Consequenceofsound.Net: in 2008, Rage Against the Machine Crashed the Republic National Convention, Performing a Capella Version

Total Page:16

File Type:pdf, Size:1020Kb

Consequenceofsound.Net: in 2008, Rage Against the Machine Crashed the Republic National Convention, Performing a Capella Version consequenceofsound.net: In 2008, Rage Against the Machine crashed the Republic National Convention, performing a capella versions of “Bulls on Parade” and “Killing in the Name” on the lawn of Minnesota’s state capital. Tom Morello plans to do something similar with his new supergroup Prophets of Rage. Speaking to Bloomberg Politics (via Rolling Stone), Morello revealed that the band will descend on the Republic National Convention taking place in Cleveland this July. Along with Morello, Prophets of Rage consists of Rage Against the Machine bassist Tim Commerford and drummer Brad Wilk along with Chuck D of Public Enemy and Cypress Hill’s B-Real. + + + + + billboard.com: Like the great Ali, Chuck D sees no boundaries between day job and personal identity. As long as he has a platform, he will use it against whatever force of darkness needs kept at bay. On Friday night in Los Angeles, at a 5,000 hardcore attended Rage Against the Machine (RATM) concert, the Palladium was already jumping around to House of Pain before the band even came on. There’s no doubt, however, that the man of the hour is Chuck D. The initial buzz of the alarm clock came on May 31 as the Prophets of Rage announced they’d make their first appearance at the Whisky A-Go-Go on the Sunset Strip... If the Whisky was Prophets of Rage’s cell phone-less underground bunker committee, the Palladium - at 10 times the capacity - is the public rally they’ve been preparing for. On Rage’s “Bombtrack” and “Testify,” Morello’s playing isn’t furious, it’s infuriated. His licks are a catalyst for three circle pits so forceful they could power a shuttle launch. Chuck D, with free reign of the stage, responds to them with samurai lunges, windmills and repeated pogo- ing on his axes. + + + + + Thanks to Ed Davis, who recorded the show; and to blg for sharing it at Dime. Lineage: Schoeps MK41’s > actives > Tinybox > Sony PCM-M10 24/44.1 Mastering (BLG): Adobe Audition > iZotope Ozone 5 > WavePad > xACT > FLAC Disc 1 Disc 2 01. Prophets of Rage 4:57 01. Sleep Now in the Fire 3:48 02. Guerilla Radio 3:48 02. Bullet in the Head 4:09 Prophets Of Rage 03. Bombtrack 4:35 03. Shut ‘Em Down 6:01 04. My Uzi Weighs a Ton 3:59 04. Know Your Enemy 5:04 05. People of the Sun 2:50 05. The Party’s Over 4:17 06. Take the Power Back 6:38 06. How I Could 07. (Rock) Superstar 3:48 Just Kill a Man 4:18 Hollywood 2015 Hollywood 08. Testify 3:43 07. No Sleep Til Brooklyn/ 09. Medley 7:13 Fight the Power 6:09 2015 Hollywood Hand on the Pump/Can’t Truss 08. Bulls on Parade 4:26 It/Insane in the Brain/Bring the 09. Killing in the Name 5:52 Noise/I Ain’t Goin’ Out Like That/ 45 mins Welcome to the Terrordome 42 mins Prophets Of Rage Naughty Dog Trade Freely. Not For Sale. Naughty Dog.
Recommended publications
  • Umphrey's Mcgee
    Umphrey’s McGee Brendan Bayliss: Guitar, vocals Jake Cinninger: Guitar, vocals Joel Cummins: Keyboard, piano, vocals Andy Farag: Percussion Kris Myers: Drums, vocals Ryan Stasik: Bass After 18-plus years of performing more than 100 concerts annually, releasing nine studio albums and selling more than 4.2 million tracks online, Umphrey’s McGee might be forgiven if they chose to rest on their laurels. But then that wouldn’t be consistent with the work ethic demonstrated by the band, which consistently attempts to raise the bar, setting and achieving new goals since forming on the Notre Dame campus in South Bend, Indiana, in 1997. After releasing their eighth studio album, Similar Skin, the first for their own indie label, Nothing Too Fancy (N2F) Music (distributed by RED), the group continued to push the envelope and test the limits. The London Session, was a dream come true for the members having been recorded at the legendary Studio Two at historic Abbey Road. The stealth recording session yielded 10 tracks in a single day, proving once again, the prolific UM waits for no one. As a follow up to The London Session, the envelope pushing continues with the November 11th release of ZONKEY. Umphrey’s McGee has been arranging and performing original mashups live for over eight years. It was only a matter of when, not if, some of those innovative concoctions would find their way into a studio. An album of 12 unique mashups, conceived and arranged by the band, ZONKEY is as seamless as it bizarre, playful as it is razor sharp.
