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Programming and Award-Winning Work in the Community
Welcome UPCOMING Dear Friends, We are just concluding one of the most active summers in Old Globe history. A CATERED AFFAIR Each of the plays in our Shakespeare Festival received critical acclaim and enthusiastic audience response. The classic comedies Hay Fever and Bell,Book and Candle and our Sept 20 - Oct 28, 2007 downtown launch of the national tour of Avenue Q, were all tremendously successful Old Globe Theatre and well received. Now we begin the Globe’s 2007/2008 season with a stirring world-premiere OOO musical, A Catered Affair, with a world class creative team which includes Tony-Award winners John Doyle and Harvey Fierstein and celebrated composer John Bucchino. DR. SEUSS’ We are also very privileged to bring to The Old Globe stage Broadway luminaries HOW THE GRINCH Faith Prince and Tom Wopat in this remarkable new work. On the Cassius Carter Centre Stage, Rosemary Harris, the legendary Tony and STOLE CHRISTMAS! Emmy Award-winner, Academy-Award nominee and popular icon for her role in the Nov 25 - Dec 30, 2007 Spiderman movies is starring in the American premiere of Eric Emmanuel Schmitt’s Old Globe Theatre Oscar and the Pink Lady. What an embarrassment of riches on our stages this fall! We recently unveiled detailed construction plans for the rejuvenation of our OOO Balboa Park campus. The plans are part of the Theatre’s $75 million capital and endowment campaign, which designates $22 million to support this important facili- IN THIS CORNER ties project. The centerpieces include the new Conrad Prebys Theatre Center, which encompasses the remaining Old Globe Theatre, a new second stage theatre complex, Jan 5 - Feb 10, 2008 and a new education center, as well as a complete redesign of the Globe’s Copley Plaza Cassius Carter Centre Stage and dining area. -
Brian Stokes Mitchell Outside at the Colonial
Press Contacts: Katie B. Watts Press Manager (413) 448-8084 x15 [email protected] Becky Brighenti Director of Marketing & Public Relations (413) 448-8084 x11 [email protected] For immediate release, please: Monday, July 20 at 10am Berkshire Theatre Group Announces An Intimate Performance with Two-time Tony Award-winner Brian Stokes Mitchell to Benefit Berkshire Theatre Group and a Portion of Sales to go to The Actors Fund and Black Theatre United Pittsfield, MA – Berkshire Theatre Group (BTG) and Kate Maguire (Artistic Director, CEO) are excited to announce two-time Tony Award-winner Brian Stokes Mitchell in an intimate performance and fundraiser to benefit Berkshire Theatre Group. In this very special one-night-only concert, Brian Stokes Mitchell will deliver an unforgettable performance to an audience of less than 100 people, outside under a tent at The Colonial Theatre on Labor Day Weekend, September 5 at 8pm. Dubbed “the last leading man” by The New York Times, Tony Award-winner Brian Stokes Mitchell has enjoyed a career that spans Broadway, television, film, and concert appearances with the country’s finest conductors and orchestras. He received Tony, Drama Desk, and Outer Critics Circle awards for his star turn in Kiss Me, Kate. He also gave Tony-nominated performances in Man of La Mancha, August Wilson’s King Hedley II, and Ragtime. Other notable Broadway shows include: Kiss of the Spider Woman, Jelly’s Last Jam, Women on the Verge of a Nervous Breakdown and Shuffle Along. In 2016 he was awarded his second Tony Award, the prestigious Isabelle Stevenson Tony for his Charitable work with The Actors Fund. -
Picture As Pdf
