Louis Comfort Tiffany Treasures from the Driehaus Collection

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Louis Comfort Tiffany Treasures from the Driehaus Collection TRAVELING EXHIBITION SERVICE 2 3 1 4 A celebration of beauty, Louis today. When Tiffany died in 1933, EXHIBITION SPECIFICATIONS “Art interprets the beauty of Comfort Tiffany: Treasures from the his New York Times obituary Number of Works ideas and of visible things, Driehaus Collection features more counted him “among the best 60+ decorative objects, including making them concrete and than 60 objects, spanning over known of American artists.” lamps, vases, and stained glass lasting.” 30 years of Tiffany’s prolific career. windows with accompanying custom casework for all objects Louis Comfort Tiffany, Artist One of America’s most renowned This exhibition celebrates the artists, Louis Comfort Tiffany artistry and craftsmanship of the Organized by worked in nearly all of the mediums Tiffany artworks from Chicago’s The Richard H. Driehaus Museum, Chicago, IL FRONT Detail of Tiffany Studios, River of Life Window, available to artists and designers distinguished Richard H. 1900–1910, leaded glass. 1 Tiffany Studios, Peony in the late 19th and early 20th Driehaus Collection, highlighting Curator Lamp, c. 1903–1905, bronze, leaded glass. 2 Tiffany David A. Hanks, Curator of the Stewart Studios, Humidor, c. 1902–1910, bronze, blown glass. centuries—glass, ceramic, metalwork, masterworks never before presented Program for Modern Design, Montreal 3 Tiffany Glass & Decorating Company, Eighteen-light jewelry, and painting. in a comprehensive exhibition. Lily Table Lamp, prior to 1902, bronze, blown glass. 4 Requirements Tiffany Studios, Garden Landscape Window, 1900– 1910, leaded glass. 5 Tiffany Glass & Decorating High security; 2,500-3,500 square feet Company, Miniature Vase, c. 1898-1900, blown Tiffany’s technical brilliance in a Shipping glass. wide variety of mediums enabled IA&A makes all arrangements; All Photography by John Faier. © 2013 The Richard H. him to convey his awe of the natural exhibitors pay outgoing shipping costs Driehaus Museum. world through a range of objects, within the contiguous US from common household items to Booking Period one-of-a-kind masterpieces. He 12 weeks earned international acclaim for his Tour artistic output, receiving prestigious February 2018–May 2021 awards in exhibitions across Europe Publication and the United States. His work Louis Comfort Tiffany: Treasures from the International Arts & Artists was enthusiastically collected by Driehaus Collection by David 9 Hillyer Court, NW art museums and private collectors A. Hanks with essay by Richard H. Washington, DC 20008 throughout his lifetime, and Driehaus and photographs by John Faier 202.338.0680 ArtsandArtists.org continues to be highly sought after 5 [email protected].

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In 1893, the Tiffany Chapel Was Created for the Chicago World's Fair (World's Columbian Exposition). Louis Comf
In 1893, the Tiffany Chapel was created for the Chicago world's fair (World's Columbian Exposition). Louis Comfort Tiffany's exhibit at the fair was developed by the Tiffany Glass and Decorating Company. The exhibit was installed at the Tiffany & Co. pavilion in the Manufacturers and Liberal Arts Building. Today, the chapel can be seen at the Charles Hosmer Morse Museum of American Art in Winter Park, Florida. The chapel in its form and design is one of the most beautiful that my wife and I have seen. The room, except for two of the four benches is in its original state as at the exhibit in Chicago. From its "decorative moldings, altar floor, carved plaster arches, marble and glass‐mosaic furnishings, four leaded glass windows, sixteen glass‐mosaic encrusted columns (1,000 pounds each) and a ten‐foot by eight‐foot electrified chandelier. The nonhistorical parts of the chapel include walls, nave floor, and ceilings." <Morse Museum> <morsemusem.org> The museum staff commented to us that many people who enter the chapel are so moved by the room's beauty that many sit on the benches and pray. After the Chicago fair, he moved the chapel to his Tiffany studios. It then was purchased by a wealthy woman and installed in 1898 in the crypt of New York's Cathedral Church of Saint John Divine. <Morse Museum> <morsemusem.org> It was used for about ten years but fell into disrepair, due to water damage. Tiffany became concerned and acquired the chapel in 1916. He moved and reinstalled the chapel at his Long Island estate called Laurelton Hall.
