La Vita Di Stefano Dečanski Di Gregorio Camblak
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Processes of Byzantinisation and Serbian Archaeology Byzantine Heritage and Serbian Art I Byzantine Heritage and Serbian Art I–Iii
I BYZANTINE HERITAGE AND SERBIAN ART I BYZANTINE HERITAGE AND SERBIAN ART AND SERBIAN BYZANTINE HERITAGE PROCESSES OF BYZANTINISATION AND SERBIAN ARCHAEOLOGY BYZANTINE HERITAGE AND SERBIAN ART I BYZANTINE HERITAGE AND SERBIAN ART I–III Editors-in-Chief LJUBOMIR MAKSIMOVIć JELENA TRIVAN Edited by DANICA POPOVić DraGAN VOJVODić Editorial Board VESNA BIKIć LIDIJA MERENIK DANICA POPOVić ZoraN raKIć MIODraG MARKOVić VlADIMIR SIMić IGOR BOROZAN DraGAN VOJVODić Editorial Secretaries MARka TOMić ĐURić MILOš ŽIVKOVIć Reviewed by VALENTINO PACE ElIZABETA DIMITROVA MARKO POPOVić MIROSLAV TIMOTIJEVIć VUJADIN IVANIšEVić The Serbian National Committee of Byzantine Studies P.E. Službeni glasnik Institute for Byzantine Studies, Serbian Academy of Sciences and Arts PROCESSES OF BYZANTINISATION AND SERBIAN ARCHAEOLOGY Editor VESNA BIKIć BELGRADE, 2016 PUBLished ON THE OCCasiON OF THE 23RD InternatiOnaL COngress OF Byzantine STUdies This book has been published with the support of the Ministry of Education, Science and Technological Development of the Republic of Serbia CONTENTS PREFACE 11 I. BYZANTINISATION IN THE ARCHAEOLOGICAL CONTEXT THE DYNAMICS OF BYZANTINE–SERBIAN POLITICAL RELATIONS 17 Srđan Pirivatrić THE ‘MEDIEVAL SERBIAN OECUMENE’ – FICTION OR REALITY? 37 Mihailo St. Popović BYZANTINE INFLUENCE ON ADMINISTRATION IN THE TIME OF THE NEMANJIĆ DYNASTY 45 Stanoje Bojanin Bojana Krsmanović FROM THE ROMAN CASTEL TO THE SERBIAN MEDIEVAL CITY 53 Marko Popović THE BYZANTINE MODEL OF A SERBIAN MONASTERY: CONSTRUCTION AND ORGANISATIONAL CONCEPT 67 Gordana -
La Sainte Face De Laon
Université de Montréal Faculté des études supérieures et post-doctorales Ce mémoire intitulé : LA SAINTE FACE DE LAON Présenté par : Nicole Sabourin Département d’Histoire de l’Art et d’Études Cinématographiques Faculté des Arts Et des Sciences A été évalué par un jury composé des personnes suivantes : Ersy Contogouris, présidente-rapporteuse Sarah Guérin, directrice de recherche Robert Marcoux, membre du jury Août 2017 © Nicole Sabourin i Résumé La cathédrale de Laon conserve dans son trésor une précieuse icône du 13e siècle appelée Sainte Face de Laon. Selon la tradition, en 1249 Jacques Pantaléon de Troyes, chapelain du pape à Rome et futur pape Urbain IV envoie à sa sœur Sybille alors abbesse du monastère cistercien de Montreuil-en-Thiérache (Picardie) cette image sainte, copie du Mandylion d’Édesse. Une lettre, maintenant disparue, accompagne cet envoi. Une double inscription sur l’icône, une première en caractères cyrilliques et en slavon ancien et une autre en langue grecque pose encore aujourd’hui des interrogations sur l’origine de l’icône, soit russe, bulgare ou serbe. Cette recherche a pour but d’explorer les possibilités d’une origine serbe de l’icône de Laon et de retracer son trajet entre la Serbie et la France, via Rome. Pour y arriver nous ferons un détour historique à travers l’histoire de la Serbie dirigée à cette époque par la dynastie des Nemanjić, fondateurs de monastères en Serbie, en Italie byzantine et grands donateurs d’icônes et d’objets liturgiques y compris à la basilique Saint-Nicolas-de-Bari. L’origine orthodoxe de l’icône pose la question des déplacements d’œuvres entre l’Orient et l’Occident et celle de la circulation des artistes entre Constantinople et les pays limitrophes après le sac de Constantinople de 1204. -
SVAKO-NEKA-VERUJE-En
