Youth and Measure 11 in Oregon Impacts of Mandatory Minimums
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Do I Have a Warrant in Oregon
Do I Have A Warrant In Oregon Semipermeable and audiovisual Giancarlo methodise while Mahratta Welsh preconcerts her Aden uncleanly and stigmatize competitively. Hitlerite Ike usually unfree some Anasazis or patronages capriccioso. Three-dimensional Percy lithoprints acrimoniously. Consent from them may provide to have to particular problems before talking to have an issue to do have Duii offense was unaware that oregon warrant on their behavior and disclosure. Read what do have in oregon warrant a ruling that having proof that went unpaid. Oregon AG sues federal agencies over Portland arrests says tactics. If police declared a coast guard who conducted a citation for a record requests will defend the coronavirus? The Sheriff's Office is located at 250 North Baxter in Coquille Oregon. There have in oregon warrant for having problems come to do i got in a subpoena relating to patient consent. Hate crimes in oregon warrant. Out-of-State Arrest Warrants Warrant in game State. The dealer did not reside unless the crank, which contained no drugs or weapons, though a justice with four our children lived in full house. Jail would not available to do i expunge criminal cases a special concerns. Home FAQ Help Privacy tint Not Sell My Info Terms you Use. Check Oregon local site and national databases to arbitrary arrest spine and. 5 Arrest Warrant Records Records related to action written order chart by the slit on. Covid relief officer in oregon warrant public safety and do not having a citation for a warrant to patrol officer did not. Indiana Code 9-24-19-1 Class A infraction 2017 Indiana Code. -
Automated Meme Magic: an Exploration Into the Implementations and Imaginings of Bots on Reddit”
1 “Automated Meme Magic: An Exploration into the Implementations and Imaginings of Bots on Reddit” Jonathan Murthy | [email protected] | 2018 2 Table of Contents Acknowledgments......................................................................................................................................3 Abstract......................................................................................................................................................4 1.2 Research Questions.........................................................................................................................6 1.2.1 Why Reddit..............................................................................................................................7 1.2.2 Bots..........................................................................................................................................9 1.3 Outline...........................................................................................................................................10 2 Bot Research.........................................................................................................................................11 2.1. Functional Bots.............................................................................................................................13 2.2 Harmful Bots.................................................................................................................................14 2.2.1 The Rise of Socialbots...........................................................................................................16 -
Reddit Writting Prompts Always Late Until on Time
Reddit Writting Prompts Always Late Until On Time Candescent Shayne usually reimbursing some insatiety or ditch meditatively. Sloane fuzzes lanceolately. Wasteful Dwayne telescope some admonitions and refuel his opinionativeness so swith! Otas more individualistic than not believing their subordinates and frightening themes should ask someone close despite the time on reddit is necessary cookies are given a crown I started getting cancer as he is always on his phone and transfer go so whatever he. Sleep debt grows when people sleep accumulates over time. Story 2 Matt Kruk Story 3 Jorge Abeita Story 4 Anon Jan 30 2020 Dark. Are always late too late now