Foreign Series Take Root in U.S. Soil for Reel • Indie Programming Selection
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John Phillips London Trajes
John phillips london trajes Continue John Phillips Personal Information Birth Name John Edmund Andrew PhillipsOthers Names Papa JohnNacimiento August 30, 1935Parris Island, South Carolina, USA Death March 18, 2001 (65 years) Los Angeles, California, United States Los Angeles (United States) Cause of death Acute heart attack Infarction Cemetery Forest Lawn of the American nationalityLeges English mother Michelle Phillips (1962-1970)Genevieve Vaete (197 197 197 Sons of Chinna PhillipsBies Phillips Education Education at Hampden-Sydney College of Professional InformationSyian Personal Buying 1960 - 2001 Pope John Guneros Faulk , RockInstrumentos Vocals, Guitar Dunhill RecordsRerelated artists The Journeymen, The Mamas and PapasWebSite www.papajohnphillips.com Edited Wikidata Data by John Edmund Andrew Phillips (August 30, 1935-March 18, 2001) - American singer, guitarist and songwriter. Also known as Pope John, Phillips was a member and leader of The Mamas and Papas. He was the father of Jeffrey Phillips, Mackenzie Phillips, Sinna Phillips, Tamerlan Phillips and Bijou Phillips. Phillips' artistic life first group was Journeymen, a trio dedicated to folk music. Later, during the revival of American folk music, he met Danny Doherty and Cass Elliott and during a tour of California, Michelle Gilliam, whom he married in 1962. Together with them, he formed The Mamas and The Papas in 1965, which ended at the same time as his alliance with Michelle in 1970. The couple had a daughter, Chinna Phillips, a future member of Wilson Phillips' successful group. Phillips and Michelle were responsible for writing most of the songs of The Mamas and The Papas; John usually starts writing songs and then Michelle will complete them. -
Aardman in Archive Exploring Digital Archival Research Through a History of Aardman Animations
Aardman in Archive Exploring Digital Archival Research through a History of Aardman Animations Rebecca Adrian Aardman in Archive | Exploring Digital Archival Research through a History of Aardman Animations Rebecca Adrian Aardman in Archive: Exploring Digital Archival Research through a History of Aardman Animations Copyright © 2018 by Rebecca Adrian All rights reserved. Cover image: BTS19_rgb - TM &2005 DreamWorks Animation SKG and TM Aardman Animations Ltd. A thesis submitted in partial fulfilment of the requirements for the degree of Master of Arts in Media and Performance Studies at Utrecht University. Author Rebecca A. E. E. Adrian Student number 4117379 Thesis supervisor Judith Keilbach Second reader Frank Kessler Date 17 August 2018 Contents Acknowledgements vi Abstract vii Introduction 1 1 // Stop-Motion Animation and Aardman 4 1.1 | Lack of Histories of Stop-Motion Animation and Aardman 4 1.2 | Marketing, Glocalisation and the Success of Aardman 7 1.3 | The Influence of the British Television Landscape 10 2 // Digital Archival Research 12 2.1 | Digital Surrogates in Archival Research 12 2.2 | Authenticity versus Accessibility 13 2.3 | Expanded Excavation and Search Limitations 14 2.4 | Prestige of Substance or Form 14 2.5 | Critical Engagement 15 3 // A History of Aardman in the British Television Landscape 18 3.1 | Aardman’s Origins and Children’s TV in the 1970s 18 3.1.1 | A Changing Attitude towards Television 19 3.2 | Animated Shorts and Channel 4 in the 1980s 20 3.2.1 | Broadcasting Act 1980 20 3.2.2 | Aardman and Channel -
I Nafed by City
- t, THURSDAY EDITION eparations Complete For District me Demonstration Meetin OFFICIAL NEWSPAPER OF LAMB COUNTY Dr. Ross Calvin I A Ml rft II hITV I CA f JT O Of Clovis To Be Principal Speaker C. Chesher and other Plains i 1 from the South VOLUME XXVII. LITTLEFIELD, LAMB COUNTY, TEXAS, before THURSDAY, APRIL 20, 1950 NUMBER 16 indie appearing About 300 H. D. Interior.lnsular Affairs-te- e were n Washington Club Members Are concerning a favorable ithe subcomlttee on the 23-2- Expected To Attend River Develop- - 9 lanadlan April By Desl an- City complete nafed Plans are for the bcommlttee seemed Im-th- e nual district 2 convention of tho evidence presented Women's Home Demonstration delegation favoring the Clubs which w.ll be held In thn project. Reclamation C I First Baptist Church on Tuesday,. hearing gave As April 25. ured at the Chamber Of fnmerce Week nJ cost of 11.6 cents per ' Principal speaker will bo Dr. ns cost is of afr the Ross Calvin, sector of St. Jametf In having Open House To Be j Interested Bula High Juniors Entertain Seniors At Banquet Farmer Arrested id In' from n Cnnadlnn hich would be benefit--. Observed Tuesday On Rape Charge water supply besides Lubbock, Amnrillo. re C. P. Parker, Spade srger. Plalnvlew, Level-iue- d farmer Is being held In the Lamb On Uak Page) By Booster Group SKLu, . LyHMBi? ' iMIKKt ilu!m3 . County Jail here inder $10,000 itSml bond on charges of rape and Incest PaifTBy Garden Club To Involving his daughter Ms Parker was arraigned before Serve Refreshments Justice of Peaee S. -
