The American Values in the Late 1970S As Reflected Through Lee and Austin’S Characteristics Seen in Sam Shepard’S True West
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Sam Shepard's Dramaturgical Strategies Susan
Fall 1988 71 Estrangement and Engagement: Sam Shepard's Dramaturgical Strategies Susan Harris Smith Current scholarship reveals an understandable preoccupation with and confusion over Sam Shepard's most prominent characteristics, his language and imagery, both of which are seminal features of his technical innovation. In their attempts to describe or define Shepard's idiosyncratic dramaturgy, critics variously have called it absurdist, surrealistic, mythic, Brechtian, and even Artaudian. Most critics, too, are concerned primarily with his themes: physical violence, erotic dynamism, and psychological dissolution set against the cultural wasteland of modern America (Marranca, ed.). But in focusing on Shepard's imagery, language, and themes, some critics ignore theatrical performance. Beyond observing that many of Shepard's role-playing characters engage in power struggles with each other, few critics have concerned themselves with Shepard's structural strategies or with the ways in which he manipulates his audience. One who has addressed the issue, Bonnie Marranca, writes: Characters often engage in, "performance": they create roles for themselves and dialogue, structuring new realities. ... It might be called an aesthetics of actualism. In other words, the characters act themselves out, even make them• selves up, through the transforming power of their imagina• tion. An Assistant Professor of English at the University of Pittsburgh and the author of Masks in Modern Drama, Susan Harris Smith is currently working on a book on American drama. A shorter version of this article was presented at the South• eastern Modern Languages Association in 1985. 72 Journal of Dramatic Theory and Criticism Because the characters are so free of fixed reality, their imagination plays a key role in the narratives. -
True West Study Guide in Context 2
True West Study Guide by Course Hero who long to change their lives. This West is a rugged, romantic, What's Inside but often violent place where people are free to reinvent themselves. The play questions whether this idealized version of the West is real or true and ultimately suggests that the idea j Book Basics ................................................................................................. 1 of a true west is a fantasy. d In Context ..................................................................................................... 1 a Author Biography ..................................................................................... 3 d In Context h Characters .................................................................................................. 4 k Plot Summary ............................................................................................. 7 Shepard's "Double Nature" c Scene Summaries .................................................................................. 12 Austin and Lee, the brothers and main characters in True West, g Quotes ........................................................................................................ 25 are often considered one another's "doubles," or two sides of l Symbols ...................................................................................................... 27 the same person. "I wanted to write a play about double nature," Shepard said about the writing of True West. He m Themes ..................................................................................................... -
Buried Child by Sam Shepard