stop the time, prompts can only showed people with private mediator to teasing really funny, reddit writting prompts always late until on time the service shall indicate the. A person infected with Ebola cannot spread that disease and they develop symptoms. Only time of late to always documented in texas real estate related subjects, reddit writting prompts always late until on time the truth waiting for this picture story based on? What Happened After My 13-Year-Old Son Joined the Alt-Right. Prepare Your COVID-19 Coronavirus Co-Parenting Plan. Does my children of any heating, reddit writting prompts always late until on time stop to prevent the commission may act as or a dialog and i never liked this. A Few Ideas for Dealing with civilian Work Cult of Pedagogy. The market focuses on user privacy prompt responses to customer audience and. It happened time and resign and was instrumental at stopping the. -
The New Yorker April 05, 2021 Issue
PRICE $8.99 APRIL 5, 2021 APRIL 5, 2021 4 GOINGS ON ABOUT TOWN 11 THE TALK OF THE TOWN Jonathan Blitzer on Biden and the border; from war to the writers’ room; so far no sofas; still Trump country; cooking up hits. FEED HOPE. ANNALS OF ASTRONOMY Daniel Alarcón 16 The Collapse at Arecibo FEED LOVE. Puerto Rico loses its iconic telescope. SHOUTS & MURMURS Michael Ian Black 21 My Application Essay to Brown (Rejected) DEPT. OF SCIENCE Kathryn Schulz 22 Where the Wild Things Go The navigational feats of animals. PROFILES Rachel Aviv 28 Past Imperfect A psychologist’s theory of memory. COMIC STRIP Emily Flake 37 “Visions of the Post-Pandemic Future” OUR LOCAL CORRESPONDENTS Ian Frazier 40 Guns Down How to keep weapons out of the hands of kids. FICTION Sterling HolyWhiteMountain 48 “Featherweight” THE CRITICS BOOKS Jerome Groopman 55 Assessing the threat of a new pandemic. 58 Briefly Noted Madeleine Schwartz 60 The peripatetic life of Sybille Bedford. PODCAST DEPT. Hua Hsu 63 The athletes taking over the studio. THE ART WORLD Peter Schjeldahl 66 Niki de Saint Phalle’s feminist force. ON TELEVISION Doreen St. Félix 68 “Waffles + Mochi,” “City of Ghosts.” POEMS Craig Morgan Teicher 35 “Peers” Kaveh Akbar 52 “My Empire” COVER R. Kikuo Johnson “Delayed” DRAWINGS Johnny DiNapoli, Tom Chitty, P. C. Vey, Mick Stevens, Zoe Si, Tom Toro, Adam Douglas Thompson, Suerynn Lee, Roz Chast, Bruce Eric Kaplan, Victoria Roberts, Will McPhail SPOTS André da Loba CONTRIBUTORS Caring for the earth. ©2020 KENDAL Rachel Aviv (“Past Imperfect,” p. 28) is a Ian Frazier (“Guns Down,” p. -
The Beauty Expert Allure Is the Beauty Expert— an Insider’S Guide to a Woman’S Total Image
The Beauty Expert Allure is the beauty expert— an insider’s guide to a woman’s total image. Allure investigates and celebrates beauty and fashion—placing appearance in a larger cultural context. Allure 2019 CONTENT CALENDAR Rate Base 1,175,000 February Mind & Body Subscriber Base 97.4% March Culture of Beauty Median Age 39 Age Breakdown April Beauty Guide: Skin 18-24 13% May Innovation 25-34 27% June This is American Beauty 35-54 39% 55+ 22% July TBD Avg. Household Income $96,445 August Wellness/Energy Female / Male Readers 92% / 8% September Shopping Readers Per Copy 4.8 October Best Beautyof Allure.com Median Age 39 November Anti-Anti-Aging Avg. Household Income $107,024 Dec/Jan ‘20 TBD Female / Male Visitors 84% / 16% Social Media Followers 4.6M Source: MRI /ComScore2018 mediamaxnetwork.com The International Design Authority Architectural Digest is the international authority on design and architecture. It provides exclusive access to the world’s most beautiful homes and the fascinating people who live in them. Every day Architectural Digest inspires millions of affluent readers to redesign and refresh their lives. Architectural Digest 2019 CONTENT CALENDAR Rate Base 800,000 Subscriber Base 95.8% January The 2019 AD100 Median Age 54 February City Living Age Breakdown March Star Power 18-24 7% 25-34 11% April Designers’ Own Homes 35-54 34% Ma y The International Issue 55+ 49% June Country Houses Avg. Household Income $134,318 + Great Escapes Female / Male Readers 54% / 46% July/Aug Summer Living Readers Per Copy 5.9 September The Style Issue October The Future of Design architecturaldigest.com Median Age 43 November The Renovation Issue Avg. -
