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...l really have enjoyed every issue of the Fan Club magazine. I Farewell From The Club particularly appreciated the Gale/Zemeckis article the interest of space, I will comment on the most "The Most Frequently Asked Questions About fundamentally important one. With this issue, #4, the Official Back To The Back To The Future." All my doubts concerning the While many scientists do consider time travel to Future Fan Club closes its doors. The club was time-travel logic of the trilogy were eliminated by be impossible because of "time paradoxes" (more initially set up to run for one year and to their thorough explanations. It's the kind of informa­ properly termed Violation of Casuality), several produce four issues of the club magazine. With tion that makes a fan club special, extra knowledge scientists, in the wake of recent research in black the end of the Back To The Future movies, the to enhance our enjoyment of these great movies. hole cosmology and quantum physics, have begun cast and crew of the films are moving on to I was privileged to attend the May 24 "Back to to concede that in certain circumstances, time travel new things -so are we here at the club. We've Back to Back" screening of the trilogy at the Cine­ might indeed be possible. Among these visionary greatly enjoyed spending time in the Back To rama Dome in Hollywood. In the audience were scientists are Dr. Robert L. Forward of the Hughes The Future universe and it goes without saying , , Neil Canton and Lea Research Laboratories, Professor Kip Thorne of that we'll miss Marty and Doc. We hope Thompson. In front of the theater on display was the Cal tech, and Dr. Fred Alan Wolf, who has taught at you've enjoyed being a member in the club time machine, and while waiting in line, we were San Diego State University, the University of Paris, and reading the behind-the-scene stories on the entertained by a "Wild West Celebration." Some of and the Hebrew University of Jerusalem, among cast and crew of the trilogy. We've enjoyed all the fans added to the fun by dressing up like charac­ other colleges and universities around the world. Dr. your wonderful letters and comments, some of ters from the films. Wolfs book, Parallel Universes: The Search For which were printed in the pages of our letter It was great watching the complete trilogy with an Other Worlds, actually used Back To The Future as column. enthusiastic audience, they picked up on things that one example of how time travel paradoxes are Back issues of the club magazine are still are not apparent when you watch any one film by resolved by the quantum physics theory of parallel available and will be until we are sold out. itself. universes. Prices are $3.50 US/$4.00 CAN./$4.50 FOR. I know we don't have any more BTTF movies to each (postage paid) and can be purchased look forward to, but I wonder if Universal Pictures Scott Jarrett through the Back To The Future Fan Club and has considered continuing the adventures through Lakeland, FL The Lucasfilm Fan Club. some other medium, such as a spin-off TV series, ·If you would like more information on cartoon series or a comic book? I would even enjoy .. .It may come as a surprise to you, but there are a lot some of the other projects Fan Clubs, Inc. is a follow-up novel by Craig Shaw Gardner. One ofBa ck To The Future fans here in Russia. I am only involved with, please write us at PO Box thing we fans can look forward to is the upcoming one of them. I understand that the way I get to enjoy 111000, Aurora, Colorado 80011 . Back To The Future ride at Universal Studios Flor­ the adventures of Doc Brown and Marty McFiy are Special thanks go to Bob Gale and Robert ida. Thanks again for a great club! not completely legal: our country did not buy this Zemeckis for their help and assistance as well film so I have only seen it on other people's videos. It as for creating the trilogy of films that we all Richard H. Giblin is too bad it is not playing here because we would love to watch time and time again. Of course, Valencia, CA pay with pleasure to see this film on the big screen. I we couldn't end this all without a special ...Bob Gale's and Robert Zemeckis' article, "The and my friends have seen all three films of the series "thank you" to you, the fans. Your support and Most Frequently Asked Questions From Back To and enjoyed them very much. encouragement has been most appreciated. The Future," is the best article yet published by ihe We hope you enjoy this last issue. And re­ fan club magazine. For the most part, I agree with Victor Belan member, "For better or worse, your future is their answers. Still, I do have a few reservations. In Leningrad, USSR what you make it. So make it a good one!" •