1 2 Conference EVERLASTING VALUE AND PERMANENT ACTUALITY OF THE EDICT OF MILAN On the Way to the Great Jubilee in 2013 Book 1 Everyone Should Believe as His Heart Wishes Belgrade, September 2011 Under the auspices of His Holiness Mr. Irinej, the Serbian Patriarch EVERLASTING VALUE AND PERMANENT ACTUALITY OF THE EDICT OF MILAN ON THE Way TO THE Great Jubilee IN 2013 Book 1 - Everyone Should Believe as HIS Heart Wishes Publisher Association of Nongovernmental Organizations in SEE – CIVIS Dositejeva 4/IV, 11000 Belgrade, Serbia Tel: +381 11 26 21 723, Fax: +381 11 26 26 332 www.civis-see.org For publisher Mirjana Prljević Chief Editor Mirjana Prljević Editor Bojana Popović Translators Marina Djordjević Bojana Popović Translator of the text “Edict of Milan” by Nebojša Ozimić Ivana Filipović Design & Prepress Marko ZAkovskI Printed by Graphic, Novi Sad Press run: 500 pcs ISBN 978-86-908103-2-1 The publishing of this book was supported by German Foundation Renovabis Content 5 INTRODUCTION 6 CONCLUSIONS FROM THE CONFERENCE Opening speeches 7 H.E. Bishop of Bačka, Dr Irinej 9 Miloš Simonović 9 Archpriest Vitalij Tarasjev 10 H.E. Mons. Orlando Antonini 11 Dr Johann Marte 12 Mirjana Prljević 13 Božidar Đelić 15 I sesSION 17 Dr. Christian Gastgeber Constantine the Great and His Bible Order 20 Erika Juhasz Constantine the Great and his Importance: Seen by the Historiography of the 7th Century 25 Dr. Sebastiano Panteghini Constantine the Great and the Renewal of His Image (14th century, Ecclesiastical History by Nike- phoros Xanthopulos) 30 Prof. Milutin Timotijević Emperor Constantine’s Aureole 37 Prof. -
The Daughter of a Byzantine Emperor – the Wife of a GalicianVolhynian Prince
The daughter of a Byzantine Emperor – the wife of a GalicianVolhynian Prince «The daughter of a Byzantine Emperor – the wife of a GalicianVolhynian Prince» by Alexander V. Maiorov Source: Byzantinoslavica Revue internationale des Etudes Byzantines (Byzantinoslavica Revue internationale des Etudes Byzantines), issue: 12 / 2014, pages: 188233, on www.ceeol.com. The daughter of a Byzantine Emperor – the wife of a Galician-Volhynian Prince Alexander V. MAIOROV (Saint Petersburg) The Byzantine origin of Prince Roman’s second wife There is much literature on the subject of the second marriage of Roman Mstislavich owing to the disagreements between historians con- cerning the origin of the Princeís new wife. According to some she bore the name Anna or, according to others, that of Maria.1 The Russian chronicles give no clues in this respect. Indeed, a Galician chronicler takes pains to avoid calling the Princess by name, preferring to call her by her hus- band’s name – “âĺëčęŕ˙ ęí˙ăčí˙ Ðîěŕíîâŕ” (Roman’s Grand Princess).2 Although supported by the research of a number of recent investiga- tors, the hypothesis that she belonged to a Volhynian boyar family is not convincing. Their arguments generally conclude with the observation that by the early thirteenth century there were no more princes in Rusí to whom it would have been politically beneficial for Roman to be related.3 Even less convincing, in our opinion, is a recently expressed supposition that Romanís second wife was a woman of low birth and was not the princeís lawful wife at all.4 Alongside this, the theory of the Byzantine ori- gin of Romanís second wife has been significantly developed in the litera- ture on the subject. -
Medieval Serbian Coins 6 Types of King Stefan Radoslav