1 Cultural Daily Independent Voices, New Perspectives The Cake Rises, Partway Sylvie Drake · Wednesday, August 2nd, 2017 Sometimes you get lucky. This happens when events beyond your control unexpectedly slide into your orbit with an altogether wondrous effect. Which is pretty much what happened when playwright Bekah Brunstetter got an idea for a play about a bake shop whose deeply religious owner is asked to bake a wedding cake for a gay couple — at a time when the politics of the day were buzzing with cases of similar real-life situations. But Brunstetter, a successful TV producer and writer (NBC’sThis Is Us and Starz’s American Gods), went a step further in her play,The Cake. Della, the baker, has known and cherished the young woman who’s about to be married since she was a baby. So imagine her consternation when she discovers that this beautiful child she so adores is about to marry… a woman. That’s the situation, a little complicated and very perplexing. Cultural Daily - 1 / 6 - 07.08.2021 2 Debra Jo Rupp in The Cake. In a New York Times interview, Brunstetter said she had been working on the idea for this piece since 2015. It gained traction when the U.S. Supreme Court agreed to hear the case of Masterpiece Cakeshop v. Colorado Civil Rights Commission — a 2012 case involving a baker who refused to make a wedding cake for a gay couple. Brunstetter, who grew up in a devout and happy Southern Baptist family in Winston-Salem, makes no bones about feeling caught in the middle — with an enduring appreciation for the warm Christian embrace she knew as a child and still enjoys, and the gay perspective that she has grown to appreciate as a straight adult. -
PBS Western Reserve President's Report
PBS Western Reserve President’s Report Fall 2020 Volume 14, Issue 4 New local production spotlights area female veterans The story of female veterans is as varied as the story of females in all walks of life. The new local The PBS Western Reserve production VETERANS OF AMERICA—OUR HEROES IN UNIFORM: THEY SERVED TOO highlights many President’s Report of the challenges and successes of area women in uniform. Examples include a young mother who is published for the now serves in the Army Reserve, a young couple who are both veterans, a female general and a Northeastern Educational nurse who is in the reserves. Television of Ohio Inc. Board of Directors, major The show also speaks about Sharon Lane, a Canton resident who was the first female casualty of funders of the station the Vietnam War. In addition, it touches on female veterans’ high rate of homelessness and how and other community Summit County Executive Ilean Shapiro has gotten involved in helping homeless female veterans. The members interested in the production premiered on PBS Western Reserve on Wednesday, Nov. 11, as part of our programming for Veterans Day. organization’s activities. MASTERPIECE celebrates its 50th year! Jan. 10, 2021, marks the 50th anniversary of MASTERPIECE, the iconic PBS drama series that sparked America’s infatuation with British television. The series recently unveiled its slate of the next 1 Programming & Local unforgettable dramas. Productions Elizabeth Is Missing (Sunday, Jan. 3, at 9 pm) Glenda Jackson won a coveted BAFTA award for her role as a woman in the grip of dementia, 2 Community Outreach searching for her missing friend. -
Brooklyn Boy
41st Season • 392nd Production SEGERSTROM STAGE / SEPTEMBER 3 - OCTOBER 10, 2004 David Emmes Martin Benson PRODUCING ARTISTIC DIRECTOR ARTISTIC DIRECTOR IN ASSOCIATION WITH Manhattan Theatre Club presents the world premiere of BROOKLYN BOY BY Donald Margulies SCENIC DESIGN COSTUME DESIGN LIGHTING DESIGN ORIGINAL MUSIC AND SOUND DESIGN Ralph Funicello Jess Goldstein Chris Parry Michael Roth DRAMATURG PRODUCTION MANAGER STAGE MANAGER Jerry Patch Tom Aberger *Scott Harrison DIRECTED BY Daniel Sullivan HONORARY PRODUCERS CORPORATE PRODUCER Elaine and Martin Weinberg The Citigroup Private Bank Brooklyn Boy was commissioned and developed by South Coast Repertory Brooklyn Boy • SOUTH COAST REPERTORY P1 CAST OF CHARACTERS (In order of appearance) Eric Weiss .................................................................................... Adam Arkin* Manny Weiss ................................................................................ Allan Miller* Ira Zimmer ...................................................................................... Arye Gross* Nina .............................................................................................. Dana Reeve* Alison .......................................................................................... Ari Graynor* Melanie Fine ................................................................................ Mimi Lieber* Tyler Shaw .................................................................................... Kevin Isola* SETTING All scenes are set in the present in Brooklyn, -
