MYTH-HERMENEUTICS of HOLLYWOODIAN FILMS ACCORDING to the IMAGINARY of DOI 10.11606/Issn.2525-3123
MYTH-HERMENEUTICS OF HOLLYWOODIAN FILMS ACCORDING TO THE IMAGINARY OF DOI 10.11606/issn.2525-3123. gis.2021.175852 GILBERT DURAND ORCID ROGÉRIO GONÇALVES DE CARVALHO https://orcid.org/0000-0002-5390-3102 Independent researcher, Sao Paulo, SP, Brazil ABSTRACT This text aims to present an anthropological interpretation of the imaginary of cinema, specifically in films mostly produced in Hollywood. To this end, we will apply a mythological hermeneutics developed by the anthropologist Gilbert Durand, which configures KEYWORDS three archetypal imaginary structures that serve as a Cinema; Anthropology of kind of guide. The itinerary must follow the imaginary the imaginary; regimes thought by Durand, which are the diurnal Myth- regime of heroic structure, the nocturnal regime hermeneutics; Imaginary regimes; of mystical structure and the nocturnal regime of Gilbert Durand. synthetic or dramatic structure. INTRODUCTION Cinema is one of the most current languages to fuel our imagination in the universe of the arts. If, on the one hand, it inspires and dynamizes imagery already explored in other arts, on the other hand, it uses an open discursive strategy for many possibilities of anthropological interpretation. For this purpose, we use very specific hermeneutics, called “myth-herme- neutics”. In particular, the mythology of Gilbert Durand brings to the horizon of interpretation the imaginary connected to the symbolic and archetypal aspect. In a sense, Durand created a “guide” of the anthropological 1 São Paulo, v. 6, n.1: e-175852, 2021 imagination that contributes to understanding some basic structures that are repeated in the diversity of cultural products, including the cinema. In The Anthropological Structures of the Imaginary, Durand (2002) pres- ents the imaginary subjected to two regimes related to time: the diurnal regime of the image and the nocturnal regime of the image.
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