MEDIEVAL SERBIAN COINS 6 TYPES OF KING STEFAN RADOSLAV King Stefan Radoslav Nemanjic Doukas was born in 1192, became King at the age of 36 in 1228 and not known when exactly but died somewhere after 1235. He was the only known son of Stefan the First-Crowned Nemanjić by his first wife Eudokia Angelina. His father Stefan the First- Crowned Nemanjić was born around 1165 and died 24th September 1228 after which he as a only son and heir inherited the throne. His mother later remarried, to Alexios V Doukas, who only for few month ruled as Emperor of Byzantium in 1204. She was a daughter of Alexios III Angelos Komnenos and Euphrosyne Doukaina Kamatera. So Stefan Radoslav grandparents were the Byzantine Emperor Alexios III Angelos (1195–1203) and Euphrosyne Doukaina Kamaterina. His wife was Anna Angelina Komnene Doukaina, who was the daughter of the ruler of Epirus and Thessalonica, his father in law, Theodore Komnenos Doukas Angelos (1215–1230). It was his grandmother Euphrosyne Doukaina Kamaterina that brought the Doukas name into the Stefan Radoslav life. This is the name that he took on and that later appeared on his coins when he took over kingdom from his father. Maybe his grandmother and his step father Alexios V Doukas as well as later his wife influenced him to view himself as a member of Doukas royal family. Doukas or Ducas in Greek language Δούκας, feminine: Doukaina or Ducaena, in Greek language Δούκαινα; plural: Doukai or Ducae, in Greek language Δοῦκαι, from the Latin title DUX meaning "leader" or "general", in Greek language δοὺξ [ðouks]. -
Comac Medical NLSP2 Thefo
Issue May/14 No.2 Copyright © 2014 Comac Medical. All rights reserved Dear Colleagues, The Newsletter Special Edition No.2 is dedicated to the 1150 years of the Moravian Mission of Saints Cyril and Methodius and 1150 years of the official declaration of Christianity as state religion in Bulgaria by Tsar Boris I and imposition of official policy of literacy due to the emergence of the fourth sacral language in Europe. We are proudly presenting: • PUBLISHED BY COMAC-MEDICAL • ~Page I~ SS. CIRYL AND METHODIUS AND THE BULGARIAN ALPHABET By rescuing the creation of Cyril and Methodius, Bulgaria has earned the admiration and respect of not only the Slav peoples but of all other peoples in the world and these attitudes will not cease till mankind keeps implying real meaning in notions like progress, culture “and humanity. Bulgaria has not only saved the great creation of Cyril and Methodius from complete obliteration but within its territories it also developed, enriched and perfected this priceless heritage (...) Bulgaria became a living hearth of vigorous cultural activity while, back then, many other people were enslaved by ignorance and obscurity (…) Тhe language “ of this first hayday of Slavonic literature and culture was not other but Old Bulgarian. This language survived all attempts by foreign invaders for eradication thanks to the firmness of the Bulgarian people, to its determination to preserve what is Bulgarian, especially the Bulgarian language which has often been endangered but has never been subjugated… -Prof. Roger Bernard, French Slavist Those who think of Bulgaria as a kind of a new state (…), those who have heard of the Balkans only as the “powder keg of Europe”, those cannot remember that “Bulgaria was once a powerful kingdom and an active player in the big politics of medieval Europe. -
Simonida.Pdf (787.4Kb)
