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Orientalism Within the Creation and Presentation of Doctor Strange
Sino-US English Teaching, May 2021, Vol. 18, No. 5, 131-135 doi:10.17265/1539-8072/2021.05.007 D DAVID PUBLISHING Orientalism Within the Creation and Presentation of Doctor Strange XU Hai-hua University of Shanghai for Science and Technology, Shanghai, China Doctor Strange has become a representation of superheroes with magic in the world of Marvel. Considering his identity as Sorcerer Supreme, there is a crucial connection between the Orient and his magic. The paper will discuss the detailed symbols of Orientalism in the process of creation and presentation of Doctor Strange respectively to figure out the change of Orientalism with the times within the texts of Doctor Strange and its existence today. Keywords: Orientalism, Doctor Strange, magic in the world of Marvel Introduction Ever since his debut in 1963, Doctor Strange has become a representation of superheroes with magic in the world of Marvel. Noticeably, a number of eastern elements have never ceased to appear in the Doctor Strange series throughout the times. Several characters are from the east, and the mysterious Asian land is also the birthplace of Doctor Strange’s magic power. Considering his identity as Sorcerer Supreme, the first and strongest sorcerer in Marvel, there must be a crucial connection between the Orient and his magic, both in the entire Marvel world, and in traditional western culture. Eastern elements under the account of westerners can be well interpreted with reference to the general concept of Orientalism. Thus, this paper aims to discuss the way the idea of Orientalism evolves with the times that is showcased within the texts of Doctor Strange. -
Doctor Strange Comics As Post-Fantasy
Evolving a Genre: Doctor Strange Comics as Post-Fantasy Jessie L. Rogers Thesis submitted to the faculty of the Virginia Polytechnic Institute and State University in partial fulfillment of the requirements for the degree of Master of Arts in English Karen Swenson, Chair Nancy A. Metz Katrina M. Powell April 15, 2019 Blacksburg, Virginia Keywords: Fantasy, Comics Studies, Postmodernism, Post-Fantasy Copyright 2019, Jessie L. Rogers Evolving a Genre: Doctor Strange Comics as Post-Fantasy Jessie L. Rogers (ABSTRACT) This thesis demonstrates that Doctor Strange comics incorporate established tropes of the fantastic canon while also incorporating postmodern techniques that modernize the genre. Strange’s debut series, Strange Tales, begins this development of stylistic changes, but it still relies heavily on standard uses of the fantastic. The 2015 series, Doctor Strange, builds on the evolution of the fantastic apparent in its predecessor while evidencing an even stronger presence of the postmodern. Such use of postmodern strategies disrupts the suspension of disbelief on which popular fantasy often relies. To show this disruption and its effects, this thesis examines Strange Tales and Doctor Strange (2015) as they relate to the fantastic cornerstones of Tolkien’s The Hobbit and The Lord of the Rings and Rowling’s Harry Potter series. It begins by defining the genre of fantasy and the tenets of postmodernism, then it combines these definitions to explain the new genre of postmodern fantasy, or post-fantasy, which Doctor Strange comics develop. To show how these comics evolve the fantasy genre through applications of postmodernism, this thesis examines their use of otherworldliness and supernaturalism, as well as their characterization and narrative strategies, examining how these facets subvert our expectations of fantasy texts. -
(“Spider-Man”) Cr