    [Show full text]
  • Investigating Hip-Hop's Emergence in the Spaces of Late Capitalism
    W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 2008 Re-Taking it to the Streets: Investigating Hip-Hop's Emergence in the Spaces of Late Capitalism Kevin Waide Kosanovich College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the African American Studies Commons, American Studies Commons, and the Music Commons Recommended Citation Kosanovich, Kevin Waide, "Re-Taking it to the Streets: Investigating Hip-Hop's Emergence in the Spaces of Late Capitalism" (2008). Dissertations, Theses, and Masters Projects. Paper 1539626547. https://dx.doi.org/doi:10.21220/s2-zyvx-b686 This Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. Re-Taking it to the Streets: Investigating Hip-Hop’s Emergence in the Spaces of Late Capitalism Kevin Waide Kosanovich Saginaw, Michigan Bachelor of Arts, University of Michigan, 2003 A Thesis presented to the Graduate Faculty of the College of William and Mary in Candidacy for the Degree of Master of Arts American Studies Program The College of William and Mary August, 2008 APPROVAL PAGE This Thesis is submitted in partial fulfillment of the requirements for the degree of Master of Arts aide KosanovichKej Approved,by the Committee, May, 2008 imittee Chair Associate Pro rn, The College of William & Mary Associate Professor A lege of William & Mary Assistant P ressor John Gamber, The College of William & Mary ABSTRACT PAGE Much of the scholarship focusing on rap and hip-hop argues that these cultural forms represent instances of African American cultural resistance.
    [Show full text]
  • LEAVING Hotill CALAFORNIX
    LEAVING HOtILL CALAFORNIX Undamming the world’s rivers, forcing the collection of that which falls from the heavens and/or your ass, o camillo. An autobiographic historical expose, for Life. Introit I’m John Lawrence Kanazawa Jolley. Currently life on the planet is having a stroke, diagnosed from a human’s anatomy point of view, severe blockage of its flow ways. From life’s point of view humans are dam, slacker home building, ditch digging, drain the well dry, devil’s GMO food of the god’s, monocultural, sewage pumpers or porous dam sheddy flushtoile.t. ecocide artists. Compounding this problem is a machine/computer/vessel/organism that creates clone doppelganger pirates that’ve highjacked the surface guilty of the same crime. If we do anything well its intuitive container transportation. This is the case. I’m educated University of Florida, Institute of Food and Agricultural Sciences, Environmental Horticulture. I’m a trapper, gardener, carpenter, fisherperson, cooper and teacher. Drainage is the most important idea to consider when gardening. I paddled a canoe across North America and back, been through Lake Sacagawea twice. I’m a bullfighter, the foremost gardener in the world, the point spokesman for life, the man himself, hole puncher, obstacle remover, the pencil man, the one, Christ almighty. The character who appears again when it’s an “Obama nation of desolation” to save the world from damnation. I’m a specialist, designed specifically to solve the currentless dam problem. The timeliest, most intelligent, aggressive, offensive, desperate character ever created, for a reason. The health of life on the planet is in severe question.
