Evaluating a Good Dance
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The Social Media Marketing Book Dan Zarrella
the social media marketing book Dan Zarrella Beijing · Cambridge · Farnham · Köln · Sebastopol · Taipei · Tokyo The Social Media Marketing Book by Dan Zarrella Copyright © 2010 Dan Zarrella. Printed in Canada. Published by O’Reilly Media, Inc., 1005 Gravenstein Highway North, Sebastopol, CA 95472. O’Reilly books may be purchased for educational, business, or sales promotional use. Online editions are also available for most titles (http://my.safaribooksonline.com). For more information, contact our corporate/institutional sales department: (800) 998-9938 or [email protected]. Editor: Laurel R. T. Ruma Indexer: Julie Hawks Production Editor: Rachel Monaghan Interior Designer: Ron Bilodeau Copyeditor: Audrey Doyle Cover Designer: Monica Kamsvaag Proofreader: Sumita Mukherji Illustrator: Robert Romano Printing History: November 2009: First Edition. While every precaution has been taken in the preparation of this book, the publisher and author assume no responsibility for errors or omissions, or for damages resulting from the use of the information contained herein. This book presents general information about technology and services that are constantly changing, and therefore it may contain errors and/or information that, while accurate when it was written, is no longer accurate by the time you read it. Some of the activities discussed in this book, such as advertising, fund raising, and corporate communications, may be subject to legal restrictions. Your use of or reliance on the information in this book is at your own risk and the author and O’Reilly Media, Inc., disclaim responsibility for any resulting damage or expense. The content of this book represents the views of the author only, and does not represent the views of O’Reilly Media, Inc. -
The Biomechanics of the Tendu in Closing to the Traditional Position, Pli#233
University of South Florida Scholar Commons Graduate Theses and Dissertations Graduate School January 2013 The iomechB anics of the Tendu in Closing to the Traditional Position, Pli#233; and Relev#233; Nyssa Catherine Masters University of South Florida, [email protected] Follow this and additional works at: http://scholarcommons.usf.edu/etd Part of the Engineering Commons Scholar Commons Citation Masters, Nyssa Catherine, "The iomeB chanics of the Tendu in Closing to the Traditional Position, Pli#233; and Relev#233;" (2013). Graduate Theses and Dissertations. http://scholarcommons.usf.edu/etd/4825 This Thesis is brought to you for free and open access by the Graduate School at Scholar Commons. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. The Biomechanics of the Tendu in Closing to the Traditional Position, Plié and Relevé by Nyssa Catherine Masters A thesis submitted in partial fulfillment of the requirements for the degree of Master of Science in Mechanical Engineering Department of Mechanical Engineering College of Engineering University of South Florida Major Professor: Rajiv Dubey, Ph.D. Stephanie Carey, Ph.D. Merry Lynn Morris, M.F.A. Date of Approval: November 7, 2013 Keywords: Dance, Motion Analysis, Knee Abduction, Knee Adduction, Knee Rotation Copyright © 2013, Nyssa Catherine Masters DEDICATION This is dedicated to my parents, Michael and Margaret, who have supported me and encouraged -
UCLA Electronic Theses and Dissertations
UCLA UCLA Electronic Theses and Dissertations Title Performative Geographies: Trans-Local Mobilities and Spatial Politics of Dance Across & Beyond the Early Modern Coromandel Permalink https://escholarship.org/uc/item/90b9h1rs Author Sriram, Pallavi Publication Date 2017 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Performative Geographies: Trans-Local Mobilities and Spatial Politics of Dance Across & Beyond the Early Modern Coromandel A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Culture and Performance by Pallavi Sriram 2017 Copyright by Pallavi Sriram 2017 ABSTRACT OF DISSERTATION Performative