PRIVILEGED ATTORNEY-CLIENT COMMUNICATION EXECUTIVE SUMMARY SECOND AMENDED AND RESTATED LICENSE AGREEMENT (“SPIDER-MAN”) CREATIVE ISSUES This memo summarizes certain terms of the Second Amended and Restated License Agreement (“Spider-Man”) between SPE and Marvel, effective September 15, 2011 (the “Agreement”). 1. CHARACTERS AND OTHER CREATIVE ELEMENTS: a. Exclusive to SPE: . The “Spider-Man” character, “Peter Parker” and essentially all existing and future alternate versions, iterations, and alter egos of the “Spider- Man” character. All fictional characters, places structures, businesses, groups, or other entities or elements (collectively, “Creative Elements”) that are listed on the attached Schedule 6. All existing (as of 9/15/11) characters and other Creative Elements that are “Primarily Associated With” Spider-Man but were “Inadvertently Omitted” from Schedule 6. The Agreement contains detailed definitions of these terms, but they basically conform to common-sense meanings. If SPE and Marvel cannot agree as to whether a character or other creative element is Primarily Associated With Spider-Man and/or were Inadvertently Omitted, the matter will be determined by expedited arbitration. All newly created (after 9/15/11) characters and other Creative Elements that first appear in a work that is titled or branded with “Spider-Man” or in which “Spider-Man” is the main protagonist (but not including any team- up work featuring both Spider-Man and another major Marvel character that isn’t part of the Spider-Man Property). The origin story, secret identities, alter egos, powers, costumes, equipment, and other elements of, or associated with, Spider-Man and the other Creative Elements covered above. The story lines of individual Marvel comic books and other works in which Spider-Man or other characters granted to SPE appear, subject to Marvel confirming ownership. -
Marvel Pop! List Popvinyls.Com
Marvel Pop! List PopVinyls.com Updated December 2016 01 Thor 23 IM3 Iron Man 02 Loki 24 IM3 War Machine 03 Spider-man 25 IM3 Iron Patriot 03 B&W Spider-man (Fugitive) 25 Metallic IM3 Iron Patriot (HT) 03 Metallic Spider-man (SDCC ’11) 26 IM3 Deep Space Suit 03 Red/Black Spider-man (HT) 27 Phoenix (ECCC 13) 04 Iron Man 28 Logan 04 Blue Stealth Iron Man (R.I.CC 14) 29 Unmasked Deadpool (PX) 05 Wolverine 29 Unmasked XForce Deadpool (PX) 05 B&W Wolverine (Fugitive) 30 White Phoenix (Conquest Comics) 05 Classic Brown Wolverine (Zapp) 30 GITD White Phoenix (Conquest Comics) 05 XForce Wolverine (HT) 31 Red Hulk 06 Captain America 31 Metallic Red Hulk (SDCC 13) 06 B&W Captain America (Gemini) 32 Tony Stark (SDCC 13) 06 Metallic Captain America (SDCC ’11) 33 James Rhodes (SDCC 13) 06 Unmasked Captain America (Comikaze) 34 Peter Parker (Comikaze) 06 Metallic Unmasked Capt. America (PC) 35 Dark World Thor 07 Red Skull 35 B&W Dark World Thor (Gemini) 08 The Hulk 36 Dark World Loki 09 The Thing (Blue Eyes) 36 B&W Dark World Loki (Fugitive) 09 The Thing (Black Eyes) 36 Helmeted Loki 09 B&W Thing (Gemini) 36 B&W Helmeted Loki (HT) 09 Metallic The Thing (SDCC 11) 36 Frost Giant Loki (Fugitive/SDCC 14) 10 Captain America <Avengers> 36 GITD Frost Giant Loki (FT/SDCC 14) 11 Iron Man <Avengers> 37 Dark Elf 12 Thor <Avengers> 38 Helmeted Thor (HT) 13 The Hulk <Avengers> 39 Compound Hulk (Toy Anxiety) 14 Nick Fury <Avengers> 39 Metallic Compound Hulk (Toy Anxiety) 15 Amazing Spider-man 40 Unmasked Wolverine (Toytasktik) 15 GITD Spider-man (Gemini) 40 GITD Unmasked Wolverine (Toytastik) 15 GITD Spider-man (Japan Exc) 41 CA2 Captain America 15 Metallic Spider-man (SDCC 12) 41 CA2 B&W Captain America (BN) 16 Gold Helmet Loki (SDCC 12) 41 CA2 GITD Captain America (HT) 17 Dr. -
Marvel Masterworks: Doctor Strange Vol. 7: Vol. 7 Free Ebook
FREEMARVEL MASTERWORKS: DOCTOR STRANGE VOL. 7: VOL. 7 EBOOK Roger Stern,Jim Starlin,Ralph Macchio | 304 pages | 22 Nov 2016 | Marvel Comics | 9781302900229 | English | New York, United States Doctor Strange Masterworks Vol. 7 MARVEL MASTERWORKS ANNOUNCEMENT FOR NOVEMBER !!!: Doctor Strange Volume 7 MARVEL MASTERWORKS ANNOUNCEMENT FOR NOVEMBER !!!: Doctor Strange Volume 7. 9 Nov Also featuring mystic encounters with Nighthawk, Namor, the Avengers and the Black Knight -- and the return of a figure from one of Doctor. Marvel Masterworks: Doctor Strange Vol. 7 HC. Marvel Comics · Nov 9th, · $ The Master of the Mystic Arts crosses into the Quadriverse, but little does . Marvel Masterworks: Doctor Strange Marvel Masterworks: Doctor Strange Vol. 7 Hardcover – Nov. 22 by Roger Stern (Contributor), Ralph Macchio (Contributor), Jim Starlin (Contributor), Marv Wolfman (Contributor), Tom Sutton (Illustrator), Al Milgrom (Illustrator), Ricardo Villamonte (Illustrator), Alan Kupperberg (Illustrator) & 5 more. 9. Thor Vol 20 Avengers Vol 21 Doctor Strange Vol 10 Ghost Rider Vol 3 Marvel Team-Up Vol 6 Marvel Two-In-One Vol 6 Super-Villain Team-Up Vol 1 Power Man & Iron Fist Vol 1 Ka-Zar Vol 3 January: Daredevil & Mighty Thor. Marvel Masterworks: Doctor Strange Vol. 7: Roger Stern: Doctor Strange: Masterworks Vol. 7 (Hardcover) That led to long runs on Captain America, The Hulk, The Avengers, Dr. Strange, and a dozen other titles. Midway through that period he moved to California . Results 1 - 48 of Marvel Masterworks # DOCTOR STRANGE Volume #7 Direct Market ED Hard Cover $ $ $ shipping. Watch. Marvel Masterworks: Doctor Strange Vol. 7 HC. Marvel Comics · Nov 9th, · $ The Master of the Mystic Arts crosses into the Quadriverse, but little does . -