ПРОБУЂЕНИ АРХИВ - Нова музичка едиција Радио Београд, који је напунио осамдесет година рада (2009), и Музиколошки институт Српске академије наука и уметности, који је обележио шездесетогодишњи јубилеј (2008), покренули су заједнички пројекат „Пробуђени архив“. Две институције су тако удружиле професионалне снаге, знања својих сарадника и бригу за представљање и популарисање музике домаћих аутора. Фоно-архив Радио Београда свакако је највећа и најзначајнија звучна збирка у земљи и међу највећима у региону. То је национално добро првог реда, упркос чињеници да су многобројни студијски снимци страдали у периоду великих друштвених промена и транзиције, под притиском немара или злонамерних „позајмица“ трајног карактера. Упркос томе, у Архиву су још увек сачувани многобројни, јединствени снимци, пре свега дела домаћих аутора и домаћих извођача. Сматрамо зато да би њихово објављивање представљало значајан допринос афирмацији како музичког стваралаштва, тако и континуираног развоја извођаштва у Србији. Приликом избора дела која ће ући у серију „Пробуђени архив“ узимају се у обзир сва снимљена дела, а селекција се врши на основу нивоа извођења и квалитета снимака. Верујемо да ће нова звучна едиција и домаћој и иностраној јавности открити богатство звучног архива Радио Београда, а кроз њега и велики број дела српских композитора, која су нажалост мало позната не само изван Србије, већ и нашој домаћој публици и широј културној јавности. Београд, мај 2009. Уредница 3 AWAKENED ARCHIVES - New music edition Radio Belgrade, which celebrated its 80th anniversary last year (2009), and the Institute of Musicology, which celebrated its 60th anniversary in 2008, have started a new collaborative project ‘Awakened Archives’. The two institutions have joined their professional forces in order to preserve and popularise music by Serbian composers. -
Sacral Art of the Serbian Lands in the Middle Ages Byzantine Heritage and Serbian Art Ii Byzantine Heritage and Serbian Art I–Iii
II BYZANTINE HERITAGE AND SERBIAN ART II BYZANTINE HERITAGE AND SERBIAN ART BYZANTINE HERITAGE SACRAL ART OF THE SERBIAN LANDS IN THE MIDDLE AGES BYZANTINE HERITAGE AND SERBIAN ART II BYZANTINE HERITAGE AND SERBIAN ART I–III Editors-in-Chief LJUBOMIR MAKSIMOVIć JELENA TRIVAN Edited by DANICA POPOVić DraGAN VOJVODić Editorial Board VESNA BIKIć LIDIJA MERENIK DANICA POPOVić ZoraN raKIć MIODraG MARKOVić VlADIMIR SIMić IGOR BOROZAN DraGAN VOJVODić Editorial Secretaries MARka TOMić ĐURić MILOš ŽIVKOVIć Reviewed by VALENTINO PACE ElIZABETA DIMITROVA MARKO POPOVić MIROSLAV TIMOTIJEVIć VUJADIN IVANIšEVić The Serbian National Committee of Byzantine Studies P.E. Službeni glasnik Institute for Byzantine Studies, Serbian Academy of Sciences and Arts SACRAL ART OF THE SERBIAN LANDS IN THE MIDDLE AGES Editors DraGAN VOJVODić DANICA POPOVić BELGRADE, 2016 PUBLished ON THE OCCasiON OF THE 23RD InternatiOnaL COngress OF Byzantine STUdies This book has been published with the support of the Ministry of Education, Science and Technological Development of the Republic of Serbia CONTENTS CULTuraL SPACES AND SACraL FraMEWORKS ON THE BOUNDARY AMONG WORLDS AND CULTURES – THE ESSENCE AND SPACES OF SERBIAN MEDIEVAL ART 13 Dragan Vojvodić BYZANTIUM IN SERBIA – SERBIAN AUTHENTICITY AND BYZANTINE INFLUENCE 41 Bojana Krsmanović Ljubomir Maksimović SERBIA IN BYZANTIUM – THE PATRONAGE OF SERBIAN KTETORS IN THE BYZANTINE EMPIRE 57 Miodrag Marković SERBIAN PATHS OF RHOMAEAN CULTURE – THE RoLE OF SERBIA IN SPREADING BYZANTINE-STYLE ART TOWARDS THE WEST AND NoRTH OF EUROPE 75 Miroslava Kostić Miloš Živković * THE LITURGICAL FraMEwoRK OF SERBIAN AND BYZANTINE RELIGIOUS ART 91 Vladimir Vukašinović PAN-CHRISTIAN SAINTS IN SERBIAN CULT PraCTICE AND ART 103 Dubravka Preradović Ljubomir Milanović A NATIONAL ‘PANTHEON’: SAINTLY CULTS AT THE FoUNDATION OF SERBIAN MEDIEVAL STATE AND CHURCH 119 Danica Popović ‘GoD DWELT EVEN IN THEIR boDIES IN SPIRITUAL WISE’ – RELICS AND RELIQUARIES IN MEDIEVAL SERBIA 133 Danica Popović I. -
Balcanica Xxxix
