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Apollon Issue
Apollon The Journal of Psychological Astrology The Sun-god And The Astrological Sun - Liz Greene Creativity, Spontaneity, Independence: Three Children Of The Devil - Adolf Guggenbühl-Craig Whom Doth The Grail Serve? - Anne Whitaker Fire And The Imagination - Darby Costello Leonard Cohen’s "Secret Chart" - John Etherington Issue 1 October 1998 £6 Apollo with the ecliptic worn as a sash. This figure is from the 2nd half of the 5th century BCE, and is now at the Vatican Museum. Figleaf courtesy of the Vatican. Photo: E. Greene Cover Picture The Chariot of Apollo Odilon Redon ©Stedelijk Museum Amsterdam “The French symbolist artist Odilon Redon, b. April 20th 1840, d. July 6th 1916, isolated by frail health and parental indifference at an early age, peopled his loneliness with imaginary beings, as he was later to people his works” Joan Siegfried, Grolier Multimedia Encyclopedia Apollon The Journal of Psychological Astrology Published by: Contents The Centre for Psychological Astrology BCM Box 1815 Editorial 4 London WC1N 3XX This Creativity Lark England Dermod Moore Tel/Fax: +44-181-749 2330 www.astrologer.com/cpa The Sun-god and the Astrological Sun 6 The Mythology and Psychology of Apollo Directors: Dr Liz Greene Liz Greene Charles Harvey Admin: Juliet Sharman-Burke Creativity, Spontaneity, Independence: 16 Distributed by: Three Children of the Devil John Etherington Adolf Guggenbühl-Craig Midheaven Bookshop 396 Caledonian Road The Sun in the Tarot and the Horoscope 24 London N1 1DN Juliet Sharman-Burke England Tel: +44-171-607 4133 Whom -
A Dictionary of Mythology —
Ex-libris Ernest Rudge 22500629148 CASSELL’S POCKET REFERENCE LIBRARY A Dictionary of Mythology — Cassell’s Pocket Reference Library The first Six Volumes are : English Dictionary Poetical Quotations Proverbs and Maxims Dictionary of Mythology Gazetteer of the British Isles The Pocket Doctor Others are in active preparation In two Bindings—Cloth and Leather A DICTIONARY MYTHOLOGYOF BEING A CONCISE GUIDE TO THE MYTHS OF GREECE AND ROME, BABYLONIA, EGYPT, AMERICA, SCANDINAVIA, & GREAT BRITAIN BY LEWIS SPENCE, M.A. Author of “ The Mythologies of Ancient Mexico and Peru,” etc. i CASSELL AND COMPANY, LTD. London, New York, Toronto and Melbourne 1910 ca') zz-^y . a k. WELLCOME INS77Tint \ LIBRARY Coll. W^iMOmeo Coll. No. _Zv_^ _ii ALL RIGHTS RESERVED INTRODUCTION Our grandfathers regarded the study of mythology as a necessary adjunct to a polite education, without a knowledge of which neither the classical nor the more modem poets could be read with understanding. But it is now recognised that upon mythology and folklore rests the basis of the new science of Comparative Religion. The evolution of religion from mythology has now been made plain. It is a law of evolution that, though the parent types which precede certain forms are doomed to perish, they yet bequeath to their descendants certain of their characteristics ; and although mythology has perished (in the civilised world, at least), it has left an indelible stamp not only upon modem religions, but also upon local and national custom. The work of Fruger, Lang, Immerwahr, and others has revolutionised mythology, and has evolved from the unexplained mass of tales of forty years ago a definite and systematic science. -
An Exploration of Myth and Medea Danielle Leibu [email protected]
Wellesley College Wellesley College Digital Scholarship and Archive Honors Thesis Collection 2019 Myth, Magic, and Murderous Mothers: An Exploration of Myth and Medea Danielle Leibu [email protected] Follow this and additional works at: https://repository.wellesley.edu/thesiscollection Recommended Citation Leibu, Danielle, "Myth, Magic, and Murderous Mothers: An Exploration of Myth and Medea" (2019). Honors Thesis Collection. 