MEDIA CONTACT: Bernie Fabig, Marketing & Publicity Manager 310-756-2428 • [email protected] The third production of A Noise Within’s 2019-2020 Season: THEY PLAYED WITH FIRE Buried Child By Sam Shepard Directed by Julia Rodriguez-Elliott Oct. 19 – Nov. 23, 2019 Pasadena, Calif. (Oct. 19, 2019) – A Noise Within (ANW), California’s acclaimed classic repertory theatre company, is proud to present Sam Shepard’s Pulitzer Prize-winning Buried Child, directed by ANW Producing Artistic Director Julia Rodriguez-Elliott. Shepard’s remarkable masterpiece Buried Child will run Oct. 13 through Nov. 23, 2019 with press performances on Saturday, Oct. 19 at 8 p.m. and Sunday, Oct. 20 at 2 p.m. Set in America’s heartland, Sam Shepard’s powerful Pulitzer Prize-winning play details, with wry humor, the disintegration of the American Dream. When 22-year-old Vince unexpectedly shows up at the family farm with his girlfriend Shelly, no one recognizes him. So begins the unraveling of dark secrets. A surprisingly funny look at disillusionment and morality, Shepard’s masterpiece is the family reunion no one anticipated. “Buried Child is wickedly funny,” said Producing Artistic Director Julia Rodriguez-Elliott. “Sam Shepard has an uncanny way of bringing out the humor in dysfunction. There’s something familiar, yet not familiar about this family. It’s at once disconcertingly recognizable and inexplicably strange.” - more - MEDIA CONTACT: Bernie Fabig, Marketing & Publicity Manager 310-756-2428 • [email protected] In Buried Child, comedy meets the absurd in a bizarre twist on the family drama that scorches with a powerful commentary on the “American Dream” and what happens when a community simmers in neglect, resentment, and disowned memory. -
A Critical Study of the Family Crises in Sam Shepard’S Buried Child and True West
ABSTRACT RITUALS AND MYTHS: A CRITICAL STUDY OF THE FAMILY CRISES IN SAM SHEPARD’S BURIED CHILD AND TRUE WEST In this thesis, I examine two plays by Sam Shepard, Buried Child and True West, and how the family crises in each culminate in an act of ritual. Applying the framework of Rene Girard, I explore how these two plays express Girard’s theory of the role of ritual sacrifice in communities—specifically, that rituals can be traced back to an ancient act of sacrifice in which a community killed a scapegoated victim to maintain social cohesion and de-escalate the growing antagonism that threatened their society. Writing in the late 70s, Shepard’s work can be seen as a commentary on the Vietnam War. His work at this time reflects an American society that was increasingly aware of the sacrifices deemed necessary to maintain American exceptionalism. Shepard’s plays depict moments of ritual, but also confront the audience with their inherent violence and injustice. He works to deconstruct social myths that conceal this truth, particularly the “social myth” of traditional family roles. Ultimately, Shepard exposes the violence weaved into the social fabric of America, but also confronts the chaos that could erupt if that social fabric were to unravel. Nicholas Wogan May 2019 RITUALS AND MYTHS: A CRITICAL STUDY OF THE FAMILY CRISES IN SAM SHEPARD’S BURIED CHILD AND TRUE WEST by Nicholas Wogan A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in English in the College of Arts and Humanities California State University, Fresno May 2019 APPROVED For the Department of English: We, the undersigned, certify that the thesis of the following student meets the required standards of scholarship, format, and style of the university and the student's graduate degree program for the awarding of the master's degree. -
The Inventory of the Sam Shepard Collection #746
The Inventory of the Sam Shepard Collection #746 Howard Gotlieb Archival Research Center Shepard, Srun Sept,1~77 - Jan,1979 Outline of Inventory I. MANUSCRIPTS A. Plays B. Poetry c. Journal D. Short Prose E. Articles F. Juvenilia G. By Other Authors II. NOTES III. PRINTED MATTER A, By SS B. Reviews and Publicity C. Biographd:cal D. Theatre Programs and Publicity E. Miscellany IV. AWARDS .•, V. FINANCIAL RECOR.EB A. Receipts B. Contracts and Ageeements C. Royalties VI. DRAWINGS AND PHOTOGRAPHS VII. CORRESPONDENCE VIII.TAPE RECORDINGS Shepard, Sam Box 1 I. MANUSCRIPTS A. Plays 1) ACTION. Produced in 1975, New York City. a) Typescript with a few bolo. corr. 2 prelim. p., 40p. rn1) b) Typescript photocopy of ACTION "re-writes" with holo. corr. 4p. marked 37640. (#2) 2) ANGEL CITY, rJrizen Books, 1976. Produced in 1977. a) Typescript with extensive holo. corr. and inserts dated Oct. 1975. ca. 70p. (ft3) b) Typescript with a few holo. corr. 4 prelim. p., 78p. (#4) c) Typescript photocopy with holo. markings and light cues. Photocopy of r.ouqh sketch of stage set. 1 prelim. p., 78p. ms) 3) BURIED CHILD a) First draft, 1977. Typescript with re~isions and holo. corr. 86p. (#6) b) Typescript revisions. 2p. marked 63, 64. (#6) 4) CALIFORNIA HEART ATTACK, 1974. ,•. ' a) Typescript with holo. corr. 23p. (#7) ,, 5) CURSE OF THE STARVING CLASS, Urizen Books, 1976. a) Typescript with holo. corr. 1 prelim. p., 104p. ms) b) Typescript photocopy with holo. corr. 1 prelim. p. 104p. (#9) c) Typescript dialogue and stage directions, 9p. numbered 1, 2, and 2-8. -
