CL_356x261_2018_LETTERCONTOUREN.pdf 1 16-04-18 11:22

DEAREST READERS,

Thank you for supporting us during the last nine editions of the FASHIONCLASH Festival (FCF). Because of you, we never wanted to give up. Because of you, we wake up every day doing what we love to do: organizing and developing innovative events that tickle the mind, the body and the soul - and that hopefully wake up the fashion industry, motivating all of us to push the development of humans, culture, economy and society forward. In a way, you give us a reason to live our lives and to make the most of it. Every day. Every minute. And in a way, that is exactly what this year’s festival - on the 15th, 16th and 17th of June 2018 (accessible and almost entirely free) - is all about: giving meaning to, and renewing that meaning of, our dearest fashion world.

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As you might have noticed, we So please: twist it, fold it, origami As you read through the FCF Forever. In the last ten years, and have chosen to create a paper it - and let it slide into your hand- Paper, you will discover that hopefully many more to come. instead of a booklet this year. bag. Carry it with you, everywhere more than 150 talents from At FASHIONCLASH we have you go. And then, during that one The Netherlands, South-Africa, This FCF Paper marks, in some seen newspapers suffer; and thus, moment -whilst grabbing a hea- Brazil, Italy, Poland, China and way, a new start. A movement to people losing their religion of venly coffee at the Coffeelovers Portugal have something be able to say “although I am starting their day with a cup of van at our Show location at beautiful to share with you: their busy, I am going to sit down, eat coffee and a good-old (news)paper SAM-Decorfabriek or sitting way of giving meaning to life, my birthday cake, create and let read. Since FASHIONCLASH is down at a bench somewhere and their efforts to try and make time pass. To just be you: as not only about looking forward, along The Route in Maastricht ‘fashion’ a religion; if that is even enriched and alive and as creative but also about looking back and – you will de-fold, de-origami or possible. All of them presenting as possible”. Having said that, cherishing the old, we wanted to de-twist it, and enjoy the long their unique skills a.k.a ‘the divine’ we are actually going to have a slow down in a meaningful, sense- reads of young brilliant minds into the material world on our bit of our cake now. soothing way, by creating a such as New York Times and interdisciplinary platform and by fashion paper in a way we would Vestoj writers Didem Tali and means of fashion shows, perfor- like to read it – and miss it. If Dalia Vann. mances, exhibitions, artists, Cheers, to life! possible in a non-hasty and dance, acting etc. Because that Nawie, Laurens and Branko mindful way: with a cup of coffee Next to those lovely long reads, is, in its core, what religion is and a piece of birthday cake. you will be able to navigate The all about: giving meaning to life. Route by using the handy map in Right? In this paper, you will read every- the centrefold. Or read about thing about what our 10th edition the precious FCF-memories of So let us take a moment. A deep has to offer. The so-called FCF top model Kiki Willems, finding out breath. And enjoy all the wonder- Paper will be with you, amuse you everything about the collections ful things we are able to create as whenever you feel you have the of this years’ fashion shows, and human beings. And whenever and time and offer you exactly what about the wonderful FCF-partners wherever you are: do remember our festival is not capable of supporting us to create the stage that FASHIONCLASH is grateful showing you, or explain to you. we think is best for you to enjoy. to you for being with us. Always.

Special thanks go to the Dutch fashion collective ‘Das Leben Am Haverkamp’ by Christa van der Meer, Dewi Bekker, Anouk van Klaveren and Gino Anthonisse for www.kevinmurphy.nl creating campaign images (and cakes) of our favourite clothing items as a way of demonstrating the decreasing value of fashion, but also of baking as a religious way of giving meaning to life. 10TH EDITION OF FASHIONCLASH FESTIVAL: FASHION MY RELIGION!

During the 15th, 16th and 17th of June 2018, FASHIONCLASH will present the tenth The MAFAD Graduation Show, the iconic CLASH Project, exhibitions, edition of its festival, titled Fashion My Religion! in Maastricht. More than 150 crossover performances, fashion talks: just like every year, but this year even promising talents from all over the Netherlands to South Korea, from Peru to Iran, more because of the 10th jubilee edition, there will be a multidisciplary program from Portugal to Slovakia, will show their innovative views on fashion. Some of them on 26 different locations in Maastricht. Almost everything is for free. will even try to answer the question if one is able to, indeed, fashion a religion. We invite you to discover and celebrate with us!

Friday June 15 → 11:00 - 18:00 Le Marais Deux 11:00 - 17:00 Bonnefantenmuseum 15:15 - 16:00 Mosae Forum → 11:00 - 18:00 Lena Berens Studio Store → Exhibition: KOORKAPPEN Project RESEARCH PRESENTATION 15:00 - 15:30 De Gashouder → 11:00 - 18:00 Milan Palma 10:00 - 17:00 Het Dinghuis ‘DIALOGUE BETWEEN FASHION AND OPENING FASHIONCLASH → 10:00 - 18:00 NOW (Maastricht Visitor Center) DEATH: REDESIGNING THE FASHION FESTIVAL 2018 → 10:00 - 18:00 Ace&Tate → Exhibition: Inspired by Religion NARRATIVE’ BY NINA WILLEMS

15:00 - 17:00 Studio Çedille Design 13:00 - 17:00 Centre Céramique 15:30 - 16:00 De Brandweerkantine WORKSHOP: MAKING LEATHER Saturday June 16 → Exhibition: ‘Old Masters’ by LUX | SALLY DANSGEZELSCHAP GOODS FROM SCRAP LEATHER Nina Athanasiou MAASTRICHT/MARTIN HARRIAGUE 11:00 - 11:45 The Student Hotel (Skybar) → Exhibition: God is a Woman!? Project & MIEKE KOCKELKORN 16:00 - 16:30 De Brandweerkantine ‘THE JOKER’ BY ANTHONY VAN GOG → Performance: ‘Day Dream Space’ by LUX | SALLY DANSGEZELSCHAP Audrey Apers and Tim Scheffer 16:30 - 17:15 LAB-Gebouw MAASTRICHT/MARTIN HARRIAGUE 12:00 - 17:00 BY DUUT ‘HUNTING’ BY NORA RAMAKERS AND & MIEKE KOCKELKORN MAKE UP SESSION ELLIS FAAS 10:00 – 17:00 Sint Servaasbasiliek TIMO TEMBUYSER (Bergportaal) 16:30 - 17:00 Mosae Forum 12:15 - 12:30 Achter de komedie 18 → Exhibition: ‘Babel’ by Kasper Jongejan 17:45 - 18:15 LAB-Gebouw ‘IN OUR FOUNTAIN’ BY KOEN THIS IS BY LUCA TICHELMAN ‘MISSA HOMO SACER OP. 35 VERHEIJDEN, KIMBERLY AFUA 11:00 - 01:00 Lumière Cinema CONFITEOR DEO’ BY TIMO AGYARKO, ROANN POSTMA 13:30 - 15:00 → Exhibition: SCHUIT presents TEMBUYSER GUIDED TOUR BY CARLO WIJNANDS Material-Think-Space 19:30 - 21:30 Het Vrijthof AND MONIKA TURCZYN 18:45 - 19:15 De Brandweerkantine THE PINK CHURCH BY Carlo starts at Bonnefantenmuseum, 11:00 - 17:00 Lumière Cinema LUX | SALLY DANSGEZELSCHAP WAARDENGEDREVEN Monika at Sint Servaasbasiliek. Tickets → Installation: ‘I AM SAD’ by Margreet MAASTRICHT/MARTIN HARRIAGUE are available online. Sweerts & MIEKE KOCKELKORN 21:50 - 22:10 Lumière Cinema I AM SAD BY MARGREET SWEERTS / 12:30 - 13:00 De Brandweerkantine FASHION TALENT TAKE OVER Ongoing events FESTIVAL OF SADNESS LUX | SALLY DANSGEZELSCHAP → 11:00 - 18:00 Studio Çedille Design MAASTRICHT/MARTIN HARRIAGUE → 10:00 - 17:00 BY DUUT 12:00 - 18:00 Entre Deux

