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KEITH POTGER AO a Wandering Minstrel
KEITH POTGER AO a wandering minstrel Founding member KEITH POTGER AO, FOUNDING MEMBER OF THE SEEKERS and in 2010 he released his mostly self- penned third solo CD, “Smile Now”. Accompanying himself on his trusty 12 string and 6 string guitars, his “wandering minstrel” style of performance includes material from his solo CDs, Seekers favorites, along with songs and anecdotes from his long career in the music industry. In June 2014, The Seekers concluded their UK and Australian Golden Anniversary tours and, along with his Seeker partners, Keith was awarded the Order of Australia (AO) for services to the Australian music industry and not for profit organisations. Later that year The Seekers performed sold out concerts in The Seekers performing at a sell-out concert at The Royal Albert Hall, London, June 2014 New Zealand. eith Potger’s musical career to tour internationally as The Seekers for 2015 has seen Keith on the road started well before The their Silver Jubilee and were inducted again presenting his solo concerts Seekers first stormed the into the ARIA Hall Of Fame in 1995. In to audiences in Queensland and UK charts in 1965. He is 1997, the group released the Platinum- New South Wales as well as visiting Ka self-taught musician who studied selling ‘Future Road’, which gave the Nashville to co-write material for his 6 string guitar, banjo, mandolin and public the first real chance to hear his fourth solo CD. keyboards. With an eye to a musical song-writing talent on “Guardian Angel, Involvement with charities has future while still at school, he performed Guiding Light”, also co-writing “The always been important to Keith and he in vocal groups which evolved into The Circle Of Love” (with Rick Beresford); frequently performs at charity concerts Seekers in 1962. -
Off Jack Exporters' Plan Won't Stop Deaths
FREMANTLE Ho ERALD Volume 29 N 18 Your local, INDEPENDENT newspaper 41 Cliff Street, Fremantle Saturday May 5, 2018 Fremantle: Letterboxed to Beaconsfield, East Fremantle, Fremantle, Hilton, Ph: 9430 7727 Fax 9430 7726 www.fremantleherald.com North Fremantle, O’Connor, Samson, South Fremantle and White Gum Valley Email: [email protected] SEE WA IN STYLE WITH Off ELITE TOURS Win a double pass to Stringy Bark Winery on jack Wednesday, 13 June valued at $170. LIVE TRADE DEBATE SEE COMPETITIONS by STEVE GRANT PAGE FOR DETAILS MELVILLE Bowling Club has withdrawn support for a sports hub on Tompkins Park, throwing “...must be a spanner in the works for Melville council. At a special meeting on stopped in the Saturday morning called by about 40 members, the club narrowly voted 36-31 Middle Eastern to tell the council it would no longer co-operate in the proposal until after summer.” an inquiry by the local government department, and a supreme court challenge to a wave park lease on the site, have been • Katrina Love from Stop Live Exports WA in front of the Al Messilah, which loaded 10 storeys-worth of sheep this week. completed. SOMEWHERE Photo by Alice Angeloni Under the council’s IN THIS proposal MBC would have shared clubrooms with PAPER IS A the Mt Pleasant bowls club along with cricket, FAKE AD! rugby and football clubs on Tompkins Park. Find it for your Exporters’ plan The move had been chance to win a supported by the club’s feast for two at president Gary McCormack The National Hotel and confirmed by a vote of Fremantle. -
Download 2019 Program (PDF)