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Louis Comfort Tiffany: a Bibliography, Relevant to the Man, His Work, and His Oyster Bay, Long Island, Home.”
Please cite as: Spinzia, Judith Ader, “Louis Comfort Tiffany: A Bibliography, Relevant to the Man, His Work, and His Oyster Bay, Long Island, Home.” www.spinzialongislandestates.com Louis Comfort Tiffany: A Bibliography Relevant to the Man, His Work, and His Oyster Bay, Long Island, Home compiled by Judith Ader Spinzia . The Charles Hosmer Morse Museum, Winter Park, FL, has photographs of Laurelton Hall. Harvard Law School, Manuscripts Division, Harvard University, Cambridge, MA, has Charles Culp Burlingham papers. Sterling Library, Yale University, New Haven, CT, has papers and correspondence filed under the Mitchell–- Tiffany papers. Savage, M. Frederick. Laurelton Hall Inventory, 1919. Entire inventory can be found in the Long Island Studies Institute, Hofstra University, Hempstead, LI. The Schlesinger Library, Radcliffe College, Cambridge, MA, has Edith Banfield Jackson papers. Tiffany & Company archives are in Parsippany, NJ. “American Country House of Louis Comfort Tiffany.” International Studio 33 (February 1908):294-96. “Artists Heaven; Long Island Estate of Louis Tiffany To Be an Artists' Home.” Review 1 (November 1, 1919):533. Baal-Teshuva, Jacob. Louis Comfort Tiffany. New York: Taschen Publishing Co., 2001. Bedford, Stephen and Richard Guy Wilson. The Long Island Country House, 1870-1930. Southampton, NY: The Parrish Art Museum, 1988. Bing, Siegfried. Artistic America, Tiffany Glass, and Art Nouveau. Cambridge, MA: MIT Press, [1895-1903] 1970. [reprint, edited by Robert Koch] Bingham, Alfred Mitchell. The Tiffany Fortune and Other Chronicles of a Connecticut Family. Chestnut Hill, MA: Abeel and Leet Publishers, 1996. Brownell, William C. “The Younger Painters of America.” Scribner's Monthly July 1881:321-24. Burke, Doreen Bolger.
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Frederick Ayer Mansion
NATIONAL HISTORIC LANDMARK NOMINATION NFS Form 10-900 USDI/NPS NRHP Registration Form (Rev. 8-86) OMB No. 1024-0018 AVER, FREDERICK, MANSION Page 1 United States Department of the Interior, National Park Service National Register of Historic Places Registration Form 1. NAME OF PROPERTY Historic Name: Frederick Ayer Mansion Other Name/Site Number: Bayridge Residence and Cultural Center 2. LOCATION Street & Number: 395 Commonwealth Avenue Not for publication: City/Town: Boston Vicinity: State: MA County: Suffolk Code: 025 Zip Code: 02215-2322 3. CLASSIFICATION Ownership of Property Category of Property Private: X Building(s): _X Public-Local: __ District: __ Public-State: __ Site: __ Public-Federal: Structure: __ Object: __ Number of Resources within Property Contributing Noncontributing 1 __ buildings __ sites __ structures __ objects 1 0 Total Number of Contributing Resources Previously Listed in the National Register: J_ Name of Related Multiple Property Listing: NFS Form 10-900 USDI/NPS NRHP Registration Form (Rev. 8-86) OMB No. 1024-0018 AYER, FREDERICK, MANSION Page 2 United States Department of the Interior, National Park Service National Register of Historic Places Registration Form 4. STATE/FEDERAL AGENCY CERTIFICATION As the designated authority under the National Historic Preservation Act of 1966, as amended, I hereby certify that this __ nomination __ request for determination of eligibility meets the documentation standards for registering properties in the National Register of Historic Places and meets the procedural and professional requirements set forth in 36 CFR Part 60. In my opinion, the property __ meets __ does not meet the National Register Criteria.