Ongoing events & MIEKE KOCKELKORN → 10:00 - 17:00 Clio jewelry → Exhibition: Afwezige Aanwezigheid | 5 → 11:00 - 17:00 GRAIL Absent Presence by LEO-NORE 10:00 - 18:00 Entre Deux 13:00 - 13:25 Centre Céramique → 10:00 - 18:00 Le Marais Deux → Exhibition: ‘DEEP: venturing into un- → Exhibition: Afwezige Aanwezigheid | ‘AAN DE ANDERE KANT’ BY EVALINDE → 11:00 - 18:00 Lena Berens Studio Store known territory by dressing’ by THIESSEN WIJNKOOPERS Absent Presence by LEO-NORE LAMMERS AND KIMBERLEY AGYARKO → 11:00 - 18:00 Milan Palma Amber Jae Slooten Qui sait déguster ne boit plus jamais de vin, mais goûte des secrets → Exhibition: ‘DEEP: venturing into → 10:00 - 17:00 NOW → Exhibition: ‘Fashion as Religion’ - Salvador Dali unknown territory by dressing’ by 15:15 - 16:00 Mosae Forum → 10:00 - 18:00 Ace&Tate photo exhibition by MAMDT Academy Amber Jae Slooten RESEARCH PRESENTATION Students → Exhibition: ‘Fashion as Religion’ ‘DIALOGUE BETWEEN FASHION AND photo exhibition by MAMDT Academy DEATH: REDESIGNING THE FASHION Sunday June 17 13:00 - 18:00 De Bijenkorf Students NARRATIVE’ BY NINA WILLEMS → Exhibition: Showpieces 12:30 - 13:30 LAB-Gebouw 10:00 - 18:30 De Bijenkorf 16:00 - 19:00 Van Eyck Academy ORACLES’ BY ANNA LUKA DA SILVA 11:00 - 17:00 Bonnefantenmuseum → Exhibition: Showpieces VAN EYCK PRESENTS VERA AND ERIK VAN DE WIJDEVEN → Exhibition: KOORKAPPEN Project GULIKERS, ROSANNE VAN WIJK, 11:00 - 17:00 Bonnefantenmuseum DASHA TSAPENKO, SISSEL MARIE 12:00 - 12:15 + 12:35 - 12:50 11:00 - 17:00 Het Dinghuis → Exhibition: KOORKAPPEN Project TONN & EBBY PORT Achter de komedie 18 (Maastricht Visitor Center) THIS IS BY LUCA TICHELMAN → Exhibition: Inspired by Religion 10:00 - 17:00 Het Dinghuis (Maastricht 16:00 - 16:30 Ace & Tate Visitor Center) MEET THE DESIGNER - 13:00 - 13:30 Mosae Forum 13:00 - 17:00 Centre Céramique → Exhibition: Inspired by Religion BLUEDENÎMES X MINOU LEJEUNE ‘IN OUR FOUNTAIN’ BY KOEN → Exhibition: ‘Old Masters’ by Nina VERHEIJDEN, KIMBERLY AFUA Athanasiou 09:00 - 18:00 Centre Céramique 16:45 - 17:00 The Student Hotel (Skybar) AGYARKO AND ROANN POSTMA → Exhibition: God is a Woman!? Project → Exhibition: ‘Old Masters’ by Nina A FIRST VISION OF DYING’ BY → Performance: ‘Day Dream Space’ by Athanasiou ANTHONY VAN GOG 13:00 - 14:00 De Brandweerkantine Audrey Apers and Tim Scheffer → Exhibition: God is a Woman!? Project LUX | SALLY DANSGEZELSCHAP → Performance: ‘Day Dream Space’ by 17:15 - 17:30 Achter de komedie 18 MAASTRICHT/MARTIN HARRIAGUE 12:30 - 17:00 Sint Servaasbasiliek (Bergportaal) Audrey Apers and Tim Scheffer THIS IS BY LUCA TICHELMAN & MIEKE KOCKELKORN → Exhibition: ‘Babel’ by Kasper Jongejan

10:00 - 17:00 Sint Servaasbasiliek 19:00 - 02:30 SAM-Decorfabriek 13:30 - 15:00 11:00 - 01:00 Lumière Cinema (Bergportaal) THE SHOW, MAFAD SHOW, GUIDED TOUR BY CARLO WIJNANDS → Exhibition: SCHUIT presents → Exhibition: ‘Babel’ by Kasper Jongejan AFTERPARTY AND MONIKA TURCZYN Material-Think-Space Carlo starts at Bonnefantenmuseum, 11:00 - 01:00 Lumière Cinema Ongoing events Monika at Sint Servaasbasiliek. Tickets 11:00 - 17:00 Lumière Cinema → Exhibition: SCHUIT presents are available online. → Installation: ‘I AM SAD’ by Margreet Material-Think-Space 10:00 - 18:00 Entre Deux Sweerts → Exhibition: Afwezige Aanwezigheid | 14:00 - 15:30 LAB-Gebouw 11:00 - 17:00 Lumière Cinema Absent Presence by LEO-NORE FASHION TALK | THE FASHION FASHION TALENT TAKE OVER → Installation: ‘I AM SAD’ by → Exhibition: ‘DEEP: venturing into DIALOGUE: THE CLASH OF VALUES → 12:00 - 17:00 Studio Çedille Design Margreet Sweerts unknown territory by dressing’ by Amber → 13:00 - 17:00 BY DUUT Jae Slooten 15:00 - 16:00 Boekhandel Dominicanen → 12:00 - 17:00 Clio jewelry FASHION TALENT TAKE OVER → Exhibition: ‘Fashion as Religion’ photo ‘TZSARINA PRESENTS BIRGITTA → 12:00 - 17:00 GRAIL → 10:00 - 18:00 Studio Çedille Design exhibition by MAMDT Academy Students DE VOS WITH “SOUL MATTERS” → 12:00 - 17:00 Le Marais Deux → 10:00 - 17:30 BY DUUT 10:00 - 18:30 De Bijenkorf FASHION TALK AND AND (HE) → 11:00 - 18:00 Milan Palma → 10:00 - 18:00 Clio jewelry → Exhibition: Showpieces ART PERFORMANCE’ BY YELENA → 12:00 - 17:00 NOW → 11:00 - 18:00 GRAIL KHARITONOVA → 12:00 - 18:00 Ace&Tate

FCF 18 SHOWS

1. ALESSANDRO TRINCONE 17. IVA KUJUNDŽIĆ

Name: Alessandro Trincone WINNER FTDC SERBIA 2017 FCF 18 SHOWS Country: Italy Name: Iva Kujundžić Nationality: Italian Country: Serbia Mail: [email protected] Nationality: Serbian Web: alessandrotrincone.com Mail: [email protected] Instagram: alessandrotrincone Instagram: _surrealista_ Photo: Ilaria D’Atri Photo: Veljko Mitrovic

2. AMY OLLETT 18. JACQUELINE LOEKITO Name: Amy Ollet Name: Jacqueline Loekito Country: UK Country: UK Nationality: British Nationality: British Mail: [email protected] Mail: [email protected] Web: amyollett.com Web: jacquelineloekito.com Instagram: wamyollett Instagram: damejaxx Photo: Kenneth Lam Photo: Yasmina Haddad

3. ANNAISS YUCRA MANCILLA 19. MAARTEN VAN MULKEN Name: Isabel Annaiss Yucra Mancilla Name: Maarten Van Mulken Country: Peru Country: The Netherlands Nationality: Peruvian Nationality: Dutch Mail: [email protected] Mail: [email protected] Web: annaissyucra.com Web: maartenvanmulken.com Instagram: annaiss_design Instagram: maartenvanmulken Photo: Christofer Melgarejo 20. MATTEO CARLOMUSTO 4. CARLIJN VEURINK Name: Matteo Carlomusto Name: Carlijn Veurink Country: Italy Country: The Netherlands Nationality: Italian Nationality: Dutch Mail: [email protected] Mail: [email protected] Web: matteocarlomusto.jimdo.com Web: carlijnveurink.com Instagram: matteocarlomusto Instagram: carlijnveurink Photo: Enrico Berni Photo: Leroy Verbeet 21. MICHAELA ČAPKOVÁ 5. D.A.I. Name: Michaela Čapková Name: QINLING DU Country: Czech Republic Country: China Nationality: Czech Nationality: Chinese Mail: [email protected] Mail: [email protected] Web: michaelacapkova.com Web: duasinfinity.com Instagram: michaelacapkovaofficial Instagram: duasinfinity Photo: 22. MINDLESS / KATARZYNA DWORECKA 6. DARIA D’AMBROSIO Name: Katarzyna Dworecka Name: Daria D’Ambrosio Country: Poland Country: Italy Nationality: Polish Nationality: Italian Mail: [email protected] Mail: [email protected] Web: mindless.pl Web: .com/dariadambrosio Instagram: mindlessofficial Instagram: daria_dambrosio Photo: Marzena Kolarz Photo: Gioconda & August 23. MUKASHI MUKASHI 7. DANA JASINKEVICA WINNER FASHION MAKES SENSE AWARD 2017 Name: Dana Jasinkevica Name: Birutė Mažeikaitė Country: Latvia Country: Germany Nationality: Latvian Nationality: Lithuanian Mail: [email protected] Mail: [email protected] Web: danajasinkevica.com Web: facebook.com/mukashimukashidesign Instagram: danajasinkevica Instagram: mukashi_mukashi_berlin Photo: Dana Jasinkevica Photo: Fredrik Altinell