8 – 9 OCTOBER –A– –B– “The most important journey is the one of the spirit, for your internal peace relies on it.” Olivia Newton-John AC, OBE Acknowledgement of Country Australian Women in Music Awards acknowledges the Traditional Owners and Custodians of the land on which we meet, celebrate, dance and sing. We pay respect to their Elders past, present and emerging. MESSAGES Premier of Queensland & Minister Welcome to the 2019 Australian Women in Music Awards. The Queensland Government is proud to support this showcase event for a second year. It is a fabulous way to pay tribute to the many talented women who are creating music or working behind the scenes to support Australia’s Annastacia Palaszczuk MP flourishing music industry. PREMIER OF QUEENSLAND MINISTER FOR TRADE We are delighted the Awards have returned to Queensland, home to some of this country’s finest female musicians. We recognise however, that while they have found success and been embraced by audiences the world over, there are many other gifted women just like them, right across Australia, who are struggling to break through because of gender barriers. Female artists tend to earn less than male performers, receive less airplay on Australian radio and hold little more than one-quarter of senior and strategic roles in key music industry associations. Shining a dedicated spotlight on these issues and recognising the exceptional work of female artists and industry professionals, is a vital step in creating greater visibility and opportunities for all Australian women in music. This is what these Awards are about. We congratulate this year’s winners, cheer on all those who are following MINISTERDi FOR Farmer CHILD SAFETY,MP YOUTH in their rhythmic footsteps, and wish everyone a memorable time AND WOMEN AND MINISTER FOR celebrating outstanding female talent. -
Wavelength (January 1985)
University of New Orleans ScholarWorks@UNO Wavelength Midlo Center for New Orleans Studies 1-1985 Wavelength (January 1985) Connie Atkinson University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/wavelength Recommended Citation Wavelength (January 1985) 51 https://scholarworks.uno.edu/wavelength/51 This Book is brought to you for free and open access by the Midlo Center for New Orleans Studies at ScholarWorks@UNO. It has been accepted for inclusion in Wavelength by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. NEW ORLEANS MUSIC MAGAZ, " ISSUE NO. 51 JANUARY • 1985 $1.50 S . s DrPT. IULK RATE US POSTAGE JAH ' · 5 PAID Hew Orleans. LA EARL K.LC~G Perm1t No. 532 UBRf\RYu C0550 EARL K LONG LIBRARY UNIV OF N. O. ACQUISITIONS DEPT N. O. I HNNY T L)e GO 1ST B T GOSP RO P E .NIE • THE C T ES • T 0 S & T ALTER MOUTON, , 0 T & BOUR E (C JU S) • OBER " UNI " 0 KWO • E ·Y AY • PLEASA T JOSE H AL BL ES N GHT) 1 Music Pfogramming M A ~ -----leans, 2120 Canal, New Orleans, LA-70112 WAVELENGTH ISSUE NO. 51 e JANUARY 1985 "I'm not sure, but I'm almost positive, that all music came from New Orleans." Ernie K-Doe, 1979 FEATURES Remembering the Beaconette ...... 14 The Line ........................ 22 An American Mother . ............. 24 1984 Band Guide ................. 27 DEPARTMENTS January News .................. ... 4 It's Music . 8 Radio ........................... 14 New Bands ...................... 13 Rhythmics. 10 January Listings . ................. 3 3 C/assijieds ...................... -
Jen Anderson: Discography 1 Contents 1. Discography Chronology
Jen Anderson: Discography 1 as solo artist and band member Last updated 31 May 2010 Contents 1. Discography Chronology: All recordings (no details) ………………………… 1. • LPs • Singles and EPs • Compilations 2. Jen Anderson (incl. Sonic Lifeform / soundtracks) ………………………… 2. 3. Black Sorrows ………………………………………………………………. 5. 4. Weddings Parties Anything …………………………………………................ 7. 5. Tim Rogers and the Twin Set ……………………………………………. 11. 6. Mick Thomas ………………………………………………………………. 12. ° Also as producer. * Not then an official member of Weddings Parties Anything. This discography is incomplete. __________________________________________________________________________________________ 1. Discography Chronology LPs 1990: Harley and Rose (Black Sorrows) 1992: Better Times (Black Sorrows) • Difficult Loves (Weddings Parties Anything)* 1993: Pandora's Box (Jen Anderson)° • King Tide (Weddings Parties Anything) 1995: Donkey Serenade (Weddings Parties Anything) 1997: Riveresque / Garage Sale (Weddings Parties Anything) 1998: Trophy Night (Weddings Parties Anything) 1999: What Rhymes with Cars and Girls (Tim Rogers and the Twin Set)° • Silent Catalyst (Sonic Lifeform with Jen Anderson) • They Were Better Live (Weddings Parties Anything) 2000: Goddess of 1967 (Jen Anderson)° 2004: The Sentimental Bloke (Jen Anderson)° • Anythings, Sure Thimgs, Other Things (Mick Thomas) Singles / EPs 1991: "Never Let Me Go" and "Hold it Up to the Mirror" (Black Sorrows) 1992: "Harley and Rose," "Better Times" and "Ain't Love the Strangest Thing" (Black Sorrows) • Seek (EP, -