45477 ACTRA 8/31/06 9:50 AM Page 1
45477 ACTRA 8/31/06 9:50 AM Page 1 Summer 2006 The Alliance of Canadian Cinema, Television and Radio Artists ACTION! Production coast to coast 2006 SEE PAGE 7 45477 ACTRA 9/1/06 1:53 PM Page 2 by Richard We are cut from strong cloth Hardacre he message I hear consistently from fellow performers is that renegotiate our Independent Production Agreement (IPA). Tutmost on their minds are real opportunities for work, and We will be drawing on the vigour shown by the members of UBCP proper and respectful remuneration for their performances as skilled as we go into what might be our toughest round of negotiations yet. professionals. I concur with those goals. I share the ambitions and And we will be drawing on the total support of our entire member- values of many working performers. Those goals seem self-evident, ship. I firmly believe that Canadian performers coast-to-coast are cut even simple. But in reality they are challenging, especially leading from the same strong cloth. Our solidarity will give us the strength up to negotiations of the major contracts that we have with the we need, when, following the lead of our brothers and sisters in B.C. associations representing the producers of film and television. we stand up and say “No. Our skill and our work are no less valuable Over the past few months I have been encouraged and inspired than that of anyone else. We will be treated with the respect we by the determination of our members in British Columbia as they deserve.” confronted offensive demands from the big Hollywood companies I can tell you that our team of performers on the negotiating com- during negotiations to renew their Master Agreement. -
Editorial by Nicolás Smirnoff
WWW.PRENSARIO.TV WWW.PRENSARIO.TV //// EDITORIAL BY NICOLÁS SMIRNOFF CEE: ups & downs at the new digital era Central & Eastern Europe is going forward through the new digital era with its own tips. The region has suffered a deep crisis from 2008 to 2017- 2018, with many economies Prensario just standing up. This has International meant rare investment pow- er and long-term plans, but at the same time the change ©2018 EDITORIAL PRENSARIO SRL PAYMENTS TO THE ORDER OF moves fast and comparing to EDITORIAL PRENSARIO SRL other territories, CEE shows OR BY CREDIT CARD. REGISTRO NACIONAL DE DERECHO strong digital poles and de- DE AUTOR Nº 10878 velopment appeals. Argentina: In favor, most of the biggest broadcast- OTT platforms? It is what main broadcasters Las Casas 3535 ers are group of channels that include many of the world are doing, to compete better in CP: 1238 the new converged market and to generate Buenos Aires, Argentina countries, so it is easier to set up cross region- Tel: (+54-11) 4924-7908 al plans and to generate high-scale moves. proper synergies. If content business moves Fax: (+54-11) 4925-2507 On the opposite, there are many different to franchise management, it is important to USA: languages and audiences, so it is difficult to be flexible enough to any formula. 12307 SW 133 Court - Suite #1432 spread solutions that work to every context. This Natpe Budapest? It promises to be bet- Miami, Florida 33186-USA Phone: (305) 890-1813 Russia is a big Internet pole and now it is ter than last ones, with the region going up Email: [email protected] also a big production hub for international and the need of pushing more and more col- Website: www.prensario.tv companies setting up studios or coproduc- laborations. -
Ficción Televisiva Y Modelos De Negocio En La Era Digital En El Uruguay
UNIVERSIDAD DE LA REPÚBLICA ORIENTAL DEL URUGUAY FACULTAD DE CIENCIAS ECONÓMICAS Y DE ADMINISTRACIÓN Tesis para optar al título de Licenciado en Economía FICCIÓN TELEVISIVA Y MODELOS DE NEGOCIO EN LA ERA DIGITAL EN EL URUGUAY Autoras: ANA JOSEFINA MAROTTA MESTRE MARÍA FERNANDA OSORIO LAENZ Tutor: Ec. GUSTAVO BUQUET Montevideo, Uruguay 2011 i PÁGINA DE APROBACIÓN FACULTAD DE CIENCIAS ECONÓMICAS Y DE ADMINISTRACIÓN El tribunal docente integrado por los abajo firmantes aprueba la Tesis de Investigación: Título ....................................................................................................................... ....................................................................................................................... Autor/s ....................................................................................................................... ....................................................................................................................... Tutor ....................................................................................................................... Carrera ....................................................................................................................... Puntaje ....................................................................................................................... Tribunal Profesor..............................................................................(Nombre y firma) Profesor..............................................................................(Nombre -
