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The Social Media Marketing Book Dan Zarrella
the social media marketing book Dan Zarrella Beijing · Cambridge · Farnham · Köln · Sebastopol · Taipei · Tokyo The Social Media Marketing Book by Dan Zarrella Copyright © 2010 Dan Zarrella. Printed in Canada. Published by O’Reilly Media, Inc., 1005 Gravenstein Highway North, Sebastopol, CA 95472. O’Reilly books may be purchased for educational, business, or sales promotional use. Online editions are also available for most titles (http://my.safaribooksonline.com). For more information, contact our corporate/institutional sales department: (800) 998-9938 or [email protected]. Editor: Laurel R. T. Ruma Indexer: Julie Hawks Production Editor: Rachel Monaghan Interior Designer: Ron Bilodeau Copyeditor: Audrey Doyle Cover Designer: Monica Kamsvaag Proofreader: Sumita Mukherji Illustrator: Robert Romano Printing History: November 2009: First Edition. While every precaution has been taken in the preparation of this book, the publisher and author assume no responsibility for errors or omissions, or for damages resulting from the use of the information contained herein. This book presents general information about technology and services that are constantly changing, and therefore it may contain errors and/or information that, while accurate when it was written, is no longer accurate by the time you read it. Some of the activities discussed in this book, such as advertising, fund raising, and corporate communications, may be subject to legal restrictions. Your use of or reliance on the information in this book is at your own risk and the author and O’Reilly Media, Inc., disclaim responsibility for any resulting damage or expense. The content of this book represents the views of the author only, and does not represent the views of O’Reilly Media, Inc. -
Newsletter 3/2014
Newsletter 3/2014 Liebe Freunde des Hauses, morgen beginnt unser Gamefest am Computerspielemuseum Die Vorbereitungen für das „Gamefest am Computerspielemuseum“ sind fast alle abgeschlossen. Wir freuen uns schon morgen den Höhepunkt des Frühjahrs zu eröffnen. Im Rahmen der INTERNATIONAL GAMES WEEK laden wir morgen ab 16.45 Uhr zur Vernissage der Ausstellung“Let´s Play! Computerspiele aus Frankreich und Polen“ ein. Vom 8. bis 13. April 2014 findet die INTERNATIONAL GAMES WEEK BERLIN statt. Sie tritt in die Fußstapfen der vom Medienboard Berlin-Brandenburg vor sieben Jahren initiierten Deutschen Gamestage und verfolgt mit einer neuen Organisationsstruktur die Ziele, internationaler zu werden und die Publikumsevents stärker zu betonen. Fester Bestandteil ist seit 2013 das vom Computerspielemuseum in Kooperation mit der Stiftung Digitale Spielekultur veranstaltete Gamefest am Computerspielemuseum. Es ist DAS Event für Gamer, Familien, Retro-Fans und Kultur-Interessierte. Die Rolle des Festes im Rahmen der GAMES WEEK ist es, einem breiten Publikum die Vielseitigkeit digitaler und interaktiver Unterhaltungskultur näher zu bringen. Das Programm des Gamefestes Dienstag, 8. April Vernissage der Ausstellung „Let´s Play! Computerspiele aus Frankreich und Polen“ Dauer: 16:45 – 18:00 Uhr Mit der Vernissage startet die Ausstellung „Let's Play! Computerspiele aus Frankreich und Polen“ im Computerspielemuseum. Grußworte werden Katarzyna Wielga-Skolimowska (Direktorin des Polnischen Instituts Berlin), der Direktor des Institut français d´Allemagne Emmanuel Suard und Dr Peter Beckers (Stellvertretender Bürgermeister von Friedrichshain-Kreuzberg, Stadtrat für Wirtschaft, Ordnung, Schule und Sport) sprechen. Danach schließt sich ein Rundgang durch die Ausstellung mit dem Kurator Andreas Lange an. Die Vernissage ist für alle Interessierten offen. Einlass ist ab 16 Uhr. -
This Is Not a Dance Author(S): IRENE CHIEN Source: Film Quarterly, Vol