    [Show full text]
  • Rose, T. Prophets of Rage: Rap Music & the Politics of Black Cultural
    Information Services & Systems Digital Course Packs Rose, T. Prophets of Rage: Rap Music & the Politics of Black Cultural Expression. In: T.Rose, Black noise : rap music and black culture in contemporary America. Hanover, University Press of New England, 1994, pp. 99-145. 7AAYCC23 - Youth Subcultures Copyright notice This Digital Copy and any digital or printed copy supplied to or made by you under the terms of this Staff and students of King's College London are Licence are for use in connection with this Course of reminded that copyright subsists in this extract and the Study. You may retain such copies after the end of the work from which it was taken. This Digital Copy has course, but strictly for your own personal use. All copies been made under the terms of a CLA licence which (including electronic copies) shall include this Copyright allows you to: Notice and shall be destroyed and/or deleted if and when required by King's College London. access and download a copy print out a copy Except as provided for by copyright law, no further copying, storage or distribution (including by e-mail) is Please note that this material is for use permitted without the consent of the copyright holder. ONLY by students registered on the course of study as stated in the section above. All The author (which term includes artists and other visual other staff and students are only entitled to creators) has moral rights in the work and neither staff browse the material and should not nor students may cause, or permit, the distortion, mutilation or other modification of the work, or any download and/or print out a copy.
    [Show full text]
  • RAGE AGAINST the MACHINE Rage Against the Machine (Metal)
    RAGE AGAINST THE MACHINE Rage against the machine (Metal) Année de sortie : 1992 Nombre de pistes : 10 Durée : 53' Support : CD Provenance : Acheté Nous avons décidé de vous faire découvrir (ou re découvrir) les albums qui ont marqué une époque et qui nous paraissent importants pour comprendre l'évolution de notre style préféré. Nous traiterons de l'album en le réintégrant dans son contexte originel (anecdotes, etc.)... Une chronique qui se veut 100% "passionnée" et "nostalgique" et qui nous l'espérons, vous fera réagir par le biais des commentaires ! ...... Bon voyage ! Musiciens dotés d’une forte personnalité, le chanteur Zack DE LA ROCHA et le guitariste Tom MORELLO s’illustrent déjà à la fin des années 1980 dans diverses formations. Le premier appartient à la scène hardcore de Californie, où il débute la guitare puis fonde en 1988 INSIDE OUT. Ce groupe, dans lequel il tient le micro, exercera une influence certaine sur ce courant musical. Quant à MORELLO, il a formé dans l’Illinois ELECTRIC SHEEP, en compagnie d’Adam JONES, futur guitariste de TOOL. Persuadé de pouvoir y mener des projets plus sérieux, il se rend à Los Angeles, où il assiste à une prestation de Zack DE LA ROCHA. Le guitariste est séduit par le discours du chanteur, avec qui il fonde rapidement une nouvelle formation, complétée par le batteur Brad WILK et le bassiste Tim COMMERFORD, ami d’enfance du chanteur. Les musiciens optent pour le nom de RAGE AGAINST THE MACHINE. A l’origine, il s’agissait du titre d’un des morceaux d’INSIDE OUT, et également celui prévu pour leur deuxième album, finalement jamais paru.
    [Show full text]
  • California State University, Northridge
    CALIFORNIA STATE UNIVERSITY, NORTHRIDGE THE SPATIAL PRACTICES OF SOUL REBEL RADIO IN LOS ANGELES’ THIRD WORLD LEFT A thesis submitted in partial fulfillment of the requirements For the degree of Master of Arts Chicano and Chicana Studies By Miguel Paredes August 2012 The thesis of Miguel Paredes is approved: _________________________ ______________________ Professor Yreina D. Cervántez Date _________________________ ______________________ Dr. Gabriel Gutierrez Date _________________________ _______________________ Dr. David Rodriguez, Chair Date ii Dedication To the young people in Los Angeles, to the working class communities in the Third World Left throughout Southern California especially Elysian Valley aka “Frogtown” in Northeast LA, to the over 50 members of the Soul Rebel Radio collective especially the founding members Eduardo, Laura, Javier, Jose, Tito, Teresa, Hasmik, Jorge, XL, Travis, Oriel, and Lex, to the KPFK staff and audience, to the staff of the CSUN Chican@ Studies Department especially Dr. Rudy Acuña, Dr. Alberto Garcia, Harry Gamboa, Fermin Herrera, Dr. Mary Pardo, Dr. Gabriel Gutierrez, Yreina D. Cervántez, Dr. Jorge Garcia, Ruben Mendoza, and posthumously dedicated to Roberto Sifuentes , Dr. Shirlene Soto, and “Toppy” Flores. To my family especially my mother Lucila Paredes, my father Miguel Paredes Sr., my brother Adrian Paredes, my sister Gabriela Paredes and her daughter Dahlila and son Ivan, my brother Daniel Paredes, and his son Diego, to my best friends Mike and Guzman, to my godchildren Juliette, Justin, Isaac, Elia, and Ehecatl, and to the Fe@s including Pascual, Mixpe, and Chris, but particularly to Ixya Herrera for giving me the motivation and support to complete my Master’s Degree in Chican@ Studies.