|||GET||| Marvels Doctor Strange Reusable Sticker Book 1St Edition
MARVELS DOCTOR STRANGE REUSABLE STICKER BOOK 1ST EDITION DOWNLOAD FREE none | 9780316271608 | | | | | Marvel universe comic books Special Announcement Section wherein Stan plugs a few upcoming issues. Issue Unmasked by Dr. Spider Classic T-Shirt By slagalicastrave. In SeptemberGuardians of the Galaxy director James Gunn stated that many of the crew that worked on that film were unable to return for its sequelbecause they had committed to Doctor Strange. Retrieved April 13, Tags: galactus, avengers, silver surfer, comics, comic books, fantastic four, parody, restaurant, space, cosmic, hunger, hungry. Upon returning to the Sanctum, Strange reveals to Mordo that the Ancient One has been drawing power from the Dark Dimension to sustain her long life, and Mordo becomes disillusioned with the Ancient One. Visual Effects Society Awards. Tags: captain marvel, marvel, flerken, cthulhu, cat, logo, military, squadron, superhero, guardians of the galaxy, comics, dc. Doom mistakes him for the real Spider-Man and captures him instead, and Flash has to be saved by the real Spider-Man. Retrieved July 26, Archived from the original on May 27, Seller Inventory F06H Retrieved September 14, Paper: Cream to off white Label He returns to Earth where he gains super strength; Spider-Man is mistakenly accused of robbing a bank so Jameson decides to try to capture him with his new super powers. Time Out London. Tags: captain marvel, marvel comics, carol danvers, brie larson, marvel movie, avengers infinity war, marvels avengers, comic books, comic book hero, comic book icons, female captain marvel, captain marvel movie, captain marvel symbol, captain marvel logo, outer space, kree, skrull, fantastic four, dc comics, best selling, avengers, top selling, best selling, most popular, comic book character, geeky, for comic book nerds. -
Deathlok and African American Slavery in Contemporary Society╊
James Madison University JMU Scholarly Commons Proceedings of the Tenth Annual MadRush MAD-RUSH Undergraduate Research Conference Conference: Best Papers, Spring 2019 “The Living Nightmare: Deathlok and African American Slavery in Contemporary Society” Christian Organ Follow this and additional works at: https://commons.lib.jmu.edu/madrush Part of the Literature in English, North America, Ethnic and Cultural Minority Commons Organ, Christian, "“The Living Nightmare: Deathlok and African American Slavery in Contemporary Society”" (2019). MAD-RUSH Undergraduate Research Conference. 1. https://commons.lib.jmu.edu/madrush/2019/nightmare/1 This Event is brought to you for free and open access by the Conference Proceedings at JMU Scholarly Commons. It has been accepted for inclusion in MAD-RUSH Undergraduate Research Conference by an authorized administrator of JMU Scholarly Commons. For more information, please contact [email protected]. Organ 1 Christian Organ ENG 359 Dr. Godfrey The Living Nightmare: Deathlok and African American Slavery in Contemporary Society Marvel’s limited series Deathlok #1-4 ends its third issue with Deathlok confronting his creator Harlan Ryker at the corporate headquarters of Roxxon Oil. Deathlok laments Ryker’s murder of his old self and the life he lived as Michael Collins, a black man employed at Roxxon Oil who worked for Ryker in the cybernetics department. Collins, as Deathlok, asks Ryker, “Was it whimsey that made you put me into your precious toy? Was it the puppeteer in you that found joy in programming me to destroy, in forcing me to kill?” (Deathlok #3, Figure 1). The Deathlok in this scene is almost the antithesis of the Michael Collins the reader is presented at the beginning of the comics. -