BALCANICA XXXIX BALCANICA XXXIX (2008), Belgrade 2009, 1–318 УДК 930.85(4–12) YU ISSN 0350–7653 СРПСКА АКАДЕМИЈА НАУКА И УМЕТНОСТИ БАЛКАНОЛОШКИ ИНСТИТУТ БАЛКАНИКА XXXIX (2008) ГОДИШЊАК БАЛКАНОЛОШКОГ ИНСТИТУТА Уредник ДУШАН Т. БАТАКОВИЋ Редакцијски одбор ДИМИТРИЈЕ ЂОРЂЕВИЋ (Санта Барбара), ФРАНСИС КОНТ (Париз), ЂОРЂЕ С. КОСТИЋ, ЉУБОМИР МАКСИМОВИЋ, ДАНИЦА ПОПОВИЋ, Биљана Сикимић, НИКОЛА ТАСИЋ (директор Балканолошког института САНУ), АНТОНИ-ЕМИЛ ТАХИАОС (Солун), СВЕТЛАНА М. ТОЛСТОЈ (Москва), ГАБРИЈЕЛА ШУБЕРТ (Јена) БЕОГРАД 2009 UDC 930.85(4–12) YU ISSN 0350–7653 SERBIAN ACADEMY OF SCIENCES AND ARTS INSTITUTE FOR BALKAN STUDIES BALCANICA XXXIX (2008) ANNUAL OF THE INSTITUTE FOR BALKAN STUDIES Editor DUŠAN T. BATAKOVIĆ Editorial Board FRANCIS CONTE (Paris), DIMITRIJE DJORDJEVIĆ (Santa Barbara), DJORDJE S. KOSTIĆ, LJUBOMIR MAKSIMOVIĆ, DANICA POPOVIĆ, GABRIELLA SCHUBERT (Jena), BILJANA SIKIMIĆ, ANTHONY-EMIL TACHIAOS (Thessaloniki), NIKOLA TASIĆ (Director of the Institute for Balkan Studies), SVETLANA M. TOLSTAJA (Moscow) BELGRADE 2009 Publisher Institute for Balkan Studies Serbian Academy of Sciences and Arts Belgrade, Knez Mihailova 35/IV www.balkaninstitut.com e-mail: [email protected] The origin of the Institute goes back to the Institut des Études balkaniques founded in Belgrade in 1934 as the only of the kind in the Balkans. The initiative came from King Alexander I Karadjordjević, while the Institute’s scholarly profile was created by Ratko Parežanin and Svetozar Spanaćević. The Institute published Revue internationale des Études balkaniques, which assembled most prominent European experts on the Balkans in various disciplines. Its work was banned by the Nazi occupation authorities in 1941. The Institute was not re-established until 1969, under its present-day name and under the auspices of the Serbian Academy of Sciences and Arts. -
Zograf 42 10 Matic.Indd
Ktetor portraits of church dignitaries in Serbian Post–Byzantine painting (part one) Miljana М. Matić* Museum of the Serbian Orthodox Church, Belgrade UDC 75.041.5:271.22-725.1/.2](497.11)”15/16” 338.246.027:34 DOI https://doi.org/10.2298/ZOG1842181M Оригиналан научни рад Church dignitaries were often represented as ktetors in Serbian nitaries, portraits are the most reliable and sometimes the painting of the sixteenth and seventeenth centuries, primarily only testimonies for the research of individual person- in wall paintings and on icons. The first part of this paper dis- alities, clothing, and insignia, giving information on the cusses twelve ktetor representations of Serbian patriarchs and appearance of the depicted archpriests and their rank in metropolitans. By analyzing the ktetoric projects of Orthodox 2 Serbs within the Ottoman Empire, the historical framework society. Thanks to the inscriptions accompanying ktetor and description of every portrait, it explores the questions re- portraits, they are considered to be a unique epigraphic garding not only the self-referentiality of the ktetors from the treasury and an important source for studying the titles of highest circles of the clergy under the Patriarchate of Peć, the Orthodox clergy, as well as for the history of some church patterns and ways they wanted to be represented and remem- monuments and icons.3 Portraits also provide valuable bered, but also the ideological and program context as well. testimonies of fundamental ideological, political and reli- Finally, this two-part study attempts to examine the question gious views of the depicted personalities and the environ- of individual and collective identity, imagery and ideas con- structing the visual culture of clerical ktetorship in Serbian ment in which they lived. -