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Tiffany Studios Designs
GALLERY VIII TIFFANY STUDIOS DESIGNS OBJECT GUIDE Teams of talented artists and artisans in multiple locations—from workshops in Manhattan to a glass-and-metal factory in Corona, Queens—enabled Louis Comfort Tiffany (1848–1933) to meet growing demand for works that reflected boundless variety, experimentation, and innovation. Artfully designed, high-quality objects were the hallmark of Tiffany’s companies over the course of sixty years. All objects in this exhibition were made by artists working under Tiffany’s supervision at one of his firms in New York City. 1) Top to bottom: Tiffany Studios ecclesiastical workshop, c. 1918 Tiffany Studios building, Albumen print c. 1910 (2009-007:003) 355 Madison Avenue, New York City Tiffany Studios mosaic workers, Photographic c. 1910 reproduction Albumen print Gift of Mrs. George D. James (2010-008:003) (2017-151) 3) Top to bottom: Tiffany Studios factory building, c. 1910 Tiffany Studios showroom, c. 1927 Corona, Queens, New York 391 Madison Avenue, Photographic print from New York City glass-plate negative Photographic reproduction (2001-042:029) (2000-024:004) 2) Top to bottom: Tiffany Glass and Decorating Company receipt, c. 1901 Tiffany Glass and Decorating Company Ink on printed paper building, c. 1895 (2009-017:006) Fourth Avenue, New York City Photographic reproduction 4) Top to bottom: 7) Top to bottom: Baptismal font design, c. 1910 Window design, c. 1910 Watercolor, gouache on paper Rosehill Mausoleum, Marks: TIFFANY [conjoined TS] Chicago STUDIOS / ECCLESIASTICAL Watercolor on paper DEPARTMENT / NEW YORK Marks: #3880 / (2002-009) [illegible] / Suggestion No. 2 for / Landscape Baptismal font design, Window Rosehill c.
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Eternal Light: the Sacred Stained-Glass Windows of Louis Comfort Tiffany Explores Gilded Age Beauty in a 21St-Century Light
ETERNAL LIGHT: THE SACRED STAINED-GLASS WINDOWS OF LOUIS COMFORT TIFFANY EXPLORES GILDED AGE BEAUTY IN A 21ST-CENTURY LIGHT Chicago, IL—April 24, 2019—This fall, the Richard H. Driehaus Museum will present Eternal Light: The Sacred Stained-Glass Windows of Louis Comfort Tiffany, focusing on the design and production of Tiffany’s ecclesiastical window commissions—and exploring these works in the context of both the art and social history of the period. At the heart of the exhibition are eleven outstanding, religiously themed windows made between 1880 and 1925 that demonstrate the signature designs, working methods, techniques, and production styles of Tiffany and his workshops. Works have been drawn from major public and private collections across the United States, including the Metropolitan Museum of Art, the Neustadt Collection of Tiffany Glass, and the Charles Hosmer Morse Museum of American Art. The exhibition also includes a number of works that have not been on public view since the closure of the Richard H. Driehaus Gallery of Stained Glass at Navy Pier. Organized by the Driehaus Museum, Eternal Light: The Sacred Stained-Glass Windows of Louis Comfort Tiffany includes more than 25 works by Tiffany and his artists and will be on view from September 7, 2019 – March 8, 2020. “Eternal Light looks without sentiment at the ecclesiastical windows of the Tiffany firm as rich reminders that America is ever-changing,” said Richard P. Townsend, Executive Director of the Richard H. Driehaus Museum. “Tiffany’s masterpieces tell stories of American entrepreneurship, of places of worship as community incubators, of our country’s evolving relationship to religion.