Made-For-TV Movies Adapted from Marvel Comics Properties
DePaul University Via Sapientiae College of Communication Master of Arts Theses College of Communication Summer 8-2013 From Panels to Primetime: Made-for-TV Movies Adapted from Marvel Comics Properties Jef Burnham DePaul University Follow this and additional works at: https://via.library.depaul.edu/cmnt Part of the Communication Commons Recommended Citation Burnham, Jef, "From Panels to Primetime: Made-for-TV Movies Adapted from Marvel Comics Properties" (2013). College of Communication Master of Arts Theses. 22. https://via.library.depaul.edu/cmnt/22 This Thesis is brought to you for free and open access by the College of Communication at Via Sapientiae. It has been accepted for inclusion in College of Communication Master of Arts Theses by an authorized administrator of Via Sapientiae. For more information, please contact [email protected]. From Panels to Primetime Made-for-TV Movies Adapted from Marvel Comics Properties By Jef Burnham, B.A. Thesis Presented to the Faculty of the Graduate School of DePaul University in Partial Fulfillment of the Requirements for the Degree of Master of Arts in Media and Cinema Studies DePaul University July 2013 For Alistair. iii Acknowledgements I may have found inspiration for this thesis in my love of made-for-TV movies adapted from comic books, but for the motivation to complete this project I am entirely indebted to my wife, Amber, and our son, Alistair. With specific regard to the research herein, I would like to thank Ben Grisanti for turning me onto The Myth of the American Superhero , as well as authors Andy Mangels and James Van Hise for their gracious responses to my Facebook messages and emails that ultimately led me to Jack Mathis’ book, Valley of the Cliffhangers. -
Marvel January – April 2021
MARVEL Aero Vol. 2 The Mystery of Madame Huang Zhou Liefen, Keng Summary THE MADAME OF MYSTERY AND MENACE! LEI LING finally faces MADAME HUANG! But who is Huang, and will her experience and power stop AERO in her tracks? And will Aero be able to crack the mystery of the crystal jade towers and creatures infiltrating Shanghai before they take over the city? COLLECTING: AERO (2019) 7-12 Marvel 9781302919450 Pub Date: 1/5/21 On Sale Date: 1/5/21 $17.99 USD/$22.99 CAD Paperback 136 Pages Carton Qty: 40 Ages 13 And Up, Grades 8 to 17 Comics & Graphic Novels / Superheroes CGN004080 Captain America: Sam Wilson - The Complete Collection Vol. 2 Nick Spencer, Daniel Acuña, Angel Unzueta, Paul Re... Summary Sam Wilson takes flight as the soaring Sentinel of Liberty - Captain America! Handed the shield by Steve Rogers himself, the former Falcon is joined by new partner Nomad to tackle threats including the fearsome Scarecrow, Batroc and Baron Zemo's newly ascendant Hydra! But stepping into Steve's boots isn't easy -and Sam soon finds himself on the outs with both his old friend and S.H.I.E.L.D.! Plus, the Sons of the Serpent, Doctor Malus -and the all-new Falcon! And a team-up with Spider-Man and the Inhumans! The headline- making Sam Wilson is a Captain America for today! COLLECTING: CAPTAIN AMERICA (2012) 25, ALL-NEW CAPTAIN AMERICA: FEAR HIM (2015) 1-4, ALL-NEW CAPTAIN AMERICA (2014) 1-6, AMAZING SPIDERMAN SPECIAL (2015) 1, INHUMAN SPECIAL (2015) 1, Marvel ALL-NEW CAPTAIN AMERICA SPECIAL (2015) 1, CAPTAIN AMERICA: SAM WILSON (2015) 1-6 9781302922979 Pub Date: 1/5/21 On Sale Date: 1/5/21 $39.99 USD/$49.99 CAD Paperback 504 Pages Carton Qty: 40 Ages 13 And Up, Grades 8 to 17 Comics & Graphic Novels / Superheroes CGN004080 Marvel January to April 2021 - Page 1 MARVEL Guardians of the Galaxy by Donny Cates Donny Cates, Al Ewing, Tini Howard, Zac Thompson, .. -
Marvels Doctor Strange 1St Edition Pdf, Epub, Ebook