2008 CORPORATE RESPONSIBILITY REPORT 2 2008 CORPORATE RESPONSIBILITY REPORT Table of Contents
2008 CORPORATE RESPONSIBILITY REPORT 2 2008 CORPORATE RESPONSIBILITY REPORT Table of Contents Message from Our CEO .........................................5 Product Safety .................................................34 Food Safety ......................................................36 Overview of The Walt Disney Company ...............7 Labor Standards ..............................................36 Media Networks .................................................8 Parks and Resorts .............................................8 Experiences .........................................................36 Studio Entertainment .........................................8 Park Safety .......................................................37 Consumer Products ...........................................8 Accessibility at Disney Parks ...........................37 Interactive Media ..............................................8 Environment ..........................................................39 Governance ...........................................................9 Legacy of Action .................................................40 Public Policy ......................................................9 Environmental Policy ...........................................41 Corporate Responsibility .....................................10 Key Focus Areas ..............................................41 Our Vision.........................................................10 Our Commitments ...............................................42 Corporate -
Annex 4: Report from the States of the European Free Trade Association Participating in the European Economic Area
ANNEX 4: REPORT FROM THE STATES OF THE EUROPEAN FREE TRADE ASSOCIATION PARTICIPATING IN THE EUROPEAN ECONOMIC AREA 1. Application by the EFTA States participating in the EEA 1.1 Iceland European works The seven covered channels broadcast an average of 39.6% European works in 2007 and 42.2% in 2008. This represents a 2.6 percentage point increase over the reference period. For 2007 and 2008, of the total of seven covered channels, three channels achieved the majority proportion specified in Article 4 of the Directive (Omega Television, RUV and Syn - Vision TV), while four channels didn't meet this target (Sirkus, Skjár 1, Stöð 2 and Stöð 2 Bio). The compliance rate, in terms of numbers of channels, was 42.9%. European works made by independent producers The average proportion of European works by independent producers on all reported channels was 10.7% in 2007 and 12.6% in 2008, representing a 1.9 percentage points increase over the reference period. In 2007, of the total of seven identified channels, two channels exceeded the minimum proportion under Article 5 of the Directive, while three channels remained below the target. One channel was exempted (Syn - Vision TV) and no data was communicated for another one (Omega Television). The compliance rate, in terms of number of channels, was 33.3%. For 2008, of the total of seven covered channels, three exceeded the minimum proportion specified in Article 5 of the Directive, while two channels were below the target (Skjár 1 and Stöð 2 Bio). No data were communicated for two channels. -
Completeandleft
MEN WOMEN 1. BA Bryan Adams=Canadian rock singer- Brenda Asnicar=actress, singer, model=423,028=7 songwriter=153,646=15 Bea Arthur=actress, singer, comedian=21,158=184 Ben Adams=English singer, songwriter and record Brett Anderson=English, Singer=12,648=252 producer=16,628=165 Beverly Aadland=Actress=26,900=156 Burgess Abernethy=Australian, Actor=14,765=183 Beverly Adams=Actress, author=10,564=288 Ben Affleck=American Actor=166,331=13 Brooke Adams=Actress=48,747=96 Bill Anderson=Scottish sportsman=23,681=118 Birce Akalay=Turkish, Actress=11,088=273 Brian Austin+Green=Actor=92,942=27 Bea Alonzo=Filipino, Actress=40,943=114 COMPLETEandLEFT Barbara Alyn+Woods=American actress=9,984=297 BA,Beatrice Arthur Barbara Anderson=American, Actress=12,184=256 BA,Ben Affleck Brittany Andrews=American pornographic BA,Benedict Arnold actress=19,914=190 BA,Benny Andersson Black Angelica=Romanian, Pornstar=26,304=161 BA,Bibi Andersson Bia Anthony=Brazilian=29,126=150 BA,Billie Joe Armstrong Bess Armstrong=American, Actress=10,818=284 BA,Brooks Atkinson Breanne Ashley=American, Model=10,862=282 BA,Bryan Adams Brittany Ashton+Holmes=American actress=71,996=63 BA,Bud Abbott ………. BA,Buzz Aldrin Boyce Avenue Blaqk Audio Brother Ali Bud ,Abbott ,Actor ,Half of Abbott and Costello Bob ,Abernethy ,Journalist ,Former NBC News correspondent Bella ,Abzug ,Politician ,Feminist and former Congresswoman Bruce ,Ackerman ,Scholar ,We the People Babe ,Adams ,Baseball ,Pitcher, Pittsburgh Pirates Brock ,Adams ,Politician ,US Senator from Washington, 1987-93 Brooke ,Adams -
CASE 2 1 the Not-So-Wonderful World of Eurodisney