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Tiffany Glass
Woodson Art Museum in your classroom Tiffany Glass Winter 2016-17 Top: Detail from Tiffany Studios, New York, Apple Blossom Library Lamp, ca. 1905, leaded glass, bronze; Below: Tiffany Studios, New York, Clara Driscoll, designer, Wisteria Library Lamp, ca. 1901, leaded glass, bronze. All artworks and images from The Neustadt Collection of Tiffany Glass, Queen, New York. Above: Detail from Tiffany Studios, New York, Begonia Reading Lamp, ca. 1905, leaded glass, bronze; Below: Louis Comfort Tiffany, Favrile Vase, 1909, blown glass; Victorian Art Glass Basket Introduction to Exhibitions on View This winter at the Leigh Yawkey Woodson Art Museum, three complementary exhibitions focused on art glass showcase the range of materials, forms, and designs spanning three iconic movements in American decorative arts: Victorian Era, Gilded Age, and Art Nouveau. Tiffany Glass: Painting with Color and Light includes twenty Tiffany Studios leaded glass lamps, five large stained glass windows, hanging shades, and three forgeries modeled after Tiffany’s iconic lamp designs, all from The Neaustadt Collection of Tiffany Glass. For more information about the exhibition and The Neustadt Collection, check out the Woodson Art Museum’s free app and videos on our Youtube Channel. Two exhibitions from the Woodson Art Museum’s glass collection juxtapose the intricate, feminine designs of the Victorian Era with the more modern and restrained aesthetics of the Art Nouveau period. Enduring Beauty: Art Nouveau Glass features bold iridescent glass in sleek undulating forms typical of the decorative, yet utilitarian, turn-of-the-twentieth-century glassware. Victorian Art Glass Baskets also from the Art Museum’s collection, feature bright colors “woven” throughout delicate glass reminiscent of frills on tutus and unfurling flower petals.
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In Company with Angels Is a Unique Project Begun by People from a Small Pennsylvania Town Who Were Inspired to Share Their 2001
n Company with Angels is a unique project begun by people from I a small Pennsylvania town who were inspired to share their 2001 rediscovery of a set of seven Tiffany church windows. A nonprofit organization, ICWA is dedicated to preserving the windows for future generations to discover and enjoy. In the late 19th and early 20th centuries, Tiffany designs were in great demand for American churches. It is estimated that 50% of Tiffany’s church windows have been lost, so the rediscovery of a series such as Angels Representing Seven Churches is a boon for the history of American glass. Angel Windows Timeline 1758 1848 1933 1688 Swedenborg’s best-known 1787 Louis Comfort Tiffany is 1902 Louis Comfort Tiffany Emanuel Swedenborg is book, Heaven and Hell, Swedenborg’s followers found born in New York City. Tiffany Studios creates dies in New York City. born in Stockholm, Sweden. is published. the Church of the New Jerusalem windows depicting angels in London. representing seven churches as described in the Book of Revelation. 1650 1700 1750 1800 1850 1900 1950 1811 1903 1772 First New Jerusalem Society Church of the New Jerusalem is dedicated in Swedenborg dies in London. of Cincinnati is organized. Cincinnati, with seven angel windows formally presented by the New Church Society of Glendale, OH. (The only existing clue to the possible cost of the windows is an appraisal from this time for $7,865.) 1964 2001 1958 The State of Ohio tears the church down. 1989 Rev. Susannah Currie rediscovers Cincinnati newspaper reports that Parishioners purchase the windows back Temenos board approves $50,000 the crated windows in a storage shed.