    [Show full text]
  • Cypress Hill the Hip-Hop Pioneers Are Back in Business and Ready to Rock
    MARCH/APRIL 2010 ISSUE MMUSICMAG.COM SPOTLIGHT James Minchin sen dog and B-real cypress hill The hip-hop pioneers are back in business and ready to rock Cypress Hill didn’t intend to wait more than a million records. its 1993 hit so long between albums, but the pioneering “insane in the Brain” crossed over to the pop los angeles rap group had some business top 20. Milestones like these have helped to attend to between 2004’s Till Death Do Cypress Hill make an indelible influence Us Part and the new Rise Up. among other on hip-hop’s new generation. “when other things, the foursome toured abroad, worked artists tell you, ‘i started rhyming because on solo projects, changed management of you,’ or ‘i started dJing because of you,’ and switched record labels. “we revamped that’s when it means something to me,” everything, and it took longer than we thought sen dog says. “that’s when i pay attention. it would,” says sen dog. “luckily we came that’s when i think, ‘oK, we have done out the other side ready to release a new something important.’” album and take on the world again.” on Rise Up, the band, which since Rise Up features an array of high-profile 1994 has also included percussionist guests, including singer Marc anthony eric Bobo, was more concerned with and guitar heroes slash and tom Morello. re-establishing itself as a musical force. the “there’s a lot of people, especially rock songs came easily—so easily, in fact, that it ’n’ roll people, that want to get down with took the group by surprise.
    [Show full text]
  • “The Analysis of Figure of Speech in Rage Against the Machine Songs Lyrics” (Bullet in the Head, No Shelter)
    “The Analysis of Figure of Speech In Rage Against the Machine Songs Lyrics” (Bullet in the Head, No Shelter) Achmad Rifai NIM. 202026001084 ENGLISH LETTER DEPARTMENT FACULTY OF ADAB AND HUMANITIES STATE ISLAMIC UNIVERSITY “SYARIF HIDAYATULLAH” JAKARTA 2010 “The Analysis of Figure of Speech In Rage Against the Machine Songs Lyrics” (Bullet in the Head, No Shelter) A Thesis Submitted to Letters and Humanities Faculty In Partially Fulfillment of the Requirement For the Degree of Strata 1 (S1) Achmad Rifai NIM. 202026001084 ENGLISH LETTER DEPARTMENT FACULTY OF ADAB AND HUMANITIES STATE ISLAMIC UNIVERSITY “SYARIF HIDAYATULLAH” JAKARTA 2010 ABSTRACT Achmad Rifai, The Analysis of figure of speech in Rage Against The Machine Songs Lyric (Bullet in the Head, No Shelter), Strata 1 Degree, Thesis: English Letters Department, Letters and Humanities Faculty, State Islamic University “Syarif Hidayatullah” Jakarta, 2010. The aim of this research is to find out the kinds of figure of speech and their meaning of figure of speech in two songs. The writer analyzes songs entitled Bullet in the Head, and No Shelter. In this research, the writer uses qualitative research with descriptive analysis as the method of the research. The writer analyzes the lyrics by reading them intensively and giving attention to each line. After that, the writer tries to explicate the songs by examining the figure of speech. From the two lyrics, the writer has found seven types of figure of speech; they are Simile, Metaphor, Personification, Metonymy, Symbol, Allegory, and Hyperbole. The two lyrics have a similar theme, railed against the corporate America. The first lyrics, Bullet in the Head is a lyric about the songwriter criticizes the TV Corporations and other news corporation distract people from the big issues of the world and influence them to be mass consumerism.