654. https://repository.wellesley.edu/thesiscollection/654 This Dissertation/Thesis is brought to you for free and open access by Wellesley College Digital Scholarship and Archive. It has been accepted for inclusion in Honors Thesis Collection by an authorized administrator of Wellesley College Digital Scholarship and Archive. For more information, please contact [email protected]. Myth, Magic, and Murderous Mothers: An Exploration of Myth and Medea Danielle Miranda Leibu Submitted in Partial Fulfillment of the Prerequisite for Honors in The Classical Studies Department under the advisement of Kate Gilhuly April 2019 © 2019 Danielle Miranda Leibu Acknowledgements I am obligated to thank my brother, Jonathan, for letting me steal his mythology books and for forcing me to watch the Jason and the Argonauts (1963) film when we were children; without him, I probably never would have entered the field of Classics. I would like to thank Professor Gilhuly for her endless patience and endless edits, as well for indulging in my obsession with myth and sorceresses by letting me work on this thesis. I would also like to thank Professor Dougherty for encouraging me to make a book that would fly (spoiler alert: it did not), as well as to thank Katherine Ruffin for her endless support, for all of her book arts expertise, and for keeping me grounded artistically. -
Cultural Plurality in Ancient Magical Texts and Practices
Orientalische Religionen in der Antike Ägypten, Israel, Alter Orient Oriental Religions in Antiquity Egypt, Israel, Ancient Near East (ORA) Herausgegeben von / Edited by Angelika Berlejung (Leipzig) Joachim Friedrich Quack (Heidelberg) Annette Zgoll (Göttingen) Beirat / Advisory Board Uri Gabbay (Jerusalem) Michael Blömer (Aarhus) Christopher Rollston (Washington, D.C.) Rita Lucarelli (Berkeley) 32 Cultural Plurality in Ancient Magical Texts and Practices Graeco-Egyptian Handbooks and Related Traditions Edited by Ljuba Merlina Bortolani, William D. Furley, Svenja Nagel, and Joachim Friedrich Quack Mohr Siebeck LJUBA MERLINA BORTOLANI, born 1980; studied Classics and Egyptology; 2012 PhD; since 2017 post- doc researcher at the department of Classical Philology at the University of Heidelberg. WILLIAM D. FURLEY, born 1953; 1979 PhD; since 2003 Associate Professor of Classics, University of Heidelberg; Senior Research Fellow of the Institute of Classical Studies (School of Advanced Studies), London. SVENJA NAGEL, born 1984; studied Egyptology and Classical Archaeology; 2015 PhD; since 2017 post-doc researcher at the Institute of Egyptology at the University of Heidelberg. JOACHIM FRIEDRICH QUACK, born 1966; studied Egyptology, Semitics and Biblical Archaeology; 1993 PhD; 2003 Habilitation; since 2005 Professor for Egyptology at the University of Heidelberg. ISBN 978-3-16-156478-9 / eISBN 978-3-16-156479-6 DOI 10.1628/978-3-16-156479-6 ISSN 1869-0513 / eISSN 2568-7492 (Orientalische Religionen in der Antike) The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliographie; detailed bibliographic data are available at http://dnb.dnb.de. © 2019 Mohr Siebeck Tübingen, Germany. www.mohrsiebeck.com This book may not be reproduced, in whole or in part, in any form (beyond that permitted by copyright law) without the publisher’s written permission. -
The Iconography of Ancient Greek and Roman Jewellery By
The Iconography of Ancient Greek and Roman Jewellery by Kathia Pinckernelle, F.G.A Submitted to obtain the Master of Philosophy (by Research) M.Phil. (Research) University of Glasgow History of Art September 2005 Resubmitted November 2007 Author’s Declaration I declare that the present dissertation is the result of my own special work, that it has been composed by myself, that all sources are properly acknowledged, and that it does not include work forming part of any previous degree obtained from this or another University. The entire work is my copyright and may not be reproduced, whether in parts or as a whole, without my prior permission. ©Kathia Pinckernelle _______________________________ K. Pinckernelle, ‘The Iconography of Ancient Greek and Roman Jewellery’ Abstract This work will examine the various forms of symbolism and iconography in jewellery from ancient Greece1 and Rome. It sets out to elucidate and place into the appropriate cultural context the motifs represented in jewellery from these civilisations. The work is largely divided into three parts. The first part, itself divided into sections dedicated to Greece (with