8. DOMINIKA KOZÁKOVÁ 24. PRJCT22

6 Name: Dominika Kozáková DESIGN COLLECTIVE OF 7 GRADUATE STUDENTS

Country: Slovakia FROM MD22 COURSE OF AMD DÜSSELDORF 7 Nationality: Slovakian Name: Lara Zwaan, Carolien Hölzemer, Nataliya Mail: [email protected] Maassen, Viola Schmitz, Julia Krabbe, Marvin Instagram: dominika_kozakova_ Majewski, Joana Engels Country: Germany / The Netherlands 9. EMILIE THIRION Nationality: German / Dutch Name: Emilie Thirion Mail: [email protected] Country: Belgium Instagram: prjct22 Nationality: Belgian Photo: Nataliya Maassen Mail: [email protected] Web: emiliethirion.com 25. PU TIANQU Instagram: emiliethirion Name: Tianqu Pu Photo: Soe Aitarg Country: China Nationality: Chinese 10. ENNI LÄHDERINNE Mail: [email protected] Name: Enni Lähderinne Instagram: putianqu Country: Finland Nationality: Finnish 26. RENA JANSEN Mail: [email protected] Name: Rena Jansen Web: ennilahderinne.com Country: The Netherlands Instagram: mennienni Nationality: Dutch Photo: Pauliina Maus Mail: [email protected] Instagram: rena_jansen 11. ENCLOTHED COGNITION Name: Bregje Cox & Mark King 27. RITA SÁ Country: The Netherlands WINNER SANGUE NOVO / Nationality: Dutch MODALISBOA – LISBOA FASHION WEEK Mail: [email protected] Name: Rita Sá Web: enclothedcognition.info Country: Portugal Instagram: enclothedcog Nationality: Portuguese Mail: [email protected] 12. FILIPE AUGUSTO Instagram: ritasa_brand WINNER SANGUE NOVO / MODALISBOA – Photo: Ugo Camera LISBOA FASHION WEEK Name: Filipe Augusto 28. SORTEMARIA Country: Portugal Name: Angelo Castro, Yenni Leal Nationality: Portuguese Country: Uruguay Mail: [email protected] Nationality: Uruguayan Instagram: filipe.aaugusto Mail: [email protected] Photo: Ugo Camera Instagram: angelo.castro1 / yennilema Photo: Karina Stefansson 13. FEDERICO CINA Name: Federico Cina 29. TEUN Country: Italy Name: Teun Seuren Nationality: Italian Country: The Netherlands Mail: [email protected] Nationality: Dutch Web: www.federicocina.net Mail: [email protected] Instagram: federico_cina Web: teunseuren.nl Photo: Gabrielle Rosati & Luca Notarfrancesco Instagram: teun_seuren

14. GIULIA FARENCENA CASARO 30. STEVEN VANDERYT Name: Giulia Farencena Casaro Name: Steven Vanderyt Country: Italy Country: The Netherlands Nationality: Italian Nationality: Dutch Mail: [email protected] Mail: [email protected] Instagram: giuliafarenc Web: stevenvanderyt.com Photo: Szilveszter Makó Instagram: stevenvanderyt

15. HAESUNG BONG 31. Z A H R A. H O S S E I N I Name: Haesung Bong Name: Zahra Hosseini Country: South Korea Country: UK Nationality: Korean Nationality: Iranian Mail: [email protected] Mail: [email protected] Web: haesungbong.com Web: zahrahosseini.com Instagram: haesung_bong Instagram: ZH.HOSS Photo: Oscar Raaijmakers Photo: Brooke Roberts-, Aurelia Anomalie

16. HENKJENZ Name: Juliette Heijnen Country: The Netherlands Nationality: Dutch Mail: [email protected] Web: julietteheijnen.com Instagram: julietteheijnen Photo: Armando Branco FCF 18 SHOWS

1. MICHELLE ZWINKELS Graduation project: HYBRID Mail: [email protected] Web: michellezwinkels.com Instagram: michellezwinkels Photo: Ginger Bloemen

2. BOJANNA ALEKSIC Graduation project: Mail: [email protected] Instagram: bojanna_aleksic Photo: Ginger Bloemen

3. LAURA VAN DER SPOEL Graduation project: Escaping reality Mail: [email protected] Instagram: lauravanderspoel

4. NIENKE CREEMERS Graduation project: Unpicking Cotton Mail: [email protected] Instagram: nienke_creemers Photo: Ginger Bloemen

5. PAULINE HETGER Graduation project: Children of hypnotic Somnia Mail: [email protected] Instagram: hepauli

6. SAM SCHOBBE Graduation project: WHIRLWIND Mail: [email protected] Web: samschobbe.nl Instagram: sam.schobbe

7. HELEN HENTSCHKE Graduation project: Heimatsgefühle Mail: [email protected] Web: helenhentschke.nl Instagram: helen.hentschke Photo: Studio Mooierder

8. JESSIE WITTERS Graduation project: SWEET ASPHYXIA Mail: [email protected] Instagram: jessie_witters Photo: Ginger Bloemen

9. NATHAN KLEIN Graduation project: The First Time He Kissed a Boy Mail: [email protected] 8 Web: nathanklein.nl Instagram: nathanxklein Photo: Ginger Bloemen

10. NIEKE VERKENNIS Graduation project: Changing Spaces Mail: [email protected] Instagram: niekeverkennis Photo: Bojanna Aleksic

11. PIA WALTER Graduation project: AWE Mail: [email protected] Web: piawalter.com Instagram: piawalter__ Photo: Ginger Bloemen

12. VALÉRY FIDDELAERS Graduation project: Let's start over again Mail: [email protected] Web: vlry-fashion.com Instagram: vlryfashion Photo: Rutger Hoebergen

Instagram: collective_12 www.mafad.nl FCF 18 SHOWS 1. AURÉLIE D’INCAU

Discipline: Visual artist Country: Louxembourg Nationality: Luxembourgian Mail: [email protected] Web: aureliedincau.com Instagram: aureliedincau

2. TIM PRINS Since the beginning of FASHIONCLASH Festival in 2009, CLASH Project invites 10 artists and designers per year to Oh du lieber Augustin Discipline: designer

translate their work into wearable catwalk pieces. Participants from different art and design disciplines are challenged Country: The Netherlands FCF 18 SHOWS Nationality: Dutch to transfer their practice, both materially and conceptually to a different medium. CLASH is the perfect opportunity Mail: [email protected] to step out of your artistic comfort zone – to play and to experiment with other forms of art. The participants are Web: studiostad.eu professionals who represent various artistic disciplines, such as fine arts, product design, jewelry, performance and 3. DANIKA VAN KAATHOVEN Pursuit of Motion photography. All disciplines except fashion are possible. The CLASH project has become an iconic project, forming one Discipline: Product designer of the highlights of the FASHIONCLASH Festival, and its outcome is always refreshing, captivating and trendsetting. Country: The Netherlands Nationality: Dutch Mail: [email protected] th Web: danikavankaathoven.com This year FASHIONCLASH also celebrates the 10 edition of the CLASH Project; Instagram: danikavankaathoven 100 CLASH outfits have been created since the first edition in 2009. 4. SIMONE SCHUFFELEN Miss Kraom

Discipline: Artist and multitalent Country: The Netherlands Nationality: Dutch Mail: [email protected] Web: simoneschuffelen.com Instagram: deschuffel

