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Perspective Statement
2015 Expert Meeting—Spatial Discovery Adler—1 PRUDENCE S. ADLER Associate Executive Director Association of Research Libraries Email: [email protected] Prudence S. Adler is the Associate Executive Director of the Association of Research Libraries. Her responsibilities include federal relations with a focus on information policy, intellectual property, public access policies including open access, accessibility for persons with disabilities and issues relating to access to government information. Prior to joining ARL in 1989, Adler was Assistant Project Director, Communications and Information Technologies Program, Congressional Office of Technology Assessment where she worked on studies relating to government information, networking and supercomputer issues, and information technologies and education. Adler has an M.S. in Library Science and M.A. in American History from the Catholic University of America and a B.A. in History from George Washington University. She has participated in several advisory councils including the Depository Library Council, the National Satellite Land Remote Sensing Data Archive Advisory Committee, the Board of Directors of the National Center for Geographic Information and Analysis, the National Research Council's Steering Committee on Geolibraries, the National Research Council Licensing Geographic Data and Services Committee, the National Institutes of Health PubMed Central National Advisory Committee, and the National Academy of Sciences Forum on Open Science. Perspective Statement he growing understanding of the value of open data in support of research, teaching and T learning presents an important opportunity for research institutions and their libraries. Be it funder policies such as the February 2013 OSTP memo on access to federally funded research resources or journal policies requiring the deposit of digital data associated with an article—for purposes of validation and reuse—in a trusted repository, some data require long-term preservation and access. -
Runggaldier Curriculum Vitae August 2019
ASTRID M. RUNGGALDIER Department of Art and Art History, University of Texas at Austin 2301 San Jacinto Blvd., STOP D1300, ART 1.412C, Austin, TX 78712 Tel: 617-780-7826, [email protected] EDUCATION AND DEGREES Boston University, Department of Archaeology Boston MA • Ph.D. in Mesoamerican Archaeology, May 2009. Dissertation: Memory and Materiality in Monumental Architecture: Construction and Reuse of a Late Preclassic Maya Palace at San Bartolo, Guatemala (published by ProQuest/UMI, Ann Arbor, 2009. Publication No. AAT 3363637) • M.A. in Archaeology, Sept. 2002. Thesis: The Louisville Stuccoes: Recontextualizing Maya Architectural Sculptures from Northern Belize (published by BAR, Oxford, 2004) • B.A. in Archaeological Studies, Department of Archaeology; Minor in Geology, Department of Earth and Environment, January 1997 PROFESSIONAL RECORD HIGHER EDUCATION APPOINTMENTS: UNIVERSITY OF TEXAS AT AUSTIN, AUSTIN, TX 2012–PRESENT • Assistant Director of The Mesoamerica Center, Department of Art and Art History http://www.utmesoamerica.org/. Oversee current initiatives and develop new Center programming and special projects (including organizing yearly conferences and speaker series; updating website, social media and publications; collaborating with non-profit organizations; designing public outreach programs; and creating and implementing new digital initiatives for both campus Center and Casa Herrera in Guatemala); oversee budgets and financial procedures; manage all aspects of Casa Herrera including contracts, personnel, maintenance, -
Undergraduate Survey Project
PROYECTO ARQUEOLÓGICO REGIONAL SAN BARTOLO Proposal Acceptance Letter The undersigned, appointed by the Guatemalan Department of Archaeology, have examined a project proposal entitled “Xultun Tree, Mapping, and Excavation Project” presented by Alex Kara and hereby certify that it is worthy of acceptance. Signature______________________ Co-director William Saturno Signature______________________ Co-director Patricia Castillo Xultun Tree, Mapping, and Excavation Project an archaeological survey proposal by Alex Kara Boston University Boston, Massachusetts December 17th, 2012 Introduction The ancient Maya emerged from a dense tropical forest to establish a civilization that has long captivated the modern imagination. The Maya lowlands featured a population that numbed in the millions during its Classic Period fluorescence, which is impressive considering the seasonal droughts and lack of permanent, natural water sources that characterize the region. Prolific excavations of their urban centers have revealed much about ancient Maya culture, including their cosmological, artistic, political, and scientific institutions. On the other hand, comparatively little is known about larger Maya population dynamics or land use. The dense vegetation that characterizes this region prevents the kind of intensive archaeological survey that has revolutionized landscape archaeology in more arid regions during the late twentieth century. To further complicate studies of ancient demography, the soil in the Peten is usually very acidic; most organic matter, such as human and plant remains, does not appear the archaeological record. Despite these obstacles to studying the material remains of past societies at a large spatial scale, these broader questions cannot be ignored. Archaeology needs to dissect evidence of human behavior as completely as possible in any given environmental context, and local emphases on geographically convenient data types will skew holistic analyses of how things work. -
