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A Dinner at the Governor's Palace, 10 September 1770
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 1998 A Dinner at the Governor's Palace, 10 September 1770 Mollie C. Malone College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the American Studies Commons Recommended Citation Malone, Mollie C., "A Dinner at the Governor's Palace, 10 September 1770" (1998). Dissertations, Theses, and Masters Projects. Paper 1539626149. https://dx.doi.org/doi:10.21220/s2-0rxz-9w15 This Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. A DINNER AT THE GOVERNOR'S PALACE, 10 SEPTEMBER 1770 A Thesis Presented to The Faculty of the Department of American Studies The College of William and Mary in Virginia In Partial Fulfillment Of the Requirements for the Degree of Master of Arts by Mollie C. Malone 1998 APPROVAL SHEET This thesis is submitted in partial fulfillment of the requirements for the degree of Master of Arts 'JYIQMajl C ^STIclU ilx^ Mollie Malone Approved, December 1998 P* Ofifr* * Barbara (farson Grey/Gundakerirevn Patricia Gibbs Colonial Williamsburg Foundation TABLE OF CONTENTS Page ACKNOWLEDGEMENTS iv ABSTRACT V INTRODUCTION 2 HISTORIOGRAPHY 5 A DINNER AT THE GOVERNOR’S PALACE, 10 SEPTEMBER 1770 17 CONCLUSION 45 APPENDIX 47 BIBLIOGRAPHY 73 i i i ACKNOWLEDGMENTS I want to thank Professor Barbara Carson, under whose guidance this paper was completed, for her "no-nonsense" style and supportive advising throughout the project. -
Guardian and Observer Editorial
guardian.co.uk/guides Welcome | 3 Dan Lepard 12 • Before you start 8 Yes, it’s true, baking is back. And • Meet the baker 12 whether you’re a novice pastry • Bread recipes 13 • Cake 41 roller or an expert icer, our • Pastry 69 scrumptious 100-page guide will • Baking supplies 96 take your enjoyment of this relaxing and (mostly) healthy pursuit to a whole new level. We’ve included the most mouthwatering bread, cake and pastry recipes, courtesy of our Tom Jaine 14 baking maestro Dan Lepard and a supporting cast of passionate home bakers and chefs from Rick Stein and Marguerite Patten to Ronnie Corbett and Neneh Cherry. And if Andi and Neneh 42 you’re hungry for more, don’t miss tomorrow’s Observer supplement on baking with kids, and G2’s exclusive series of gourmet cake recipes all next week. Now get Ian Jack 70 KATINKA HERBERT, TALKBACK TV, NOEL MURPHY your pinny on! Editor Emily Mann Executive editor Becky Gardiner All recipes by Dan Lepard © 2007 Additional editing David Whitehouse Recipe testing Carol Brough Art director Gavin Brammall Designer Keith Baker Photography Jill Mead Picture editor Marissa Keating Production editor Pas Paschali Subeditor Patrick Keneally Staff writer Carlene Thomas-Bailey Production Steve Coady Series editor Mike Herd Project manager Darren Gavigan Imaging GNM Imaging Printer Quebecor World Testers Kate Abbott, Keith Baker, Diana Brown, Nell Card, Jill Chisholm, Charlotte Clark, Margaret Gardner, Sarah Gardner, Barbara Griggs, Liz Johns, Marissa Keating, Patrick Keneally, Adam Newey, Helen Ochyra, Joanna Rodell, John Timmins, Ian Whiteley Cover photograph Alexander Kent Woodcut illustration janeillustration.co.uk If you have any comments about this guide, please email [email protected] To order additional copies of this Guardian Guide To.. -
Christmas Past Recipes
Christmas Past Recipes Roasting the Christmas baron of beef at Windsor Castle in 1856. HISTORIC FOOD COOKERY COURSES Recipes of dishes made or sampled on The Taste of Christmas Cookery Courses 2009. TO MAKE A HACKIN. From a Gentleman in Cumberland. SIR, THERE are some Counties in England, whose Customs are never to be set aside and our Friends in Cumberland, as well as some of our Neighbours in Lancashire, and else-where, keep them up. It is a Custom with us every Christmas-Day in the Morning, to have, what we call an Hackin, for the Breakfast of the young Men who work about our House; and if this Dish is not dressed by that time it is Day-light, the Maid is led through the Town, between two Men, as fast as they can run with her, up Hill and