Collection of Playwright Sam Shepard Obtained by University of Texas Libraries AUSTIN, Texas–An Archival Collection of Materia
For more information contact: Travis Willmann 495-4644 [email protected] or Doug Barnett 512-495-4388 [email protected] Collection of playwright Sam Shepard obtained by University of Texas Libraries AUSTIN, Texas–An archival collection of materials by Pulitzer Prize-winning playwright, actor and author Sam Shepard has been acquired by the University of Texas Libraries. The archive contains materials from the latter part of Shepard’s career as author, playwright and actor, roughly from the late 1970s to the present, and includes manuscripts, film scripts, correspondence, volumes from his personal library, awards and other personal items. The archive will be part of the Fine Arts Library special collections. “Sam Shepard is an American original, a vision and voice that for 40 years has been unconfined by genre or convention,” says interim Dean of the College of Fine Arts Doug Dempster. “The University of Texas at Austin is thrilled to have the Shepard archive available for research and for use in our theatre and play writing programs.” Shepard has written more than 40 plays and five screenplays, receiving numerous accolades, including eleven Obie Awards. Among his most notable dramas are “Buried Child (1979),” “La Turista” (1967), “Curse of the Starving Class” (1978) and “True West” (1980). Though considered one of the preeminent contemporary American playwrights, Shepard is perhaps better known for his various acting roles in such notable films as “Days of Heaven” (1978), “The Right Stuff” (1983) and “Crimes of the Heart” (1987). For his role as Chuck Yeager in “The Right Stuff,” Shepard was nominated for the Best Supporting Actor award by the Academy of Motion Picture Arts and Sciences. -
Sam Shepard's Buried Child : in Search of Archetypal Family
Sam Shepard's Buried child : in search of archetypal family 著者 Endo Yukihide journal or 滋賀医科大学基礎学研究 publication title volume 1 page range 24-36 year 1990-03 その他の言語のタイ サム・シェパード作『埋められた子ども』 : 「家 トル 族」の原型を求めて サム シェパード サク ウメラレタ コドモ : カゾ ク ノ ゲンケイ ヲ モトメテ URL http://hdl.handle.net/10422/1168 Bulletin of Shiga University of Medical Science (General Education) 1:23-35, 1990) Sam Shepard's Buried Child: In Search of Archetypal Family Yukihide Endo Sam Shepard belongs to the generation that have had to face certain realties about "the American Dream." But this compromised dream about the new-found land has not been entirely forgotten, and still seems to be held, however imperfect it is. Shepard is not an exception in this, and retains some visions of being an American. In Buried Child he focuses on a "family which can be taken to represent the ideal American family. His attention is directed to a region which, though it appears to be realistic in comparison with those in his earlier pieces, is by no means easily locatable in the everyday world. I Basically speaking, the characters in Shepard's plays, however easygoing they sound, have a more or less moralistic view of life. They seem not to care about their own thoughts and actions. In spite of their apparent nonchalance, however, they are driven by a certain serious passion of which they themselves are almost unconscious. This is true of the characters in Buried Child and Curse of the Starving Class in particular. This passion drives them into suffering a sort of state of starvation, which is not physical but spiritual; the very title of the latter is suggestive of this. -
Mccorkle Casting LTD FILM
