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Morris Matters Vol 32 Issue 2
Morris Matters Volume 32 Number 2 July 2013 Contents of Volume 32 Number 2 Image of Morris 3 by Tony Forster History of Clog Making in Lancashire 6 by Michael Jackson A Very English Winter – a Review 7 by George Frampton Berkshire Bedlam at the Marlboro Ale 2013 9 by Malcolm Major We Have Our Uses! – The Morris in Conceptual Art - Observations 10 by George Frampton The Morris Wars 12 by Derek Schofield Where Have All the Researchers Gone? 15 by George Frampton Dance with Dommett – Take 2 18 by Denise Allen American Film Archive 19 by Jan Elliott DERT 2013 – we are the champions! 20 by Sally Wearing Updating Morris: the leaked report 23 by Long Lankin Roger Ring Morris 24 by Andy Morris Matters is published twice a year (January and July) by Beth Neill with thanks to Jill Griffiths for proofreading. Subscriptions are £6 for two issues (£8 outside EU countries). Please make cheques payable to Morris Matters or ask for BACS details. 27 Nortoft Road, Chalfont St Peter, Bucks SL9 0LA Reviews or other contributions always welcome [[email protected]] - 1 Morris Matters Volume 32 Number 2 July 2013 Editorial There is a fair bit in here about researchers past and present and who will be carrying this on in the future… there always seems to be something new to be unearthed both in the UK and abroad. The morris world seems to be very active over in the USA & Canada – both in research, and in dancing. As I write I know that Morris Offspring are heading over the water and joining forces with Maple Morris for a series of performances. -
Student's Worksheet 1 Easter
Student’s Worksheet 1 Easter Task 1. Read the beginnings of the sentences and fi nish them with your own ideas. Read your sentences out to your partner. 1. Easter is a public holiday in my country because .................................................................... ...................................................................................................................................................... 2. Churches hold special services at Easter in order to .............................................................. ...................................................................................................................................................... 3. Easter customs observed in my country include ...................................................................... ...................................................................................................................................................... Task 2. Fill in each gap in the text using an appropriate word from the box. dye resurrection search common public boiled hold In countries with a large Christian hard – ……........................………… eggs that can population, Easter is o en a ……....................… be eaten later, but may also be model eggs holiday. made of plastic, chocolate, sweets or other Many churches ……...................………… special materials. It is also ……........................………… to services on Easter Sunday, which organise Easter egg hunts. Eggs of some celebrate Jesus Christ’s ……........................………… -
British Political System: PART II
1.Represents government 2.Symbol of authority and source of advice 3.Providing continuity and stability 4.Constitutional flexibility 5.Embodiment of tradition and object of identification for masses 6.Symbol of unity of the UK ▪ Hereditary head of state ▪ Part of both executive and legislative powers ▪ „the monarch reigns, but does not rule“ ▪ King can do no wrong (1711) 1.UK = parliamentary democracy + a constitutional sovereign as Head of State 2.Not publicly involved in the party politics of government 3.Entitled to be informed and consulted, and to advise, encourage and warn ministers 4.Royal Assent 5.Reserve power to dismiss the PM 6.Reserve power to make a personal choice of successor PM ▪ To appoint a Prime Minister of her [his] own choosing (1963) ▪ To dismiss a Prime Minister and his or her Government on the Monarch's own authority (1834) ▪ To summon and prorogue parliament ▪ To command the Armed Forces ▪ To dismiss and appoint Ministers ▪ To refuse the royal assent (1707/8) ▪ The power to declare War and Peace ▪ The power to deploy the Armed Forces overseas ▪ The power to ratify and make treaties ▪ But 2010 Constitutional Reform and Governance Act ▪ codifying the Ponsonby Rule (constitutional convention: most international treaties had to be laid before Parliamet 21 days before ratification ▪ Personal, political and criminal inviolability ▪ Unaccountability ▪ To issue and withdraw passports ▪ To appoint Bishops and Archbishops of the Church of England ▪ To grant honours ▪ Prerogative of Mercy ▪ …. ▪ Annually ▪ Tradition from 1600s ▪ Current ceremony 1852 ▪ Presented in HL ▪ HC members present too ▪ Followed by ▪ 'Humble Address to the Queen ▪ Parliamentary debate on the Speech ▪ 4-5 days ▪ Speech is then approved of by HC ▪ Above-parties ▪ No participation in elections ▪ Co-operate with any cabinet ▪ Avoid controversial statements ▪ „King can do no wrong“, if his steps consulted with the cabinet ▪ Part of the parliament ▪ Royal Assent (no legislative initiative) ▪ Bagehot (1867): „But the Queen has no such veto. -