5. CAZ EGELIE Curator II

Discipline: Visual artist Country: The Netherlands Nationality: Dutch Mail: [email protected] Web: cazegelie.com

Fashion By Non-Fashion Designers Instagram: cazegelie

6. KRIS VLEUGELS The Emperor’s new clothes Outlines of make believe

Discipline: Social designer Country: The Netherlands Nationality: Dutch Mail: [email protected] Web: krisvleugels.nl Instagram: vleugelsk

7. MIES LOOGMAN Safety for Extreme Weather Events

Discipline: Information/communication/ strategic designer Country: The Netherlands Nationality: Dutch Mail: [email protected] Web: miesloogman.com Instagram: miesloogman

10 8. DASHA TSAPENKO Resistance 11 Discipline: Product designer Country: Ukraine Nationality: Ukrainian Mail: [email protected] Web: dashatsapenko.com Instagram: dasha__tsapenko Photo: Ronald Smits

9. COX JANSSENS Sacrifice for fashion

Discipline: Designer, illustrator Country: The Netherlands Nationality: Dutch Mail: [email protected] Web: coxjanssens.nl Instagram: coxjanssens Crystal Ogunnorin @ Models Rock Agency, Isabelle van Aarle @ Models Rock Agency and Aim Wagemans Agency Aarle @ Models Rock van Isabelle Agency, Ogunnorin @ Models Rock Crystal 10. KRISTOFERS REI Essential Instinct

Discipline: Product Design, Footwear Design, Concept Design Country: The Netherlands Nationality: Latvian Mail: [email protected] Web: kristofersrei.com Instagram: kristofersrei Photography: Anton Fayle & Sem Shayne / Hair: Sigrid Eiting @ KEVIN.MURPHY / Make-up: Rachel Ritzen @ Make-Up My Religion and Ellis Faas / Models: Jonathan Oron, Anouk Toma @ Models Rock Agency, Agency, @ Models Rock Anouk Toma Oron, / Models: Jonathan and Ellis Faas My Religion @ Make-Up Ritzen Rachel / Make-up: Sigrid Eiting @ KEVIN.MURPHY / Hair: & Sem Shayne Fayle Anton Photography: Location: CLASH Project will be presented in The Show program on Saturday June 16th at SAM-Decorfabriek. SAM-Decorfabriek. at June 16th on Saturday program in The Show will be presented Project CLASH Location: THE ROUTE SPONSOR FORZA FASHION HOUSE: INTERVIEWS FASHION TALENT TAKE OVER

KEVIN.MURPHY go beyond the standard and that bring beauty, action, inspiration and harmony What does your company do and what to our little town. does it stand for? What are your future wishes for We supply hair cosmetics. KEVIN.MURPHY FASHIONCLASH Festival, since this is stands for fashion, performance and en- our 10th anniversary edition? vironment. We are an eco-friendly . To keep on moving. Refreshing. This means that, amongst others, we do Gathering fans and broadening the not use parabens and sulphates, and that fashion network in Maastricht and the we do not test our products on animals. rest of the world. And, of course, to keep We are very proud to be using the inspiring and motivating young fashion PETA certificate. talent to bring out the best in themselves. What is your personal (as a company) take on Fashion my Religion? DS AUTOMOBILES KEVIN.MURPHY is a fashion-focused brand. Religion is one of our cornerstones, What does your company do and what since we believe that hair, fashion and does it stand for? religion go hand in hand. DS Automobiles stands for luxury from What is your favorite and/or most Paris; making beautiful cars inspired by precious memory of FASHIONCLASH French couture and jewels. Festival? What is your personal (as a company) The moment that all the shows are take on Fashion my Religion? over and you feel that you have done an Fashion my Religion could also be percei- amazing job with the whole team behind ved as a way of life or something you FASHIONCLASH. Especially working get inspiration from, something we well together with the other disciplines to understand at DS Automobiles! achieve an amazing result is the best What is your favourite and/or most feeling there is; it is hard to translate and precious memory of FASHIONCLASH During the FASHIONCLASH Festival Milan Palma express this feeling in words. Festival? 2018 and after a successful edition Maastrichter Heidenstraat 3A What are your personal motivations Meeting with the FASHIONCLASH in November 2017, several local TALENT LEO-NORE to collaborate with FASHIONCLASH team during the festival is always a good designers and shopkeepers from Festival? moment: after hard work they are proud to Maastricht will be entering the NOW The collaboration between FASHION- present the result and show it to the spotlight for the second time during Maastrichter Smedenstraat 6 CLASH en KEVIN.MURPHY is partly public. the FASHION TALENT TAKE OVER TALENT wander.ful based on the fact that we recognize and What are your personal motivations (FTTO), a project initiated by Forza acknowledge the position of FASHION- to collaborate with FASHIONCLASH Fashion House Maastricht (FFH) and Studio Çedille Design CLASH, namely: to connect, to innovate Festival? FASHIONCLASH, and a unique way Minckelersstraat 16 and to challenge. From the start on, these We have established a very good contact to discover clothing, jewellery and TALENTS blou.print, Cée Concept, concepts have been at the core of our with the organisation for several years: a accessories by local designers in the DV Jewellery, Schiltman Leather, 12 products as well. Therefore, we really see very young and inspiring team that values magnificent boutiques of Maastricht. SOOLZTER

the resemblance between our brand and the cooperation with festival partners. 13 FASHIONCLASH. We think of FASHION- I also see the parallels between the Forza Fashion House connects fashion CLASH and KEVIN.MURPHY as two avant-gardism that FASHIONCLASH is talents and entrepreneurs and with the ACTIVITIES kindred spirits connected! looking for and what we want to do with FASHION TALENT TAKE OVER project What are your future wishes for our brand. it links designers to retail. This way de- MEET THE DESIGNER FASHIONCLASH Festival, since this is What are your future wishes for signers get the chance to sell their work → Saturday June 16th our 10th anniversary edition? FASHIONCLASH Festival, since this is and come in contact with customers. SHOP Ace & Tate We hope that FASHIONCLASH will con- our 10th anniversary edition? At the same time, independent business TALENT Bluedenîmes x Minou Lejeune tinue to grow, and eventually grow even Keep up your good work, continue to owners are put in the spotlight. The pur- Wycker Brugstraat 65 bigger in the future! We wish them all the share your thoughts with the world and pose of FASHION TALENT TAKE OVER → Friday June 15th – Sunday June 17th best with that, and hope to be contribu- always surprise us. Go on for another is to start a long-term relationship bet- SHOP Studio Cedille Design ting to their success by continuing our 10 years please! ween designers and shop owners in order TALENT Schiltman Leather collaboration with them in the future. to provide a lasting platform to young Minckelersstraat 16 PL-LINE design talent as well as entrepreneurs. COFFEELOVERS The purpose of Forza Fashion House is What does your company do and what creating a local creative community de- ABOUT FORZA FASHION HOUSE What does your company do and what does it stand for? dicated to fashion, entrepreneurship and MAASTRICHT does it stand for? Deliver high end fashion clothing and manufacturing. FFH directly connects Coffeelovers is a chain of coffee bars in the everything that comes to it in a professi- the industry to designers based on a new Forza Fashion House (FFH) is a labora- South-Eastern part of The Netherlands. onal and luxurious environment, offering vision on design, production, retail and tory for fashion talent and the throbbing Founded in 2000 by coffee roaster professional and contemporary service. education. Forza Fashion House is an heart of Fashion Maastricht. The second Blanche Dael in Maastricht, Coffeelovers What is your personal (as a company) initiative by FASHIONCLASH. floor in the LAB building at the Radium is in fact a “proofpoint” of product take on Fashion my Religion? has been home to FFH since July 2017. quality of the products coming from the With this year's Met Gala theme "Heavenly A place where craftmanship, creativity, Blanche Dael roastery and tea packers. Bodies", the visual interpretation of PARTICIPATING entrepreneurship and history meet, and Through craftsmanship and hospitality Fashion my Religion has been all over the DESIGNERS & SHOPS talent can grow. FFH is a multi-functional we try to enrich the daily lives of our . But more important is the fact (work)space and a creative community guests. that fashion can be something individuals BY DUUT devoted to fashion, manufacturing and What is your personal (as a company) gain confidence from and therefore live by Rechtstraat 66 entrepreneurship. Besides work ateliers take on Fashion my Religion? the trends they feel comfortable with, as TALENTS GABRIEL+GUEVARA, there is a collective meeting hub, a In these rich times you see that faith is if it's their religion. Laurie Bessems general presentation space/showroom experienced more and more individually. What is your favourite and/or most and the FASHIONCLASH office. Sometimes people do this with help of precious memory of FASHIONCLASH Clio Jewelry FFH also offers a challenging development the Bible. Sometimes through submitting Festival? St. Amorsplein 11 program focussing on entrepreneurship, to a higher power or sometimes through Every FASHIONCLASH Festival opening TALENTS GABRIEL+GUEVARA, branding and sales. Think of coaching believing in oneself. We believe you can is more than exciting. All the energy and Studio Iris Claessens, Hlneklein sessions, fashion talks, workshops and also show this in the clothes you wear. creativity makes this moment a Paris/ more. This way, FFH lays down durable What is your favorite and/or most Milano fashion week resemblance in our GRAIL foundations and anticipates on relevant precious memory of FASHIONCLASH own Maastricht. Nieuwstraat 21 questions the designer might have in Festival? What are your personal motivations TALENTS Current Mood, order to help the designer grow in The stunning shows. Every year again. to collaborate with FASHIONCLASH Tourist Clothing practice. We just love the atmosphere and the Festival? FFH is part of Fashion Maastricht, a pro- creativity that is around during the Promote and encourage young new Le Marais Deux gram by the municipality of Maastricht. festival. You never know what to expect, talents to develop their ideas. Maastrichter Heidenstraat 6-8 The main purpose of this is the develop- and every year again, it is more than What are your future wishes for TALENT wander.ful ment of fashion (talent) and the city of expected. FASHIONCLASH Festival, since this is Maastricht as a fashion city to economi- What are your personal motivations our 10th anniversary edition? Lena Berens Studio Store cally boost the region and contribute to to collaborate with FASHIONCLASH Continuing to grow and to contain our Witmakersstraat 1 a proper environment for creative talent Festival? professional partnership. TALENT Studio Iris Claessens to settle down. The support of quality productions that

