GRC 20100 Ovid's Metamorphoses and the Transformation of Myth Dr
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The Burial of the Urban Poor in Italy in the Late Republic and Early Empire
Death, disposal and the destitute: The burial of the urban poor in Italy in the late Republic and early Empire Emma-Jayne Graham Thesis submitted for the degree of Doctor of Philosophy Department of Archaeology University of Sheffield December 2004 IMAGING SERVICES NORTH Boston Spa, Wetherby West Yorkshire, LS23 7BQ www.bl.uk The following have been excluded from this digital copy at the request of the university: Fig 12 on page 24 Fig 16 on page 61 Fig 24 on page 162 Fig 25 on page 163 Fig 26 on page 164 Fig 28 on page 168 Fig 30on page 170 Fig 31 on page 173 Abstract Recent studies of Roman funerary practices have demonstrated that these activities were a vital component of urban social and religious processes. These investigations have, however, largely privileged the importance of these activities to the upper levels of society. Attempts to examine the responses of the lower classes to death, and its consequent demands for disposal and commemoration, have focused on the activities of freedmen and slaves anxious to establish or maintain their social position. The free poor, living on the edge of subsistence, are often disregarded and believed to have been unceremoniously discarded within anonymous mass graves (puticuli) such as those discovered at Rome by Lanciani in the late nineteenth century. This thesis re-examines the archaeological and historical evidence for the funerary practices of the urban poor in Italy within their appropriate social, legal and religious context. The thesis attempts to demonstrate that the desire for commemoration and the need to provide legitimate burial were strong at all social levels and linked to several factors common to all social strata. -
Bulletin of the John Rylands Library
THE ORIGIN OF THE CULT OF DIONYSOS.1 . , BY J. RENDEL HARRIS, M.A., O.LITT., U...D., O.THEOL., ETC •• HON. FELLOW OF CLARE COLLECE, CAMBRIDGE ; DIRECTOR OF STUDIF.S AT THE WOODBROOKE SETTLEMENT, BIRMINGHAM. ODERN research is doing much to resolve the complicated and almost interminable riddles of the Greek and Latin M Mythologies. In another sense than the religious interpre tation, the gods of Olympus are fading away : as they fade from off the ethereal scene, the earlier forms out of which they were evolved come up again into view ; the Thunder-god goes back into the Thunder-man, or into the Thunder-bird or Thunder-tree ; Zeus takes the stately ~~ in vegetable life, of the Oak-tree, or if he must be Besh and blood he comes back as a Red-headed Woodpecker. Other ud similar evolutions are discovered and discoverable ; and the gods acquire a fresh interest when we have learnt their parentage. Sometimes, in the Zeus-worship at all events, we can see two forms of deity standing side by side, one coming on to the screen before the other has moved off ; the zoomorph or animal form co-existing and hardly displacing the phytomorph or plant fonn. One of the prettiest instances of this co-existence that I have dis covered came to my notice in connection with a study that I war. making of the place of bees in early religion. It was easy to see that the primitive human thinker had assigned a measure of sanctity to the bee, for he had found it in the hollows of his sacred tree : at the same time he had noticed that bees sprang from a little white larva. -
STONEFLY NAMES from CLASSICAL TIMES W. E. Ricker