Geographies: Trans-Local Mobilities and Spatial Politics of Dance Across & Beyond the Early Modern Coromandel by Pallavi Sriram Doctor of Philosophy in Culture and Performance University of California, Los Angeles, 2017 Professor Janet M. O’Shea, Chair This dissertation presents a critical examination of dance and multiple movements across the Coromandel in a pivotal period: the long eighteenth century. On the eve of British colonialism, this period was one of profound political and economic shifts; new princely states and ruling elite defined themselves in the wake of Mughal expansion and decline, weakening Nayak states in the south, the emergence of several European trading companies as political stakeholders and a series of fiscal crises. In the midst of this rapidly changing landscape, new performance paradigms emerged defined by hybrid repertoires, focus on structure and contingent relationships to space and place – giving rise to what we understand today as classical south Indian dance. Far from stable or isolated tradition fixed in space and place, I argue that dance as choreographic ii practice, theorization and representation were central to the negotiation of changing geopolitics, urban milieus and individual mobility. -
The Chhaw Dance of Bengal! Dr
International Journal on Textile Engineering and Processes Vol. 4, Issue 3 July 2018 The Chhaw Dance of Bengal! Dr. B. Basu1, Ms. Laboni Banerjee2 1-Adjunct faculty, SGGS College of Engineering and Technology, Nanded. 2-Appeared in final year in Bachelor of Design course in Viswa Bharati University, Shantiniketan. Email: [email protected], [email protected] Introduction India is the country of Art and Culture. In ancient days the dances used to be performed mainly of two types i.e. indoor and outdoor. The indoor dances used to be showed off by the sophisticated Artists in the King`s Palaces for the entertainment purpose! In those days of Mahabharata, the dancing art was found that Arjuna used to perform dance at the Royal Court of Birat Raja as “Brihannalla’. The outdoor dances used to be performed by the villagers during any festival, joy, ceremony, worshipping of Goddess and most of the dances were from noble mind and aspirations. It used to be the group dances participated by the one and all. Hence gradually the Folk dances and Tribal dances started arriving. Almost every state is having its own style of Folk Dances. This art form combines dance, music, drama, instrumental music, facial and body makeup, martial art and ritualistic functions, composed in a harmonizing manner.Tribal Dances in India are inspired by the tribal folklore. Each ethnic group has its own distinct combination of myths, legends, tales, proverbs, riddles, ballads, folk songs, folk dance, and folkmusic. India has a number of classical Indian dance forms, each of which can be traced to different parts of the country. -
Newsletter 3/2014
Newsletter 3/2014 Liebe Freunde des Hauses, morgen beginnt unser Gamefest am Computerspielemuseum Die Vorbereitungen für das „Gamefest am Computerspielemuseum“ sind fast alle abgeschlossen. Wir freuen uns schon morgen den Höhepunkt des Frühjahrs zu eröffnen. Im Rahmen der INTERNATIONAL GAMES WEEK laden wir morgen ab 16.45 Uhr zur Vernissage der Ausstellung“Let´s Play! Computerspiele aus Frankreich und Polen“ ein. Vom 8. bis 13. April 2014 findet die INTERNATIONAL GAMES WEEK BERLIN statt. Sie tritt in die Fußstapfen der vom Medienboard Berlin-Brandenburg vor sieben Jahren initiierten Deutschen Gamestage und verfolgt mit einer neuen Organisationsstruktur die Ziele, internationaler zu werden und die Publikumsevents stärker zu betonen. Fester Bestandteil ist seit 2013 das vom Computerspielemuseum in Kooperation mit der Stiftung Digitale Spielekultur veranstaltete Gamefest am Computerspielemuseum. Es ist DAS Event für Gamer, Familien, Retro-Fans und Kultur-Interessierte. Die Rolle des Festes im Rahmen der GAMES WEEK ist es, einem breiten Publikum die Vielseitigkeit digitaler und interaktiver Unterhaltungskultur näher zu bringen. Das Programm