Gecko Studio Gallery Newsletter March April 2018
Gecko Studio Gallery Newsletter March April 2018 Kerry Spokes Lost in Reverie – Artist Statement 2018 The innocence of a child is the backdrop for Kerry Spokes in an exhibition exploring the modern world of politics, war, gender identity and other complex themes. Using images of children at play or ‘lost in reverie’ Spokes portrays these ideas with an honesty, clarity and innocence not shown by the media, politicians and the grown-up world. Employing printmaking, drawing and watercolour as her medium, the reoccurring images of androgynous children suspended in spontaneous poses and complete immersion of (in?) their imaginary worlds are a staple of Spokes’ creative vision. Alongside sits another body of work of which Spokes is well known for; employing her other creative passion of digital collage. Using apps on her iPad or iPhone, she weaves a story into each piece she creates. Spokes uses photographs she has taken on her iPhone along with downloaded free to use imagery to build her digital work. Portraits or figures in the landscape….with a twist, using visual quips for the viewer to interpret. 1 Curriculum Vitae Kerry Spokes B: King Island 1960 15 Falls Rd Fish Creek 3959 Mob: 0423721593 Email: [email protected] Education 1985 - 1987 Gippsland Institute of Advanced Technology GIAE Bachelor Degree of Visual Arts Co owner/ director of Gecko Studio Gallery, Fish Creek – 2006 ongoing Publications Digital Arts Collection – Tarwin Valley Project 2013 Imprint magazine – “Iphoneography” – March 2014 Recent exhibitions Known Unknowns – -
The Time for Australian Plastic Surgery to Have One Voice
EDITORIAL The time for Australian plastic surgery to have one voice We are one; but we are many. among the established surgical specialties. It is And from all the lands on earth we come. important to understand the unique challenges We'll share a dream and sing with one voice facing our specialty. Plastic surgery evolved out I am, you are, we are Australian. of necessity, in response to the surgical challenges This classic 1987 ballad, by Bruce Woodley of the and unprecedented demand of managing the Seekers and Dobe Newton, resonates so strongly horrendous injuries of two world wars. The surgery with Australians that it has become an unofficial had to bridge traditional specialty boundaries, anthem, emotionally uniting Aussies. We have which is most significant. Later, as plastic surgery, come from far places, having diverse points of this new specialty inherently lacked the security view, but we share the historical experience of of tenure of its own anatomical territory with Australia’s geographic remoteness from the centre sovereign borders. As a result of encroaching on of the civilised world. Australians as a group have other specialties territory, the facial specialties, become strong through a need to overcome and the hand etc., plastic surgery has always existed compensate for an inherent national inferiority. on a different basis. This territorial limitation, This coming from the awareness that all great along with being a new specialty, accounts for learning and human achievement has emanated the historical difficulty defining its place in the from the renowned centres of civilisation, from hierarchy of surgery in general. -
Existing Songbook