NDD2018_Club adv Fashion Clash_356x530mm_wt.indd 1 29-04-18 13:51 THE ROUTE FASHION TALKS THE FASHION DIALOGUE: A CLASH OF VALUES

I AM, Sunday 17 June 2018 2:00 - 3:30 PM | LAB-Gebouw THEREFORE Free admission, registration I WEAR necessary. Scepticism and optimism 2:00 PM Introduction intermingle in our communication 2:05 PM Fashion My Religion: Maaike de Haardt and social interactions with each 2:15 PM The Validation Junky: other and the surrounding world. Adam Peacock 2:25 PM The Clash of Values: Boundaries between technology José Teunissen, Adam Peacock, and human experience are Dai Rees, Ben Wubs, Mariangela Lavanga & Maaike de Haardt. blurring, and there is no longer Moderator: Susanne Vegter a one-size-fits-all approach 3:00 PM Time for Questions 3:30 PM End to understand or predict why and how people act, believe or More info & registration: dress the way they do. Within www.mindfashion.today/dialogue this complex and transforming Photo: 'Siamese' by Artist Flora Borsi Join us and our internationally-renowned world it seems more pertinent guests José Teunissen, Adam Peacock, Dai Rees, Ben Wubs, Mariangela Lavanga, than ever that fashion is placed FASHION OUR Maaike de Haardt and Susanne Vegter in a context that forces you during a unique conversation about the RELIGION current and future role that fashion to question its true value. plays in individuals' lives, our society Therefore, The Fashion Dialogue 1. JOSÉ TEUNISSEN 4. DAI REES and today's economy. Dean School of Design and Course Director MA Fashion will challenge, cross, connect Technology, London College of Artefact London College of and rewrite borders, systems, Fashion, UAL & Curator State Fashion, UAL of Fashion (1 June – 22 July disciplines, definitions and beliefs 2018, Arnhem) Within fashion [education] we REVEALING in order to reveal a Fashion DNA should always challenge our There is an urgent need for faith, boundaries and beliefs 14 THE VALUES that is made out of more than Fashion to become relevant and offer new approaches BEHIND THE threads of fabrics. and resilient again, and to to how we look, research 15 take itself seriously – not and produce new Fashion CLOTHES The conversation aims to address that fashion exists only by producing clothes in a Artefacts that epitomise the beyond static garments, catwalks, labels, stores and circular and socially respon- culture and society we live [WE WEAR] closets. It offers the stage to a multi-disciplinary sible way but also by using its in. For to deny change we Prior to the panel discussion, Prof Maaike [re]framework and voice for fashion by opening up power to envisage a better fall into the mythology and de Haardt will put the spotlight on the a dialogue between experts in - among others – world. Fashion as a discipline antiquated ideologies that interaction between religion, culture and & Technology, Cultural Economics, should build on its strengths have bound parishioners to a gender, addressing to what extent reli- Arts, Religion, Business History, Higher Education, and use her groundbreaking past of guilt, a present of fear gious or spiritual motives, questions and and the Fashion Industry,.. and YOU! seductive power to redefi- and a future of the unknown. dimensions can be recognised in human ne what beauty, luxury and activities and forms of expression (from Different visions, different values, different systems, seduction entail in the 21st cooking to fashion). different questions; will they clash or are we [humans] Century. 5. BEN WUBS searching for the same solutions and like-minded answers? Professor International Designer Adam Peacock will elaborate Business History Erasmus more on his vision behind The Validation 2. MAAIKE DE HAARDT University Rotterdam Junky, an experimental lens upon the Professor Religion & Gender complexities of contemporary digital Radboud University Two main drivers of capita- consumer culture, underlining also lism since the 20st century that it is possible to design products and Faith and fashion: making are wars and fashion. The services within a commercial realm that virtue of necessity, modelling latter is quite innocent celebrate identity, not diminish it. the spiritual. What we wear, compared to the former. our clothes are visual nar- Take part in The Fashion Dialogue ratives that have the ability on Sunday 17 June 2018 and discuss to tell stories of spirituality, 6. MARIANGELA together with us the values behind the cultural meanings, beliefs of LAVANGA clothes we design, produce, wear and beauty... a sense of presence. Assistant Professor Cultural dispose of. Make sure you register on Economics Erasmus University time as there are limited seats available! Rotterdam 3. ADAM PEACOCK Designer & Founder of Fashion provides a lens The Validation Junky [or offers a vantage point] to understand and even forecast To be a relevant designer major changes in contempo- today means ignoring rules of rary societies.” existing disciplines, structu- res, systems and behaviour. 7. SUSANNE VEGTER Instead responding with Moderator astute observation to form intelligent strategy to frame To be relevant and sustain- how to approach a design able these days means brea- opportunity and social issue. king the rules of existing in- dustries, labels and behaviour. I often see a fear of change and fear of technology. How- ever, to innovate, one must keep an open mind and focus on collaboration, even if it means you are outside of your An initiative of MINDFASHION.TODAY in collaboration with FASHIONCLASH comfort zone.