Countryside Destination Events – Autumn 2018
Countryside Destination Events – Autumn 2018 Elvaston Castle Sat 1st – 7-9pm The Park in the Dark – Come meet the night time Elvaston Castle, Thurs 6th Sep residents! Learn about hedgehogs, birds and bats on this Borrowash Road, family friendly stroll around the grounds. 2 Miles. Bring a Elvaston, Derby, torch! Cost: Adults - £6, Children - £4 DE72 3EP Book: www.derbyshire.gov.uk/countrysideevents Sat 22nd – Sun 10am- Woodland Festival – celebrate traditional and “ 23rd Sep 5pm contemporary woodland crafts. Lots of family activities, (turn up local food, crafts, arts, gifts. Bushcraft, firelighting, etc! anytime) £10 per car parking charges/ £15 per car for weekend www.derbyshire.gov.uk/woodlandfestival Sat 27th Oct 6pm- Gruesome Tales – spine tingling stories as we explore the “ 8pm castle at night! Visit ghostly gothic hall then fill up with freeky food in Wyatts Café. Less than 2 miles. Fancy dress welcome! Cost: Adults - £15, Children - £8 Book: www.derbyshire.gov.uk/countrysideevents Wed 31st Oct 10:30am- Pumpkin Party! – Head to the courtyard to visit the “ 3pm pumpkin parlour. Carve your own pumpkin to take home. Trail sheets to explore the grounds – watch out for scary surprises, return to the start to claim your prize! Less than a mile walk, spooky fancy dress welcome. £2 per trail sheet Sat 17th + Fri 7pm – The sky’s the limit – star gazing, look through high “ 30th Nov 9pm powered telescopes and learn all about the solar system. Hot drinks available whilst you gaze. Cost: Adults - £6, Children - £4 to include drinks Book: www.derbyshire.gov.uk/countrsideevents Shipley Country Park Sat 15th Sep 10- Launch and guided walk – The launch of the 30 walks, Shipley Country 10:30am walking festival. -
The Economic and Social Impact of Cultural Festivals in the East Midlands of England
THE ECONOMIC AND SOCIAL IMPACT OF CULTURAL FESTIVALS IN THE EAST MIDLANDS OF ENGLAND FINAL REPORT Christopher Maughan Franco Bianchini De Montfort University, Leicester December 2004 Preface I am pleased to introduce the final report of the ‘Economic and Social Impact of Cultural Festivals in the East Midlands’. This is the first comprehensive study of festivals in the East Midlands and reflects on the economic and social impact of 11 festivals in the region during 2002-03. Arts Council England recognises the value and role of festivals in the region, and was therefore delighted to fund this research study. Our other partners on this project were East Midlands Development Agency (emda) and Regional Economic and Arts Partnership (REAP), which comprised of local authority officers from across the region. It is encouraging to read how successful festivals are, not just in terms of the economy, but also in making people proud of where they live and the community-based feelings, which are rekindled through such events. This research shows how far we, as a region, have come and gives us an indication of how we can build on this success to truly make the East Midlands the home of festivals. The success of any research project depends on the efforts many people. I would like to thank the researchers Franco Bianchini, Christopher Maughan and Paola Merli of De Montfort University, Leicester, together with the 11 festivals that took part. Most importantly, I would like to thank those members of the public who willingly gave their time and cooperation, helping to make the research a success. -
Lyle Tompsen, Student Number 28001102, Masters Dissertation
Lyle Tompsen, Student Number 28001102, Masters Dissertation The Mari Lwyd and the Horse Queen: Palimpsests of Ancient ideas A dissertation submitted to the University of Wales Trinity Saint David in fulfilment of the requirements for the Degree of Master of Arts Celtic Studies 2012 Lyle Tompsen 1 Lyle Tompsen, Student Number 28001102, Masters Dissertation Abstract The idea of a horse as a deity of the land, sovereignty and fertility can be seen in many cultures with Indo-European roots. The earliest and most complete reference to this deity can be seen in Vedic texts from 1500 BCE. Documentary evidence in rock art, and sixth century BCE Tartessian inscriptions demonstrate that the ancient Celtic world saw this deity of the land as a Horse Queen that ruled the land and granted fertility. Evidence suggests that she could grant sovereignty rights to humans by uniting with them (literally or symbolically), through ingestion, or intercourse. The Horse Queen is represented, or alluded to in such divergent areas as Bronze Age English hill figures, Celtic coinage, Roman horse deities, mediaeval and modern Celtic masked traditions. Even modern Welsh traditions, such as the Mari Lwyd, infer her existence and confirm the value of her symbolism in the modern world. 2 Lyle Tompsen, Student Number 28001102, Masters Dissertation Table of Contents List of definitions: ............................................................................................................ 8 Introduction .................................................................................................................. -