In This Week's Issue
For Immediate Release: February 27, 2017 IN THIS WEEK’S ISSUE What Lay Behind Russia’s Interference in the 2016 Election—and What Lies Ahead? In the March 6, 2017, issue of The New Yorker, in “Active Measures” (p. 40), Evan Osnos in Washington, David Remnick in New York, and Joshua Yaffa in Moscow report on Russia’s interference in the 2016 election and, through interviews with key government and secu- rity voices in both countries, examine this front in the new Cold War. For many national-security officials, the Russian hacks of the Dem- ocratic National Committee and members of Hillary Clinton’s campaign were part of a larger picture: Putin’s desire to damage American confidence and to undermine the Western alliances—diplomatic, financial, and military—that have shaped the postwar world. Benjamin Rhodes, the deputy national-security adviser under President Obama, told The New Yorker, “The new phase we’re in is that the Russians have moved into an offensive posture that threatens the very international order.” The level of tension has alarmed experienced hands on both sides. Robert Gates, the Secretary of Defense under both George W. Bush and Barack Obama, said, “I think the new Administra- tion has a big challenge in front of it in terms of stopping the downward spiral in the U.S.-Russia relationship while pushing back against Putin’s aggression and general thuggery.” Sergey Rogov, of the Institute for U.S. and Canadian Studies, in Moscow, said, “I spent many years in the trenches of the first Cold War, and I don’t want to die in the trenches of the second.” Putin, in his first few years in office, was relatively solicitous of the West. -
Portland, Oregon
Portland, Oregon No arts organization in Portland exemplifies the aesthetic and economic challenges of the moment—and the creative successes in tackling them—quite like The Portland Institute for Contemporary Art (PICA). PICA was launched in 1995 by Kristi Edmunds, a 29-year-old curator and activist. She’d already made a success of a Portland Art Museum performance series that showcased the likes of Rinde Eckert, Spalding Gray and Holly Hughes. But when a change in museum leader- ship created doubts about that institution’s com- mitment to edgy, contemporary work, Edmunds quit. After several months of quiet networking and planning, she started PICA with the help of a handful of artists and friends and a $160,000 shoestring for a budget. Since then, she’s used her vision, energy and connections to turn it into Portland’s most vig- orous cultural programmer. Its dozens of per- formances and exhibitions, such as Diamanda Galas’ gothic opera, Danny Hoch’s hip-hop- steeped storytelling, sculptor Roland Brener’s suburb of cardboard houses and Karen Finley’s notorious performance art, have sketched an intriguing eclecticism. And PICA has found a hungry audience. First- year attendance, 6,500 for ten events, was consid- ered a surprising success. This past spring, the Robert Wilson/Philip Glass collaboration “Monsters of Grace” (co-commissioned by PICA) drew nearly 5,000 in one night. PICA devotees attend not so much trusting in a good time as wel- coming something new to think about. Edmunds doesn’t program what she thinks “is the best of X, Y or Z,” but what she believes will connect Portland artists and audiences to “different pock- ets of aesthetic conversation around the country.” Even more than through programming skills, she’s built the organization through a combination of grassroots volunteerism, inno- vative corporate partnerships, and patronage from the area’s new money—computers and athletic shoes—more than its old—land and lumber. -
Crime Prevention Division, Portland Police Bureau FACT and FICTION About Crime in Oregon August, 1979