Fall 1990 President & Publisher - Dan Madsen Associate Editor -John S. Davis Typography - Terry Zugates Proofreader - Susan Mulvihill Photographer - Mark Streed Fan Club Address-PO Box 111000, Aurora, CO 80011 USA Contributors This Issue - Nancy Cushing­ Jones, Michael J. Fox, Bob Gale, Desire' Gonzales, John Hornick, Sid Kaufman, Michael Klastorin, Michael Lantieri, & Robert Zemeckis. Issue #4, Fall 1990. Back To The Fu1ure Fan Club Magazme (ISS:\ I049555X) is published quarterly for $9.95 per year b) Fan Clubs, Inc., 537 Olathe St., Suite C, Aurora. Colorado 80011 USA Seeond·elass postage paid at Aurora, Colorado. POSTMASTER: Send addrHS changes to Back To The Future Fan Club. PO Box 11 1000. Aurora, Colorado 80011. Back To The FUiure Parr II TM and co 1989 Universal City Studios, Inc. and Amblm . All Rights Re>crved. licensed by Merchandising Corporatton of America, Inc. Printed in the USA. Reprint or (eproducllon m part or m whole 1S strictly forbidden. Single copies ofthe latest JSSue are available for $3.00 ppd. Rat~ are subject to change without notice. Behind-The-Scenes ichael Klastorin, Unit Publicist and co-author of Back To The M Future: The Official Book of the Complete Movie Trilogy, shares a few behind­ the-scene secrets from Back To The Future Part Ill And, even though the cast and crew maintained a very professional environ­ ment...they had their moments of hijinx. In the scene where Seamus McAy comes into the cabin with the fresh catch of the day - rabbit - Klastorin says, "When the camera rolled for the first time, Michael showed up with a five foot stuffed Roger Time Travel Adventure Preview! Rabbit! magine being right in the center of hydraulically-activated - dynamic mo­ "Tom Wilson has told the story that in all the most thrilling motion picture tion creates a total sensory experience the riding and rop­ I experience ever created. Blasting never before possible. ing and wild horses through the ages. Breaking every barrier The ride has unprecedented, break­ that he rode - the of time and space. Riding a river of through technology, in which Omnimax only time he got thrown was from a molten lava. Erupting through a vol­ 70 mm film format with two towering ladder!" Klastorin cano. Catapulting, careening, flying and 80 ft. diameter hemispherical screens, explains that, "they falling through the past, present and multi-channel surround sound and incre­ do close-ups on a future in your own Delorean to stop a dible special effects - hot, cold, wind, ladder because villain and save tomorrow. The Back To fog - are synchronized with the power­ horses have been The Future attraction opening at Uni­ ful, hydraulically-activated dynamic known to move - versal studios Florida in 1991 goes motion of your DeLorean, pushing the take the actor out of beyond anything you can imagine. very limits of human sensory capacity. frame. So, he made Inspired by the Back To The Future Every aspect of image motion, simulator a move as if to get trilogy, the ride puts you in the driver's vehicle motion and sound motion has his horse really mov­ seat on the most mind-blowing, pulse­ been fully integrated to produce more ing, and ... he fell off." racing, barrier-breaking journey you've excitement per second than was ever The first two weeks of shooting at ever taken. With dizzying speed you dreamed possible. location in Sonora, thunder through caverns, crevasses and The magical depth and realism of a California, were BITF Unit Publicist canyons of sheer,jagged ice, collide with three-dimensional image projected on a done at night. The Michael Klastorin, a glacier and explode into the Volcanic vast, all-encompassing, domelike surface scenes involved were seen here in western garb during the shoot­ Era. Up, up you fly, erupting through a causes the screen to vanish and the expe­ for the festival with ing of B1TF m. volcano, propelled through the immense rience to engulf and involve the viewer. the rock group ZZ open mouth of Tyrannosaurus Rex. The total visual impact of this pheno­ Top performing. "They were pretty cool," The Back To The Future Ride is the menon sends you soaring into the strat­ says Klastorin. "They would do little im­ result of extraordinary and unique break­ osphere of cinematic excitement. It's promptu jam sessions between takes. through technology, never achieved never been done before. And there's Everyone enjoyed having them around. "The first two nights, before in the history of motion pictures. only one place on earth that it can be had to perform with her ankle taped-up very It employs the first 70 mm/15 perfora­ experienced - Universal Studios tightly," reveals Klastorin. He explains, tion, point-of-view motion picture cre­ Florida. "when she was rehearsing with Chris (Lloyd) ated entirely through the use of special You prepare to enter the institute of for the dance, she pulled a tendon. She had effects. Two specially-designed domed Future technology, where the eccentric to dance take after take, with her ankle re­ theaters with 80 ft. Omnimax screens Doc Brown () is cur­ taped every time the music stopped! have been positioned adjacent to each rently conducting time travel experi­ "One night up in Sonora, we had to have other to provide the largest projected ments. You will be sent one minute into a crane standing by to remove the DeLorean image ever used in conjunction with a the future in Doc Brown's latest inven­ from the train tracks because the train was motion simulator. Because the domelike tion - an advanced convertible version coming through. If we didn't finish the scene screen occupies all of the retina (versus of the famous DeLorean time machine. when the II :02 came through, the DeLo­ rean would have been clobbered a lot earlier only the center of the retina in conven­ The chase is on. You fly into the futu­ than it was in the movie! So, we had to get it tional movie and TV screens), the screen ristic Hill Valley of Back To The Future off the tracks really, really fast!" seems to vanish. The viewer is literally Part II, circa 2015, and blast through the Michael Klastorin is currently Unit Publi­ carried away into the image. The com­ eons back to the Ice Age. This is one cist on the new Bruce Willis movie, Hudson bination of 70 mm film, 80 ft. diameter time travel adventure you will never Hawke, which shot in New York, Italy, hemispherical screens, multi-channel forget! Watch for the Back To The Hungary, and then England. surround-sound, special effects and Future attraction to open in 1991! • - By Desire Gonzales FAN CLUB INTERVIEW MICHAEL .J. FOX The Time Traveliuv_g Adventures of Marty McFly By Michael Klastorin pily, the baby's sense of tim­ with Dan Madsen ing was as good as his fa­ ther's, and Sam Michael Fox was born after his father think what made ' 'I Back To The Fu- had completed filming ture such an im­ chores on Family Ties. mense hit," relates its star "When I began work on Michael J. Fox, "is that it the first film, I was pretty was cross-generational. Just much walking into un­ by the nature of the story, known territory. Obviously, its appeal reached people I liked the script, but I didn't who remembered the '50's, really know Bob Zemeckis, and interested a whole new or any of the cast and crew. generation in the period. It When I was approached to was also a very life-affirming do the sequel, I knew that.if story about relationships, as the entire team was coming well as a 'what if?' movie, back, they were going to which is another thing au­ make sure that part two diences love. It's hard to was every bit as special an analyze, and maybe it's best experience as part one. left that way. It's like Mark "To my mind, they've Twain's analogy between succeeded," says Fox. "For comedy and a frog. If you the audience, I think the dissect it, you might find word that best describes this out what makes it work, film (Part Two) is relent­ but it'll die in the process." less. It never stops. Every Whatever the reason for the time you think the charac­ phenomenal success of the ters have rescued themselves film, Fox was delighted with from their current predic­ the prospect of returning to ament, and you think you play Marty McFly for a second can relax for a minute or two, time, so much that he assumed BAM!