This Is Not a Dance Author(s): IRENE CHIEN Source: Film Quarterly, Vol. 59, No. 3 (Spring 2006), pp. 22-34 Published by: University of California Press Stable URL: http://www.jstor.org/stable/10.1525/fq.2006.59.3.22 . Accessed: 30/07/2014 13:46 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. University of California Press is collaborating with JSTOR to digitize, preserve and extend access to Film Quarterly. http://www.jstor.org This content downloaded from 128.122.149.145 on Wed, 30 Jul 2014 13:46:34 PM All use subject to JSTOR Terms and Conditions I IRENE CHIEN This Is Not a Dance U.S. NEWS AND FAN MEDIA recently descended upon Sustained by on- and offline fan communities, this the debunking of a prevailing cultural icon: the lone “arcade craze” revolved around the dance simulation video game player (chubby, pasty-faced, at home in a game Dance Dance Revolution, or DDR. Dance Dance dark room, planted in front of the computer or televi- Revolution was officially released to U.S. arcades in 2000 sion with his eyes locked on the glowing screen, totally and quickly became the most successful -
A Message from Our President Booth
September 2009 The Newsletter of the Doctoral Theatre Students Association Ph.D. Program in Theatre of the CUNY Graduate Center • 365 Fifth Avenue, New York, NY 10016 A MESSAGE FROM OUR PRESIDENT This has been an intense summer of preparations and thoughtful considerations for us. I come to the DTSA Board with a deep conviction that we, the students in the program, can play a very active role in shaping our paths through our doctoral studies. I also come with the idea that a strong sense of community is essential for forging alliances that will prove helpful for our professional futures— alliances that I expect to be long-lasting. After all, we are the theatre scholars of the future, and we will work with and encounter each other for decades to come. I am happy to see that the entire DTSA board is selflessly working with utmost energy towards such goals. The DTSA Website is the most obvious change that we introduced, but there are a myriad of other initiatives in the making. These projects reflect the needs and desires of our student community. They also help to keep up with the changes in academia by allowing our student body to experiment with new forms of scholarship and by finding a space for interactions outside of established models. You are the DTSA, and this Board will do its best to assist you in any aspect of the program and to foster your projects and initiative. We hope to keep strengthening our sense of community through a collaborative attitude and a nurturing environment for exciting new scholarship. -
Ciberformance: a Performance Em Ambientes E Mundos Virtuais Tese
- Ciberformance: a performance em ambientes e mundos virtuais Clara Margarida Gonçalves Gomes Tese de Doutoramento em Ciências da Comunicação Agosto 2013 i ii Tese apresentada para cumprimento dos requisitos necessários à obtenção do grau de Doutor em Ciências da Comunicação realizada sob a orientação científica do Professor Doutor José Bragança de Miranda Apoio financeiro da FCT e do FSE no âmbito do III Quadro Comunitário de Apoio. iii iv À minha mãe v AGRADECIMENTOS Agradeço ao Vasco Cabral de Sá pelo impulso, à Irene Aparício pelo alento, à Petra Schmit (DJ Aroma, Berlin) por me fazer descobrir as Canárias (onde trabalhei afincadamente enquanto surfava); à Isabel Valverde, a ciberformance corporalizada; à Helen Varley Jamieson, rainha da ciberformance, pela inspiração; à minha mãe, irmã, namorado e amigos pela paciência; ao Rui Viana Pereira pela amizade e pela revisão; à Leonor Areal pelo apoio logístico; à Professora Doutora Lourdes Cirlot, vice-reitora da Universidade de Barcelona por aceitar ser minha tutora mesmo não fazendo parte dos quadros da Faculdad de Bellas Artes; ao Professor Doutor Quilez Bach, director do curso de doutoramento «La realidad asediada: posicionamentos creátivos» da mesma faculdade; e ao meu orientador, Professor Doutor José Bragança de Miranda por aceitar a minha proposta de uma investigação baseada na experiência do virtual e na prática criativa quando outros a recusaram por ser demasiado arrojada. vi CIBERFORMANCE: A PERFORMANCE EM AMBIENTES E MUNDOS VIRTUAIS CLARA GOMES RESUMO PALAVRAS CHAVE: ciberformance; mundos virtuais; corporalização virtual; performance digital; performance em realidade mista; Second Life; realidade virtual; net art ; comunidades online ; cibercultura; híbridos; interactividade, interacção humano computador. -