PHASE THREE: MARVELS DOCTOR STRANGE 1ST EDITION PDF, EPUB, EBOOK Alex Irvine | --- | --- | --- | 9780316271592 | --- | --- Phase Three: MARVELs Doctor Strange 1st edition PDF Book Drumm is a powerful voodoo witch doctor and former student at Kamar-Taj. Strange but I believe it would. All rights reserved. The man has skills. Shop Now. The only issue seems to be figuring out how Depp's schedule at Disney would unfold with Pirates of the Caribbean: Dead Men Tell No Tales and Alice in Wonderland moving forward in the near future as well. Just like with the last phase and Ant-Man, Phase 3 of Marvel instead decided to go out not with the big bang which would've obviously been Endgame here , but instead a bit of an aftermath and a view of things to come. There are also glimpses of some of Chris Hemsworth's comedic ability, which he puts on great display down the line in Thor: Ragnarok and Avengers: Endgame. The introduction of one of the MCU's most iconic characters came in 's Thor. Plus, the roster for The Avengers can only be so big before the films start to feel bloated. Parasite 2. You Deserve a Seafood Tower. Pushed into obscurity, Strange traveled to the Himalayas where he was trained by a Tibetan sorcerer to hone in on psychic powers and mystical abilities, giving him the amazing mind powers, rather than pure muscle, which he uses to battle powerful villains. Doctor Strange in the Multiverse of Madness will be one of the most important Marvel movies in Phase 4, considering the premise and the various leaks detailing the rumored plans for it. -
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Age of Ultron (AU) (crossover Amazing Spider-Man Annual, The. Anole 698 series) 698 See Spider-Man, Amazing Spider- Ant-Man (1st) 225, 226, 229, 231, Index Agent X 679 Man Annual, The 235, 236–37, 240–41, 300, 305, Agents of S. H. I. E. L. D. (TV Amazing Spider-Man Special, The. 317, 325, 485, 501–03, 628, 681. Italic numerals refer to pages of the series) 699. See also Captain See Spider-Man, Amazing Spider- See also Giant-Man; Goliath (1st); TASCHEN book 75 Years of Marvel America, Captain America: Man Special, The Henry (Hank) Pym; Wasp, The which include images. The Winter Soldier (movie); Amazing Spider-Man, The (book). See (1st); Yellowjacket (1st) S. H. I. E. L. D. Spider-Man, Amazing Spider- Ant-Man (2nd) 581, 591, 628, 653. A Aggamon 281 Man, The (book) See also Scott Lang “Amazing Case of the Human Torch, Aja, David 685, 697 “Amazing Spider-Man, The” (comic Ant-Man (3rd) 691 The” (short story) 55 Alascia, Vince 29, 63, 68, 100 strip). See Spider-Man, “Amazing Antonioni, Michelangelo 468 A.I.M. (Advanced Idea Alcala, Alfredo 574 Spider-Man, The” (comic strip) Apache Kid 120. See also Western Mechanics) 381 Alderman, Jack 73 Amazing Spider-Man, The (movie). Gunfighters (vols. 1–2) Aaron Stack 596. See also Machine Aldrin, Edwin (“Buzz”) 453 See Spider-Man, Amazing Spider- Apache Kid, The 106 Man Alex Summers 475. See also Havok Man, The (movie) Apocalypse 654 Aaron, Jason 691, 694 Alf 649 Amazing Spider-Man, The (TV Apollo 11 453 ABC (American Broadcasting Alias (live TV version) 699 series) (1977–79). -
Superheroes & Stereotypes: a Critical Analysis of Race, Gender, And
SUPERHEROES & STEREOTYPES: A CRITICAL ANALYSIS OF RACE, GENDER, AND SOCIAL ISSUES WITHIN COMIC BOOK MATERIAL Gabriel Arnoldo Cruz A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY December 2018 Committee: Alberto González, Advisor Eric Worch Graduate Faculty Representative Joshua Atkinson Frederick Busselle Christina Knopf © 2018 Gabriel Arnoldo Cruz All Rights Reserved iii ABSTRACT Alberto González, Advisor The popularity of modern comic books has fluctuated since their creation and mass production in the early 20th century, experiencing periods of growth as well as decline. While commercial success is not always consistent from one decade to the next it is clear that the medium has been and will continue to be a cultural staple in the society of the United States. I have selected this type of popular culture for analysis precisely because of the longevity of the medium and the recent commercial success of film and television adaptations of comic book material. In this project I apply a Critical lens to selected comic book materials and apply Critical theories related to race, class, and gender in order to understand how the materials function as vehicles for ideological messages. For the project I selected five Marvel comic book characters and examined materials featuring those characters in the form of comic books, film, and television adaptations. The selected characters are Steve Rogers/Captain America, Luke Cage, Miles Morales/Spider-Man, Jean Grey, and Raven Darkholme/Mystique. Methodologically I interrogated the selected texts through the application of visual and narrative rhetorical criticism.