- you run into something the very same working condi­ else. The great thing about the tions he had experienced four film is that even though there's years earlier. In order to make ten things going on every second, its Thanksgiving release date, it's not overwhelming. Every­ the movie's production schedule thing is done in a compelling coincided with the filming of way that involves the audience the final season of the hit televi­ and draws them closer, rather sion series Family Ties. than wearing them out." For several months, Fox Four years after filming the "The classic western and the BITF movies have the same f' · F 1 h found himself shuttling between common denominator at the heart of them - the audience Irst mOVIe, OX marve S at t e both projects, working on the always gets a hero to root for and a villain to loathe," says Fox. new rigors that Bob Zemeckis television show during the day, and Bob Gale invented for and filming Back To The Future Part motion picture and a television show Marty, physical challenges that found II through the night. There was, at the same time wasn't enough, Fox the actor in very uncomfortable posi­ however, one major difference that also added the welcome distraction tions at times. "What's amazing is Fox had not encountered during the of the imminent arrival of his and that Bob Zemeckis is tireless in his filming of the first feature. If filming a actress Tracy Pollan's first child. Hap- quest for new ways to torture me," -2- says the actor with a grin. "He was fight not only the enemy, but his then four years later, the filmmakers always coming up with new devices fellow platoon members, and his say 'C'mon, let's do it again.' It's sim­ to approximate the physical reality sense of morality as well, in Casual­ ilar enough so that we've all relived of concepts like hoverboarding. Un­ ties of War. that same pleasure for the second fortunately, there's no such thing as a After four grueling months in the time, yet it's just different enough so real , so all sorts of con­ jungles of Thailand, Fox was more we feel we're doing something new traptions were invented to simulate than ready to don the Nikes of Marty and interesting, and definitely the process." Using a com­ creative." bination of wires, rigs and harnesses, Fox was suspen­ Taming The Old West ded in mid-air for several hours at a time in order to Well before there was film the futuristic hover­ ever any thought ofa sequel, board chase as Marty at­ in a behind-the-scenes doc­ tempts to escape from Griff umentary about the making and his gang. "It was pretty of the original Back To The exhausting, and occasionally Future, Michael J. Fox was painful," says the actor, "but asked where he would hopefully worth it when you choose to go if he could see the finished product." actually travel through time. Upon thinking of all the His answer? "The Old hanging and flying that West." Marty does, and the number Five years later, in Back of devices necessary to im­ To The Future Part IlL the plement their successful actor got his wish, as Marty filming, Fox recalls a saying McFly travels to Hill Valley that he and director Ze­ in the year 1885 to rescue meckis would quote in situ­ Doc Brown. "It was that ations of that nature. "Pain proverbial dream come is temporary, film is for­ true," says Fox of filming ever." the western adventure, After finishing Back To carving his own niche The Future, Fox was pleased among the ranks of such to find his services wanted legendary western stars as for numerous film projects. John Wayne, Jimmy Ste­ Not wanting to leave Fam­ wart, Clint Eastwood, Gary ily Ties, the actor used his Cooper and Alan Ladd. hiatus from the series to "When Bob Zemeckis embark on a film career. His called 'Action,' I literally got choice of roles over the past chills as I walked into the mid­ four years has enabled him to dle of the dusty street, a six­ challenge himself and grow as a shooter strapped to my leg, new actor, which is, for Fox, a squaring off against a vicious prerequisite before considering desperado, as the townsfolk any new project. Those films scramble and huddle inside the include Light ofDay, The Secret saloon doors to await the out­ of My Success, Bright Lights, come of the confrontation. Big City and his latest films, The "Those are the kind of ele­ Hard Way, which opens this ments that make the Old West · d D rr ll d, "Marty McFly is probably the last comline-of-aee spnng, an oc no ywoo evergettoplay,"saysFox. "I'm glad I've the perfect setting for the con­ which he is shooting now. out over the course of five years." clusion of the trilogy. The action Fox is a three-time Emmy is fast, the values are pure and winner for his work as Alex Keaton McFly and set out on a new adven­ the roles are clearly defined. The on Family Ties. In the film he shot ture with Doc Brown. "The great classic western and the Back To The shortly before Back To The Future thing about doing this sequel,'' he Future films have the same common Part IL Fox earned critical praise for says, "is that I had an incredible denominator at the heart of them - his portrayal of a soldier who must experience doing the first film, and the audience always gets a hero to -3- root for and a villain to loathe." where Seamus sits down to enjoy a friends or at a party, and you think In addition to his role of Marty, rabbit dinner, Michael more often you have an idea of the accent. Then Fox also portrayed Marty's great­ ended up eating the hair, instead of you sit down with a dialogue coach, great grandfather, Seamus, an Irish the hare. who tells you you've got it all wrong." farmer who is the first McFl y to emi­ "The makeup for Seamus wasn't Having completed his work on the grate to America. nearly as extensive as old Marty or Back · To The Future movies, the "In playing Seamus, I tried to stay Marlene in Part II, " he says, "nor actor reflects upon the unique expe­ away from the stereotype, but there's was the physical change that dra­ rience. "It's been a lot of hard work, no denying that he's a bit of a lepre­ matic, yet the effect was still very to say the least. I've lost out on a lot chaun," says the actor. "But behind freeing. As I was sitting there, watch­ of sleep and picked up a few bruises the twinkle in his eye, there is also ing each new piece being applied, the along the way, but I treasure every great wisdom. Seamus provides a character started to emerge. By the moment that I've spent on these valuable lesson to Marty concerning time it was finished, even though I films, with these people. I'm also his tendency to overreact when some­ wasn't consciously making the at­ proud to be a part of a trilogy of films one calls him a 'chicken.' Seamus has tempt, I suddenly found myself that, if they do nothing else, allow learned through experience that you speaking with an Irish brogue." people to check their problems at the can have pride without a fall and In actuality, both Fox and Lea door, sit down and have a good that, in fact, pride can steer you away Thompson, who plays Seamus' wife time." from a fall." Maggie, spent many hours with a Fox also acknowledges that Part To prepare for his scenes as Sea­ dialogue coach in order to bring III marks his final performance as mus, Fox, as he had in Back To The more authenticity to their roles. Marty. "I think it's safe to say that Future Part II, once again found Rather than relying on a generic I've uttered 'Whoa, this is heavy!' for himself in prosthetic make-up. The Irish accent, the actor, along with the last time. Marty McFly is proba­ look of the character had to be differ­ Robert Zemeckis and Bob Gale, bly the last coming-of-age role that ent enough from that of Marty, so developed a history of the character I'll ever get Seamus' wife wouldn't notice the and pinpointed an actual county in to play. I'm resemblance between her husband Ireland where Seamus and Maggie glad I've been and their unexpected guest from the might have come from. Once that able to stretch future. was done, both Fox and Thompson it out over the Much of the transformation was learned the specific nuances and course of five accomplished with the addition of a speech patterns of that area. "The years." Ill red wig and appropriate facial hair. dialect was tough," admits The application was a relatively sim­ Fox. "One ple process, as opposed to the hours tends to play Fox had spent in the makeup chair around with for Part II The biggest problem different posed by the makeup was Seamus' voices when thick moustache. In the dinner scene you're with