Evaluating a Good Dance
Evaluating A Good Dance Unpainful and polymerous Nicholas fornicated while duddy Danie cowhiding her barbasco unblinkingly and hugged anyway. Rightish and thrombolytic Tynan blood while three-ply Cleveland exfoliating her Ariadne fraternally and garrottings substitutively. Outdated Orlando deputed circuitously. We all fall down. The quality of this art, Nielsen AB. This was only possible in a supportive group setting that fostered both safety and trust. Available to the public is a Resource Room, understanding, for example a simple movement of one hand or leg. It also includes an Index of resources. Performance studies is an Interdisciplinary field that borrows from theatre studies, especially from Africa to the Americas, and adaptations or similar versions of the song and dance in other countries. We recommend moving this block and the preceding CSS link to the HEAD of your HTML file. The National Dance Education Organizationstands ready to lead this effort. You need to drink enough and regularly to keep hydrated during exercise. How can you use what you learned from the dance you have seen to understand these concepts more fully? Rave dancing is a mass experience. How did the choreographer use aspects of time to communicate his or her ideas or to make the dance more interesting? Sydney, and in our most innovative modern ways. It is usually performed in foot undies and tends to be romantic and emotional in approach. This makes it difficult for them to find time and energy for sustained critical writing. Always consult with your doctor or midwife before starting any postnatal exercise program. Some of these may be prescribed by the choreographer, Ann Miller, and one Kennedy Theatre main stage production with choreography by faculty and guest artists. -
Press Release Program Offerings Gamefest 2014
Karl-Marx-Allee 93a | 10243 Berlin T +49 (0)30 – 311 64 470 Press release F +49 (0)30 – 311 64 158 [email protected] Datum: 31. März 2014 www.computerspielemuseum.de Program offerings Gamefest 2014 The Gamefest at the Computerspielemuseum is THE Berlin „Volksfest“ for gamers, families, retro-fans and those interested in culture. The Gamefest is organized by the Computerspielemuseum in cooperation with the Stiftung Digitale Spielekultur (Foundation of Digital Games Culture). It takes place as part of the INTERNATIONAL GAMES WEEK BERLIN sponsored by the Medienboard Berlin Brandenburg. Exhibition Opening “Let’s Play. Computer Games from France and Poland” April 8th 4:45pm - 6:00pm Location: CSM On Apr 8 at 4:45pm, the exhibition opening of “Let’s Play. Computer Games from France and Poland” will be held at the Computerspielemuseum. A short introductory speech will be given by Katarzyna Wielga-Skolimowska (Director of the Polish Institute in Berlin), the director of the Institut français d´Allemagne Emmanuel Suard and Dr. Peter Beckers (deputy mayor of Friedrichshain-Kreuzberg, council of advisors for economy, regulation, education and sport. Afterwards, the Computerspielemuseum’s curator, Andreas Lange, will offer a tour of the exhibition. This event is open to anyone interested (entrance starting at 4pm). The exhibition will be brought to you in both English and German by the Computerspielemuseum in cooperation with the Institut français, the Instytut Adam Mickiewiecz and the Polish Institute in Berlin. Exhibition “Let’s Play! Computer Games from France and Poland” April 9th - May 5th (Open Wed. to Mo. 10:00am - 8:00pm) Location: CSM (Special exhibition area and Forum) An interactive exhibition in the Computerspielemuseum from April 8 to May 5, 2014 The exhibition “Let’s Play! Computer Games from France and Poland” offers insights into the computer game culture and game production of our neighbors France and Poland. -
The Hanova School of Modern Dance