Collapse of the Maya: Could Deforestation Have Contributed? Robert J
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Papers in the Earth and Atmospheric Sciences Earth and Atmospheric Sciences, Department of 2010 Collapse of the Maya: Could deforestation have contributed? Robert J. Oglesby University of Nebraska-Lincoln, [email protected] Thomas L. Sever University of Alabama, Huntsville William Saturno Boston University David J. Erickson III Computational Earth Sciences Group Jayanthi Srikishen Universities Space Research Association/Marshall Space Flight Center Follow this and additional works at: http://digitalcommons.unl.edu/geosciencefacpub Part of the Earth Sciences Commons Oglesby, Robert J.; Sever, Thomas L.; Saturno, William; Erickson, David J. III; and Srikishen, Jayanthi, "Collapse of the Maya: Could deforestation have contributed?" (2010). Papers in the Earth and Atmospheric Sciences. 469. http://digitalcommons.unl.edu/geosciencefacpub/469 This Article is brought to you for free and open access by the Earth and Atmospheric Sciences, Department of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Papers in the Earth and Atmospheric Sciences by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. JOURNAL OF GEOPHYSICAL RESEARCH, VOL. 115, D12106, doi:10.1029/2009JD011942, 2010 Click Here for Full Article Collapse of the Maya: Could deforestation have contributed? Robert J. Oglesby,1 Thomas L. Sever,2 William Saturno,3 David J. Erickson III,4 and Jayanthi Srikishen5 Received 25 February 2009; revised 25 October 2009; accepted 22 February 2010; published 17 June 2010. [1] The collapse of the Maya civilization during the ninth century A.D. is a major conundrum in the history of mankind. This civilization reached a spectacular peak but then almost completely collapsed in the space of a few decades. -
59 San Bartolo, Petén: Late Preclassic Techniques Of
59 SAN BARTOLO, PETÉN: LATE PRECLASSIC TECHNIQUES OF MURAL PAINTING Heather Hurst Keywords: Maya archaeology, Maya art, Guatemala, Petén, San Bartolo, mural painting, artistic techniques, painters, artists, Late Preclassic period Like the artist in charge of drawings for the San Bartolo Archaeological Project, the murals of San Bartolo have been documented as faithfully as possible through scale drawings and watercolor paintings. The illustration process presented me with the opportunity to conduct a very detailed observation of both the pictorial technique and the style of the San Bartolo artists. Just like modern artists copy the works of Rembrandt and Michelangelo to get acquainted with their techniques, in the San Bartolo murals every line, color, figure and even paint drops were copied, providing an opportunity to study the Maya masters of the Late Preclassic period. Now, all observations will be presented in regard to the preparation of walls, the design, the composition, the pictorial technique and the style of the San Bartolo murals. PREPARATION OF WALLS Structure Sub-1 in Las Pinturas was conceived and built as a unitary addition to the east side of the mound (Figure 1). The structure was specifically designed to be painted with murals and intended to be easily seen. Las Pinturas Sub-1 is a single, open room with three main doorways in the façade and two secondary ones at the sides. The walls climb until they form a curvature similar to the springing of a vault, but it is known that this room was not vaulted. Instead, the walls continue climbing vertically until they form a frieze that protrudes slightly from the walls and surrounds the four sides of the room, and on which the murals were painted. -
9.2018 US/ICOMOS at Work
Like Share Tweet Share this Page: September 2018 E-News Welcome to “US/ICOMOS at Work” e-news blast, a monthly update on what US/ICOMOS is doing to preserve and promote world heritage and international knowledge exchange on preservation topics. We share these brief communications monthly with our members and supporters. — LATEST NEWS & EVENTS — The US/ICOMOS Symposium is Two Months Away: Register by September 14 for Early Bird Discount to Forward Together and PastForward Conferences If you have been waiting to register for Forward Together: A Culture-Nature Journey Towards More Effective Conservation in a Changing World, now is the time. If you plan to register for both Forward Together and PastForward, the National Trust for Historic Preservation's annual preservation conference, early bird pricing for for both is available only through Friday, September 14th. Register here and, if you're a US/ICOMOS member, please be sure to contact us for the member discount code by emailing [email protected]. The Symposium Committee has selected speakers from 15 countries and six continents to share the latest international theory, practices and techniques. The speakers are experienced as well as young professionals who will offer diverse national and international perspectives. Each presentation will examine conservation challenges and the opportunities for culture-nature interlinkages to transform effective and sustainable conservation in a changing world. Our tentative agenda is: Tuesday, November 13: Plenary sessions featuring World Heritage leaders followed by lunch, then concurrent breakout sessions arranged by theme, ending with a reception 1. Adopting a landscape approach for the conservation of cultural and natural resources -- from urban to rural places. -