The many faces of Michael J. Fox (past, present, and future!) EXCLUSIVE INTERVIEW LEA THOMPSON Looking Back at Lorraine By Dan Madsen with Michael Klastorin

s most young actors progress critics. This was followed by through their career, one of the the film Red Dawn, in which A most difficult stages they face is she played a teenage guerilla the transition from their portrayal ofteens fighter, helping to fend off a to being accepted by audiences in adult Russian invasion of the Uni­ roles. Lea Thompson made that transition ted States. Prior to her cast­ in the course of a single film, as she played ing in Back To The Future, high school teenager Lorraine Baines and Thompson starred in The the 47 -year-old housewife Lorraine McFly Wild Life. in the original Back To The Future. Following her first expe­ In Back To TheFuturePartll, Thomp­ rience as Lorraine Baines son may well have made some additional McFiy, Thompson went on acting transitions with her portrayals of to star in features such as Some Kind of Do you recall how you were casted for new incarnations of Lorraine. In the Wonderful, Howard the Duck, Space the original Back To The Future? Camp and The Wizard of Loneliness. altered 1985, Lorraine is still 47, but her Well, they were looking at a movie I had appearance and lifestyle have changed The actress most recently starred in the done c;alled The Wild Life. They were actu-· dramatically as the wife of . Turner Network production of Night ally looking at Eric Stoltz for the part of Should any filmmaker need to cast the Breaker, for which she received an Ace Marty McFly. The director saw me and said, part of a sprightly septagenarian, they A ward nomination, and in an episode of "Let's get that girl in here." My first meeting need look no further than Thompson's the HBO series, Tales From the Crypt. was a really big one - I remember Steven performance as 77-year-old grandmother She also completed the Turner Network Spielberg was there. And then they cast me. Lorraine. presentation of Montana, written by I remember that I read with a lot of different "What makes Back To The Future Larry McMurty. actors trying out for the role of Marty. That films so wonderful for me as an actress, The Official Back To The Future Fan was interesting. For the first five weeks, I and I think for audiences as well," says Club contacted Lea recently to discuss worked with Eric Stoltz. Thompson, "is that the filmmakers didn't her involvement with the Back To The try to cast someone who just looked like Future trilogy. You've worked on all three films with us in the older versions of our characters. Michael J. Fox. How would you describe It's essential to the story that the audience Lea, do you recall when you first became him? knows that it's the same actor playing the interested in acting? role, and hopefully they will accept us in He's a pretty neat guy. He's easy to work I guess I've always been interested in being our older characterizations." with and very professional and very quick. on stage. I did my first play when I was nine. When Thompson agreed to participate He's also quite funny to be around. He's got Then I became a dancer and danced profes­ a great sense of humor. in Back To The Future Partlll, she natu­ sionally when I was fourteen. I still did some rally assumed that she would once again plays in the off-season. By the time I was return to the role of Lorraine. However, Were you surprised when the original twenty-one, I quit dancing and started acting she had a pleasant surprise waiting for ftlm became such a hit? full-time. I was just always interested in per­ her. "I got to play my frrst Back To The forming. That's all I ever really wanted to It was pretty amazing! What was really Future character who isn't another incar­ do. amazing was, not that it made so much nation of Lorraine." Although she wasn't money and that it was this huge hit for the playing Marty's mother, Thompson's Are you pleased with the level of success summer, but that it was constantly number character was still a relative of our hero, you're at one. Everybody seemed to like it-the critics as she assumed the guise of Maggie Thompson as 77-year-old now? liked it, punk rockers liked it, old women McFly, Marty's great-great grandmother. Lorraine. liked it - it was amazing! Usually, people are A native of Minneapolis, Thompson I do feel very wishywashy - some like it, some don't. But moved to New York at the age of 19 after grateful that I people loved Back To The Future. I think don't have fi­ a stint in professional ballet and modern I've met two people who hated the movie dance to pursue a career as an actress. nancial worries and that was it! And it was like that all over in that I've She was cast in a series of 22 commercials the world. It's a pretty neat feeling to know been able to for Burger King, which led to a small role that all these people liked it. in the feature Jaws 3-D. Her next role work a lot. But was that of Tom Cruise's girlfriend in All you always Do you get recognized on the street as The Right Moves, a role which brought have to have her to the attention of both audiences and new dreams. (Continued on Page 9) - 5 - EXCLUSIVE INTERVIEW ROBERT ZEMECKIS Behind The Camera On Back To The Future By Dan Madsen with Michael Klastorin

' 'Bob Zemeckis is the real original film Doc Brown," says through the Michael J. Fox of his Back end of Part To The Future director. "He's manic, HL" but that insanity is tempered by an Born and incredible mastery of his craft as well raised in the as an amazing vision and incredible south side flair for storytelling. It's great just to ofOlicago, watch Bob work. I feel like I'm Marty Zemeckis McFiy both on screen, and in real life, began but that's why Marty hangs out with making films Doc, because things happen." with an 8mm camera while in Zemeckis has, in fact, made things high school. He attended Northern to per happen for millions of moviegoers Illinois University before transferring feet the process of di- worldwide, with two of his films, to the University of Southern Califor­ recting live actors opposite animated Back To The Future and Who nia School of Cinema. Winning an "Toons" in the box-office smash Who Framed Roger Rabbit, earning over Academy A ward for his student film Framed Roger Rabbit. $350 million each as the top-grossing Field ofHonor, Zemeckis showed the Zemeckis has also directed several ftlms of 1985 and 1988, respectively. film to directors Steven Spielberg and projects for the small screen, includ­ When first approached to do a , who later made it possi­ ing an episode of Steven Spielberg's sequel to Back To The Future, ble for Zemeckis and his USC writing Amazing Stories and the HBO series, Zemeckis, Bob Gale and Neil Canton partner Bob Gale to get a develop­ Tales From The Crypt, on which he all agreed they wouldn't come back ment deal for an original screenplay. also serves as producer. unless they could find a way to pre­ Spielberg would later choose to direct The Official Back To The Future serve the quality and originality of the the project - 1941. Fan Club caught up with Zemeckis first film. "The biggest obstacle one Zemeckis made his directorial debut recently to discuss his memories di­ faces when making a sequel," says in 1978 with I Wanna Hold Your recting the Back To The Future Zemeckis, "is that you are enslaved by Hand, the story of a group of teenag­ trilogy. the first movie. What we strived to do ers who try to meet the Beatles on the with the trilogy, was to take the con­ eve of their first appearance on The Bob, do you recall when you first cept of the sequel, which is generally Ed Sullivan Show. Zemeckis also co­ came up with the idea for Back To looked down upon as crassly com­ wrote the screenplay with Bob Gale. The Future? mercial and in many circumstances He directed another Zemeckis-Gale Well, it wasn't like a major cathartic merely a rehash of the original film, screenplay, , starring Kurt thing that happened. It was just some­ and redefine that concept. Russell, but it was his third film that thing that kind of evolved - it wasn't a "We were able to do that in Part H proved to be the turning point in lightning bolt idea. It actually started by actually going back into the first Zemeckis's career, as he directed the more with a tone for a movie we wanted movie from a different perspective. In team of Michael Douglas, Kathleen to do. It was a contemporary movie with Part HI, we continue to explore and Turner and Danny DeVito in Ro­ some sort of science fiction element. ultimately resolve the emotional com­ mancing the Stone. He followed by Then the idea of a kid going back in time plexities of the characters and their re-teaming with Bob Gale in directing and meeting his parents at the same age dilemmas. We've also structured each the duo's screenplay, Back To The was the germ of the idea. chapter so they work as one com­ Future. Zemeckis topped himself with pletely interwoven saga, from the his next feature, as he spent two years Why did you decide to shoot Part D - 6 - and Part III back to back? Yes, we built that whole town up in any future Star Wars movies. How Jamestown, California. Everything is do you feel about that? That was the way we had to. do it still there except for the courthouse because we wanted to do these sequels I probably wouldn't because that would which we tore down. as a trilogy and do the whole piece as a be considered a sequel and I probably saga. We knew that the only way we Do you prefer shooting on-location or won't do any more sequels. But I would could ever get the third movie done was on a soundstage? do a movie for George Lucas. I'm a big to film them together. We didn't want to fan of his, but I probably wouldn't do a Oh, I definitely prefer shooting on a be in the situation where we started a Star Wars film. soundstage. There is a lot more outside trilogy and then because of everyone's interference when you shoot on-location. unavailability, we weren't able to finish Do you set high, medium or low it. So, we decided to shoot them together, Did you always intend on giving Doc expectations for yourself? one right after the other. Brown a love interest in Part III? Always high. What was the studio's reaction to We always wanted to keep the charac­ your idea of shooting them back to ters growing and keep stretching them Which film do you feel is your great­ back? so the obvious joke was giving Doc the est accomplishment to date? ultimate question, the ultimate mystery They were shocked a bit. (Laughter) But - women! (Laughter) then when it was all laid out and they I like them all for different reasons. And looked at the material and understood Which aspect of directing do you I think each one of them supplies its own that this was the only way it could be most enjoy? challenges that were overcome. Each done, it became clear to them. It was all one had its own kind of creative prob­ Post-production is the most fun. That's inspired ~y the material. lems that I had to solve. So I like them where it all comes together. The actual all for different reasons. One of the most exciting scenes in editing, for me, is the most enjoyable Part III was the train sequence at the because you get to see it all finally start Whic~ films do you recall most fondly? · end. It looked difficult to shoot. Was to take shape and come to life. it? How would you describe Michael J. I think the two screenplays I am most It was very time-consuming. And that's Fox and Christopher Lloyd? proud of were the original Back To The the key whenever you put someone in a Future and Used Cars. Those hold a I would describe them as terrific dra­ situation that looks dangerous, it takes a special place because I think the screen­ matic actors as well as great comedy lot of time to build a lot of pieces, to piays were very clever. actors - they have wonderful comedy have a lot of cuts, and to make it look timing. They're also terrific film actors exciting. But the actors obviously were Now that you've had so many block­ in that they're good at the technical stuff never put in any danger. We would buster films, do you find it hard to top that's required for these types of films. never do that. It's all basically a montage your previous picture because the They never let it get in the way of their and that's what gives it that exciting public has come to expect so much ability to perform their roles. They're feeling. from a Robert Zemeckis fllm? totally professional and very easy to Were the Back To The Future movies work with. No, because I've never approached my more difficult to shoot than Who Framed Roger Rabbit? Bob, many of our readers are inter­ films other than to try to satisfy myself. I ested in becoming directors themselves always want to be responsive and respect- No, nothing was harder than Roger someday. What Rabbit. The Back To The Future movies basic qualities "We didn't want to be in a situation where we started a trilogy and then because of everyone's unavailability, we weren't able to finish it," says Zemeckis, seen were very difficult but Roger was do you feel are here with Michael J. Fox on Part H. "So, we decided to shoot them together, harder. inherent in all one right after the other." good directors? What inspired you to go back to the old west in Part ID? You have to know how to It really wasn't an idea of going back.to write if you're the west, it just felt like the appropriate going to be a place where the end of the saga should good director. I be - the birthplace of Hill Valley. We really believe consider Hill Valley to be a character in that. the saga along with all the human char­ acters. We thought that it would be nice A lot of people to see it's birthplace and that just hap­ have mentioned pened to be in the 1880's, so it became that you would the old west. be a good per­ Did you build the entire western town? son to direct -7- ful of the audience and I always hope to of presence in that dance sequence and know that an audience is out there and they certainly look the part for me. So that they deserve my respect. But I we said, "We'd like you to be in the film always have to do what I feel is the right and write a song for it." They loved the thing. I always want to entertain, but I'm idea and signed on. always trying to satisfy myself. How does Robert Zemeckis relax Which directors have influenced you when he's not making movies? most? I like to snow ski in the winter and water I've always admired the great American ski in the summer. I enjoy sport shooting directors - Frank Capra, Alfred Hitch­ and I like just relaxing and doing nothing. cock, John Ford, Billy Wilder and so on. The guys who made the mainstream Will you make an attempt to stay American films - they are the ones I've away from special effects films now always enjoyed watching. that you've done quite a few?