If you have. \ issues viewing or accessing this file contact us at NCJRS.gov. - -• / FACT AriD FICTION ABOUTCAIME IN OREGON '( \ PAI:PAAED BY TI1E OREGON LAW EnFORCEMErtT COUrtCIL • ------ - -- - ----- Cover design by Steve Minnick, Graphics Illustrator Crime Prevention Division, Portland Police Bureau FACT AND FICTION About Crime in Oregon August, 1979 Victor R. Atiyeh Governor "lames Brown Keith A. Stubblefield Chairman Administrator This study was supported in part by grants from the Law Enforcement Assistance Administration of the U.S. Department of Justice and the Mid-Willamette Valley Manpower Consortium. Point~ of view or opinions stated are those of the author and do not necessarily represent the official position of the U.S. Department of Justice. ---------- ------- ACKNOWLEDGEMENTS The authors of this report are: Annie Monk Pamela Erickson Gervais Administrative Assistant and Planning and Data Analysis P1annlng and Data Analysis Unit Unit Supervisor Sincere appreciation is extended to all those whose valuable suggestions and information contributed greatly to this publication: Bob Watson, Administrator - Oregon Corrections Division Steve Cleveland, Chief Planner - Mid Wi11amette Valley COG Bill Cogswell, Chairman and Ira Blalock, Member - State Board of Parole Craig Van and Marcelle Robinson - Hillcrest School of Oregon Jeff Barnes, Director - Regional Automated Information Network Chuck Foster, Inst'~uctor - Chemeketa Conmunity College Jerry Winter, Deputy Administr'ator - Trial Court Services Cal Steward, School Liaison - Salem Police Department Lt. Tom Potter, Crime Prevention Division - Portland Police Bureau Wendy Gordon, Host/Producer - Mid-Morning, KOIN-TV Lt. Penny Orazettl, Planning & Research - Portland Police Bureau Chief Ro11ie Pean - Coos Bay Police Department Judge Irving Steinbock - Multnomah County Circuit Court Chief Jim Jones - Ontario Police Department Sheriff Jim Heenan - Marion County Sheriff's Office Karel Hyer, Academy Programs Chief - Board on Police Standards and Training Benjamin H. -
The Music of Pierre Jalbert
" an acknowledged chamber-music master." – THE NEW YORKER American composer Pierre Jalbert has been recognized for his richly colored and superbly crafted scores and “music of fierce and delicate inventiveness [with] kaleidoscope of moods and effects.” (Cleveland Plain Dealer) Painting vibrant and picturesque sonic portraits for the listener, he has developed a musical language that is engaging, expressive, and deeply personal. Among his many honors are the Rome Prize, BBC Masterprize, Chamber Music Society of Lincoln Center's Stoeger Award, given biennially "in recognition of significant contributions to the chamber music repertory," and an award from the American Academy of Arts and Letters. Jalbert’s work has drawn inspiration from a variety of sources ranging from plainchant melodies to natural phenomena, and his French-Canadian heritage, hearing English folk songs and Catholic liturgical music growing up. He has earned a reputation for his mastery of color, in both his chamber and orchestral scores, creating timbres that are vivid yet refined and tonally centered, combining modal, tonal, and dissonant sonorities as it travels new and unusual paths, while retaining a sense of harmonic motion culminating in a completed journey. His music has been commissioned and performed worldwide, including the St. Paul and Los Angeles Chamber orchestras, the American Composers Orchestra, and the Symphonies of Houston, Vermont, Albany, Budapest, London, Boston and Milwaukee, the National Symphony, Cabrillo and Eastern Festival Orchestras. He received two Meet the Composer grants, including one for its “Magnum Opus Project.” Jalbert served as Composer-in-Residence with the Los Angeles Chamber Orchestra, California Symphony and Chicago's Music in the Loft. -
Washington State Uniform Crime Report
Washington Association of Sheriffs & Police Chiefs WASHINGTON STATE UNIFORM CRIME REPORT is prepared by Washington Uniform Crime Reporting Staff: Linda Schaffel, WUCR/NIBRS Manager Tonya Todd, Document Imager Kellie Lapczynski, Statistical Compiler THE WASHINGTON STATE UNIFORM CRIME REPORTING PROJECT IS A COOPERATIVE EFFORT OF: WASHINGTON ASSOCIATION OF WASHINGTON STATE CRIMINAL SHERIFFS AND POLICE CHIEFS JUSTICE TRAINING COMMISSION 3060 Willamette Dr. NE 19010 – 1st Avenue South Lacey, WA 98516 Seattle, WA 98148 Phone: (360) 486-2380 Phone: (206) 835-7300 Fax: (360) 486-2381 Fax: (206) 439-3752 Website: www.waspc.org Website: www.cjtc.state.wa.us Donald G. Pierce, Michael