down Hill, which she accounts a great shame. But as for the Receipt to make this Hackin, which is admired so much by us, it is as follows. Take the Bag or Paunch of a Calf, and wash it, and clean it well with Water and Salt ; then take some Beef-Suet, and shred it small, and shred some Apples, after they are pared and cored, very small. Then put in some Sugar, and some Spice beaten small, a little Lemon-Peel cut very fine, and a little Salt, and a good quantity of Grots, or whole Oat-meal, steep'd a Night in Milk; then mix thefe all together, and add as many Currans pick'd clean from the Stalks, and rubb'd in a coarfe Cloth ; but let them not be wash'd. -
A Forgotten Hero
A Forgotten Hero By Emily Sarah Holt A Forgotten Hero Chapter One Castles in the Air “O pale, pale face, so sweet and meek, Oriana!” Tennyson. “Is the linen all put away, Clarice?” “Ay, Dame.” “And the rosemary not forgotten?” “I have laid it in the linen, Dame.” “And thy day‟s task of spinning is done?” “All done, Dame.” “Good. Then fetch thy sewing and come hither, and I will tell thee somewhat touching the lady whom thou art to serve.” “I humbly thank your Honour.” And dropping a low courtesy, the girl left the room, and returned in a minute with her work. “Thou mayest sit down, Clarice.” Clarice, with another courtesy and a murmur of thanks, took her seat in the recess of the window, where her mother was already sitting. For these two were mother and daughter; a middleaged, comfortablelooking mother, with a mixture of firmness and goodnature in her face; and a daughter of some sixteen years, rather pale and slender, but active and intelligent in her appearance. Clarice‟s dark hair was smoothly brushed and turned up in a curl all round her head, being cut sufficiently short for that purpose. Her dress was long and loose, made in what we call the Princess style, with a long train, which she tucked under one arm when she walked. The upper sleeve was of a narrow bell shape, but under it came down tight ones to the wrist, fastened by a row of large round buttons quite up to the elbow. A large apronwhich Clarice called a barmclothprotected the dress from stain. -
UC Riverside UC Riverside Electronic Theses and Dissertations
UC Riverside UC Riverside Electronic Theses and Dissertations Title Foreign Infusion: Overseas Foods and Drugs in Seventeenth Century England Permalink https://escholarship.org/uc/item/1sg758sd Author Azevedo, Jillian Michelle Publication Date 2014 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA RIVERSIDE Foreign Infusion: Overseas Foods and Drugs in Seventeenth Century England A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in History by Jillian Michelle Azevedo June 2014 Dissertation Committee: Dr. Thomas Cogswell, Chairperson Dr. Jonathan Eacott Dr. Christine Gailey Copyright by Jillian Michelle Azevedo 2014 This Dissertation of Jillian Michelle Azevedo is approved: __________________________________________ __________________________________________ __________________________________________ Committee Chairperson University of California, Riverside Dedication To my Parents and Grandparents iv ABSTRACT OF THE DISSERTATION Foreign Infusion: Overseas Foods and Drugs in Seventeenth Century England by Jillian Michelle Azevedo Doctor of Philosophy, Graduate Program in History University of California, Riverside, June 2014 Dr. Thomas Cogswell, Chairperson During the seventeenth century, the English were integrating foreign foods into their lives at an unprecedented, and previously unacknowledged, rate. This is apparent in both English homes and popular culture, as foreign foods were featured in contemporary recipe books, medical manuals, treatises, travel narratives, and even in plays performed during the period. Their inclusion in the English home and in popular culture is important; it illustrates that there was a general fascination with these foods that went beyond just eating them. When written about in travel narratives or incorporated into plays, the English were able to mentally consume such products. -