Etruria as an afterthought) and Rome respectively, discusses the symbolism and iconography by introducing the most important deities and making the connection between them and the motifs occurring in jewellery. Naturally, a selection had to be made regarding the motifs: although the aim is to give a fairly broad overview and include more than just the most standard motifs, the examination cannot, for obvious reasons, extend to designs only singularly occurring in jewellery. It follows that the list of motifs discussed is by no means exhaustive yet some rarely ever examined motifs such as the tortoise, for example, are given space for consideration. -
Birds in the Ancient World from a to Z
BIRDS IN THE ANCIENT WORLD FROM A TO Z Why did Aristotle claim that male Herons’ eyes bleed during mating? Do Cranes winter near the source of the Nile? Was Lesbia’s pet really a House Sparrow? Ornithology was born in ancient Greece, when Aristotle and other writers studied and sought to identify birds. Birds in the Ancient World from A to Z gathers together the information available from classical sources, listing all the names that ancient Greeks gave their birds and all their descriptions and analyses. Arnott identifies (where achievable) as many of them as possible in the light of modern ornithological studies. The ancient Greek bird names are transliterated into English script, and all that the classical writers said about birds is presented in English. This book is accordingly the first complete discussion of classical bird names that will be accessible to readers without ancient Greek. The only previous study in English on the same scale was published over seventy years ago and required a knowledge of Greek and Latin. Since then there has been an enormous expansion in ornithological studies which has vastly increased our knowledge of birds, enabling us to evaluate (and explain) ancient Greek writings about birds with more confidence. With an exhaustive bibliography (partly classical scholarship and partly ornithological) added to encourage further study Birds in the Ancient World from A to Z is the definitive study of birds in the Greek and Roman world. W.Geoffrey Arnott is former Professor of Greek at the University of Leeds and Fellow of the British Academy. -
Villa Dei Misteri” Fresco and the Spinning Top in Ancient Rituals
Mythos Rivista di Storia delle Religioni 10 | 2016 Varia The winged figure in the “Villa dei Misteri” fresco and the spinning top in ancient rituals Marianna Scapini Electronic version URL: http://journals.openedition.org/mythos/509 DOI: 10.4000/mythos.509 ISSN: 2037-7746 Publisher Salvatore Sciascia Editore Printed version Date of publication: 1 December 2016 Number of pages: 193-213 ISBN: 978-88-8241-476-4 ISSN: 1972-2516 Electronic reference Marianna Scapini, « The winged figure in the “Villa dei Misteri” fresco and the spinning top in ancient rituals », Mythos [Online], 10 | 2016, Online since 24 September 2019, connection on 28 September 2019. URL : http://journals.openedition.org/mythos/509 ; DOI : 10.4000/mythos.509 Mythos The winged figure in the “Villa dei Misteri” fresco and the spinning top in ancient rituals Marianna Scapini Abstract Riassunto This paper focuses on the megalography Lo studio riesamina la megalografia della Vil- of the “Villa dei Misteri” and its winged fig- la dei Misteri ed in particolare la figura alata ure provided with a scourge. A few literary munita di frusta che vi spicca. Indizi presenti sources suggest a new interpretation of her nelle fonti letterarie suggeriscono una nuova action. In particular, I believe that this char- interpretazione del gesto compiuto dal perso- acter hints at a whipping actually echoed in naggio. Si parte dall’ipotesi che questo alluda Dionysiac rituals. This whipping was aimed ad una fustigazione realmente evocata in al- at prompting the acolyte to a whirling dance cuni riti dionisiaci. Le frustate sarebbero state step. This choreography was based upon finalizzate ad indurre il partecipante al rito ad the parallelism between the dancer and a un passo di danza circolare. -
L'iynge Dans Le Discours Mythique Et Les Procédures Magiques