ZOBODAT - www.zobodat.at Zoologisch-Botanische Datenbank/Zoological-Botanical Database Digitale Literatur/Digital Literature Zeitschrift/Journal: Perla Jahr/Year: 1996 Band/Volume: 14 Autor(en)/Author(s): Ricker William E. Artikel/Article: Stonefly names from classical times 37-43 STONEFLY NAMES FROM CLASSICAL TIMES W. E. Ricker Recently I amused myself by checking the stonefly names that seem to be based on the names of real or mythological persons or localities of ancient Greece and Rome. I had copies of Bulfinch’s "Age of Fable," Graves; "Greek Myths," and an "Atlas of the Ancient World," all of which have excellent indexes; also Brown’s "Composition of Scientific Words," And I have had assistance from several colleagues. It turned out that among the stonefly names in lilies’ 1966 Katalog there are not very many that appear to be classical, although I may have failed to recognize a few. There were only 25 in all, and to get even that many I had to fudge a bit. Eleven of the names had been proposed by Edward Newman, an English student of neuropteroids who published around 1840. What follows is a list of these names and associated events or legends, giving them an entomological slant whenever possible. Greek names are given in the latinized form used by Graves, for example Lycus rather than Lykos. I have not listed descriptive words like Phasganophora (sword-bearer) unless they are also proper names. Also omitted are geographical names, no matter how ancient, if they are easily recognizable today — for example caucasica or helenica. alexanderi Hanson 1941, Leuctra. -
Poetic Language and Religion in Greece and Rome Edited by J
Poetic Language and Religion in Greece and Rome Edited by J. Virgilio García and Angel Ruiz This book first published 2013 Cambridge Scholars Publishing 12 Back Chapman Street, Newcastle upon Tyne, NE6 2XX, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2013 by J. Virgilio García, Angel Ruiz and contributors All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-5248-1, ISBN (13): 978-1-4438-5248-7 TABLE OF CONTENTS Preface ..................................................................................................... viii José Virgilio García Trabazo and Angel Ruiz Indo-European Poetic Language Gods And Vowels ....................................................................................... 2 Joshua T. Katz Some Linguistic Devices of the Greek Poetical Tradition ........................ 29 Jordi Redondo In Tenga Bithnua y la Lengua Angélica: Sus Fuentes y su Función ........ 39 Henar Velasco López Rumpelstilzchen: The Name of the Supernatural Helper and the Language of the Gods ............................................................................................... 51 Óscar M. Bernao Fariñas Religious Onomastics in Ancient Greece and Italy: Lexique, Phraseology and Indo-european Poetic Language ....................................................... -
Greek Mythology #23: DIONYSUS by Joy Journeay
Western Regional Button Association is pleased to share our educational articles with the button collecting community. This article appeared in the August 2017 WRBA Territorial News. Enjoy! WRBA gladly offers our articles for reprint, as long as credit is given to WRBA as the source, and the author. Please join WRBA! Go to www.WRBA.us Greek Mythology #23: DIONYSUS by Joy Journeay God of: Grape Harvest, Winemaking, Wine, Ritual Madness, Religious Ecstasy, Fertility and Theatre Home: MOUNT OLYMPUS Symbols: Thyrus, grapevine, leopard skin Parents: Zeus and Semele Consorts: Adriane Siblings: Ares, Athena, Apollo, Artemis, Aphrodite, Hebe, Hermes, Heracles, Helen of Troy, Hephaestus, Perseus, Minos, the Muses, the Graces Roman Counterpart: Bacchus, Liber Dionysus’ mother was mortal Semele, daughter of a king of Thebes, and his father was Zeus, king of the gods. Dionysus was the only Olympian god to have a mortal parent. He was the god of fertility, wine and the arts. His nature reflected the duality of wine: he gave joy and divine ecstasy, or brutal and blinding rage. He and his followers could not be contained by bonds. One would imagine that being the god of “good times” could be a pretty easy and happy existence. Unfortunately, this just doesn’t happen in the world of Greek mythology. Dionysus is called “twice born.” His mother, Semele, was seduced by a Greek god, but Semele did not know which god was her lover. Fully aware of her husband’s infidelity, the jealous Hera went to Semele in disguise and convinced her to see her god lover in his true form. -
Acta Centri Lucusiensis