The French Migrant and French Gastronomy in London (Nineteenth to Twenty-First Centuries)
A Migrant Culture on Display: The French Migrant and French Gastronomy in London (Nineteenth to Twenty-First Centuries) Debra Kelly Oh, Madame Prunier, you give us fishes which we wouldn’t dream of eating anywhere; you call them by a funny French name, and we all adore them! (Prunier 2011, x–xi) Que se passe-t-il dans une assiette? Que retrouve-t-on qui exprime des idées, fasse sens et permette un message? Quelle est la nature de cette matière à réflexion? Quelle emblématique pour l’empire des signes culinaires? (Onfray 156)1 French Food Migrates to London: The French Migrant and London Food Culture2 In his social history of ‘eating out’ in England from the mid-nineteenth century to the turn of the twenty-first, John Burnett discusses thediffusion 1 Translation: ‘What happens on a plate? What is found there which may express ideas, make meaning, formulate a message? What is the nature of this material for reflection? How can the empire of culinary signs be symbolised’? The philosopher Michel Onfray is making explicit reference to Barthes’s L’Empire des signes (1970), and implicit reference to Barthes’s methods of analysing cultural myths, their construction and circulation. These methods also underlie the approach taken in this article to representation and meaning. 2 This article explores some of the preliminary research for a larger project which uses French cuisine as the lens through which to analyse the French (and Francophone) experience in the British capital, historically and in the contemporary city: ‘being’ French in London. It considers French culinary knowledge and practice at work in the city as a material form of identity, of culture and of cultural capital and examines its place in London’s constantly evolving culinary landscape: ‘eating’ French in London. -
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Old English Customs THE FAVERSHAM MOOT HORN. This horn served for the calling of local assemblies at Faversham, Kent, circa 1300. Old Snglish Customs Sxtant at the Present Time An Account of Local Observances^ Festival Customs^ and (Ancient Ceremonies yet Surviving in Great Britain By T. H. T)itchfield, 3U.A., F.S.A. London cK 1896 \v PREFACE I HE object of this work is to describe all the old customs which still linger on in the obscure nooks and corners of our native land, or which have survived the march of progress in our busy city's life. There are many books which treat of ancient customs, and repeat again the stories told by Brand, Hone, and other historians and as far antiquaries ; but, as we are aware, there is no book describing the actual folk-customs yet extant, which may be witnessed to-day by the folk-lorist and lover of rural manners. We have endeavoured to supply this want, and to record only those customs which time has spared. Undoubtedly the decay has been rapid. Many customs have vanished, quietly dying out without giving a sign. The present generation has witnessed the extinc- tion of many observances which our fathers practised and revered, and doubtless the v 286064 Preface progress of decay will continue. We have entered upon a diminished inheritance. Still it is surprising to find how much has been left how the race ; tenaciously English clings to that which habit and usage have estab- lished how ancient customs hold in ; sway the palace, the parliament, the army, the law courts, amongst educated people as well as unlearned rustics cluster ; how they around our social institutions, are enshrined in reli- and are law gious ceremonial, preserved by ; how carefully they have been guarded through the many ages of their existence, and how deeply rooted they are in the affections of the English people. -
Renaissance Food from Rabelais to Shakespeare