Christianity in the Balkans
STUDIES IN CHURCH HISTORY VOL. I. MATTHEW SPINKA ROBERT HASTINGS NICHOLS Editors a TT- , H »80-6 A H istory of CHRISTIANITY IN THE BALKANS "Y. ^ \ A STUDY IN THE SPREAD OF BYZANTINE CULTURE \ X # 0% \ AMONG THE SLAVS • pi- . ':'H, \ - ■ V V"\ \ By MATTHEW SPINKA THE CHICAGO THEOLOGICAL SEMINARY a y THE AMERICAN SOCIETY OF CHURCH HISTORY CHICAGO, ILL. Copyright 1933 by The American Society of Church History All rights reserved Printed in the United States of America DNU072 TABLE OF CONTENTS ❖ ♦> ❖ ❖ The Ruin of Graeco-Roman and the Rise of Slavic Balkan Christianity........................ 1 Bulgarian Christianity after the Conversion of Boris................. 37 Bulgarian Patriarchate of the First Bulgarian Empire............. 57 Serbian Christianity Before the Time of St. Sava....... ............. 73 The Bulgarian Church of the Second Empire.............................. 91 The Rise and Fall of the Serbian Church..................................129 Bogomilism in Bosnia and Hum................... 157 Epilogue ............... 185 Selected Bibliography .....................................................................189 Index .................................................................................................193 t PREFACE No one can be more conscious of the limitations of this work than the author himself. He was constantly impressed with the fact that all too little attention has been paid hither to to the subject even by scholars of the Balkan nations, not to speak of non-Slavic historians; consequently, much preliminary pioneering work had to be done. Much yet remains to be accomplished; but the restricted scope of this undertaking as well as the paucity of source material per taining to the early history of the Balkan peninsula com bined to make the treatment actually adopted expedient. In gathering his material, the author spent some time during the summer of 1931 in the Balkans. -
The Slav Reception of Gregory of Nyssa’S Works: an Overview of Early Slavonic Translations
THE SLAV RECEPTION OF GREGORY OF NYSSA’S WORKS: AN OVERVIEW OF EARLY SLAVONIC TRANSLATIONS Lara Sels Although a lot has been written about the “translatio” of Byzantine Christianity in the mediaeval Slavia orthodoxa, advancing a critical assessment of the Slav reception of the Greek Fathers remains a pre- carious undertaking. Although the mere listing of patristic texts in Slavonic translation obviously falls short of the demands of the sub- ject, a notion of the corpus of translated texts is called for.1 The modest aim of the present article, which deals with the reception of Gregory of Nyssa among the orthodox Slavs, is first and foremost to establish the nature and the range of the material reception of his writings by means of an overview of Old Slavonic translations of his works and of substantiated traces of influence of his writings on Slavonic texts, from the time of the Moravian mission (863) throughout the Slav Middle Ages and up to the 16th century.2 After the Moravian Mission and the ensuing Cyrillomethod- ian period during which liturgical texts and parts of the Bible were made available for the Christianization of the Slavs,3 the next locus of 1 Research into Slavonic translation literature is often hampered by practical obsta- cles such as the poor cataloguing of Slavonic manuscripts, erroneous ascriptions of texts both in manuscripts and manuscript catalogues, a lack of comprehensive inven- tories and incipitaria etc.; cf. Christian Hannick: Maximos Holobolos in der kirchen- slavischen homiletischen Literatur. Wiener byzantinistische