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Louis Comfort Tiffany
15) Mountain landscape, c. 1886 19) Wagon Fording a Stream, c. 1875 Albumen print Oil on canvas (1998-028:039) Signed, lower right: L.C.T. LOUIS COMFORT TIFFANY Gift of Susan and Edwin Linville 16) Children at Guard (83-009) Impressions on Film, Lock, June 21, 1886 Lehigh Canal, 20) Abundance, 1888 Canvas, and Paper Easton, Pennsylvania Exhibited: Society of Painters in Albumen print Water-Colors, at the National (1998-028:106) Academy of Design, 1889; Louis OBJECT GUIDE Comfort Tiffany Retrospective, Tiffany captured dozens of images Tiffany Studios, New York, 1916 Louis Comfort Tiffany (1848–1933) established his reputation creating while on a pleasure trip down the Watercolor and gouache on paper Lehigh and Delaware Canals with his Signed, lower right: Louis C. Tiffany beautiful objects. He gave us symphonies in glass and raised the modest fiancé, Louise Wakeman Knox, soon to (64-030) lamp to high art. It is these visually dramatic works that have made be his second wife. This stop in Easton Tiffany a beloved American artist. So it is no wonder that most Tiffany was especially important because they 21) Cradling, c. 1877 met up with her father, then president Oil on artist’s cardboard exhibitions feature his show stoppers. of nearby Lafayette College. Marks: by / L C Tiffany Gift of Mrs. Comfort Gilder This exhibition, on the other hand, everyday life—farm scenes, children 17) Children at the Beach c. 1887 (75-003) draws on the Museum’s collection playing in the surf, and boats on Sea Bright, New Jersey of Tiffany’s less well known two- the Hudson River.
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Designing Women: Friday, March 23, 2007 Presenters 5:30 – 10:00 P.M
Designing Women: Friday, March 23, 2007 Presenters 5:30 – 10:00 p.m. The New York Silver Society’s (NYSS) Lisa Koenigsberg, conference director and president and Alice Cooney Frelinghuysen, Anthony W. and Lulu C. Wang founder, Initiatives in Art and Culture; formerly, she served as Curator of American Decorative Arts, The Metropolitan Museum Fifteenth Annual Dinner,* begins at 5:30 p.m. advisor to the dean for arts initiatives, and director, programs in of Art; she has published widely on the subject of American American Women in the with a lecture by David Barquist, curator of the arts and adjunct professor of arts, NYU School of ceramics and glass with a special focus on the work of Louis American decorative arts, Philadelphia Continuing and Professional Studies. She founded a series of Comfort Tiffany, including most recently, the exhibition and conferences on the Arts and Crafts movement, metalwork (with book, Louis Comfort Tiffany and Laurelton Hall — An Artist’s Decorative Arts, 1875 – 1915 Museum of Art. an emphasis on silver), and Japonisme, now entering its second Country Estate (The Metropolitan Museum of Art, November 21, * Separate registration is required. Individuals who are not NYSS affiliates are welcome to attend; decade. Former positions include: assistant director for project 2006 – May 20, 2007). She also contributed an essay on Louis for further information, please telephone Audrey Goffin at (212) 684-1686 or email her at funding, Museum of the City of New York; executive assistant, Comfort Tiffany’s jewelry in Bejewelled by Tiffany, 1837 – 1987 A Symposium in New York on the Occasion of [email protected], or telephone Patricia Jay Reiner at (212) 877-6850 or email her at Office of the President, American Museum of Natural History; (London, 2006); on Tiffany and New York City in Art Nouveau [email protected], or fax her at (212) 877-5070.