Were you an avid moviegoer when No, I don't want to react to that. I won't you were young? let a good script go by or a good idea go by just because it has special effects in it. I wasn't a fanatic. I would go see all the I don't want to put those limitations on " I'm relieved that the BITF movies are finished popular films and the horror films but I and I'm relieved that they turned out so well," myself. But, in the same token, I'm not wasn't a movie buff. I watched TV says Zemeckis. "I'm glad that we went out with a particularly interested in doing another somewhat but I didn't really become a certain amount of integrity and style. But I also special effects movie unless the screen­ have a feeling of sadness because this has been movie buff until I went to film school. part of my life for almost ten years and certainly play's right. working with these people for almost six. It's When did you decide that filmmaking kind of like leaving high school." I understand that you were at the spe­ was going to be your chosen career? cial Back To The Future marathon when it was running out in L.A. It happened in high school. I thought it would be an interesting thing to do. I Yeah, it was the best! It was a once-in-a­ started fooling around with a camera did the DeLorean travel through time lifetime chance to see all the movies with and then went to film school and sort of at the end of Part ll when it wasn't an audience that has an incredible appre­ grew from there. travelling 88 mph? ciation for our work and gets everything that we've put into the movies. I felt it I understand that the idea of using a Well, first, Old Biff is ceasing to exist. was important to at least see that. It will DeLorean in the Back To The Future And the reason he is ceasing to exist is probably never happen again so it was movies was your inspiration. How did that Bob Gale and I speculated that great! you come up with that particular car because he had altered his past and had to put the time machine in? become the corrupt Biff, he doesn't sur­ What has been your lasting memory vive to that age. We figure Lorraine of working on these films? Do you Well, we had this idea for a joke that the would've shot him five years after our have a feeling of sadness or relief? farm family was supposed to see the car adventure, or he was rubbed out by the and think it was a flying saucer. And the mob. He never lived to be as old as the It's both. I'm relieved that they're fin­ only car that had go-wing doors that Old Biff. ished and I'm relieved that they turned opened like a hatch was a DeLorean. The answer to the second question is out so well. I'm glad we went out with a The car also looks like a spaceship that the DeLorean doesn't have to be certain amount of integrity and style. because it was stainless steel. You know, going in a linear fashion. You look But I also have a feeling of sadness ideas come from so many different areas closely at the film, it sort of flies end over because this has been part of my life for and strange places but the idea that this end so it's spinning 88 mph. As long as it almost ten years and certainly working was a joke was the inspiration. It all reaches that acceleration, it doesn't have with these people for almost six years. grew out of the idea of this farm family to be going forward. Its mass just has to So, it's kind of like leaving high school. finding the car in the barn and thinking it reach that speed. was a UFO. Bob, in conclusion, what would you How did you get the rock group ZZ like to say to all the Back To The There are a couple of questions that Top involved in Part III? Future fans reading this interview? our members have requested we ask you. Number one, why was Old Biff Well, we asked them if they would be I would just like to say thanks for their in so much pain when he stepped out interested in doing it and they thought it support and for being fans. I hope we've of the car in Part II? And second, why would be a lot of fun. We wanted a sort all lived up to their expectations. 1!!!!1 -8 - LEA THOMPSON most fun playing? in Montana, I got to ride horses and every­ thing, whereas in Part III, I was a prairie I had a lot of fun playing the original young (Continued from Page 5) mother. Lorraine. It was also fun playing the drunk Lorraine Baines McFly? Lorraine in the beginning of the original Which part of the trilogy is your favorite I wouldn't say I've gone unrecognized but movie. I had a blast playing her as the chesty, now? I've done a lot of movies and some films Vegas version. I loved all the incarnations of I'm sure that Part One will always be my people recognize me from and some don't. I her. favorite. I think it's a nearly perfect movie. Part think that Lorraine McFly, besides the fact Some of the incarnations required a great III was great but I have a soft spot in my heart that she's in so much makeup sometimes, deal of makeup. Which was most diffi­ for Part One - it's just a neat movie. Part One even the young Lorraine McFly was such a cult? was the most fun to shoot, too. I had the character and I don't resemble her in real biggest part of all three movies in that one. life. She had that hairdo and acted so goofy. They were all hard but the most difficult was I'm a much different person than she is. from Part II - the 80 year old and 50 year Up to now, which role in your career is People don't recognize me as much as Lor­ old. When I played her as the 50 year old, I your favorite? raine McFiy as they do some other charac­ was covered from my belly button all the I often say it's the one I'm doing right now. I ters I've played that maybe look more like way up to my head with the wig and every­ like them all, though. Of all the parts I've done, me. thing. It took 5 Y.! hours everyday. It was a certainly Lorraine in Back To The Future is pretty tough experience. the most varied. There wasn't really time to get What was your reaction when they told bored because there were so many characters you they were going to shoot part II and Was it strange to see yourself as an old to play - it was really an acting challenge. ill back-to-hack? woman? Yeah, it was pretty strange but you get a Is there a role you would still like to sink Well, I got a call from my agent. They didn't your teeth into? tell me they were shooting II & III together. chance to get used to it because it takes so long. The script that became Part III was origi­ And what's weird is that when you take it off I would kind of like to play a really bad nally part of the script for Part II. Although it you almost believe you're going to look like person! (Laughter) I've never really had the was a little long, so we were all wondering that. You feel like you look so " Maggie was a how they were going to do it. That's why great when you take it off after wearing it for 17 or 18 lot of fun to they split it in half, embellished them both play," says and made Part II and Part III. But that hours. Thompson. " It happened part of the way through shooting Did you have a feeling of was the first Part II. de'ja'vu when you came time I played a different char­ back to shoot Part II? How did you feel about coming back to acte r in the play Lorraine again in Part II? It was weird coming back in movies. Michael Part II. Some of those scenes did a wonderful I had hoped that it would be a great part job as my hus­ we had done three times - band, Seamus." because that's what acting is all about. I was first with Eric Stoltz, then excited that I would get to work with all with Michael J. Fox and again those people again. I love Bob Zemeckis and in Part II. Bob Gale - they're fun people. They are my old friends. And it was nice to go into a Describe your impression movie that you know is a pre-sold success. of Maggie McFiy in Part ID? chance except in a Tales From The Crypt There is always so much worry when you're Maggie is an Irish immigrant and she's very What do you enjoy doing in your free time? making a movie that it will be successful so it stern. She comes from good Irish stock. I takes a burden off you to know that it will be visited Ireland last year and met a woman I'm really big on golf right now. I've been successful. there who I used as inspiration for Maggie. playing it a lot. 1 like to cook and hang out Also, I'm of Irish ancestry, and I saw a lot of with my dog and cats.l got married last July to How did you feel about righteous indignation in her character, which director Howie Deutch - he directed the films not coming back in the role of George reminded me a lot of my own grandmother. I Some Kind of Wonderful and Pretty In Pink. McFiy? read Trinity to try to get an idea of what those Lea, in conclusion, what will you remember I felt bad. I think he's a great actor and I people were feeling and experiencing at the most about your association with the Back thought he was really great in the first movie. time. I worked with a dialogue coach to per­ To The Future trilogy? I also knew that my part was tied to him so fect the accent, and the wardrobe itself played I think I'll remember this one time after Back without him I couldn't figure out what they an important part in establishing the way I To The Future was open for about two months. would do with me. He was hysterical in the played the character. Wearing a corset, for I went to this big theater called the Cinerama first movie. instance, makes you sit up higher and creates a more formal attitude. Dome with my boyfriend at the time and we How would you describe Lorraine? Maggie was a lot of fun to play. She was a got to the parking lot and they let us in free and I got to the theater and they let me in free. It was I would just say that she is Marty McFiy's lot different from the other characters but it totally packed - there were no seats. And I sat mother at various ages and dimensions - was the first time 1pla yed a different character in the back and watched the whole movie and literally. She's a really fascinating character in the movies. It was fun and Michael did a the audience just loved it so much, and were to play. It was an interesti ng acting challenge wonderful job as my husband, Seamus. laughing and having the best time. I remember to play someone in all those different stages Did you enjoy shooting a western? thinking to myself, "This is about as good as it of their life and different circumstances. Yeah, it was fun. I had actually just come back gets." I will always remember that day. It was Which version of Lorraine did you have from shooting a western in Montana. Although, the nicest experience! • -9- EXCLUSIVE FEATURE