Kernos Revue internationale et pluridisciplinaire de religion grecque antique 6 | 1993 Varia L'Iynge dans le discours mythique et les procédures magiques Vinciane Pirenne-Delforge Édition électronique URL : http://journals.openedition.org/kernos/552 DOI : 10.4000/kernos.552 ISSN : 2034-7871 Éditeur Centre international d'étude de la religion grecque antique Édition imprimée Date de publication : 1 janvier 1993 Pagination : 277-289 ISSN : 0776-3824 Référence électronique Vinciane Pirenne-Delforge, « L'Iynge dans le discours mythique et les procédures magiques », Kernos [En ligne], 6 | 1993, mis en ligne le 07 avril 2011, consulté le 01 mai 2019. URL : http:// journals.openedition.org/kernos/552 ; DOI : 10.4000/kernos.552 Kernos Kernos, 6 (1993), p. 277-289. L'lYNGE DANS LE DISCOURS MYTHIQUE ETLES PROCÉDURES MAGIQUES* Dans le domaine des sentiments et des attirances amoureuses, quand la contrainte se substitue à la persuasion, intervient soit la force directe, brutale, soit l'action magiquel . Les Grecs étaient particulière- ment sensibles à la primauté de nEÎSro sur pia dans les relations entre citoyens sur l'agora et entre époux dans la vie conjugale. C'est en tout cas ce qu'une recherche sur les cultes de Peitho a révélé, tout autant qu'une analyse des interventions de la persuasion sur la scène tragique2. Les Suppliantes d'Eschyle, de même que le superbe fragment des Danaïdes où Aphrodite exalte la puissance de l'amour3, sont de parfaites illustrations des bienfaits de neiero dans les relations humaines qui, sans elle, offrent le spectacle désolé d'un désastre, à l'instar des noces assassines des filles de Danaos. -
Introduction 1
Notes Introduction 1. Trans. Mackail (1934, 275). 2. The literature that has come the closest proposes the existence of the hieros gamos, or rite of sacred marriage, in ancient West Asia and the ancient Mediterranean world. According to some scholars, the sacred marriage was a ritual act of sexual intercourse between a king and priestess as a means of guaranteeing abundance and fertility for the people. This idea has itself received its share of critique. See, for example, Nissinen and Uro (2008). The present work in part reframes the sacred marriage concept by considering women’s agency in it, a much-neglected theme. 3. For a summary of current scientifi c thinking on parthenogenesis, see Chapter 8. 4. For feminist analyses of pre-Greek goddesses, see, for example, Spretnak (1978), Dexter (1990), Baring and Cashford (1991), and Downing (1992). 5. For further discussion of hieros gamos, see Chapter 1. 6. It is based closely on my doctoral dissertation, Bearing the Holy Ones: A Study of the Cult of Divine Birth in Ancient Greece (Rigoglioso 2007). 7. For mention of the parthenogenetic aspects of various goddesses, see, for example, Davis (1971, 33); Spretnak (1978, 20); Daly ([1978] 1990, 84); Dexter (1990, 172–3); Sjöö and Mor (1991, 27–30); Reis (1991; 34–53); Ruether (1992; 18); and, more extensively, Hwang (2005, passim). For claims of successful virgin births among indigenous tribes in Australia and Melanesia, see, for example, Roth (1903); Malinowski (1913, 1927, 1929); Montagu ([1937] 1974); Leach (1969); and Spiro (1968). For other, more controversial, claims, see Bernard (n.d.) and Melchizedek (2000, 2:282–5). -
The Greek Myths 1955, Revised 1960
Robert Graves – The Greek Myths 1955, revised 1960 Robert Graves was born in 1895 at Wimbledon, son of Alfred Perceval Graves, the Irish writer, and Amalia von Ranke. He went from school to the First World War, where he became a captain in the Royal Welch Fusiliers. His principal calling is poetry, and his Selected Poems have been published in the Penguin Poets. Apart from a year as Professor of English Literature at Cairo University in 1926 he has since earned his living by writing, mostly historical novels which include: I, Claudius; Claudius the God; Sergeant Lamb of the Ninth; Count Belisarius; Wife to Mr Milton (all published as Penguins); Proceed, Sergeant Lamb; The Golden Fleece; They Hanged My Saintly Billy; and The Isles of Unwisdom. He wrote his autobiography, Goodbye to All That (a Penguin Modem Classic), in 1929. His