RENAISSANCE FOOD FROM RABELAIS TO SHAKESPEARE Renaissance Food from Rabelais to Shakespeare Culinary Readings and Culinary Histories Edited by JOAN FITZPATRICK Loughborough University, UK ASHGATE © The editor and contributors 2010 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise without the prior permission of the publisher. Joan Fitzpatrick has asserted her right under the Copyright, Designs and Patents Act, 1988, to be identified as the editor of this work. Published by Ashgate Publishing Limited Ashgate Publishing Company Wey Court East Suite 420 Union Road 101 Cherry Street Farnham Burlington Surrey, GU9 7PT VT 05401-4405 England USA www.ashgate.com British Library Cataloguing in Publication Data Renaissance food from Rabelais to Shakespeare: culinary readings and culinary histories. 1. Food habits - Europe - History - 16th century. 2. Food habits - Europe - History- 17th century. 3. Food habits in literature. 4. Diet in literature. 5. Cookery in literature. 6. Food writing - Europe - History 16th century. 7. Food writing - Europe - History 17th century. 8. European literature Renaissance, 1450-1600 - History and criticism. 9. European literature - 17th century - History and criticism. 1. Fitzpatrick, Joan. 809.9'33564'09031-dc22 Library of Congress Cataloging-in-Publication Data Renaissance food from Rabelais to Shakespeare: culinary readings and culinary histories I edited by Joan Fitzpatrick. p.cm. Includes bibliographical references and index. ISBN 978-0-7546-6427-7 (alk. paper) 1. European literature-Renaissance, l450-1600-History and criticism. 2. Food in literature. 3. Food habits in literature. -
Salmagundy [ 1723 ]
SALMAGUNDY [ 1723 ] iven the medieval suspicion of raw Library (Sloane ms 1201) has an alphabetical ingredients, and the taste for flesh list of more than a hundred herbs to be found and spectacle (which brought swan, in a well-stocked garden, from Alexanders and peacock and porpoise to the dining anise to verbena and wormseed. table), you might assume there was little interest From this wealth of plant life, mixed herb in salad in the Middle Ages. But this is not the and flower salads were created that proved case; there’s a recipe for Salat in the earliest extremely popular throughout the Middle Ages extant cookbook in English, The Forme of Cury, and beyond. The inclusion of edible flowers which was compiled around 1390 (see page 19): provided the drama of colour that medieval TO MAK E A S ALAMONGUNDY, diners took such delight in. And, since they S ALMINGONDIN, OR S ALGUNDY Take persel, sawge, grene garlic, chibolles, were thought to have medicinal properties, oynouns, leek, borage, myntes, porrettes, fenel, salad leaves escaped the stigma attached to and toun cressis, rew, rosemarye, purslarye; many raw fruits and vegetables (though not Mince a couple of Chickens, either boil’d or roasted very fine or Veal, if you lave and waische hem clene. Pike hem. Pluk everyone agreed: in the Boke of Kervynge, please; also mince the Yolks of hard Eggs very small; and mince also the Whites hem small with thyn honde and myng hem written around 1500, Wynkyn de Worde wel with rawe oile; lay on vunegar and salt, warned: “beware of grene sallettes & raw fruytes of the Eggs very small by themselves; also shred the Pulp of Lemons very small; and serve it forth. -
From the Library of Christopher Hogwood
from the library of christopher hogwood books & manuscripts on food & drink BERNARD QUARITCH LTD 40 SOUTH AUDLEY STREET, LONDON W1K 2PR +44 (0)20 7297 4888 [email protected] www.quaritch.com For enquiries about this catalogue, please contact: Mark James ([email protected]) or Anke Timmermann ([email protected]) important notice: Items marked with an * are subject to VAT within the EU Bankers: Barclays Bank PLC, 1 Churchill Place, London E14 5HP Sort code: 20-65-82 Swift code: BARCGB22 Sterling account IBAN: GB98 BARC 206582 10511722 Euro account IBAN: GB30 BARC 206582 45447011 US Dollar account IBAN: GB46 BARC 206582 63992444 VAT number: GB 840 1358 54 Mastercard, Visa and American Express accepted. Cheques should be made payable to: Bernard Quaritch Limited © Bernard Quaritch Ltd 2016 from the library of christopher hogwood books & manuscripts on food & drink introduction & biography the seventeenth century ………………………………….. items 8- the eighteenth century ………………………………...…. items 80- 74 the nineteenth century …………………………………… items 7 - modern cooking ……………………………………..