I Am Australian artist:The Seekers , writer:Bruce Woodley and Dobe Newton Bruce Woodley and Dobe Newton, Seekers: https://www.youtube.com/watch?v=aSoGJQkKDYk I [C] came from the dream-time, from the [F] dusty red-soil [C] plains I [Am] am the ancient heart, the [F] keeper [G] of the [C] flame I stood upon the [Em] rocky shores, I [F] watched the [G] tall ships [Am] come. For [C] forty thousand [Dm] years I've been, the [F] first Aust[G]rali[C]an I [C] came upon the prison ship, bowed [F] down by iron [C] chains I [Am] fought the land, endured the lash, and [F] waited [G] for the [C] rains I'm a settler, I'm a [Em] farmer's wife, on a [F]dry and [G] barren [Am] run, A [C] convict, then a [Dm] free man, I be[F]came Aust[G]rali[C]an I'm the [C] daughter of a digger, who [F] sought the mother [C] lode. The [Am] girl became a woman, on the [F]long and [G] dusty [C] road. I'm a child of the [Em] Depression, I [F] saw the [G] good times [Am] come, I'm a [C] bushie, I'm a [Dm] battler, I [F] am Aust[G]rali[C]an. [C] We are one, but we are [F] ma[C]ny, [C] And from [Am] all the [G] lands on earth we [C] come. We'll share a dream and sing with [F] one [C] voice, "[F] I [G] am, [Am] you [G] are, we [Am] are Aust[G]rali[C]an" I'm a [C] teller of stories, I'm a [F] singer of [C] songs, I am [Am] Albert Namatjira, and I [F] paint the [G] ghostly [C] gums. -
Conference Abstracts
A Century of Lifesaving - a Challenge to Drowning Prevention Conference Abstracts www.wcdp2013.org 1 ALLE Raumplaene 02_13_A4 02.10.13 11:54 Seite 6 Funktionale An der Pirschheide · 14471 Potsdam Tel. (0331) 9090-0 · Fax (0331) 9090-900 Seminar- und [email protected] · www.seminaris.de Tagungsräume ERDGESCHOSS STC: Seminar, Trainings & Office Center 13 PBA: Plenar- & Bankett Areal EG 14 15 ECC: Executive-Conference-Center 16 17 12 11 Foyers 10 9 Office Center 8 STC Office 7 5 Office 4 6 Eingang »Brandenburg« Office 3 5 Pantry Office »Berlin« 1 Office 2 19 18 »Havel« 4 »Spree« ECC 3 2 “Wellness Area »Potsfit« 1 Reception Eingang “Bar »Captains Corner« PBA »Café Cecile« I “Restaurant STC = Seminar & »feines Brandenburger« Training Center II SeeTerrasse ECC = Executive III Conference Regie Center PBA = Plenary & “Restaurant Banquet Area »Templiners« Forewords ALLE Raumplaene 02_13_A4 02.10.13 11:54 Seite 6 Funktionale An der Pirschheide · 14471 Potsdam Foreword Tel. (0331) 9090-0 · Fax (0331) 9090-900 Seminar- und [email protected] · www.seminaris.de Tagungsräume On behalf of the International Life Saving Federation it gives me great pleasure to welcome all of the participants to the World Conference on Drowning Prevention 2013, in Potsdam Germany. ERDGESCHOSS The International Life Saving Federation (ILS) is the World STC: Seminar, Trainings & Office Center authority on drowning prevention, lifesaving and lifesaving 13 sport. ILS leads, supports and collaborates with national and PBA: Plenar- & Bankett Areal EG 14 international organisations engaged in drowning prevention, 15 ECC: Executive-Conference-Center 16 water safety, water rescue, lifesaving, lifeguarding and lifesa- 17 12 11 ving sport. -
Scangate Document
book appears to be the contrast between Barwick's stated It is acknowledged in the Afterword that another dif REVIEWS respect for the law and his apparent misapprehension of ficulty Marr encountered in writing the book was that his duties and responsibilities as holder of the highest Barwick made his name in areas of obscure legal complexity legal office and as the head of a non-political organ of that each require full exploration in order to fully government. The contrast is most acute as Marr recounts appreciate his impact. While such exploration is largely Barwick's role in informally allowing the office of the beyond the scope of Barwick (2nd edn), Marr's compact High Court to become implicated in the fateful events of journalistic writing style permits a surprising depth of November 1975. complexity in some of the main areas of Barwick's work. After analysing Barwick's famous letter of advice to Barwick (2nd edn) has been described as an Australian then Governor General Sir John Kerr "layer by layer", Marr concludes that Barwick essentially told Kerr "what classic. It is fitting that Marr, accomplished biographer, he ought to do" about the extant supply crisis. Of course, legal journalist and himself no stranger to controversy, Kerr never explicitly sought advice from Barwick on what should be the one to present readers with this fine and he ought to do, but rather on what he was constitutionally insightful portrait of one of this country's most powerful empowered to do. If Kerr's own memoirs are to be be and controversial legal figures. -