The Origins and Development of English Folk Plays
National Centre for English Cultural Tradition University of Sheffield THE ORIGINS AND DEVELOPMENT OF ENGLISH FOLK PLAYS Volume 1 Thesis Submitted for the Degree of Ph.D. Peter Thomas Millington May 2002 ABSTRACT This thesis concerns those English folk plays whose plots are centred on the quack doctor character. Earlier researchers proposed three possible origins for these plays: a non-specific mystery play from the time of the crusades, some pre- Christian fertility ritual, and primitive shamanism. All three proposals were based on over-general comparisons, and relied on the key assumption that a continuous history can be traced back from before modern plays to the relevant era. However, in contrast with other customs, no evidence can be found for these plays before the 18th century, despite diligent searching. These theories are therefore disproved. Instead, it is proposed that the plays were attached in the early to mid 18th century to existing house-visiting customs. These were probably the source of the non-representational costumes that are sometimes worn. There is also evidence for the influence of the conventions of the English Harlequinade. The provenance of the scripts is unknown, but similarities between them suggest they ultimately derived from a single proto-text. A full-text database of 181 texts and fragments was built for investigation using cluster analysis, distribution mapping and other computerised techniques, some of which are novel. The cluster analysis has generated a new classification for the play texts that both confirms and extends the established typology. Comparison of the attributes of the clusters, aided by distribution mapping, has resulted in a putative genealogy for the plays that is presented for discussion. -
A Dinner at the Governor's Palace, 10 September 1770
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 1998 A Dinner at the Governor's Palace, 10 September 1770 Mollie C. Malone College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the American Studies Commons Recommended Citation Malone, Mollie C., "A Dinner at the Governor's Palace, 10 September 1770" (1998). Dissertations, Theses, and Masters Projects. Paper 1539626149. https://dx.doi.org/doi:10.21220/s2-0rxz-9w15 This Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. A DINNER AT THE GOVERNOR'S PALACE, 10 SEPTEMBER 1770 A Thesis Presented to The Faculty of the Department of American Studies The College of William and Mary in Virginia In Partial Fulfillment Of the Requirements for the Degree of Master of Arts by Mollie C. Malone 1998 APPROVAL SHEET This thesis is submitted in partial fulfillment of the requirements for the degree of Master of Arts 'JYIQMajl C ^STIclU ilx^ Mollie Malone Approved, December 1998 P* Ofifr* * Barbara (farson Grey/Gundakerirevn Patricia Gibbs Colonial Williamsburg Foundation TABLE OF CONTENTS Page ACKNOWLEDGEMENTS iv ABSTRACT V INTRODUCTION 2 HISTORIOGRAPHY 5 A DINNER AT THE GOVERNOR’S PALACE, 10 SEPTEMBER 1770 17 CONCLUSION 45 APPENDIX 47 BIBLIOGRAPHY 73 i i i ACKNOWLEDGMENTS I want to thank Professor Barbara Carson, under whose guidance this paper was completed, for her "no-nonsense" style and supportive advising throughout the project. -
T He Scottish Soldiers, the Ouse Washes; the Origins of Landscape Change in the Fens
Origins T he Scottish Soldiers, the Ouse Washes; the Origins of Landscape Change in the Fens by The Word Garden i Fen Islands Before the Drains Came ii iii First published 2019 Origins The Scottish Soldiers, the Ouse Washes; the Origins of Landscape Change in the Fens ©The Word Garden ISBN: 978-1-5272-4727-7 Copyright of individual authors rests with authors, pictorial map with artist, images with photographers and illustrator, and other rights holders as cited in the acknowledgements on pages 12-13, which constitute an extension of this copyright page. Publication design and layout by Helena g Anderson and Karen Jinks Front & back covers & interleaved images by Helena g Anderson Printed by Altone Ltd, Sawston, Cambridge Supported by the National Lottery Heritage Fund LEGAL NOTICE All rights reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted in any form, or by any means, electronic, mechanical, photocopying, recording or otherwise, without prior written permission from the copyright holders. CONTENTS 1. INTRODUCTION AND BACKGROUND 2 - Historical, archival and scientificresearch 2 - Socio-cultural aspects of landscape change 2 2. THE TEAM 4 3. THE WORD GARDEN METHODOLOGY 5 4. ACHIEVEMENTS AND BENEFITS 6 - Public events 7 - Information Day 7 - Community Drop-in Open Day 7 - Local History Fair 7 - Schools workshop activities 7 - Mepal and Witcham Church of England Primary School 7 - Manea Community Primary School 7 - Two-day workshop at Welney Wetland Centre 29th and 30th June 8 - Map: Fen Islands Before The Drains Came by John Lyons 8 - The Play: The Scottish Soldier by Peter Daldorph, based on historical research 9 - The Film: From Dunure to Denver, Coventina’s Quest into Hidden History by Jean Rees-Lyons 10 - Project Godwit, Welney Wetland Centre 11 5. -
The Quarterly Magazine of the Thanet Branch of the Campaign for Real Ale