J Ohn F. a Ndrews
J OHN F . A NDREWS OBE JOHN F. ANDREWS is an editor, educator, and cultural leader with wide experience as a writer, lecturer, consultant, and event producer. From 1974 to 1984 he enjoyed a decade as Director of Academic Programs at the FOLGER SHAKESPEARE LIBRARY. In that capacity he redesigned and augmented the scope and appeal of SHAKESPEARE QUARTERLY, supervised the Library’s book-publishing operation, and orchestrated a period of dynamic growth in the FOLGER INSTITUTE, a center for advanced studies in the Renaissance whose outreach he extended and whose consortium grew under his guidance from five co-sponsoring universities to twenty-two, with Duke, Georgetown, Johns Hopkins, North Carolina, North Carolina State, Penn, Penn State, Princeton, Rutgers, Virginia, and Yale among the additions. During his time at the Folger, Mr. Andrews also raised more than four million dollars in grant funds and helped organize and promote the library’s multifaceted eight- city touring exhibition, SHAKESPEARE: THE GLOBE AND THE WORLD, which opened in San Francisco in October 1979 and proceeded to popular engagements in Kansas City, Pittsburgh, Dallas, Atlanta, New York, Los Angeles, and Washington. Between 1979 and 1985 Mr. Andrews chaired America’s National Advisory Panel for THE SHAKESPEARE PLAYS, the BBC/TIME-LIFE TELEVISION canon. He then became one of the creative principals for THE SHAKESPEARE HOUR, a fifteen-week, five-play PBS recasting of the original series, with brief documentary segments in each installment to illuminate key themes; these one-hour programs aired in the spring of 1986 with Walter Matthau as host and Morgan Bank and NEH as primary sponsors. -
Teaching Social Issues with Film
Teaching Social Issues with Film Teaching Social Issues with Film William Benedict Russell III University of Central Florida INFORMATION AGE PUBLISHING, INC. Charlotte, NC • www.infoagepub.com Library of Congress Cataloging-in-Publication Data Russell, William B. Teaching social issues with film / William Benedict Russell. p. cm. Includes bibliographical references and index. ISBN 978-1-60752-116-7 (pbk.) -- ISBN 978-1-60752-117-4 (hardcover) 1. Social sciences--Study and teaching (Secondary)--Audio-visual aids. 2. Social sciences--Study and teaching (Secondary)--Research. 3. Motion pictures in education. I. Title. H62.2.R86 2009 361.0071’2--dc22 2009024393 Copyright © 2009 Information Age Publishing Inc. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, microfilming, recording or otherwise, without written permission from the publisher. Printed in the United States of America Contents Preface and Overview .......................................................................xiii Acknowledgments ............................................................................. xvii 1 Teaching with Film ................................................................................ 1 The Russell Model for Using Film ..................................................... 2 2 Legal Issues ............................................................................................ 7 3 Teaching Social Issues with Film -
Press Release
Press Release Unique collaboration with RSC to mark 400th anniversary of Shakespeare’s death Shakespeare in Art: Tempests, Tyrants and Tragedy 19 March ‐ 19 June 2016 Compton Verney, Warwickshire Already hailed as one of 2016’s must‐see exhibitions, Shakespeare in Art: Tempests, Tyrants and Tragedy is a landmark collaboration with the Royal Shakespeare Company commemorating the 400th anniversary of the bard’s death. A master of dramatising human emotions in their myriad forms, Shakespeare’s plays have in turn inspired countless artists. Shakespeare in Art: Tempests, Tyrants and Tragedy will focus on those pivotal Shakespeare plays which have motivated artists across the ages – from