McCorkle Casting LTD Pat McCorkle, CSA FILM THE MURPHYS (In production. Independent Feature; Producer(s): The Murphy's LLC). Director: Kaitlan McGlaughlin. BERNARD & HUEY (In production. Independent Feature; Producer(s): Dan Mervish/Bernie Stein). Director: Dan Mervish. AFTER THE SUN FELL (Post Production. Independent feature; Producer(s): Joanna Bayless). Director: Tony Glazer. Starring: Lance Henriksen, Chasty Ballesteros, Danny Pudi. FAIR MARKET VALUE (Post Production. Feature ; Producer(s): Judy San Romain). Director: Kevin Arbouet. Starring: Jerry Adler, D.C. Anderson, Michael J. Arbouet. YEAR BY THE SEA (Festival circuit. Feature; Producer(s): Montabella Productions ). Director: Alexander Janko. Starring: Karen Allen, Yannick Bisson, Michael Cristofer. CHILD OF GRACE (Lifetime Network Feature; Producer(s): Empathy + Pictures/Sternamn Productions). Director: Ian McCrudden. Starring: Ted Lavine, Maggy Elizabeth Jones, Michael Hildreth. POLICE STATE (Independent Feature; Producer(s): Edwin Mejia\Vlad Yudin). Director: Kevin Arbouet. Starring: Sean Young, Seth Gilliam, Christina Brucato. MY MAN IS A LOSER (Lionsgate, Step One Entertainment; Producer(s): Step One of Many/Imprint). Director: Mike Young. Starring: John Stamos, Tika Sumpter, Michael Rapaport. PREMIUM RUSH (Columbia Pictures; Producer(s): Pariah). Director: David Koepp . Starring: Joseph Gordon-Levitt, Jamie Chung, Michael Shannon. JUNCTION (Movie Ranch; Producer(s): Choice Films). Director: Tony Glazer. Starring: David Zayas, Michael O'Keefe, Anthony Rapp. GHOST TOWN* (Paramount Pictures; Producer(s): Dreamworks SKG). Director: David Koepp. Starring: Ricky Gervais, Tea Leoni, Greg Kinnear. WAR EAGLE (Empire Film; Producer(s): Downstream Productions). Director: Robert Milazzo. Starring: Brian Dennehy, Mary Kay Place, Mare Winningham. FUNNY MONEY (THINKFilm; Producer(s): Tobebo Film Productions). Director: Leslie Grief. Starring: Chevy Chase, Penelope Ann Miller. -
BURIED CHILD: Know-The-Show Guide
The Shakespeare Theatre of New Jersey BURIED CHILD: Know-the-Show Guide Buried Child By Sam Shepard Directed by Paul Mullins Know-the-Show Audience Guide Researched and written by the Education Department of The Shakespeare Theatre of New Jersey Artwork by Scott McKowen. The Shakespeare Theatre of New Jersey BURIED CHILD: Know-the-Show Guide In This Guide – The Life of Sam Shepard ....................................................................................... 2 – Sam Shepard & Buried Child ................................................................................ 4 – Buried Child: A Synopsis ...................................................................................... 5 – Who’s Who in Buried Child ................................................................................. 6 – Quotable Shepard ................................................................................................ 7 – The Plays of Sam Shepard .................................................................................... 8 – Sam Shepard: Selected Filmography .................................................................... 8 – Explore Online: Links .......................................................................................... 9 – Commentary and Criticism ................................................................................ 10 – In This Production .............................................................................................. 11 – Sources and Further Reading ............................................................................ -
ABSTRACT a Director's Approach to Sam Shepard's True West Rob Yoho, MFA Mentor