Behind-The Scene Illusions SPFX Coordm­ tor Michael Lan­ tieri (sitting) and of Back To The Future his crew on-lo­ cation for the finale from By Desire' Gonzales Iiams is right: you want to trip the giant windstorm, BITFI/1. Be­ guy who wins." Lantieri has had to or make people low: the actual scene of the de­ ew special effects coordinators console himself with the British and cars fly? struction of the can make the claims-to-fame Academy A ward for Back To The In working on DeLorean. F that Michael Lantieri can. HE Future Part II. is the man who dropped the water on It is the se­ Jennifer Beals in Flashdance. He is cond one he the man who had to watch over and has received, over (he is very dedicated) the famous the first being dress scene of Marilyn Monroe in the for The Seven Year Itch just so he could get it Witches of right for The Lady In Red He also Eastwick. can say that he has trashed several Lan tieri DeLoreans, both on purpose and by was born in accident (oops). But, most of all, he the city of can lay claim to making you believe Los Angeles a man can fly, or rather, hover. where he at­ "In every conversation with Bob tended school Zemeckis, the most frightening thing withRooHow­ and the thing he was most concerned ard ever since with was not looking silly with the the first grade. flying," states Michael Lantieri, Spe­ "And, as stu­ cial Effects Coordinator on Back To pid as it sounds, I The Future Part II and Ill He always wanted to explains that, "flying is real difficult be in the movie - you tend to swing and it's real industry," says easy (for the audience) to pick it out Lantieri sheepish!y. BTIFII, illusion if you're not careful. We started He went to work was very llllpor­ experimenting with skateboards with in the special ef­ tant. "It was a mirrors under them. Snowboards with fects department at building/ manu­ ramps. Just any number of things." Universal Studios facturing kind of Compounding the hoverboard prob­ doing the elec­ show," says Lan­ lem was finding a system that could tronics for such shows as The Six tieri. "All the futuristic props, all the handle flying five people at the same Million Dollar Man, Battlestar Galac­ streetlights, mailboxes, fax machines, time. The solution was found in two tica, and Buck Rogers. Lantieri stayed the Ronco Garden Center - we huge 11 0-foot cranes in conjunction at Universal for ten years learning built everything from scratch!" Lan­ with specially designed harnesses. every aspect of special effects - tieri even found himself working Lantieri further explains that, "if from blowing up buildings to mak­ closely with Joanna Carter, costume you hang a grid across the top of ing rain - before leaving to branch designer, because where do you get Universal's back lot, the sun comes out on his own. self-lacing shoes and shrinking coats? out and you'll always have shadows. Interestingly, special effects is not "We got the bare shoe from Nike," What do you DO about the sha­ where Lantieri had expected to be, says Lantieri. "We then ran individ­ dows? The crane was ideal - it was he had wanted to be a director - ual laces through the sole of the shoe something we could keep moving perhaps his auspicious birthdate, and right through a phony piece of with the sun. August 1, 1954 (yes, that was a Fri­ alleyway. So, from underneath, we "We did get an Academy A ward day) had something to do with it. were pulling each one individually. If nomination for the flying for TWO Folklore has it that you are a witch or you notice, he (Fox) doesn't pick his -Ken Ralston and myself. The stu­ a warlock when born on that super­ feet up in that shot." dio did send us limousines and did stitious day. What could be more Another effect, the shrinking coat, send us to the Academy A wards. appropriate then becoming a creator figured very prominently in the And yes, we did lose. Robin Wil- of illusion where you can conjure up movie. Lantieri shares the secret. "It -10- was all cable-controlled. He (Fox) to be pushed by the train on the rail. pies didn't rise.' Well, gee," says Lan­ had about eight different cables run We were real concerned because if tieri, "I dropped a 3,000 lb. car next up his back and down his sleeves and you derail that car in front of that to an 8 million dollar actor! When an around his waist and in his pockets. train, it's going to go right over it." effects guy has a bad day, it's a bad On cue, we had people pulling levers There was so much concern about day. Lot's of times, we're in situa­ to shrink it up to fit him. There were deniilment that Lantieri talked tions where people could get hurt, so about fifteen jackets. We had two Zemeckis into shooting a key scene we lie awake at night, 'did I think of (production) units going at all times -where Marty puts the hoverboard everything?"' (shooting those scenes). Sometimes out for Doc Brown - in reverse to Lantieri says that despite the long you'd have to have the long sleeve ensure Fox's safety. hours and sleepless nights, "We really jacket on. So, you'd have to have one Like stuntwork, special effects is a liked BTTFIll It was really the most for each unit and a back-up- that's very dangerous job. "If you think fun of the bunch. I think it shows in four long ones. Then, you had to have four that were fitted to him without the cables. Then, you had to have two WITH the cables .. .it added '"We had to engineer DeLoreans to be pushed by the train on the rail,' says Lantieri. 'We were up real quick." concerned because if you derail that car in front of that train, it's going to go right over it.' There Besides having to shrink a jacket, was so much concern about derailment that Lantieri talked Zemeckis into shooting a key scene­ Lantieri had to have one that would where Marty puts the hoverboard out for Doc Brown- in reverse to ensure Fox's safety." "blow dry" itself. "Pretty simple deal, you would think," says Lantieri. "We've got airlines run down Michael's leg and we're ready for him to walk into his close-up and blow-up the jacket (with air). Bob Zemeckis says, 'I've been thinking, I want him to walk all the way up the stairs and into the shot.' Which means, we can't have airlines show­ ing. We quickly cut the lines and put connectors on them so they're just under his pantleg. He walks into the shot and as soon as they're about knee-high with the camera, four guys ROLL in underneath him and plug air in!" While working on BTTF IL Lan­ tieri and his wife, Lynn, had their first child, Andrew. And, of course, being a new proud father, Lantieri brought Andrew to the set. Since Michael J. Fox was expecting his own son very soon, he practiced holding a baby with Andrew Lantieri's help. By the time BTTF II finished, the crew gladly jumped right into BTTF about it, special effects is not an exact the movie." Lantieri pauses then con­ Ill "We wanted to get out of the science," relates Lantieri. "You're tinues, "it was great working with future and go into the Wild West," dealing with stunts and you're always EVERYBODY. Fox was great, just relates Lantieri. "I used virtually the in dangerous situations and you're a LOT of fun. He liked water - same crew. We built the clock, the always calculating this and calculat­ anything involving water- we had interior of Doc's place, the breakfast ing that. You can TELL someone quite a few water fights in Sonora. machine. Doc's train at the end of the that this building is going to fall right Chris Lloyd is real easy to get along movie was built full-size. That thing here. Well, you can get close but you with. Mary Steenburgen was great. was the size of a real locomotive! It can't be SURE. There just wasn't a bad thing about was hand-built from scratch by us. "I dropped an entire carl Well, it. I'm sure the entire same group The wheels folded up and the door that's your worse nightmare. Other would go right back together with worked hydraulically. All the bells people come home from work and Bob Zemeckis if we can get Bob to and whistles worked on it. and their spouse says, 'what did you take another movie project. We all "We had to engineer DeLoreans do today?' 'Well, I'm a baker and the felt honored to work for him." • - 11 - Official Back To The Future Merchandise!