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Pittsburgh Gardens and Glass Tour
Pittsburgh Gardens and Glass Tour View some of the tallest stained glass windows in the world at Heinz Memorial Chapel, a gift to the University of Pittsburgh by Henry John Heinz, founder of the H.J. Heinz Company. It is renowned for its beautiful medieval-style stained glass windows with 391 identifiable figures such as William Shake- speare and Florence Nightingale. No visit to Heinz Chapel would be complete without music from the powerful Reuter organ which boasts 4,272 pipes! Immerse yourself in 17 distinct botanical experiences at Phipps Conservatory and Botanical Gardens, a steel and glass Victorian greenhouse that was a gift to Pittsburgh from industrialist Henry Phipps in 1893. Among the flowers and foliage you’ll see beautiful glass art by Dale Chihuly and other artists. Located within beautiful Schenley Plaza, The Porch at Schenley serves up delicious, seasonal, scratch made meals. Weather permitting, tour guests can view the rooftop garden where the chef grows some of the ingredients himself! Compare the medieval-style stained glass windows of Heinz Memorial Chapel with the opalescent Louis Comfort Tiffany stained glass windows at Calvary United Methodist Church. Located in Pittsburgh’s historic Manchester neighborhood, this Victorian-era church opened its doors in 1893 and is known for its Gothic architecture replete with elaborate spires, gargoyles and intricate wooden carvings. Learn about Pittsburgh’s rich history in glass at the Pittsburgh Glass Center. Tour the contemporary glass art gallery then watch as artists gather, shape and blow amazing works of art during a narrated glassblowing or flameworking demonstration. Groups can add a workshop to create art of their own! Create your own garden-in-a-glass during a Terrarium Workshop! Not just for green thumbs, this workshop will share the history of terrariums and the relationship between Pittsburgh’s steel heritage and Victorian gardening.
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An Investigation Into Louis Comfort Tiffany's and Tiffany Studios' Architectural Metalwork
University of Pennsylvania ScholarlyCommons Theses (Historic Preservation) Graduate Program in Historic Preservation 1-1-2008 An Investigation Into Louis Comfort Tiffany's and Tiffany Studios' Architectural Metalwork Paula Kristina Kulpa University of Pennsylvania Follow this and additional works at: https://repository.upenn.edu/hp_theses Part of the Historic Preservation and Conservation Commons Kulpa, Paula Kristina, "An Investigation Into Louis Comfort Tiffany's and Tiffany Studios' Architectural Metalwork" (2008). Theses (Historic Preservation). 110. https://repository.upenn.edu/hp_theses/110 A thesis in Historic Preservation Presented to the Faculties of the University of Pennsylvania in Partial Fulfillment of the Requirements of the Degree of Master of Science in Historic Preservation 2008. Advisor: Melissa S. Meighan This paper is posted at ScholarlyCommons. https://repository.upenn.edu/hp_theses/110 For more information, please contact [email protected]. An Investigation Into Louis Comfort Tiffany's and Tiffany Studios' Architectural Metalwork Abstract The stimulus for this investigation into architectural metalwork designed and produced by Louis Comfort Tiffany and Tiffany Studios was the current project involving the conservation of the exterior envelope of the Philadelphia Museum of Art (hereafter referred to as the PMA). The scope of this project is quite large, involving work on different materials and assemblies, including several of the building's exterior metal components. Disciplines Historic Preservation and
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Tiffany Chapel Gallery Brochure (PDF)
The Chapel Windows The various windows used in the chapel are marked examples of Tiffany glasswork, all featuring the latest improvements and discoveries in glass, leads, and methods of construction. They are built using the mosaic technique. In one window alone, The CHAPEL there are more than ten thousand individual pieces of glass. No paints or enamels have been used in these windows except in the fl esh of various fi gures. The win- dows are as follows: Field of Lilies, Christ Blessing the In 1893, Louis Comfort Tiffany c. 1892–1916 Evangelists, c. 1892 (1848–1933) created a chapel interior for Leaded glass Leaded glass the Tiffany Glass and Decorating (U-071) Gift of Adelphi College, Garden City, Company exhibit at the Chicago world’s Adoration, c. 1900–1916 New York fair, which was offi cially called the Leaded glass, iron (74-019) World’s Columbian Exposition. A tour Gift of Adelphi College, Garden City, The Story of the Cross, de force of design and a virtuoso New York c. 1892 performance in the arts of mosaic and (74-020) Leaded glass Gift of Adelphi glass, the chapel was a sensation and College, Garden City, brought the already successful designer New York to even greater heights of popularity (62-037) both in America and abroad. After the fair, Tiffany reinstalled the Laurelton Hall. In the years following, chapel at his studios in New York they reassembled virtually all of the City. Then it was installed in a sub- furnishings and windows that had been stantially different form in 1898 in dispersed when the estate was sold.
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