Origins of the Maya Forest Garden: Maya Resource Management
ORIGINS OF THE MAYA FOREST GARDEN: MAYA RESOURCE MANAGEMENT Anabel Ford and Ronald Nigh Journal of Ethnobiology 29(2): 213–236 Fall/Winter 2009 ORIGINS OF THE MAYA FOREST GARDEN: MAYA RESOURCE MANAGEMENT Anabel Ford and Ronald Nigh There is growing interest in the ecology of the Maya Forest past, present, and future, as well as in the role of humans in the transformation of this ecosystem. In this paper, we bring together and re- evaluate paleoenvironmental, ethnobiological, and archaeological data to reconstruct the related effects of climatic shifts and human adaptations to and alterations of the lowland Maya Forest. In particular, we consider the paleoenvironmental data from the Maya Forest area in light of interpretations of the precipitation record from the Cariaco Basin. During the Archaic period, a time of stable climatic conditions 8,000–4,000 years ago, we propose that the ancestral Maya established an intimate relationship with an expanding tropical forest, modifying the landscape to meet their subsistence needs. We propose that the succeeding period of climatic chaos during the Preclassic period, 4,000–1,750 years ago, provoked the adaptation to settled agrarian life. This new adaptation, we suggest, was based on a resource management strategy that grew out of earlier landscape modification practices. Eventually, this resulted in a highly managed landscape that we call the Maya Forest Garden. This highly productive and sustainable system of resource management formed the foundation for the development of the Maya civilization, from 3,000 to 1,000 years ago, and was intensified during the latter millennia of a stable climatic regime as population grew and the civilization developed. -
MAYA MURALS When These Extremely Detailed Murals Were Preservation
MAYA MURALS When these extremely detailed murals were Preservation. Although less than 5 percent of the BONAMPAK, MEXICO panions to the jungle-shrouded ruins they knew are the most complete Maya wall paintings from who dedicated themselves to maintaining the ritu- himself—who were privileged enough to sit upon a new, modern, “people’s art” garnered interna- RECORDING THE uncovered, scholars found that both the art of murals had been exposed by the looters when to house ancient paintings. Photographs of the the late Classic period (600–900 c.e.), and they al calendar. But the Bonampak artists painted a the benchlike thrones. tional attention and inspired the Chicano Mural SAN BARTOLO, GUATEMALA painting and the Maya’s complex creation story, Saturno found them, the tunnel the looters dug Nestled deep within the forests of Chiapas, murals soon appeared in newspaper articles and provide an unparalleled view of courtly life and different picture: one that emphasized a politically Movement of the 1960s and 1970s, particularly MURALS which justifi ed the king’s divine right to rule, severely undercut the paintings, causing some Mexico, the small Maya site of Bonampak is home in the pages of Life magazine, causing a world- military practice among the ancient Maya, pre- savvy and militarily accomplished society. Preservation. Since Giles Healey’s fi rst visit to the in southern California, Arizona, and Texas—and Archaeologists are using new and traditional While exploring in the Guatemalan rainfor- were well-established centuries earlier than previ- painted plaster to fall from the walls. Saturno, col- to one of the most magnifi cent artistic creations wide sensation. -
Archaeological Sites in the Maya Area: a Conservation Challenge
XXII Symposium of archaeological investigations in Guatemala Archaeological sites in the Maya area: a conservation challenge summary XXII Symposium of archaeological investigations in Guatemala Archaeological sites in the Maya area: a conservation challenge summary Copyright © 2009, J. Paul Getty Trust Every effort has been made to contact the copyright holders of the material in this document and to obtain permission to publish. Any omissions will be corrected in future volumes if the publisher is notified in writing. Cover photograph by Jorge Valencia García The Getty Conservation Institute 1200 Getty Center Drive, Suite 700 Los Angeles, CA 90049-1684 United States Telephone 310-440-7325 Fax 310-440-7709 E-mail [email protected] www.getty.edu/conservation Editors Carolina Castellanos Françoise Descamps with the collaboration of: The Getty Conservation Institute works internationally to advance conservation prac- Jennifer Carballo tice in the visual arts—broadly interpreted to include objects, collections, architecture, and sites. The Institute serves the conservation community through scientific research, Designer education and training, model field projects, and the dissemination of the results of both Soluciones de Comunicación its own work and the work of others in the field. In all its endeavors, the GCI focuses on www.sol-com.com the creation and delivery of knowledge that will benefit the professionals and organiza- Mónica Rodríguez de la Parra tions responsible for the conservation of the world’s cultural heritage. XXII Symposium of archaeological investigations in Guatemala Archaeological sites in the Maya area: a conservation challenge summary XXII Symposium of archaeological investigations in Guatemala Archaeological sites in the Maya area: a conservation challenge Table of contents 1. -