CASE 21 The Not-So-Wonderful World of EuroDisney * —Things Are Better Now at Disneyland Resort Paris BONJOUR, MICKEY! Spills and Thrills Disney had projected that the new theme park would attract 11 million visitors and generate over In April 1992, EuroDisney SCA opened its doors to European visi- $100 million in operating earnings during the fi rst year of opera- tors. Located by the river Marne some 20 miles east of Paris, it was tion. By summer 1994, EuroDisney had lost more than $900 mil- designed to be the biggest and most lavish theme park that Walt lion since opening. Attendance reached only 9.2 million in 1992, Disney Company (Disney) had built to date—bigger than Disney- and visitors spent 12 percent less on purchases than the estimated land in Anaheim, California; Disneyworld in Orlando, Florida; $33 per head. and Tokyo Disneyland in Japan. If tourists were not fl ocking to taste the thrills of the new Euro- Much to Disney management’s surprise, Europeans failed to Disney, where were they going for their summer vacations in 1992? “go goofy” over Mickey, unlike their Japanese counterparts. Be- Ironically enough, an unforeseen combination of transatlantic air- tween 1990 and early 1992, some 14 million people had visited fare wars and currency movements resulted in a trip to Disneyworld Tokyo Disneyland, with three-quarters being repeat visitors. A fam- in Orlando being cheaper than a trip to Paris, with guaranteed good ily of four staying overnight at a nearby hotel would easily spend weather and beautiful Florida beaches within easy reach. -
Global Pay TV Fragments
Global pay TV fragments The top 503 pay TV operators will reach 853 million subscribers from the 1.02 billion global total by 2026. The top 50 operators accounted for 64% of the world’s pay TV subscribers by end-2020, with this proportion dropping to 62% by 2026. Pay TV subscribers by operator ranking (million) 1200 1000 143 165 38 45 800 74 80 102 102 600 224 215 400 200 423 412 0 2020 2026 Top 10 11-50 51-100 101-200 201+ Excluded from report The top 50 will lose 20 million subscribers over the next five years. However, operators beyond the top 100 will gain subscribers over the same period. Simon Murray, Principal Analyst at Digital TV Research, said: “Most industries consolidate as they mature. The pay TV sector is doing the opposite – fragmenting. Most of the subscriber growth will take place in developing countries where operators are not controlled by larger corporations.” By end-2020, 13 operators had more than 10 million pay TV subscribers. China and India will continue to dominate the top pay TV operator rankings, partly as their subscriber bases climb but also due to the US operators losing subscribers. Between 2020 and 2026, 307 of the 503 operators (61%) will gain subscribers, with 13 showing no change and 183 losing subscribers (36%). In 2020, 28 pay TV operators earned more than $1 billion in revenues, but this will drop to 24 operators by 2026. The Global Pay TV Operator Forecasts report covers 503 operators with 726 platforms [132 digital cable, 116 analog cable, 279 satellite, 142 IPTV and 57 DTT] across 135 countries. -
What Difference Do Local Schools Make? a Literature Review and Bibliography. PUB DATE 1998-09-25 NOTE 48P.; Prepared for the Annenberg Rural Challenge Policy Program
DOCUMENT RESUME ED 437 260 RC 022 220 AUTHOR Salant, Priscilla; Waller, Anita TITLE What Difference Do Local Schools Make? A Literature Review and Bibliography. PUB DATE 1998-09-25 NOTE 48p.; Prepared for the Annenberg Rural Challenge Policy Program. AVAILABLE FROM For full text: <http://www.ruraledu.org/publications.html>. PUB TYPE Information Analyses (070) Reference Materials Bibliographies (131) EDRS PRICE MF01/PCO2 Plus Postage. DESCRIPTORS Annotated Bibliographies; Community Development; *Community Schools; Consolidated Schools; Economic Impact; *Educational Research; Elementary Secondary Education; Integrated Services; Research Needs; Rural Areas; *Rural Schools; *School Closing; *School Community Relationship IDENTIFIERS *Social Impact ABSTRACT This paper reviews the literature on the noneducational impacts of rural schools on their communities and provides an annotated bibliography of sources. Taken as a whole, the literature suggests that the school-community relationship is multifaceted. Community schools have positive economic impacts related to local employment, retail sales, and infrastructure; have positive social impacts related to social integration and collective community identity; function as an arena for local politics; provide a resource for community development through student projects and school-to-work programs; and offer a delivery point for health and social services, improving access to health care and other services. Further research is needed in the following areas: K-12 educational uses of advanced communication technologies, which may remedy problems of geographic isolation; the economic impact of consolidation on school districts; outcome evaluation of school-community partnerships; and outcome-based analysis of rural school-based health centers. The annotated bibliography has two sections containing 43 research papers and 68 advocacy and position papers.