ACTA CENTRI LUCUSIENSIS nr. 2B/2014 Centrul de studii DacoRomanistice LUCUS Timişoara ISSN 2343-8266 ISSN-L 2343-8266 http://www.laurlucus.ro Colegiul ştiinţific coordonator: prof. univ. dr. Dan Negrescu secretar: prof. univ. dr. Sergiu Drincu membri: prof. univ. dr. Ştefan Buzărnescu lect. univ. dr. Valy-Geta Ceia lect. univ. dr. Călin Timoc membru de onoare: cerc. şt. dr. Leonard Velcescu (Perpignan, Franţa) Colegiul de redacţie director: Laurenţiu Nistorescu secretar de redacţie: Daniel Haiduc redactori: Cătălin Borangic Antuza Genescu Daniela Damian Responsabilitatea asupra conţinutului articolelor aparţine în mod exclusiv autorilor 3 Cuprins Argument Laurenţiu Nistorescu _6 Ficţiunea retragerii aureliene şi destructurarea sa conceptuală Studii şi însemnări V.D. Călărăşanu 18 Însemnări privind relaţia regalităţii geto-dacice cu sacerdoţiul dionisiac Bogdan Muscalu 23 Tradiţii romane în istoria serviciilor de intelligence Constantin Elen 37 Din nou despre termenul limigantes Dan Negrescu 39 Despre o menţiune ieronimiană Remus Mihai Feraru 42 Relațiile dintre Biserică și stat în viziunea Sfântului Maxim Mărturisitorul Convergenţe Sergiu Enache 57 Două topoare de luptă din fier descoperite la Gătaia Sorin Damian 62 Repere evenimenţiale în evoluţiile de la Dunăre din secolele VIII-IX Lecturi critice Claudia S. Popescu 67 Chestiunea celţilor intracarpatici şi câteva prezumţii de relativizat 4 Daniela Damian 71 Semnal: Peuce XII/2014 Basarab Constantin 73 Kallatida, prefigurarea unei monografii Dosar DakkHabbit Daniel Haiduc 76 DakHabbit: Investigaţii cartodinamice ale habitatului Daciei preromane Cătălin Borangic, Alexandru Berzovan 82 Concepte despre cetatea dacică (I) 5 Argument 6 Laurenţiu Nistorescu Ficţiunea retragerii aureliene şi destructurarea sa conceptuală1 The fictionality of the Aurelian withdrawal and its conceptual dismantle Abstract: The “Aurelian withdrawal” phrase appeared as a result of misreading the literary sources and a simplistic – and sometimes tendentious – perception of the historical processes. -
Fifty-Two SEPARATED SPOUSES and EQUAL PARTNERS: CICERO, OVID, and MARRIAGE at a DISTANCE
Fifty-Two SEPARATED SPOUSES AND EQUAL PARTNERS: CICERO, OVID, AND MARRIAGE AT A DISTANCE William O. Stephens In “The Transformation of the Husband/Wife Relationship during Exile: Let- ters from Cicero and Ovid” (2001), Sabine Grebe argues that Cicero and Ov- id’s letters from exile reveal a transformation of the marital relationship and its gender roles. In traditional, patriarchal Roman society the wife was depen- dent upon and subordinate to the husband in many ways. The wife’s activities were restricted to the private, domestic realm. The husband was engaged in public, legal, and political matters. The wife cooked, made and washed clothes, cared for the husband and the children, or supervised slaves in these tasks, and nursed ill slaves. The husband handled the finances. The wife de- pended on her husband for emotional support and comfort. The husband bore this burden as the stronger partner. These traditional arrangements were reversed, Grebe observes, when the orator Cicero and the poet Ovid were banished. Grebe notes that both hus- bands could have chosen to take their wives with them into exile, but both decided their interests would be better served by having their wives remain in Rome. By doing so Cicero’s wife Terentia and Ovid’s wife (whose name we do not know) could protect their family’s estates, manage finances, and more effectively advocate for their husbands’ return. It is uncertain whether these arrangements were supposed to be practical advantages for the wives, the husbands, or both. Grebe remarks that Terentia “suffered physically and psy- chologically from Cicero’s exile, and worries made Ovid’s wife slim” (this volume, p. -
SEMELE William Congreve Newburgh Hamilton Georg Friedrich Hфndel