Fourth Quarter 2018 Free ALE The Quarterly Magazine of the Thanet Branch of the Campaign for Real Ale Inside this issue: Hop hoddening AoT’s Brighton run Social secretary’s blog A long lunch in St Albans Enjoying the beers of Tallinn On the Thanet Loop bus route ALE of Thanet A view from the chair After two years in the chair, this will probably be my last offering to you, not because I haven’t enjoyed my time, but as I currently just have too much on my plate, and now feels the right time to pass the gavel on, although I will (hopefully) remain on the committee and in my role as the Beer Festival Organiser. We are a strong Branch with over 500 members, if one of those members is you, please come along to our Annual General Meeting to be held on Saturday 19th January 2019 at The Bradstow Mill, 11.45 for a 12:00 prompt start. This is your opportunity to becoming involved in your Branch, to help us move forward, to celebrate and enjoy the excellent Re- al Ale and Real Cider that some of our local amazing establishments. Aside from the Branch Committee, we are also specifically looking for someone who could put together the Beer Festival Programme, including seeking advertisers and arranging the printing – could this be you? One the difficult tasks I have had this year is working with the Beer Festival Committee to ensure that we have a Festival in 2019. We had been in a really lucky position that for a considerable time we have had a very, very good rate when we hired the Winter Gardens, and due to the situa- tion, they are in, they had to review our hire, and after much number crunching and negotiation we have managed to secure the venue. -
Translating the Constitution Act, 1867
TRANSLATING THE CONSTITUTION ACT, 1867 A Legal-Historical Perspective by HUGO YVON DENIS CHOQUETTE A thesis submitted to the Faculty of Law in conformity with the requirements for the degree of Master of Laws Queen’s University Kingston, Ontario, Canada September 2009 Copyright © Hugo Yvon Denis Choquette, 2009 Abstract Twenty-seven years after the adoption of the Constitution Act, 1982, the Constitution of Canada is still not officially bilingual in its entirety. A new translation of the unilingual Eng- lish texts was presented to the federal government by the Minister of Justice nearly twenty years ago, in 1990. These new French versions are the fruits of the labour of the French Constitutional Drafting Committee, which had been entrusted by the Minister with the translation of the texts listed in the Schedule to the Constitution Act, 1982 which are official in English only. These versions were never formally adopted. Among these new translations is that of the founding text of the Canadian federation, the Constitution Act, 1867. A look at this translation shows that the Committee chose to de- part from the textual tradition represented by the previous French versions of this text. In- deed, the Committee largely privileged the drafting of a text with a modern, clear, and con- cise style over faithfulness to the previous translations or even to the source text. This translation choice has important consequences. The text produced by the Commit- tee is open to two criticisms which a greater respect for the prior versions could have avoided. First, the new French text cannot claim the historical legitimacy of the English text, given their all-too-dissimilar origins. -
Guardian and Observer Editorial
guardian.co.uk/guides Welcome | 3 Dan Lepard 12 • Before you start 8 Yes, it’s true, baking is back. And • Meet the baker 12 whether you’re a novice pastry • Bread recipes 13 • Cake 41 roller or an expert icer, our • Pastry 69 scrumptious 100-page guide will • Baking supplies 96 take your enjoyment of this relaxing and (mostly) healthy pursuit to a whole new level. We’ve included the most mouthwatering bread, cake and pastry recipes, courtesy of our Tom Jaine 14 baking maestro Dan Lepard and a supporting cast of passionate home bakers and chefs from Rick Stein and Marguerite Patten to Ronnie Corbett and Neneh Cherry. And if Andi and Neneh 42 you’re hungry for more, don’t miss tomorrow’s Observer supplement on baking with kids, and G2’s exclusive series of gourmet cake recipes all next week. Now get Ian Jack 70 KATINKA HERBERT, TALKBACK TV, NOEL MURPHY your pinny on! Editor Emily Mann Executive editor Becky Gardiner All recipes by Dan Lepard © 2007 Additional editing David Whitehouse Recipe testing Carol Brough Art director Gavin Brammall Designer Keith Baker Photography Jill Mead Picture editor Marissa Keating Production editor Pas Paschali Subeditor Patrick Keneally Staff writer Carlene Thomas-Bailey Production Steve Coady Series editor Mike Herd Project manager Darren Gavigan Imaging GNM Imaging Printer Quebecor World Testers Kate Abbott, Keith Baker, Diana Brown, Nell Card, Jill Chisholm, Charlotte Clark, Margaret Gardner, Sarah Gardner, Barbara Griggs, Liz Johns, Marissa Keating, Patrick Keneally, Adam Newey, Helen Ochyra, Joanna Rodell, John Timmins, Ian Whiteley Cover photograph Alexander Kent Woodcut illustration janeillustration.co.uk If you have any comments about this guide, please email [email protected] To order additional copies of this Guardian Guide To..