0077_SANTOCCI_FashionClash_174x261.indd 1 10-05-18 18:39

THE ROUTE ROUTE THE 17 1. TEUN SEUREN TEUN Label Name: I Decline Title: [email protected] Mail: teunseuren.nl Web: teun_seuren Instagram: ROOS 2. VICTORIA LEDIG & MANDY Ledig X Victoria Roos Mandy Label Name: Pussymagic Title: [email protected] Mail: mandy_roos victorialedig, Instagram: 3. SARAH LAUWAERT Lauwaert Sarah Label Name: I am a modern prophet Title: [email protected] Mail: sarahlauwaert.com Web: sarah.lauwaert Instagram: 4. STEVEN VANDERYT VandeRyt Steven Label Name: Goddess) OG (Original Title: [email protected] Mail: www.stevenvanderyt.com Web: STEVENVANDERYT Instagram: 5. BORIS KOLLAR b o r I s k o l l a r Label Name: Eva" belongs to "Adam Title: [email protected] Mail: boriskollar.com Web: boris.halusky Instagram: 6. SOPHIE ROUMANS ROUMANS Label Name: ALIAS Title: [email protected] Mail: sophieroumans.com Web: roumansofficial Instagram: SANDER BOS 7. Sander Bos Label Name: God" of "The daugthers Title: [email protected] Mail: sanderbosfashion.wordpress.com Web: sanderbosofficial Instagram: 8. BOBBINE BERDEN LEO-NORE Label Name: DATAISM Title: [email protected] Mail: leo-nore.com Web: bobbineleonoreberden Instagram: 9. ANOUK BECKERS Anouk Beckers Label Name: Identity Curating Title: [email protected] Mail: anouksbeckers Instagram: 10. METTE STERRE Enterprise Sterre Mette Label Name: (p) Roxy rookie Rocking Title: [email protected] Mail: mettesterre.com Web: mettesterre Instagram: The designers took the topic further, further, topic the took The designers of concept the that acknowledging our want we where reflect should deity a from away and moving be, to society a as God society. of view patriarchal why so be shocking, not should woman it is changed: question The it so? make does but how is a woman!?’ ‘God no more is their God and what individual view the a provides If fashion it? to relationship himself express individual to the for way more provide also should it or herself, to garments, traditional than options your express and to limits their break by As stated identity. religious own means „Being religious Anouk Beckers: Some everyone. for different something through religion their people will show wear don’t others clothing, traditional I religious. specific while being anything fashion of role important most the think us - by around world the represent is to and articles interviews photos, models, if it is itself ask consciously - and to everyone?” representing already only not designers the led to The project but more a woman, God as of thinking can do to fashion what of importantly - pro by in religion, inclusiveness increase an individu- communicate to viding a way „I think summarise: To view. personal al’s can speak in a we fashion through that Seuren: Teun all understand. language we we I think message, right the shoot „If we a lot”. inclusiveness can increase By Kia Likitalo Kia By The ‘God is a Woman!?’ project provided provided project is a Woman!?’ The ‘God desig- selected ten for an opportunity on and critically reflect explore to ners through religion of dynamics societal the the asked FASHIONCLASH fashion. - inspira us their tell to designers selected have they and what project the tion for process. learned in the if tradition, people in Western Most a man, God, will describe picture to asked attributes, wizard-like some with maybe on the themselves or possibly basing Christ. of representations traditional Catholic the by stated as However, nor man „God is neither catechism: is drawn he is God”. This example woman: argument but the Christianity, from In religions. all monotheistic to extends God is and Christianity, Judaism, Islam and often a gender, given explicitly not Why or both. being neither as described Some a man? God as of think do we then, as issues, linguistic due to it is purely of Father’. ‘he’ or ‘our as to God is referred in terms be understood it may mainly, But Simply put, it society. our patriarchal of God as of think be impossible to to used this 50 years last in the However, woman. due to largely change, to started has generally and more theologists feminist by stated As movement. feminist the then ‘If God is male, in 1973, Daly Mary the is God’, and therefore male the God to a gender assigning of concept work the Through rethought. be must today may we movement, feminist the of and religion of topic the approach dynamics societal gender and the openly. it more to related designers all the for point The starting ‘God’. idea of own their confront to was - been thin have they as that Some stated question the genderless, God as king of however were Others shocking. very was their as recognised they what by faced always having conservativeness, own a man. God to idea of the associated this confront decided to then they How desig- showing also greatly, idea varied religion. to approach personal their ners did not designers the Nonetheless, gen- of question on the focus necessarily inclusiveness, of on that but rather der, own your of communication and the fashion. through identity (religious) is us: „Religion tells SarahLauwaert - but I feel clothing visible through very we I think more. it evolve let time to it's religion express to free be more should individuals and it as see we on how on express to way is a perfect fashion inside”. is on the what outside the

Photography: Anton Fayle & Sem Shayne / Hair: Sigrid Eiting @ KEVIN.MURPHY / Make-Up: Rachel Ritzen @ Make-Up My Religion and Ellis Faas / Models: Apo Guller, Cherella Gessel, Jonathan Oron, Crystal Ogunnorin @ Models Rock Agency, Eleanne Haalstra @ Models Rock Agency, Fabiënne van Bekhoven @ Models Rock Agency, Navarone Cole @ Mix Models

it is a project on social issues and patriarchal systems. on social issues and patriarchal it is a project God is a Woman!? is initiated within the framework of the Fashion My Religion theme. My Religion of the Fashion within the framework is initiated God is a Woman!? ‘God is a Woman!?’ invited the designers to explore gender roles in religion, examine existing existing examine in religion, gender roles explore the designers to invited ‘God is a Woman!?’ intolerances and questioning how fashion can play a role to increase inclusiveness in religion: in religion: inclusiveness increase to a role fashion can play and questioning how intolerances For this project, ten designers are invited to create an outfit based on research related to this theme. to related an outfit based on research create to invited designers are ten this project, For

THE ROUTE Exhibition location: Centre Céramique, Avenue Ceramique 50 16 19

1. TIEL JANSSEN Tiel Janssen Label Name: 2018 Koorkap Title: [email protected] Mail: tieljanssen.nl Web: 2. JULIA AUMANN + MONA STEINHAUSER HOIHOI Label Name: Snake Lamb and the the of The Story Title: [email protected] Mail: [email protected] hoihoi.eu Web: hello_hoihoi Instagram: 3. MARLOU BREULS Breuls Marlou Label Name: dignity female for A requiem Title: [email protected] Mail: marloubreuls.com Web: marloubreulsofficial Instagram: 4. JOLIEKE KESSELS Kessels Jolieke Label Name: amen awen Title: [email protected] Mail: joliekekessels Instagram: + MARK KING 5. BREGJE COX Cognition Enclothed Label Name: Augmentation Title: www.enclothedcognition.info Web: enclothedcog Instagram: 6. KARLIJN KRIJGER + IRIS CLAESSENS Krijger Karlijn Collaboration Label Name: & Iris Claessens lentebui De eerste Title: [email protected] Mail: / investigation8.com/ irisclaessens.com Web: karlijnkrijger irisclaessens, Instagram: LAURIE BESSEMS 7. Laurie Bessems Label Name: God. Moeder van Maria. Title: [email protected] Mail: lauriebessems.com Web: lauriebessems Instagram: WETTEN 8. LISE VAN Wetten van Lise Label Name: NoW #Protect Title: [email protected] Mail: lisevanwetten.com Web: lisevanwetten Instagram: 9. EBBY PORT port ebby Label Name: Koorkap Title: [email protected] Mail: ebbyport.com Web: ebby_port Instagram: KOORKAPPEN project is made possible by: by: possible made is project KOORKAPPEN Vereniging ‘Het Graf van Sint Servaas’, Kerkbestuur OLV Basiliek en Schatkamer OLV Basiliek OLV en Schatkamer Basiliek OLV Kerkbestuur Servaas’, Sint van Graf ‘Het Vereniging Stichting FASHIONCLASH, Bonnefantenmuseum, Kerkbestuur St. Servaasbasiliek, Stichting Schatkamer Sint Servaas, Servaas, Sint Schatkamer Stichting Servaasbasiliek, St. Kerkbestuur Bonnefantenmuseum, FASHIONCLASH, Stichting In the city of Maastricht, we are still still are we Maastricht, of city In the on identity catholic its with confronted the ties between While the corner. every be- are society and Maastricht’s church ‘culture catholic the looser, coming ever exist. to continues city in the pattern’ a religious as city the of The identity alive. is still city and pilgrim center and beauty the life’, The ‘Rich Roman and liturgical processions the splendor, ago, a century Half there. still are robes part of were Maastricht people of the and celebration Heiligdomsvaart the their due to involved actively were they The two convictions. religious personal were editions (2004, 2011) previous majority the by watch’ to ‘festivities more occasional and the population the of a cele- it is mainly Nowadays, visitors. heritage. cultural of bration point starting the exactly was That robes) (choir KOORKAPPEN the for between cooperation a project, and Heiligdomsvaart FASHIONCLASH to invited were Designers Maastricht. his- the by design inspired a new create meaning.The and their choir robes torical in Maastricht Servaas Saint of basilica very a number of of is in possession made choir robes century 18th beautiful the with decorated rich fabrics, of with and often materials precious most religious depicting embroidery beautiful been have Choir robes representations. who priests ages by the through worn and carry their service the over preside and thought. people in word the to mercy in this designers the Especially for Servaas Saint of basilica the project and each treasures, these revealed robes the one of assigned designer was The inspiration. as it can serve that so - genera new does the how is, question and religious a traditional tion look at subject?