The Second English Folk Revival, C. 1945-1970 Julia Yvonne Mitchell
Subterranean Bourgeois Blues: The Second English Folk Revival, c. 1945-1970 Julia Yvonne Mitchell UCL This thesis is submitted for the degree of PhD. 2 I, Julia Yvonne Mitchell, confirm that the work presented in this thesis is my own. Where information has been derived from other sources, I confirm that this has been indicated in the thesis. 3 Abstract This thesis explores the folk revival phenomenon in England, through an original examination of its place in the social and political history of the country after the Second World War. Although its roots stretched back to the early twentieth century, the post- war English folk revival significantly occurred in the context of the nation’s de- industrialisation, and exposed tensions between, on the one hand, a nostalgic lament for a fast-disappearing working class life, and a ‘forward-looking’ socialist vision of working-class culture. The original contribution to knowledge of this project lies in its analytic approach to the English folk revival as an important part of the post-war political culture. It looks at the revival from the outside in, and contextualizes the movement in the social and political story of post-war England, while also placing it within a dynamic transnational framework, a complex cross-Atlantic cultural exchange with its more well-known American contemporary. In so doing, this thesis contributes to the existing historiographies of folk revivalism in England, as well as the social and political historiographical discourses of the postwar period: the continued salience of class in English society; the transformation of the nation’s economic infrastructures; the social and political influence of the Welfare State – the folk revival tapped into all of these overlapping strands, and helped to magnify them. -
Cultural Capital Emerged As a Powerful Way to Study Inequality
UNIVERSITY OF CINCINNATI Date:___________________ I, _________________________________________________________, hereby submit this work as part of the requirements for the degree of: in: It is entitled: This work and its defense approved by: Chair: _______________________________ _______________________________ _______________________________ _______________________________ _______________________________ Race, Gender, and Class at Work: Examining Cultural Capital and Inequality in a Corporate Workplace A Dissertation Submitted to the Division of Research and Advanced Studies of the University of Cincinnati in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Ph.D.) in the Department of Sociology of the McMicken College of Arts and Sciences 2007 by David A. Purcell B.A., Thomas More College, 1988 M.A., University of Cincinnati, 2004 Dissertation Committee: Dr. Jennifer R. Malat (Co-chair) Dr. Rhys H. Williams (Co-chair) Dr. David J. Maume Dr. Annulla Linders (Reader) ABSTRACT Cultural capital refers to the role certain cultural practices, knowledge, attitudes, and abilities play in the reproduction of social class. This concept has emerged as a powerful framework for the study of inequality and the intersection of structure and agency. Previous research has focused primarily on the effects of cultural capital on the educational outcomes of adolescents, and has paid much less attention to cultural capital’s importance in social contexts involving adults. Further, research in this area has been concerned mainly with the role of social class, while neglecting issues of race and gender. This study uses data gathered from extensive personal interviews and participant observation at Aimco, a multinational corporation headquartered in the Midwest, to examine three main research questions involving cultural capital, race, gender, and class.