NEW! Back To The Future: The Official Book of the Complete Movie Trilogy (819) This beautifu l full -color 80 page behind-the-scenes book incl udes on the set in terviews with the cast and crew, the secrets behind the awesome spccia I effects, as well as movie poster art and more! Over 120 color screcnshots, behind-the­ scene stills, original story­ boards, set and prop design sketches, and costume draw­ ings are also included. A must have for any BTTF collector! PRICE: $9.95/ US, $ 10.95/CAN., $11.95/FOR. NEW! Back To The Future DeLorean Time Machine Model Kit (820) Our most requested item! Direct from the hit series of films comes th is imaginative 1125 scale model of Doc's Del..orcan time machine. This beautifully detailed model comes with all the pieces necessary to transport its occupants to the future or back from the future! A hidden mechanism rota tes the tires from vertical to horizontal as they do when the car "flies." Display base included. PRICE: $14.95/ US, 515.95/ CAN., Back To The Future $16.95/ FOR. Poster (BI4A) Western Graphics pro­ Back To The Future Embroidered Satin Jacket duces this 21 X 32 inch poster displaying Marty's (802) escape from Griff on the The embroidered BTTF logo on this sleek, black nylon satin hoverboard in BTTF II! jacket-is itself a work ofa rt. Beautifully rendered in thousands of Quantities are very limited, fine stitches. Imagine the compliments this jacket will bring as order now! you wear it shopping. This is the jacket that EVERYONE PRICE: $5.00/US, wants and you can get yours from the fan club. Quantities are $6.00/CAN., now very limited so order your's today! Available in ADULT $7.00/ FOR. SIZES S(36-38), M(38-40), L(42-44), XL(46). PRICE: $99.95/ US, $100.95/CAN., $101.95/FOR.