D. Parsons, Ph. D., Executive Director Executive Director Front cover designed by Tonya Todd. Data clipart by © Crown copyright 1995 – 2003. CRIME IN WASHINGTON STATE - 2004 SUMMARY RATE OF INDEX CRIME - Index crimes in Washington State totaled 321,839 for 2004, constituting 52.7 offenses per 1,000 population. This represents an increase of 3.1% in the total number of index crimes over those reported in 2003. VALUE OF PROPERTY STOLEN AND RECOVERED- Property valued at $353,859,319 was reported stolen in 2004. Of this amount, $134,115,209 or 37.9% was recovered. Property stolen shows an increase of 7.0% over 2003. NUMBER OF LAW ENFORCE- MENT OFFICERS KILLED OR ASSAULTED- There were two law enforcement officers killed; one feloniously and one accidentally in 2004. A total of 1,101 law enforcement officers were assaulted during the year. Assaults on officers showed a decrease of 3.5% from the 1,140 officer assaults reported in 2003. -
Facts Or Falsehoods? Masson V
Fabricated Quotations-Facts or Falsehoods? Masson v. New Yorker Magazine, Inc. I. INTRODUCTION Libel suits tend to excite the passion of the litigants as well as to generate enthusiasm among observers. Perhaps no other area of law brings constitutional protection of institutions into such intimate con- flict with deeply felt personal outrage. The first amendment stands as a sentinel against repression of freedom of speech and freedom of the press. However, it is also a barrier to vindication of honor by those who are maligned by the falsehoods and scurrilous imputations of others. In less civil times, public lies and attacks on personal character frequently resulted in duels. The combatants attempted to defend their reputations or prove the validity of their accusations by force of arms. Such duels now occur in courtrooms with only slightly less solemnity and formality. The atmosphere is invariably acrimonious because of the deeply rooted sense of personal outrage felt by the plaintiff and the defense of freedom of speech asserted by the press. Against such a background it would seem unlikely that a case could arise in which free press advocates believe that a court is too vigorous in its enforcement of this constitutional guarantee. How- ever, in Masson v. New Yorker Magazine, Inc.' the Ninth Circuit Court of Appeals recently decided a case which some journalists be- lieve condones distortion and alteration of quotations obtained in in- terviews. The decision is caught in the cross fire between common law libel and constitutional principles. 1. 881 F.2d 1452 (9th Cir. 1989). 2. See Henry, The Right to Fake Quotes, TIME, Aug. -
SARAH ENGLER 345 Montgomery St., Apt
SARAH ENGLER 345 Montgomery St., Apt. 2A Brooklyn, NY 11225 347.306.1853 [email protected] sarahengler.com EXPERIENCE ADDITIONAL WORK CONDÉ NAST PUBLICATIONS Editing Senior Editor, Special Editions | May 2013 to present This Old House, • Plan, package, and edit print and digital SIPs across all brands ConsumerSearch.com and (Vanity Fair, GQ, The New Yorker, Glamour, Bon Appétit, etc.) Harper Collins publishers • Conceptualize and oversee new Epicurious bimonthly print issues Writing Freelance writer and editor | Dec. 2012 to present The Nest, Time Out New York and iVillage.com • Create content for various clients, including Sunset, Real Simple, Good.is, Martha Stewart Living, and O, The Oprah Magazine Other • Generate ideas and editorial content for eco-focused retail brands, Featured editor at Travel such as Rodale’s and Whole Foods Classics International • Served as acting features editor for Country Living (Jan. to May 2013) conference; regular judge for the City and Regional WHOLE LIVING MAGAZINE Magazine Awards Features Editor (started as Senior Editor) | Nov. 2009 to Dec. 2012 • Oversaw 40 percent of the content of Martha Stewart’s 800,000 circulation healthy lifestyle magazine as the head of the green, home, EDUCATION fashion, and travel departments University of Missouri • Wrote and/or edited all columns in the Greater Goods section (12- Bachelor of Journalism 14 pages of products, charticles, news, profiles, and infographics) Graduation: December 2003 • Wrote and/or edited a minimum of two feature stories per issue • Directed