……. items 7- 6 index & bibliography BERNARD QUARITCH LIMITED ∙ antiquarian booksellers since 847 ∙ list 2086/85 christopher hogwood cbe (8 78- 2087 Throughout his 50-year career, conductor, musicologist and keyboard player Christopher Hogwood applied his synthesis of scholarship and performance with enormous artistic and popular success. Spearheading the movement that became known as ‘historically-informed performance’, he promoted it to the mainstream through his work on 17th- and 18th-century repertoire with the Academy of Ancient Music, and went on to apply its principles to music of all periods with the world’s leading symphony orchestras and opera houses. -
For Al Them That Delight in Cookery”: the Production and Use of Cookery Books in England, 1300–1600
“For al them that delight in Cookery”: The Production and Use of Cookery Books in England, 1300–1600 DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Sarah Peters Kernan Graduate Program in History The Ohio State University 2016 Dissertation Committee: Daniel Hobbins, PhD, Dissertation Advisor Alison Beach, PhD, Program Advisor Christopher Otter, PhD Copyrighted by Sarah Peters Kernan 2016 ABSTRACT Through an examination of the codicological and bibliographical features of manuscript and print cookbooks produced between 1300 and 1600, I offer a narrative of the early history of English cookeries, their readers, and their producers. The success of the genre was due, in part, to its flexibility. Cookbooks could be used in multiple ways in and out of the kitchen. Furthermore, I examine the shift from manuscript to print through the lens of cookbooks. I argue that an audience for early English printed cookbooks was already in place prior to the introduction of print. The audience for cookeries in England grew steadily over the course of three hundred years, incorporating new readers who spanned class and gender divides. The expanding audience in turn propelled new cookbook production. The transition from script to print provides the backdrop for the genre’s development. First examining late medieval cookbooks as technical literature, I posit that many of these texts were used in contemporary kitchens. Some of the earliest English cookbooks, manuscript rolls, served as aides-mémoires for kitchen staff in great households. Other early manuscript cookbooks were instructional texts, used by cooks in medieval kitchens. -
Colonial Receipts
Foods & Feasts of Colonial Virginia Jamestown Settlement & American Revolution Museum at Yorktown November 28-30, 2019 & November 26-28, 2020 Colonial Receipts 17th-Century Recipes Period dishes prepared by historical interpreters in Jamestown Settlement’s outdoor re-creations of a Powhatan Indian village and 1610-14 English fort The Lord of Devonshire his Pudding Take manchet and slice it thin, then take dates the stones cut out, & cut in pieces, & reasins of the Sun the stones puld out, & a few currance, & marrow cut in pieces, then lay your sippets of bread in the bottome of your dish, then lay a laying of your fruit & mary on the top, then antoher laying of sippets of briad, so doo till your dish be full, then take crame & three eggs yolds & whites, & some Cynamon & nutmeg grated, & some sugar, beat it all well together, & pour in so much of it into the dish as it will drinke up, then set it into the oven & bake it. Elinor Fettiplace’s Receipt Book, 1604 A blood pudding Take the blood of hog whilst it is warm, and steep it in a quart, or more, of great oatmeal grits, and at the end of three days with your hands take the greits out of the blood, and drain them clean; then put to those grits more than a quart of the best cream warmed on the fire; then take mother of thyme, parsley, spinach, succory, endive, sorrel, and strawberry leaves, of each a few chopped exceeding small, and mix them with the grits, and also a little fennel seed finely beaten; then add a little pepper, cloves and mace, salt, and great store of suet finely shred, and well beaten; then therewith fill your farmes, and boil them, as hath been before described.