two most discussed non-fiction books are The White Goddess, which presents a new view of the poetic impulse, and The Nazarene Gospel Restored (with Joshua Podro), a re-examination of primitive Christianity. He has translated Apuleius, Lucan, and Svetonius for the Penguin Classics. He was elected Professor of Poetry at Oxford in 1962. Contents Foreword Introduction I. The Pelasgian Creation Myth 2. The Homeric And Orphic Creation Myths 3. The Olympian Creation Myth 4. Two Philosophical Creation Myths 5. The Five Ages Of Man 6. The Castration Of Uranus 7. The Dethronement Of Cronus 8. The Birth Of Athene 9. Zeus And Metis 10. The Fates 11. The Birth Of Aphrodite 12. Hera And Her Children 13. Zeus And Hera 14. -
PROSODIA VILLAGARSIENSIS in DUOS INDICES TRIBUTA, ET EX EA, QUAM Joannes Baptiffa Ricciolius È Soc
Informazioni su questo libro Si tratta della copia digitale di un libro che per generazioni è stato conservata negli scaffali di una biblioteca prima di essere digitalizzato da Google nell’ambito del progetto volto a rendere disponibili online i libri di tutto il mondo. Ha sopravvissuto abbastanza per non essere più protetto dai diritti di copyright e diventare di pubblico dominio. Un libro di pubblico dominio è un libro che non è mai stato protetto dal copyright o i cui termini legali di copyright sono scaduti. La classificazione di un libro come di pubblico dominio può variare da paese a paese. I libri di pubblico dominio sono l’anello di congiunzione con il passato, rappresentano un patrimonio storico, culturale e di conoscenza spesso difficile da scoprire. Commenti, note e altre annotazioni a margine presenti nel volume originale compariranno in questo file, come testimonianza del lungo viaggio percorso dal libro, dall’editore originale alla biblioteca, per giungere fino a te. Linee guide per l’utilizzo Google è orgoglioso di essere il partner delle biblioteche per digitalizzare i materiali di pubblico dominio e renderli universalmente disponibili. I libri di pubblico dominio appartengono al pubblico e noi ne siamo solamente i custodi. Tuttavia questo lavoro è oneroso, pertanto, per poter continuare ad offrire questo servizio abbiamo preso alcune iniziative per impedire l’utilizzo illecito da parte di soggetti commerciali, compresa l’imposizione di restrizioni sull’invio di query automatizzate. Inoltre ti chiediamo di: + Non fare un uso commerciale di questi file Abbiamo concepito Google Ricerca Libri per l’uso da parte dei singoli utenti privati e ti chiediamo di utilizzare questi file per uso personale e non a fini commerciali. -
Who's Who in Classical Mythology
Who’s Who in Classical Mythology The Routledge Who’s Who series Accessible, authoritative and enlightening, these are the definitive biographical guides to a diverse range of subjects drawn from literature and the arts, history and politics, religion and mythology. Who’s Who in Ancient Egypt Michael Rice Who’s Who in the Ancient Near East Gwendolyn Leick Who’s Who in Christianity Lavinia Cohn-Sherbok Who’s Who in Classical Mythology Michael Grant and John Hazel Who’s Who in Contemporary Gay and Lesbian History Edited by Robert Aldrich and Garry Wotherspoon Who’s Who in Contemporary Women’s Writing Edited by Jane Eldridge Miller Who’s Who in Contemporary World Theatre Edited by Daniel Meyer-Dinkegräfe Who’s Who in Dickens Donald Hawes Who’s Who in Europe 1450–1750 Henry Kamen Who’s Who in Gay and Lesbian History Edited by Robert Aldrich and Garry Wotherspoon Who’s Who in the Greek World John Hazel Who’s Who in Jewish History Joan Comay, revised by Lavinia Cohn-Sherbok Who’s Who in Military History John Keegan and Andrew Wheatcroft Who’s Who in Modern History Alan Palmer Who’s Who in Nazi Germany Robert S.Wistrich Who’s Who in the New Testament Ronald Brownrigg Who’s Who in Non-Classical Mythology Egerton Sykes, revised by Alan Kendall Who’s Who in the Old Testament Joan Comay Who’s Who in the Roman World John Hazel Who’s Who in Russia since 1900 Martin McCauley Who’s Who in Shakespeare Peter Quennell and Hamish Johnson Who’s Who of Twentieth-Century Novelists Tim Woods Who’s Who in Twentieth-Century World Poetry Edited by Mark Willhardt