Sargent, Fuseli, Rossetti, Blake, Watts and Romney to Karl Weschke, Kate Tempest and Tom Hunter – exploring the enduring appeal of the Elizabethan playwright. This exhibition offers an exceptional opportunity for both art and theatre lovers to reimagine Shakespeare’s works through a unique series of multi‐media, multi‐sensory encounters; including painting, photography, projection, sound and light. Using specially commissioned audio drawing on excerpts from Shakespeare's plays, leading RSC actors will bring to life scenes from some of the major paintings. Uniquely for an art gallery, the exhibition will be designed by the Royal Shakespeare Company’s Director of Design, Stephen Brimson Lewis. Over seventy works – including paintings, drawings, engravings, woodcuts and photos – have been sourced from across the UK for this remarkable show, taking place just nine miles away from Shakespeare’s birthplace, Stratford‐upon‐Avon. Works will travel to Compton Verney from Bolton, Birmingham, Edinburgh and York, plus Tate and the V&A in London and the show will also include a number of key works from the RSCS’s own, rarely publicly displayed art collection. -
2010 16Th Annual SAG AWARDS
CATEGORIA CINEMA Melhor ator JEFF BRIDGES / Bad Blake - "CRAZY HEART" (Fox Searchlight Pictures) GEORGE CLOONEY / Ryan Bingham - "UP IN THE AIR" (Paramount Pictures) COLIN FIRTH / George Falconer - "A SINGLE MAN" (The Weinstein Company) MORGAN FREEMAN / Nelson Mandela - "INVICTUS" (Warner Bros. Pictures) JEREMY RENNER / Staff Sgt. William James - "THE HURT LOCKER" (Summit Entertainment) Melhor atriz SANDRA BULLOCK / Leigh Anne Tuohy - "THE BLIND SIDE" (Warner Bros. Pictures) HELEN MIRREN / Sofya - "THE LAST STATION" (Sony Pictures Classics) CAREY MULLIGAN / Jenny - "AN EDUCATION" (Sony Pictures Classics) GABOUREY SIDIBE / Precious - "PRECIOUS: BASED ON THE NOVEL ‘PUSH’ BY SAPPHIRE" (Lionsgate) MERYL STREEP / Julia Child - "JULIE & JULIA" (Columbia Pictures) Melhor ator coadjuvante MATT DAMON / Francois Pienaar - "INVICTUS" (Warner Bros. Pictures) WOODY HARRELSON / Captain Tony Stone - "THE MESSENGER" (Oscilloscope Laboratories) CHRISTOPHER PLUMMER / Tolstoy - "THE LAST STATION" (Sony Pictures Classics) STANLEY TUCCI / George Harvey – “UM OLHAR NO PARAÍSO” ("THE LOVELY BONES") (Paramount Pictures) CHRISTOPH WALTZ / Col. Hans Landa – “BASTARDOS INGLÓRIOS” ("INGLOURIOUS BASTERDS") (The Weinstein Company/Universal Pictures) Melhor atriz coadjuvante PENÉLOPE CRUZ / Carla - "NINE" (The Weinstein Company) VERA FARMIGA / Alex Goran - "UP IN THE AIR" (Paramount Pictures) ANNA KENDRICK / Natalie Keener - "UP IN THE AIR" (Paramount Pictures) DIANE KRUGER / Bridget Von Hammersmark – “BASTARDOS INGLÓRIOS” ("INGLOURIOUS BASTERDS") (The Weinstein Company/Universal Pictures) MO’NIQUE / Mary - "PRECIOUS: BASED ON THE NOVEL ‘PUSH’ BY SAPPHIRE" (Lionsgate) Melhor elenco AN EDUCATION (Sony Pictures Classics) DOMINIC COOPER / Danny ALFRED MOLINA / Jack CAREY MULLIGAN / Jenny ROSAMUND PIKE / Helen PETER SARSGAARD / David EMMA THOMPSON / Headmistress OLIVIA WILLIAMS / Miss Stubbs THE HURT LOCKER (Summit Entertainment) CHRISTIAN CAMARGO / Col. John Cambridge BRIAN GERAGHTY / Specialist Owen Eldridge EVANGELINE LILLY / Connie James ANTHONY MACKIE / Sgt. -
When Victims Rule
1 24 JEWISH INFLUENCE IN THE MASS MEDIA, Part II In 1985 Laurence Tisch, Chairman of the Board of New York University, former President of the Greater New York United Jewish Appeal, an active supporter of Israel, and a man of many other roles, started buying stock in the CBStelevision network through his company, the Loews Corporation. The Tisch family, worth an estimated 4 billion dollars, has major interests in hotels, an insurance company, Bulova, movie theatres, and Loliards, the nation's fourth largest tobacco company (Kent, Newport, True cigarettes). Brother Andrew Tisch has served as a Vice-President for the UJA-Federation, and as a member of the United Jewish Appeal national youth leadership cabinet, the American Jewish Committee, and the American Israel Political Action Committee, among other Jewish organizations. By September of 1986 Tisch's