des Gamefestes Dienstag, 8. April Vernissage der Ausstellung „Let´s Play! Computerspiele aus Frankreich und Polen“ Dauer: 16:45 – 18:00 Uhr Mit der Vernissage startet die Ausstellung „Let's Play! Computerspiele aus Frankreich und Polen“ im Computerspielemuseum. Grußworte werden Katarzyna Wielga-Skolimowska (Direktorin des Polnischen Instituts Berlin), der Direktor des Institut français d´Allemagne Emmanuel Suard und Dr Peter Beckers (Stellvertretender Bürgermeister von Friedrichshain-Kreuzberg, Stadtrat für Wirtschaft, Ordnung, Schule und Sport) sprechen. Danach schließt sich ein Rundgang durch die Ausstellung mit dem Kurator Andreas Lange an. Die Vernissage ist für alle Interessierten offen. Einlass ist ab 16 Uhr. -
Dance Program Handbook 2020-2021
Bethel College Academy of Performing Arts Dance Program Handbook 2020-2021 DANCE HANDBOOK CONTENTS GUIDE Contact Information 1 General Policies 2 Dance Department Expectations 4 Dress Code 5 Class Requirements 7 Ballet 6 Pointe 10 Jazz 11 Tap 12 Modern 13 Irish 13 Hip Hop 14 Adult Classes 14 Company Requirements 14 IMPORTANT CONTACTS Bethel College Academy of Performing Arts (316) 283-4902 EMAIL: [email protected] 300 E 27th Street, North Newton KS 67117 WEBSITE: www.bcapaks.org Lisa Riffel, Operations Manager (316) 283-4902 [email protected] Haylie Berning, Director of Dance (316) 619-7580 [email protected] Molly Flavin, Instructor (316) 283-4902 [email protected] Emily Blane, Instructor (316) 283-4902 [email protected] Resa Marie Davenport, Instructor (316) 283-4902 [email protected] Aviance Battles, Instructor (316) 283-4902 [email protected] Cathy Anderson, Instructor (316) 283-4902 [email protected] 1 GENERAL INFORMATION AND POLICIES Please read the current registration packet for a complete list of BCAPA’s policies and safety precautions. Keep in mind that some of the below policies may be affected by COVID policies put in place by BCAPA and Bethel College. 1. Communication Methods and Response Time. The best way to contact BCAPA’s dance director is by phone message at (316) 283-4902 or by email at [email protected]. Current students can find important information on upcoming events, workshops, and other announcements at our website, www.bcapaks.org or our Facebook page. 2. *Drop-Off Expectations. In the interest of safety, students must be accompanied to and from their classes by an adult. -
This Is Not a Dance Author(S): IRENE CHIEN Source: Film Quarterly, Vol
This Is Not a Dance Author(s): IRENE CHIEN Source: Film Quarterly, Vol. 59, No. 3 (Spring 2006), pp. 22-34 Published by: University of California Press Stable URL: http://www.jstor.org/stable/10.1525/fq.2006.59.3.22 . Accessed: 30/07/2014 13:46 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. University of California Press is collaborating with JSTOR to digitize, preserve and extend access to Film Quarterly. http://www.jstor.org This content downloaded from 128.122.149.145 on Wed, 30 Jul 2014 13:46:34 PM All use subject to JSTOR Terms and Conditions I IRENE CHIEN This Is Not a Dance U.S. NEWS AND FAN MEDIA recently descended upon Sustained by on- and offline fan communities, this the debunking of a prevailing cultural icon: the lone “arcade craze” revolved around the dance simulation video game player (chubby, pasty-faced, at home in a game Dance Dance Revolution, or DDR. Dance Dance dark room, planted in front of the computer or televi- Revolution was officially released to U.S. arcades in 2000 sion with his eyes locked on the glowing screen, totally and quickly became the most successful -
Dances Inscribed in the UNESCO Intangible Cultural Heritage of Humanity a List Compiled by Alkis Raftis