1998 International Congress of Mayanists, Guatemala
FAMSI © 2000: Juan Antonio Valdés 1998 International Congress of Mayanists, Guatemala Research Year : 1997 Culture : Maya Chronology : Preclassic to Postclassic Location : Guatemala Site : Congress in Antigua The Foundation for the Advancement of Mesoamerican Studies, Inc., (FAMSI), provided support to assist with the organization of the IV International Congress of Mayanists, which was held for the first time in Guatemala, during the week of August 2nd through the 8th, 1998. FAMSI’s grant also allowed Dr. Juan Antonio Valdés and the organizing committee to make commitments for the staging of the event. The congress was carried out in the World Heritage site of Antigua, Guatemala, with most of the sessions located at the Hotel Santo Domingo, the 16th century Jesuit monastery. This was particularly fitting, as Santo Domingo was for many years the home of the renowned Carnegie Institution archaeologist, Dr. Edwin Shook. Dr. Valdés expressed heartfelt appreciation to the Foundation and reported that the IV International Congress of Mayanists was an incredible success with 350 investigators of the Mayan culture responding to their convocation. There were forty-six session titles and coordinators : (Originally presented in Spanish, translation by Silvia Sullivan) Archaeology in Northern Yucatán Rubén Maldonado Mayan Osteology: New perspectives about diets, health and social inequality in the Mayan past Lori E. Wright Physical Anthropology Carlos Lenkersdorf Lectures and Proposals to the Mayan identity José Alejos García Colonial History Ma. Carmen León Bonampak: Ancient images, roots of identity Beatriz de la Fuente Cozumel: Geographic vision and a mayan island Álvaro Sánchez Crispín Feasts, rituals and sacred spaces Martha Ilia Nájera The powers of the sacred Carmen Valverde Social movements in the Maya World Ma. -
Murals and the Development of Merchant Activity at Chichen Itza
Brigham Young University BYU ScholarsArchive Theses and Dissertations 2005-10-04 Murals and the Development of Merchant Activity at Chichen Itza De Luna Lucha Aztzin Martinez Brigham Young University - Provo Follow this and additional works at: https://scholarsarchive.byu.edu/etd Part of the Anthropology Commons BYU ScholarsArchive Citation Martinez, De Luna Lucha Aztzin, "Murals and the Development of Merchant Activity at Chichen Itza" (2005). Theses and Dissertations. 674. https://scholarsarchive.byu.edu/etd/674 This Thesis is brought to you for free and open access by BYU ScholarsArchive. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. MURALS AND THE DEVELOPMENT OF MERCHANT ACTIVITY AT CHICHEN ITZA by Lucha Aztzin Martinez de Luna A thesis submitted to the faculty of Brigham Young University in partial fulfillment of the requirements for the degree of Masters of Arts Department of Anthropology Brigham Young University December 2005 Copyright © 2005 Lucha Aztzin Martinez de Luna All Rights Reserved BRIGHAM YOUNG UNIVERSITY GRADUATE COMMITTEE APPROVAL of a thesis submitted by Lucha Aztzin Martinez de Luna This thesis has been read by each member of the following graduate committee and by majority vote has been found to be satisfactory. _______________________ __________________________________ Date Donald W. Forsyth, Chair ________________________ ___________________________________ -
Innovative Approaches and Explorations in Ceramic Studies
Innovative Approaches and Explorations in Ceramic Studies edited by Sandra L. López Varela Archaeopress Archaeology Archaeopress Publishing Ltd Gordon House 276 Banbury Road Oxford OX2 7ED www.archaeopress.com ISBN 978 1 78491 736 4 ISBN 978 1 78491 737 1 (e-Pdf) © Archaeopress and the authors 2017 Cover: Jaina figurines (Photographs courtesy of Centro INAH Campeche, México) All rights reserved. No part of this book may be reproduced, in any form or by any means, electronic, mechanical, photocopying or otherwise, without the prior written permission of the copyright owners. Printed in England by Oxuniprint, Oxford This book is available direct from Archaeopress or from our website www.archaeopress.com Contents List of Figures and Tables ........................................................................................................................................................... iii Chapter 1 Innovative Approaches and Explorations in Ceramic Studies .......................................................................................1 Sandra L. López Varela and Philip J. Arnold III Chapter 2 What is a Ceramic Assemblage: Chronology and Belongings of the Late Classic Maya ........................................11 Sherman Horn III and Anabel Ford Chapter 3 Investigating Maya Ceramic Figurines: challenges to the use of non-invasive portable technologies in archived collections ......................................................................................................................................................25