Photography: Anton Fayle & Sem Shayne / Hair: Cindy de Vogel @ KEVIN.MURPHY / Make-Up: Rachel Ritzen @ Make-Up My Religion and Ellis Faas / Models: Navarone Cole @ Mix Models, Claudia de Wilde Image left page: Designer - Tiel Janssen / Photo: Ginger Bloemen / Model: Paul Junior Maah of June. th of May 2018, followed by an by 2018, followed of May th of May until the 24 of May th exhibition at the Bonnefantenmuseum from the 12 from at the Bonnefantenmuseum exhibition with the Heiligdomsvaart Maastricht. In this Fashion Procession, models showed the models showed Procession, Maastricht. In this Fashion with the Heiligdomsvaart designs inspired by liturgical garments in a parade through the city garments in a parade through of Maastricht and liturgical by designs inspired IIn 2011, FASHIONCLASH presented the ‘Fashion Procession’ project in cooperation project Procession’ the ‘Fashion presented IIn 2011, FASHIONCLASH accompanied by live music. 7 years later, a brand-new project; KOORKAPPEN has been KOORKAPPEN project; a brand-new later, 7 years music. live accompanied by initiated and was presented as a Fashion Procession on the 6 Procession as a Fashion presented and was initiated THE ROUTE 18 1. SAM-DECORFABRIEK 6. MOSAE FORUM 13. THE STUDENT HOTEL (SKYBAR) 19. BY DUUT Address: Meerssenerweg 215 Address: Mosae Forum 163 Address: Sphinxcour 9A Address: Rechtstraat 66 Saturday June 16, 19:00-02:30 Free entrance Free entrance Free entrance Buy your tickets online → Performance: ‘In our fountain’ by → Performance: ‘The Joker’ by → Fashion Talent Take Over: GABRIEL+ → The Show Koen Verheijden, Kimberly Afua Anthony van Gog GUEVARA, Laurie Bessems → Collective 12, MAFAD Graduation Agyarko and Roann Postma Saturday June 16, 11:00-11:45 Friday June 15 - Sunday June 17, during Show 2018 Friday June 15, 16:30-17:00 → Performance: ‘A First Vision of opening hours BY DUUT → CLASH Project Sunday June 17, 13:00-13:30 Dying’ by Anthony van Gog → Make-up session: Ellis Faas → Afterparty: music by DJ Mr. Nice Guy → Research presentation: ‘Dialogue Saturday June 16, 16:45-17:00 Saturday June 16, 12:00-17:00 → Performance: ‘Design New Religion’- between Fashion and Death: by Mami Izumi and Jivika Biervliet Redesigning the Fashion Narrative’ 14. CENTRE CÉRAMIQUE 20. CLIO JEWELRY → Performance: 'Design New Religion' by Nina Willems Address: Avenue Ceramique 50 Address: St. Amorsplein 11 by Nora Ramakers and Johanna Saturday June 16, 15:15-16:00 Free entrance Free entrance Hehemeyer-Curten Sunday June 17, 15:15-16:00 → Exhibition: ‘Old Masters’ by → Fashion Talent Take Over: GABRIEL+ Nina Athanasiou GUEVARA, Studio Iris Claessens, 2. LAB-GEBOUW 7. BOEKHANDEL DOMINICANEN → Exhibition: God is a Woman!? Project Studio TRUT Address: Lage Frontweg 2C Address: Dominicanerplein 1 → Performance: ‘Day Dream Space’ by Friday June 15 - Sunday June 17, Sunday June 17, 12:30-18:30 Free entrance Audrey Apers and Tim Scheffer during opening hours of Clio Jewelry Free entrance, registration needed → Talk: ‘TZSARINA presents Birgitta Friday June 15 - Sunday June 17, → Talk: The Fashion Dialogue: de Vos with “Soul Matters” Fashion during opening hours of Centre Céramique 21. GRAIL the Clash of Values Talk and (He) Art Performance’ → Performance: ‘Aan de andere kant’ Address: Nieuwstraat 21 Moderated by Susanne Vegter. by Yelena Kharitonova by Evalinde Lammers and Kimberley Free entrance Featuring speakers Prof. Maaike Sunday June 17, 15:00-16:00 Agyarko → Fashion Talent Take Over: Current de Haardt, Adam Peacock, Dai Rees, Saturday June 16, 13:00-13:25 Mood, Tourist Clothing Ben Wubs, Mariangela Lavanga, 8. DE BIJENKORF → Masterclass: Gold embroidery by Friday June 15 - Sunday June 17, during José Teunissen Address: Achter het Vleeshuis 26 Monique van Munster (moniquen- opening hours of GRAIL Sunday June 17, 14:00-15:30 Free entrance werk) in cooperation with Crafts info: www.mindfashion.today/dialogue → Exhibition: Showpieces Council NL 22. LE MARAIS DEUX → Performance: ‘ORACLES’ by Anna Monday June 11 - Sunday June 17, To attend the Masterclass you need to Address: Maastrichter Heidestraat 6-8 Luka Da Silva and Erik van de Wijdeven during opening hours of De Bijenkorf register and pay a participation fee: Free entrance Sunday June 17, 12:30-13:30 Maastricht Info: craftscouncil.nl/master-items/twee- → Fashion Talent Take Over: wander.ful → Performance: ‘HUNTING’ by daagse-masterclass-goudborduren/ Friday June 15 - Sunday June 17 June, Nora Ramakers and Timo Tembuyser 9. BONNEFANTENMUSEUM during opening hours of Le Marais Deux Sunday June 17, 16:30-17:15 Address: Avenue Ceramique 250 15. SINT SERVAASBASILIEK (BERGPORTAAL) * performance in Dutch Tickets: Museum tickets prices Address: Keizer Karelplein 3 23. LENA BERENS STUDIO STORE → Performance: ‘MISSA HOMO SACER of Bonnefantenmuseum Free entrance Address: Witmakersstraat 1 Op. 35 Confiteor Deo’ by Timo → Exhibition: KOORKAPPEN Project → Exhibition: ‘Babel’ by Kasper Free entrance Tembuyser Saturday May 12 - Sunday June 24, Jongejan → Fashion Talent Take Over: Studio