Dances inscribed in the UNESCO Intangible Cultural Heritage of Humanity A list compiled by Alkis Raftis www.CID-world.org/Cultural-Heritage/ The International Dance Council CID, being the official organization for dance, presents a list of dances recognized by UNESCO as part of the Cultural Heritage of Humanity. Dances are part of many customs or rituals included either in the Representative List or the Urgent Safeguarding List. I have listed below only cultural manifestations where dance is the central part. For information visit www.CID-world.org/Cultural-Heritage/ Send comments to the CID Secretariat or CID Sections in the respective countries. Representative List & Urgent Safeguarding List 2018 Yalli (Kochari, Tenzere), traditional group dances of Nakhchivan - Azerbaijan Khon, masked dance drama in Thailand - Thailand Mooba dance of the Lenje ethnic group of Central Province of Zambia - Zambia Mwinoghe, joyous dance - Malawi 2017 Zaouli, popular music and dance of the Guro communities in Côte d’Ivoire - Côte d'Ivoire Kushtdepdi rite of singing and dancing - Turkmenistan Kolo, traditional folk dance - Serbia Kochari, traditional group dance - Armenia Rebetiko – Greece Taskiwin, martial dance of the western High Atlas - Morocco 2016 Almezmar, drumming and dancing with sticks - Saudi Arabia Momoeria, New Year's celebration in eight villages of Kozani area, West Macedonia, Greece - Greece Music and dance of the merengue in the Dominican Republic - Dominican Republic Rumba in Cuba, a festive combination of music and dances and all -
9. Dancing and Politics in Croatia: the Salonsko Kolo As a Patriotic Response to the Waltz1 Ivana Katarinčić and Iva Niemčić
WALTZING THROUGH EUROPE B ALTZING HROUGH UROPE Attitudes towards Couple Dances in the AKKA W T E Long Nineteenth-Century Attitudes towards Couple Dances in the Long Nineteenth-Century EDITED BY EGIL BAKKA, THERESA JILL BUCKLAND, al. et HELENA SAARIKOSKI AND ANNE VON BIBRA WHARTON From ‘folk devils’ to ballroom dancers, this volume explores the changing recep� on of fashionable couple dances in Europe from the eighteenth century onwards. A refreshing interven� on in dance studies, this book brings together elements of historiography, cultural memory, folklore, and dance across compara� vely narrow but W markedly heterogeneous locali� es. Rooted in inves� ga� ons of o� en newly discovered primary sources, the essays aff ord many opportuni� es to compare sociocultural and ALTZING poli� cal reac� ons to the arrival and prac� ce of popular rota� ng couple dances, such as the Waltz and the Polka. Leading contributors provide a transna� onal and aff ec� ve lens onto strikingly diverse topics, ranging from the evolu� on of roman� c couple dances in Croa� a, and Strauss’s visits to Hamburg and Altona in the 1830s, to dance as a tool of T cultural preserva� on and expression in twen� eth-century Finland. HROUGH Waltzing Through Europe creates openings for fresh collabora� ons in dance historiography and cultural history across fi elds and genres. It is essen� al reading for researchers of dance in central and northern Europe, while also appealing to the general reader who wants to learn more about the vibrant histories of these familiar dance forms. E As with all Open Book publica� ons, this en� re book is available to read for free on the UROPE publisher’s website. -
320+ Halloween Songs and Albums
320+ Halloween Songs and Albums Over 320 Songs for Halloween Theme Rides in Your Indoor Cycling Classes Compiled by Jennifer Sage, updated October 2014 Halloween presents a unique opportunity for some really fun musically themed classes—the variety is only limited by your imagination. Songs can include spooky, dark, or classic-but-cheesy Halloween tunes (such as Monster Mash). Or you can imagine the wide variety of costumes and use those themes. I’ve included a few common themes such as Sci-Fi and Spy Thriller in my list. Over the years I’ve gotten many of these song suggestions from various online forums, other instructors, and by simply searching online music sources for “Halloween”, “James Bond”, “Witch”, “Ghost” and other key words. This is my most comprehensive list to date. If you have more song ideas, please email them to me so I can continually update this list for future versions. [email protected]. This year’s playlist contains 50 new specific song suggestions and numerous new album suggestions. I’ve included a lot more from the “darkwave” and “gothic” genres. I’ve added “Sugar/Candy” as its own theme. Sources: It’s impossible to list multiple sources for every song but to speed the process up for you, we list at least one source so you don’t spend hours searching for these songs. As with music itself, you have your own preference for downloading sources, so you may want to check there first. Also, some countries may not have the same music available due to music rights. -