    [Show full text]
  • Impact of Open Channel Blockers on the Surface Dynamics and Organization of NMDA Receptors Alexandra Fernandes
    Impact of open channel blockers on the surface dynamics and organization of NMDA receptors Alexandra Fernandes To cite this version: Alexandra Fernandes. Impact of open channel blockers on the surface dynamics and organization of NMDA receptors. Neurons and Cognition [q-bio.NC]. Université de Bordeaux, 2020. English. NNT : 2020BORD0181. tel-03177416 HAL Id: tel-03177416 https://tel.archives-ouvertes.fr/tel-03177416 Submitted on 23 Mar 2021 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. THÈSE PRÉSENTÉE POUR OBTENIR LE GRADE DE DOCTEUR DE L’UNIVERSITÉ DE BORDEAUX ÉCOLE DOCTORALE Sciences de la Vie et de la Santé SPÉCIALITÉ Neurosciences Par Alexandra FERNANDES Impact of open channel blockers on the surface dynamics and organization of NMDA receptors Sous la direction de Julien DUPUIS Soutenue le 10 Novembre 2020 Membres du jury : Mme SANS, Nathalie Directeur de recherche INSERM Président M. DE KONINCK, Paul Professeur, University of Laval Rapporteur Mme LÉVI, Sabine Directeur de recherche CNRS Rapporteur Mme CARVALHO, Ana Luísa Professeur, University of Coimbra Examinateur M. DUPUIS, Julien Chargé de recherche INSERM Directeur THÈSE PRÉSENTÉE POUR OBTENIR LE GRADE DE DOCTEUR DE L’UNIVERSITÉ DE BORDEAUX ÉCOLE DOCTORALE Sciences de la Vie et de la Santé SPÉCIALITÉ Neurosciences Par Alexandra FERNANDES Impact des bloqueurs de canal ouvert sur la dynamique et l’organisation de surface des récepteurs NMDA Sous la direction de Julien DUPUIS Soutenue le 10 Novembre 2020 Membres du jury : Mme SANS, Nathalie Directeur de recherche INSERM Président M.
    [Show full text]
  • Meyhem Lauren & Dj Muggs
    MEYHEM LAUREN & DJ MUGGS Gems From The Equinox LP COMING SOON KEY SELLING POINTS • Meyhem Lauren is the co-star of “F*** That’s Delicious” on Vice, and one of the hottest MCs in the New York underground • Album is entirely Produced by the legendary DJ Muggs of Cypress Hill • Guest Features Action Bronson, B-Real, Roc Marciano, Sean Price, Conway, and Mr. Muthafuckin’ eXquire DESCRIPTION ARTIST: Meyhem Lauren & DJ Muggs Meyhem Lauren’s Gems From The Equinox is the crown jewel of modern TITLE: Gems From The Equinox NY rap. A future classic soundtracked by legendary producer DJ Muggs CATALOG: cd-SAR001 who has redefined dusty hip-hop production into a polished and dark, LABEL: Soul Assassin Records psychedelic world. The equinox is the one day of the year where day GENRE: Hip-Hop/Rap BARCODE: 659123095020 and night are the exact same length and this is the perspective of FORMAT: CD this album; the equal balance of darkness and the light. The project HOME MARKET: Los Angeles / New York City chronicles the urban decay and wild experiences only to be found in RELEASE: 11/3/2017 the New York underworld from the perspective of an intelligent hoodlum, LIST PRICE: $11.98 / AK Londell Manuver, AKA Meyhem Lauren. Sonic influences from elements of Cypress Hill’s Black Sunday, Mobb Deep’s Hell On The Earth and TRACKLISTING Capone and Noreaga’s The War Report. The album features include the 1. Camel Crush likes of Action Bronson, B-Real, Roc Marciano, Sean Price, Conway, Mr. 2. Street Religion (feat. Roc Marciano) Muthafuckin’ eXquire and more.