SEMELE An opera. Text by William Congreve Newburgh Hamilton Music by Georg Friedrich Händel First performance: 10 February 1744, London. www.operalib.eu 1 / 31 Informazioni Semele Cara lettrice, caro lettore, il sito internet www.librettidopera.it è dedicato ai libretti d©opera in lingua italiana. Non c©è un intento filologico, troppo complesso per essere trattato con le mie risorse: vi è invece un intento divulgativo, la volontà di far conoscere i vari aspetti di una parte della nostra cultura. Motivazioni per scrivere note di ringraziamento non mancano. Contributi e suggerimenti sono giunti da ogni dove, vien da dire «dagli Appennini alle Ande». Tutto questo aiuto mi ha dato e mi sta dando entusiasmo per continuare a migliorare e ampliare gli orizzonti di quest©impresa. Ringrazio quindi: chi mi ha dato consigli su grafica e impostazione del sito, chi ha svolto le operazioni di aggiornamento sul portale, tutti coloro che mettono a disposizione testi e materiali che riguardano la lirica, chi ha donato tempo, chi mi ha prestato hardware, chi mette a disposizione software di qualità a prezzi più che contenuti. Infine ringrazio la mia famiglia, per il tempo rubatole e dedicato a questa attività. I titoli vengono scelti in base a una serie di criteri: disponibilità del materiale, data della prima rappresentazione, autori di testi e musiche, importanza del testo nella storia della lirica, difficoltà di reperimento. A questo punto viene ampliata la varietà del materiale, e la sua affidabilità, tramite acquisti, ricerche in biblioteca, su internet, donazione di materiali da parte di appassionati. Il materiale raccolto viene analizzato e messo a confronto: viene eseguita una trascrizione in formato elettronico. -
Ariadne's Transformation
Bard College Bard Digital Commons Senior Projects Spring 2020 Bard Undergraduate Senior Projects Spring 2020 Ariadne’s Transformation: Presenting Femininity From Roman Poetry to Modern Opera Xinyi Wang Bard College, [email protected] Follow this and additional works at: https://digitalcommons.bard.edu/senproj_s2020 Part of the Classics Commons, and the Music Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Wang, Xinyi, "Ariadne’s Transformation: Presenting Femininity From Roman Poetry to Modern Opera" (2020). Senior Projects Spring 2020. 165. https://digitalcommons.bard.edu/senproj_s2020/165 This Open Access work is protected by copyright and/or related rights. It has been provided to you by Bard College's Stevenson Library with permission from the rights-holder(s). You are free to use this work in any way that is permitted by the copyright and related rights. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. For more information, please contact [email protected]. Ariadne’s Transformation: Presenting Femininity From Roman Poetry to Modern Opera Senior Project Submitted to The Division of Languages and Literature of Bard College by Xinyi Wang Annandale-on-Hudson, New York May 2020 Acknowledgments To my advisor Lauren Curtis, for her warm and inspiring presence, for guiding me through this project with constructive suggestions and valuable input, and for spending incredible time on polishing my thoughts and writing. To my tutor Emily Giangiulio, for her warm support, and for carefully helping me with grammar. -
OVID and the APOTHEOSIS of ROMULUS.* Anne Gosling
ACTA CLASSICA XLV (2002) 51-(,9 ISSN0065-IUI SENDING UP THE FOUNDER: OVID AND THE APOTHEOSIS OF ROMULUS. * Anne Gosling University ofNatal, Durban ABSTRACT A comparative reading of Ovid's accounts of the apotheosis of Romulus (Mer. 14.805-28 and Fasti 2.481-512) reveals significant echoes and variatious. Striking divergences from other sources (Cicero, Livy and Dionysius ofHalicamassus) are also apparent. Ovid shows no (overt) interest in the political background, suppresses Romulus' military aspect, and is more concerned with fabulous elements. Yet his own stylistic emphases. and a nexus of resonances between the Metamorphoses and Fasti, with echoes ofAen. 