company owned 25% of the stock of CBS and he became the company's president. And Tisch -- now the most powerful man at CBS -- had strong feelings about television, Jews, and Israel. The CBS news department began to live in fear of being compromised by their boss -- overtly, or, more likely, by intimidation towards self-censorship -- concerning these issues. "There have been rumors in New York for years," says J. J. Goldberg, "that Tisch took over CBS in 1986 at least partly out of a desire to do something about media bias against Israel." [GOLDBERG, p. 297] The powerful President of a major American television network dare not publicize his own active bias in favor of another country, of course. That would look bad, going against the grain of the democratic traditions, free speech, and a presumed "fair" mass media. -
Theatre Archive Project: Interview with Colin George
THEATRE ARCHIVE PROJECT http://sounds.bl.uk Colin George – interview transcript Interviewer: Kate Harris 21 November 2005 Actor and Director. A Man for All Seasons; audiences; Birmingham Rep; children's theatre; Coventry Belgrade theatre; The Crucible Theatre, Sheffield; drama students; The Elizabethan Theatre Company; Albert Finney; Tyrone Guthrie; Peter Hall; Laurence Olivier; Look Back in Anger; Harold Pinter; The Playhouse Nottingham; The Playhouse, Sheffield; repertory; Maggie Smith; television. KH: This is an interview on the 21st of November with Colin George. Can I just confirm that I've got your permission to put this into the archive? CG: You have. KH: Brilliant, I'd just like to start by asking about how you began working in the theatre? CG: Yes, I began straight from Oxford. I'd been… I suppose inspired by Laurence Olivier principally and his film Henry V, but also I saw him as a boy, in his first Richard III, his first great performance, at the New Theatre, with Olivier, with Richardson and those great seasons they had, Hotspur, you know and so on and decided I'd go into the theatre. And my mother, God bless her, said, ‘Well, get a degree first darling, then you'll always have something to fall back on’, which proved absolutely right, because when I was middle aged - not middle aged, but getting on, three kids and that and no money having left Sheffield and all that - I went to Australia to set up a drama department and later worked for twelve years in Hong Kong, was head of acting at the drama… and that saved my life. -
NYU Gives H1N1 Vaccine to Students Construction
the commentatorThe Student Newspaper of the New York University School of Law Volume XLIII, Number 5 November 11, 2009 Construction Continues at NYU Gives H1N1 Vaccine to Students BY MICHAEL MIX ’11 have already suffered the effects an allergic reaction, especially in EDITOR -IN -CHIEF of H1N1. those who are allergic to eggs. Fur- 133 MacDougal Street “Primarily, [swine] flu made my thermore, some have reported mild The line stretched up the whole body hurt, nonstop, for days,” problems including runny noses, na- stairs, through the vestibule, out said Nir Zicherman ’11. “I was very sal congestion, sore throats, a severe the doors of D’Agostino Hall physically drained, I had a painful cough, chills and headaches. Various and down 3rd Street. NYU stu- cough and I also had a high fever media outlets have expressed worry dents are used to long lines for for the first few days. I couldn’t at all about distributing a vaccine that is things like free food during finals, sleep unless I took NyQuil.” so new. However, these conerns but this line was a little different: The vaccine that was distrib- did not stop many NYU students Students were from heading to queuing up for D’Agostino to re- the swine-flu ceive the vaccine. vaccine. Last “I wasn’t re- Monday, NYU ally worried about School of Law the side effects be- Stavan Desai did its best to cause I think being mitigate the protected against spread of the the swine flu was BY ANDREW KLOSTER ’10 Federal Theater Project, which disease, oth- worth the risk of STAFF WRITER stimulated the local economy and created and retained many erwise known maybe experienc- “[It is in this] hallowed jobs.