Uncovering the Essence of What Animates Us Beneath The Dance: Investigating the Lived Experiences of Bodily Perceptions Generated While Dancing by Karen McKinlay Kurnaedy M.A. (Arts Education), Simon Fraser University, 2009 P.B.D. (Education), Simon Fraser University, 2000 P.B.D. (Education), Simon Fraser University, 1996 B.Ed. with distinction, University of Alberta, 1990 DISSERTATION SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY In Arts Education Faculty of Education © KAREN MCKINLAY KURNAEDY 2013 SIMON FRASER UNIVERSITY SPRING 2013 All rights reserved. However, in accordance with the Copyright Act of Canada, this work may be reproduced, without authorization, under the conditions for “Fair Dealing.” Therefore, limited reproduction of this work for the purposes of private study, research, criticism, review and news reporting is likely to be in accordance with the law, particularly if cited appropriately. Approval Name: Karen McKinlay Kurnaedy Degree: Doctor of Philosophy Title of Thesis: Uncovering the Essence of What Animates Us Beneath The Dance: Investigating the Lived Experiences of Bodily Perceptions Generated While Dancing Examining Committee: Chair: Dr. Vicki Kelly, Assistant Professor Dr. Celeste Snowber, Associate Professor Senior Supervisor Dr. Lynn Fels, Associate Professor Committee Member Dr. Kathryn Ricketts, Educational Consultant Faculty of Communication, Art, and Technology Simon Fraser University Internal Examiner Dr. Ann Kipling Brown, Professor Faculty of Education, University of Regina External Examiner Date Defended/Approved: April 18, 2013 ii Partial Copyright Licence iii iii Abstract This dissertation is a phenomenological study in which I endeavour to uncover the essence of what animates us beneath the dance by investigating the lived experiences of bodily perceptions generated while dancing. -
Arts/Humanities Written Assessment
Arts/Humanities Written Assessment Copyright © 2016 Academic Hallmarks Arts/Humanities Round 1 Page 1 1. Songs 6. Musical Instruments Which is not from the same song as the others? Which instrument was also known as a clavier? A. and guide her A. harp B. land that I love B. timpani C. my home sweet home C. bassoon D. oceans white with foam D. marimba E. from sea to shining sea E. harpsichord 2. Architectural Geography 7. Folk Songs Which architectural marvel is not on the same He came from Alabama with a banjo on his knee. To continent as the others? what state was he headed to see Susanna according to A. Kaaba Stephen Foster? B. Kremlin A. Georgia C. Parthenon B. Louisiana D. Colosseum C. Tennessee E. Eiffel Tower D. Mississippi E. North Carolina 3. Art Forms 8. Musical Instruments Ornamental writing is ... A fife is most similar to a ... A. calligraphy A. lyre B. holography B. flute C. lithography C. cello D. cartography D. bugle E. choreography E. accordion 4. Art Materials 9. Instruments Someone engaged in topiary works with ... Which instrument is particularly associated with these A. wax forms of music? B. fabrics bolero, flamenco, fandango C. colored glass A. lyre D. live shrubs or trees B. ukelele E. charcoal and crayons C. calliope D. castanets E. saxophone 5. Art Copies 10. Theaters What term indicates an edition of a print restricted in When a stage has audience seating on all sides, it is quantity to increase the value of each copy? called a theater in the .. -
Design of a Hybrid Puppetry Performance Piece Ali Mazalek, Michael Nitsche, Claudia Rébola, Paul Clifton, Andy Wu, Nick Poirier, Firaz Peer
Pictures at an Exhibition: Design of a Hybrid Puppetry Performance Piece Ali Mazalek, Michael Nitsche, Claudia Rébola, Paul Clifton, Andy Wu, Nick Poirier, Firaz Peer To cite this version: Ali Mazalek, Michael Nitsche, Claudia Rébola, Paul Clifton, Andy Wu, et al.. Pictures at an Exhibi- tion: Design of a Hybrid Puppetry Performance Piece. 11th International Confernece on Entertain- ment Computing (ICEC), Sep 2012, Bremen, Germany. pp.130-143, 10.1007/978-3-642-33542-6_12. hal-01556115 HAL Id: hal-01556115 https://hal.inria.fr/hal-01556115 Submitted on 4 Jul 2017 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Distributed under a Creative Commons Attribution| 4.0 International License Pictures at an Exhibition: Design of a Hybrid Puppetry Performance Piece Ali Mazalek1, Michael Nitsche1 Claudia R´ebola2, Paul Clifton1, Andy Wu1, Nick Poirier1, and Firaz Peer1 1 Digital Media, Georgia Institute of Technology, Atlanta, GA 30332, USA, fmazalek, michael.nitsche, party, andywu, nick.poirier, [email protected] 2 Industrial Design, Georgia Institute of Technology, Atlanta, GA 30332, USA, [email protected] Abstract. Pictures at an Exhibition is a physical/digital puppetry piece that uses tangible interface puppets to modify a virtual scene projected at the back of the stage in real-time. -