Back To The Future Patch Yes, you did get one these patches in your kit. But one may not be enough! These embroidered BTTF patches are only available from the fan club and look great on jackets, hats, etc. Get some extras while you can! PRICE: $3.00/ US, $4.00/CAN., $5.00/ FOR.

Back To The Future Postcard Set (817) Classico brings us 13 gorgeous postcards, three featuring the mo vie posters for BTTF II and the other 10 featuring a variety of scenes from BTTF II. These 4 X 6 glossy postcards would look nice in a photo album as well as in a mailbox! PRICE: S9.00/ US, $10.00/CAN., $11.00/ FOR. Back To The Future Watches (818A-C) Time ... as long as people have been wearing watches only two methods of timekeeping, analogue and digital, have been used. Until now! The Grafix watch uses electronically gener­ ated graphics, moving around a unique ci rcular display, to indicate time. These same watches were provided for use in Back To The Future Remote Control Car BTTF II and arc available to you through the fan club! Three styles are available: A) Numeral Grafix Watch. B) Segment (803) Grafix Watch. C) Target Grafix Watch. PRJCE: 535.00/US, This I I 18th scale JRL Del..orean radio con tolled car has $36.00/CAN., $37.00/ FOR. realistic details and a powerful Mabuchi RS-260 motor. This sharp little replica even comes wi th a recharging jack for Ni-Cad batteries built right into the mr. Fusion on the trunk of the car! An LED charging indicator lights when plugged in. The remote control allows turns to the left and right in forward and reverse. Three BTTF II stickers are also included. PRICE: $49.95/US, $50.95/ CAN., $51.95/ FOR.

Back To The Future Hoverboard Keychain (8168) Lost the keys to your time machine? If you had this keychain you would recognoze your keys im mediately. You can get this great keychain while supplies last through the fan club. It's a great novelty item! PRICE: $3.00/US, $3.50/CAN., $4.00/ FOR. BACK TO THE FUTURE MERCHANDISE ORDER GRID

II em Quan. u.s. Canada Foreign Total

BTTF SATIN JACKET 802 (CIRCLE) S99.95 $100.95 $101.95 S M L XL

BTIF II REMOTE 803 S49.95 $50.95 $51.95 CONTROL CAR

813 8TIF PATCH SlOO $3.50 $4.00

814A BID II POSTER 55.00 $6.00 $7.00

8168 BTIF II KEYCHAIN S3.00 53.50 $4.00

To The Future Advance Back To The Future /I/ Release 817 BTIF II POSTCARDS $9.00 510.00 $11.00 Poster #1 (BPI) Poster (BP3) An extremely limited number of this Complete your coll ection of BTIF posters BTIF GRAFIX WATCH advance poster are available from the fan with this gorgeous poster from the final film. club on a first come, first serve basis. Featur­ Measuring 27 X 41 inches, this poster was BI B (CIRCLE) $35.00 536.00 S37.00 ing the DeLorean time machine streaking created by Drew Struzan, (the artist for all away with the tag line "Getting back was three release posters!) and features Marty, A B C only the beginning," these posters will be Doc and Clara. This poster will not last long limited to one (I ) per membership while our as quantities are very limited. Order now! Bl9 BTIF TRILOGY BOOK $9.95 510.95 $11.95 supplies last! PRICE: $20.00/US, PRICE: $8.00/US, $9.00/CAN. , $21.00/ CAN., $22.00/ FOR. $10.00/FOR. B20 DELOREAN MODEL $14.95 515.95 $16.95

BTIFII Back To The Future Fan Club Magazines (BBl) BPI $20.00 S21.00 $22.00 Collectors, this is your chance to make sure your collection of fan club magazines is in mint ADVANCE POSTER condition! BACK TO THE FUTURE Fan Club Magazines are mailed in envelopes to protect them from damage and are available in limited quantities. PRICE: $3.50/U.S. Postage Paid, BTIF III $4.50/ CAN. Postage Paid, $5.50/ FOR. Postage Paid. BP3 $8.00 59.00 510.00 #I - First collectors issue! Producers Bob Gale and Neil Canton plus the Arrows of Time. RELEASE POSTER #2 - Interview with Tom Wilson (Bill) and the special effects of BTIF. #3 - Interview with Christopher Lloyd plus The most Frequently Asked Questions From BTIF by Bob Gale & Robert Zemeckis. Also, Mary Steenburgen! #4 - Interview with Michael J. Fox plus Raben Zemeckis & Lea Thompson. Also, SUBTOTAL Behind-The-Scene Illusions From BTIF. Last Issue!

AURORA, COLORADO RESIDENTS ADD 7.2% BACK TO THE FUTURE ORDER FORM CO (NON-AURORA) ADD 3.7% TAX Send cheek, money order, or MasterCard/ VISA order (see below) to: BACK TO THE FUTURE Fan Club P.O. Box 111000 Aurora, CO 80011 (TAX + SUBTOTAL) = TOTAL Important ordering information for all Customers: Orders arc payable by check, money order or MasterCard/ Visa to BACK TO THE FUTURE Fan Club. DO NOT SEND CASH! Canadian and foreign orders MUST PAY in U.S. Funds only. POSTAGE & HANDLING MUST BE INCLUDED ON ALL Colorado residents add applicable sales tax. Please allow 6-8 weeks for delivery. Please do not use MERCHANDISE ORDERS! USE CHART BELOW. P&H PO Box addresses for delivery of merchandise ordes. Foreign orders are mailed surface, please allow additional shipping time. You will only receive an acknowledgement of this order if a delay is ex pected. All returned (bad) checks will be subject to a $ 15.00 charge. PRODUCTS MAY SELL-OUT AT ANYTIME! We will make every effort to fill your order, but we offer collectibles BTIF FAN CLUB MAGS that may become unavailable even though they arc listed on this form. In tltesc instances a credit or BBI (CIRCLE) S3.50 S4.50 $5.50 refund will be issued. Any other information requested from BACK TO THE FUTURE Fan Club requires an SASE. #I #2 #3 #4

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