6.851-53 and Aen. 1.292-93, pointedly siluate Romulus in the civil sphere as lawgiver, an interesting perspective in the light ofAugustan propaganda and the inescapable elements of fraternal strife and murder in Rome's foundation legend. By ellipsis and allusion Ovid constructs an image of Romulus which interrogates the AUguSUln ethos WId connects with the wider themes ofthe Fasti, particularly the rejection ofmilitarism and the celebration ofthe arts of peace. Recent readings of Ovid's later poetry - Metamorphoses, Fasli and the poems of exile - have concentrated on two aspects in particular: the situatiou ofhis work within the broader historical and cultural context of the Augustan age, and his intertextual resonances with earlier and • An earlier version of this paper was read at the conference on Augustan Poetry and the Traditions ofAncient Histariography beld at the University of Durham from 31 August 10 3 September 1999. I am grateful to the University of Nata! for l\mding to enable me to attend this conference, and to the conference participants in Durham and in the Classics Graduate Colloquium at the University ofNata! in Durban for stimulating and challenging discussion. -
Reading Death in Ancient Rome
Reading Death in Ancient Rome Reading Death in Ancient Rome Mario Erasmo The Ohio State University Press • Columbus Copyright © 2008 by The Ohio State University. All rights reserved. Library of Congress Cataloging-in-Publication Data Erasmo, Mario. Reading death in ancient Rome / Mario Erasmo. p. cm. Includes bibliographical references and index. ISBN-13: 978-0-8142-1092-5 (cloth : alk. paper) ISBN-10: 0-8142-1092-9 (cloth : alk. paper) 1. Death in literature. 2. Funeral rites and ceremonies—Rome. 3. Mourning cus- toms—Rome. 4. Latin literature—History and criticism. I. Title. PA6029.D43E73 2008 870.9'3548—dc22 2008002873 This book is available in the following editions: Cloth (ISBN 978-0-8142-1092-5) CD-ROM (978-0-8142-9172-6) Cover design by DesignSmith Type set in Adobe Garamond Pro by Juliet Williams Printed by Thomson-Shore, Inc. The paper used in this publication meets the minimum requirements of the American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials. ANSI 39.48-1992. 9 8 7 6 5 4 3 2 1 Contents List of Figures vii Preface and Acknowledgments ix INTRODUCTION Reading Death CHAPTER 1 Playing Dead CHAPTER 2 Staging Death CHAPTER 3 Disposing the Dead 5 CHAPTER 4 Disposing the Dead? CHAPTER 5 Animating the Dead 5 CONCLUSION 205 Notes 29 Works Cited 24 Index 25 List of Figures 1. Funerary altar of Cornelia Glyce. Vatican Museums. Rome. 2. Sarcophagus of Scipio Barbatus. Vatican Museums. Rome. 7 3. Sarcophagus of Scipio Barbatus (background). Vatican Museums. Rome. 68 4. Epitaph of Rufus. -
Analyzing Two Domains of Dionysus in Greek Polytheism
Philomathes Two Sides of the Dice: Analyzing Two Domains of Dionysus in Greek Polytheism T he study of religion in ancient Greece is complicated by the fact that, unlike modern world religions with ancient roots, there is no “holy doctrine” to which scholars can refer. Although they shared a complex pantheon of gods, ancient Greek city- states were never a unified political empire; instead of a globalized dogma, religion was localized within each polis, whose inhabitants developed their own unique variations on “Greek” religious rituals and beliefs.1 The multiplex natures of ancient Greek gods compounds the problem; it is a monumental task to study all aspects of all deities in the Greek world. As a result, scholarship often focuses solely on a single popular aspect or well-known cult of a god or goddess — such as Apollo Pythios of Delphi or Athena Parthenos of Athens, neglecting other facets of the gods’ cult and personality.2 Greek religion, 1 As Jon D. Mikalson states in Athenian Popular Religion (Chapel Hill, NC: University of North Carolina Press, 1983), 4, “In varying degrees Sparta, Corinth, Thebes, Athens and the other city-states differed from one another in political, social, and economic structure, and it is only reasonable to assume that they also differed in some extent in their religion … One should be wary of assuming that a religious belief or practice must have been current in all the city-states and among all Greek simply because it is attested for one city-state.” 2 Apollo is generally remembered as the god of prophecy because of his oracle and cult in Delphi.