ABSTRACT A Director’s Approach to Sam Shepard’s True West Rob Yoho, M.F.A. Mentor: David J. Jortner, Ph.D. Sam Shepard’s True West is a black comedy that tells the story of Austin and Lee, two brothers leading vastly different lives who meet unexpectedly at their mother’s home in suburban Los Angeles, and through a series of increasingly surreal events, attempt to assume the identity of the other. This thesis surveys and critiques the research and practical phases of Baylor University’s May, 2015 mainstage production of this play. Chapter One examines the life and works of Sam Shepard with special attention given to True West’s critical legacy and major productions. Chapter Two analyzes Shepard’s play and applies relevant critical theory to his text. Chapters Three and Four chronicle the application of this analysis and theory to directing the play and collaborating with actors and designers. Finally, Chapter Five assesses the production’s strengths and weaknesses. A Director's Approach to Sam Shepard's True West by Rob Yoho, B.A. A Thesis Approved by the Department of Theatre Arts Stan C. Denman, Ph.D., Chairperson Submitted to the Graduate Faculty of Baylor University in Partial Fulfillment of the Requirements for the Degree of Master of Fine Arts Approved by the Thesis Committee David J. Jortner, Ph.D., Chairperson DeAnna M. Toten Beard, M.F.A., Ph.D. Marion D. Castleberry, Ph.D. Christopher M. Rios, Ph.D. Accepted by the Graduate School August 2015 J. Larry Lyon, Ph.D., Dean Page bearing signatures is kept on file in the Graduate School. -
Visions of the True West: Sam Shepard, Identity and Myth Juan A
nº 17, November 2004 Departamento de Filología Inglesa Universidad de Alicante ISSN 0214-4808 ● CODEN RAEIEX Editor Emeritus Pedro Jesús Marcos Pérez Editors José Mateo Martínez and Francisco Yus Assistant Editor Judith Williams Editorial Board Asunción Alba (UNED) ● Enrique Alcaraz Varó (University of Alicante) ● Román Álvarez (University of Salamanca) ● Norman F. Blake (University of Sheffi eld) ● Juan de la Cruz (University of Málaga) ● Bernd Dietz (University of La Laguna) ● Angela Downing (University of Madrid, Complutense) ● Francisco Fernández (University of Valen cia) ● Fernando Galván (University of Alcalá) ● Francisco García Tortosa (University of Seville) ● Pedro Guardia (University of Barcelona) ● Ernst-August Gutt (SIL) ● Pilar Hidalgo (Univer sity of Málaga) ● Ramón López Ortega (University of Extremadura) ● Catalina Montes (Uni versity of Salamanca) ● Susana Onega (University of Zaragoza) ● Julio C. Santoyo (University of León) ● John Sinclair (Uni versity of Birmingham) Advisory Board Manuel Almagro Jiménez (University of Seville) ● José Antonio Álvarez Amorós (University of La Coruña) ● José Ramón Belda Medina (University of Alicante) ● Antonio Bravo García (University of Oviedo) ● Miguel Ángel Campos Pardillos (University of Alicante) ● Silvia Caporale (University of Alicante) ● Fernando Cerezal (University of Alcalá) ● Ángeles de la Concha (UNED) ● José Carnero González (Universi ty of Seville) ● Isabel Díaz Sánchez (University of Alicante) ● Teresa Gibert Maceda (UNED) ● Teresa Gómez Reus (University of Alicante) ● -
Sam Shepard Edited by Matthew Roudane Frontmatter More Information
Cambridge University Press 0521771587 - The Cambridge Companion to Sam Shepard Edited by Matthew Roudane Frontmatter More information THE CAMBRIDGE COMPANION TO SAM SHEPARD Few American playwrights have exerted as much influence on the contempo- rary stage as Sam Shepard. His plays are performed on and off Broadway and in all the major regional American theatres. They are also widely performed and studied in Europe, particularly in Britain, Germany, and France, finding both a popular and scholarly audience. In this collection of seventeen original essays, American and European authors from different professional and aca- demic backgrounds explore the various aspects of Shepard’s career – his plays, poetry, music, fiction, acting, directing, and film work. The volume covers the major plays, including Curse of the Starving Class, Buried Child, and True West, as well as other lesser known but vitally important works. A thorough chronology of Shepard’s life and career, together with biographical chapters, a note from the legendary Joseph Chaikin, and an interview with the play- wright, give a fascinating first-hand account of an exuberant and experimental personality. © Cambridge University Press www.cambridge.org Cambridge University Press 0521771587 - The Cambridge Companion to Sam Shepard Edited by Matthew Roudane Frontmatter More information THE CAMBRIDGE COMPANION TO SAM SHEPARD EDITED BY MATTHEW ROUDANE´ Georgia State University © Cambridge University Press www.cambridge.org Cambridge University Press 0521771587 - The Cambridge Companion