUST 10 NOTE: Pre-registration is not a necessity, just a convenience! Get your credentials, wristband and schedule so you don't have to wait again during convention days. VENDORS ROOM WILL BE OPEN TOO so you can get first crack at autograph and photo op tickets as well as merchandise! PRE-REGISTRATION IS ONLY FOR FULL CONVENTION ATTENDEES WITH EITHER GOLD, CAPTAIN’S CHAIR, COPPER OR GA FULL CONVENTION PACKAGE.