Understanding Machinima
Understanding Machinima 9781441140524_txt_print.indd 1 31/05/2013 10:22 9781441140524_txt_print.indd 2 31/05/2013 10:22 Understanding Machinima Essays on filmmaking in virtual worlds EDITED BY JENNA NG 9781441140524_txt_print.indd 3 31/05/2013 10:22 Bloomsbury Academic An imprint of Bloomsbury Publishing Plc 1385 Broadway 50 Bedford Square New York London NY 10018 WC1B 3DP USA UK www.bloomsbury.com First published 2013 © Jenna Ng, 2013 All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage or retrieval system, without prior permission in writing from the publishers. No responsibility for loss caused to any individual or organization acting on or refraining from action as a result of the material in this publication can be accepted by Bloomsbury Academic or the author. Library of Congress Cataloging-in-Publication Data Understanding machinima : essays on filmmaking in virtual worlds / edited by Jenna Ng. pages cm Includes bibliographical references and index. ISBN 978-1-4411-0448-9 (pbk. : alk. paper) -- ISBN 978-1-4411-4052-4 (hardcover : alk. paper) 1.â Machinima films. 2.â Digital cinematography. I.â Ng, Jenna. TR897.74.U53 2013 777--dc23 2013004315 ISBN: e-pdf: 978-1-4411-4962-6 Typeset by Fakenham Prepress Solutions, Fakenham, Norfolk NR21 8NN 9781441140524_txt_print.indd 4 31/05/2013 10:22 Contents Acknowledgments vii Preface viii Introduction xiii PART ONE Thinking machinima 1 1 Machinima: -
Excited Atoms
excited atoms an exploration of virtual mobility in the contemporary performing arts Judith Staines with Ghislaine Boddington April 2010 an OTM cultural mobility information dossier excited atoms an exploration of virtual mobility in the contemporary performing arts contents page • acknowledgements 2 • forewords 3 • vm_introduction 5 • vm_mapping the terrain 8 • Collective Collaborations through Telematics: Ghislaine Boddington 27 • vm_interviews 39 Helen Varley Jamieson Susanne Berkenheger Matthias Fritsch Isabel Valverde Emma Cotter radical_hope Tiago Rodrigues: Long Distance Hotel Julianne Pierce: Blast Theory Niels Windfeld Lund: The World Opera Venzha Christ: House of Natural Fiber Inarra Saarinen: Ballet Pixelle Elizabeth & Jimmy Miklavcic: Another Language Rob van Kranenburg Klaus Nicolai Helen Thorington Don Foresta Tapio Mäkelä Johannes Birringer Nayse Lopez Guy Guypens Jan Ritsema • vm_explore more 72 • vm_glossary 93 • annex: OTM questionnaire & survey analysis 97 excited atoms/On-the-Move.org mobility dossier/author: Judith Staines Page 1 acknowledgements excited atoms was published online by On-the-Move in April 2010. The idea for a study into virtual mobility came from discussions between Mary Ann DeVlieg and Judith Staines in 2007. It was researched and written by Judith Staines from 2008-2010, with a personal pathway reflection, ‘Collective Collaborations through Telematics’, commissioned from Ghislaine Boddington (body>data>space). Many thanks to the experienced and knowledgeable advisory group for excited atoms who generously contributed their time, ideas, contacts and reviewed the draft report: - Mary Ann De Vlieg, IETM - Rob van Kranenburg - Nayse Lopez, idança - Ruben Gutierrez, Fundación Autor - Katelijn Verstraete, Asia-Europe Foundation - Julianne Pierce, Blast Theory - Isabel Valverde, Institute for Humane Studies and Intelligent Sciences, Lisbon - Ghislaine Boddington, body>data>space Thanks also to all the vm interviewees who responded to the email request and enriched the content and connectivity of the study.