Official Publication of the Folk Dance Federation of California, Inc. Volume 50, No2 February, 1993
FEBRUARY 1993-$1.50 THE MAGAZINE OF INTERNATIONAL FOLK DANCING Official Publication of the Folk Dance Federation of California, Inc. Volume 50, No2 February, 1993 EDITOR & TABLE OF CONTENTS BUSINESS MGR Genevieve Pereira DESIGN & LAYOUT Jeanne Bertolina President's Message 3 Festival of the Oaks 4 FEBRUARY CONTRIBUTORS Beginners Festival 6 Max Horn Vera Musser Council Clips 7 Fran Ajoian Jean Williams Bill Wenzel Vi Dexheimer Tentative Statewide Dances 8 Carol Wenzel Lloyd Day Philomena Pavelka Ed Kremers International Cuisine 10 Ruth Ruling Jay Michtom Dance Description: Hora de la Chircani (Romania) ...11 FEDERATION OFFICERS - NORTH Peninsula Classes & Parties 14 PRESIDENT Frances Ajoian Calendar of Events, North .................. 16 VICE PRESIDENT Dolly Barnes TREASURER Page Masson Calendar of Events, South 17 REC. SECRETARY Lilas Mathers PUBLICATIONS Carlos Ruling Folk Dance News 18 MEMBERSHIP Melvin Mann PUBLIC RELATIONS Michael Norris Teachers Committee Dance List 19 HISTORIAN Jimmy McCoy Classified Ads ...„„„„„,„„._._.„„„„«,,„_,.,„. 23 FEDERATION OFFICERS - SOUTH On our cover: PRESIDENT Eunice Udelf Welcome To VICE PRESIDENT Eu.t Seholin The Festival Of TREASURER Bill Campbell The Oaks REC. SECRETARY ...Julith Plonas COR. SECRETARY Ruddy Beldner MEMBERSHIP Steve Davis PUBLICITY Beverly Weiss HISTORIAN ........................... Therese Seholin NEW INFORMATION: SUBSCRIPTION RATE: $15 per year SUBMISSION DEADLINE: $20 Foreign & Canada Submission deadline for each BUSINESS OFFICE: issue is the 1st day of the P.O. Box 1282 preceding month. Alameda, CA 94501 Phone & FAX 510-814-9282 Let's Dance (ISSN #0024-1253) is published monthly by the Folk Dance Federation of California, Inc., with the exception of the May/June and July /August issues, which are released each two-month period. -
1977-1984 MVDN Folk Dance Corner.Pdf
FOLK DANCING ,.,./ C-, -; --;:7 . ,7 The folk dance as we know it is mostly peasant dances, as opposed to court, theatrical or ballroom dances, although it has absorbed some aspects of the other types of dancing. Folk dancing began in this country when per- Fqns of many nationalities came here bringing with them their countries1 . aces. Since most of the immigrants to the U. S. came from Europe, most Ameri- can folk dance has European roots. Folk dancing was a natural, spontaneous expression by the people. Children learned by watching and imitating the adults, thereby maintaining tradition. Some additional steps might have been invented by someone, but the basic pattern of tradition was not changed. In addition to dances being handed down from generation to generation in peasant villages, there are other sources of folk dances being done today. Some folk dance leaders take movements from several villages, put them together and choreograph dances incorporating all the movements. They are then new dances but not characteristic of any particular village. Choreographed dances are also made up by using steps that have been han- ded down but put in different formations or combinations to become new dances --folk dances because they use the same styling and same movements as peasant dances but, at the same time, fresh, new dances. An instructor might also revive old, almost forgotten dances. He would use folk movements he knows in a way he thinks the dances would be done by the villagers. Music plays a part in the creating of folk dances, too. Sometimes music so well liked that spontaneous dances are made up to the already popular melody.