    [Show full text]
  • Popular Cognitive Neuroscience, Brain Images, Self-Help and the Consumer*
    CAN WE TRUST CONSUMERS WITH THEIR BRAINS? POPULAR COGNITIVE NEUROSCIENCE, BRAIN IMAGES, SELF-HELP AND THE CONSUMER* Tracy D. Gunter** I. INTRODUCTION ................................... 483 II. THE BRAIN'S RISE TO PROMINENCE ................. 486 III. THE BRAIN AS A ROCK STAR ....................... 497 IV. THE RISE OF THE NEUROS AND NEURO SELF-HELP.......503 A. The Market for Brain Self Help Products ............. 506 B. Examples of Commercial Brain Products..............509 V. BRAIN SELF-HELP CONSUMERS AND CONSUMER PROTECTION ............................... ..... 514 A. Why Protect the Brain Self-Help Consumer?........518 B. Examples of Information Offered to Consumers... 523 C. Enhancing ConsumerLiteracy ....... ........ 532 VI. MECHANISMS OF CONSUMER PROTECTION ..... ...... 537 A. Self-Regula tion and Soft La w ...... ............... 539 B. DirectRegulation........................... 541 C CES Devices:An Example ofRegulation and Enforcement.. ................................ 543 VII. CONCLUSION .............................. ...... 550 I. INTRODUCTION Cognitive neuroscience captures the imagination by exploring connections between the physical brain and the abstract mind. Through recent advances in functional * ©2014 Tracy D. Gunter. All rights reserved ** Tracy Gunter, M.D., Associate Professor Of Clinical Psychiatry at the IU School of Medicine, Adjunct Professor of Law, Indiana University Robert H. McKinney School of Law, e-mail [email protected]. I thank research assistants Emily Steeb and Scott Spicer for editorial help and
    [Show full text]
  • Cypress Hill Elephants on Acid Free Download Elephants on Acid
    cypress hill elephants on acid free download Elephants on Acid. Elephants on Acid ( English for elephants on LSD ) is the ninth studio album by the US rap group Cypress Hill . It was released on September 28, 2018 and is the band's first release on the BMG Rights Management label and the first studio album since 2010. contents. production. Elephants on Acid , like most of the group's previous albums, was produced entirely by band member DJ Muggs . Cover design. The album cover is in dark blue-green and gray tones and shows the Hindu god Ganesha , who owns an elephant's head and holds spears, a skull and other objects in his hands. At the top right there are the white writing Cypress Hill and Elephants on Acid . Guest Posts. In addition to Cypress Hill, other artists are represented on eight songs on the album. The singer Brevi is involved in the songs Oh Na Na , Reefer Man , Crazy and Stairway to Heaven . The Egyptian musicians Sadat and Alaa Fifty can be heard on Band of Gypsies , while the rapper Sick Jacken has a guest appearance in Locos . In addition, the pieces Jesus Was a Stoner and Blood on My Hands Again are collaborations with the singer Gonjasufi . Track list. # title Guest Posts producer length 1 Tusko (intro) DJ Muggs 0:48 2 Band of Gypsies Sadat and Alaa Fifty DJ Muggs 3:49 3 Put Em in the Ground DJ Muggs 2:21 4th Satao (interval) DJ Muggs 0:29 5 Jesus Was a Stoner Gonjasufi DJ Muggs 3:25 6th Pass the knife DJ Muggs 3:37 7th LSD (interval) DJ Muggs 0:37 8th Oh well Brevi DJ Muggs 2:57 9 Holy Mountain (interval) DJ Muggs 1:15 10 Locos Sick jackets DJ Muggs 3:18 11 Falling down DJ Muggs 2:20 12 Elephant Acid (Interlude) DJ Muggs 0:52 13 Insane first floor DJ Muggs 1:23 14th The 5th Angel (Instrumental) DJ Muggs 2:01 15th Warlord DJ Muggs 3:17 16 Reefer Man Brevi DJ Muggs 3:22 17th Thru the Rabbit Hole (Interlude) DJ Muggs 1:54 18th Crazy Brevi DJ Muggs 2:52 19th Muggs Is Dead DJ Muggs 2:11 20th Blood on My Hands Again Gonjasufi DJ Muggs 3:20 21st Stairway to Heaven Brevi DJ Muggs 5:41.
    [Show full text]