20 Sunday June 17, 17:45-18:15 during opening hours of Bonnefanten- Friday June 15, 10:00-17:00 Iris Claessens → Expo: COLLECTIVE 12, Graduate museum Saturday June 16, 10:00-17:00 Friday June 15 - Saturday June 16, 21 students of MAFAD (Maastricht Sunday June 17, 12:30-17:00 during opening hours of Lena Berens Academy of Fine Arts and Design) 10. LUMIÈRE CINEMA Studio Store Address: Bassin 88 16. HUIS ACHTER DE KOMEDIE 3. DE GASHOUDER → Performance: ‘I AM SAD’ Address: Achter de komedie 18 24. MILAN PALMA Address: Lage Frontweg 8 Friday June 15, 21:50-22:10 Free entrance Address: Maatrichter Heidestraat 3A Friday June 15, 15:00-15:30 → Installation: ‘I AM SAD’ → Film/installation: ‘THIS IS’ by Free entrance Free entrance, registration needed Saturday June 16 - Sunday June 17 Luca Tichelman → Fashion Talent Take Over: LEO-NORE → Official Opening FASHIONCLASH- 11:00-17:00 Saturday June 16, 12:15-12:30 + Friday June 15 - Sunday June 17, during Festival 2018, directed by Joost → Exhibition: SCHUIT presents 17:15-17:30, Sunday June 17, 12:00-12:15 opening hours of Milan Palma Horward / Karmijnrood Podiumkunst. Material-Think-Space. A collective + 12:35-12:50 Featuring Das Leben am Haverkamp founded by Kate McCambridge and 25. NOW campaign project and ICONS Louis Alderson-Bythell 17. HET VRIJTHOF Address: Maastrichter Smedestraat 6 capes designed by several ex-FCF Friday June 15 - Sunday June 17, Address: Het Vrijthof Free entrance participants. 11:00-01:00 Free entrance → Fashion Talent Take Over: wander.ful → Talk: The Pink Church by Friday June 15 - Sunday June 17, during 4. DE BRANDWEERKANTINE 11. VAN EYCK ACADEMY Waardengedreven opening hours of NOW Address: Capucijnenstraat 21 Address: Academieplein 1 Hosted by Frank Los and featuring Free entrance → Exhibition / Performances: speakers: Annemarie Penn-te Strake 26. ACE & TATE → Performance: LUX | SALLY Dans- Van Eyck Presents Vera Gulikers, Major of Maastricht, Joanne Vrijhof, Address: Wycker Brugstraat 65 gezelschap Maastricht/Martin Rosanne van Wijk, Dasha Tsapenko, Stephan Ummelen → Fashion Talent Take Over: Harriague & Mieke Kockelkorn Sissel Marie Tonn & Ebby Port Friday June 15, 19:30-21:30 Bluedenîmes x Minou Lejeune Friday June 15, 16:00-16:30 Saturday June 16, 16:00-19:00 Friday June 15 - Sunday June 17, during Saturday June 16, 12:30-13:00 * 17:30 - 18:30 performance Ebby Port, 18. STUDIO ÇEDILLE DESIGN opening hours of Ace & Tate Sunday June 17, 13:30-14:00 + Rosanne van Wijk Address: Minckelersstraat 16 → MEET THE DESIGNER 15:30-16:00 + 18:45-19:15 Free entrance Saturday June 16, 16:00 12. HET DINGHUIS (MAASTRICHT VISITOR CENTER) → Workshop: Making Leather Goods 5. ENTRE DEUX Address: Kleine Staat 1 from Scrap leather Address: Dominicanerplein Free entrance Friday June 15, 15:00 + small Free entrance → Exhibition: Inspired by Religion introduction reception at 16:00 → Exhibition: Afwezige Aanwezigheid | Friday June 15, 10:00-17:00 Saturday June 16, 15:00 Absent Presence by LEO-NORE Saturday June 16, 10:00-17:00 → Fashion Talent Take Over: blou.print, Friday June 15 - Sunday June 17, during Sunday June 17, 11:00-17:00 Cée Concept, DV Jewellery, opening hours of Entre Deux Schiltman Leather, SOOLZTER → Exhibition: ‘DEEP: venturing into Friday June 15 - Sunday June 17, during unknown territory by dressing’ by opening hours of Studio Çedille Design Amber Jae Slooten * In Dutch and English Friday June 15 - Sunday June 17, during opening hours of Entre Deux → Exhibition: ‘Fashion as Religion’ photo exhibition by MAMDT Academy Students Thursday June 14 (19:00) opening Friday June 15 - Sunday June 17, during #FASHIONCLASH #FashionMyReligion opening hours of Entre Deux www.fashionclash.nl

23 THE ROUTE ROUTE THE Web: nolabel.sc Web: ALTARED Photo: Peter Stigter Peter Photo: Instagram: nolabel.sc Instagram: MANON BOERTIEN AND DREW KESSLER Web: www.manonboertien.nl Web: A SEARCH FOR A SEARCH FOR HAPPINESS #2 Instagram: manonthemoonfashion manonthemoonfashion Instagram: NOLABEL BIANCHI BY JAMES For this collection, Manon Boertien was Boertien was Manon collection, this For philosopher French of a quote by inspired but I don't "God exists Jean Baudrillard: J. (1996) (Baudrillard, in him” believe Oxford: Cool Memories II (1987-1990). is no God, there words: – in other Polity) god does of existence subjective but the or that there is not He meannot that is existence no meaning. God’s He has experience. subjective in one’s therefore inspiration Boertien’s for Other sources new of and rituals mysticism the were in 1970’s explored religions, and fictive like films science-fiction philosophic These and Holy Mountain. Zardoz ‘spiritual equally investigate sources and fictive using subjective by truth’, and symbolicism. mystics religion, a rabbi’s turban, a sikh’s habit, A nun’s cap. a monk’s , a muslim’s kolpik, much so head pieces represent These reflect a simple ideology - they than more and status power, of degrees varying - by centu and fortified shaped freedom, however, Today, tradition. archaic ries of fail often identities long-standing these a norms of cultural the align with to they cases, in some modern society; in the stand that customs perpetuate progress. social centuries-long of way is mo- modern world the A large part of but the religion, from away ving further ideologies these of deep roots endlessly - prac these that places, in many ensure, In this generations. on for tices will live rights human that reality lies the dynamic incong- often are tradition and religious that series is a portrait ALTARED ruous. Using discrepancies. these aim at takes - reli in each dressed models, transgender major five one of gious garb representing and examine highlight to aim we religions, faiths with associated gender identities the of majority a solid represent that - se While critical, the population. world’s showcase damning. It aims to ries is not the and challenge diversity, of beauty the visual these come with that conceptions become have we that communicators creating that feel We to. accustomed gender binary about the a discussion religion is a role in unflinching and its the at finding peace toward vital step biology. and faith of intersection doing so. at is our attempt ALTARED LOCATION: LOCATION: HET DINGHUIS FREE ENTRANCE Address: Kleine Staat 1 Staat Kleine Address: Friday June 15, 10:00 – 17:00 Friday Sunday June 17, 11:00 – 17:00 Sunday Saturday June 16, 10:00 – 17:00 Saturday (MAASTRICHT VISITOR CENTER) (MAASTRICHT VISITOR INSPIRED BY RELIGION BY INSPIRED DOROTA SAK DOROTA DON ARETINO Mail: [email protected] [email protected] Mail: Web: roosherder.nl Web: ROOS HERDER Photo: Iris Holtkuile Photo: Photo: Mariola Góral Góral Mariola Photo: IN ISLAM” COVERAGE Instagram: don_aretino Instagram: Photo: Tomas Eyzaguirre Tomas Photo: PROTECTION Web: www.donaretino.com Web: Mail: [email protected] Mail: Mail: [email protected] [email protected] Mail: Instagram: coverage.design, herder.herder coverage.design, Instagram: “HALAL - HOMOSEXUALITY art of fashion, designers and artists featured in this exhibition dissect the changing awareness around our relationship our relationship around dissect the changing awareness art exhibition in this fashion, designers and artists of featured The encounter between fashion and religion is not new. For decades, fashion has frequently drawn inspiration from the from inspiration drawn has frequently fashion decades, For not new. is religion fashion and between The encounter projects they rethink the way we see the values and norms related to religions, aiming to create a more inclusive world. inclusive a more create to aiming religions, to related and norms values see the we the way rethink they projects religious idiom and its decorative splendour. Both from purely aesthetic motives and from substantive critique. Using the critique. Using substantive and from aesthetic motives purely Both from splendour. decorative idiom and its religious with our environment by creating new narratives and approaches around the subject of “fashion and religion”. With their religion”. the subject of “fashion and around and approaches narratives new creating by with our environment Burka is a dress for religious women in women religious for dress is a Burka orthodox to According countries. Muslim strangers. against them it protects clergy, have outfit. I a burka-inspired I sewed of climate winter the it a bit to adapted Europe. Central-Eastern Poland. in socialist raised I am a Catholic in which I was system and the My religion some For me. protected up also growing me. for not enough. But people it was - protec a perfect on. That’s I put a burka old who I am, how tion. Nobody knows stuffy it's But I am from. I am, where ... anything see I can't inside, me? a suit for burka Is inner armor hides a delicate Apparent communication of The only way woman. "eyelashes". red by is covered (eyes) suffer, they because Red love, they because red live… they because red This collection is inspired by the duality the by is inspired This collection in Islam desire same-sex of nature The space and time. various throughout - fundamen the as Hadith and the Qur’an living conduct Islamic for tal sources in regard ambiguous stance chronicle Beside illustrating homosexuality. to collection this in Islam, homosexuality of possibility another show to attends within homosexuality accommodating Islamic of taking elements By Islam. pieces in the play, into characteristics inter- a fresh represent collection the The in Islam. homosexuality of pretation an as be understood should collection homosexuality deconstruct to attempt accom- theological providing by in Islam social the from which detaches modation and Arabia century seventh of climate prin- ethical on the more focuses instead and social freedom ciple of justices. To me, creativity is trying to make the the make to is trying creativity me, To I look around beautiful. a bit more world crazy Especially difficult or and wonder. talk, watch I will read, me. issues touch experienced about it. I have and listen - won own my opening by are doors that curiosity my Out of der and admiration. - The "COVER created. was COVERAGE is designed together collection AGE" you The way women. Muslim and for with are. who you showing of is a way dress this have women Muslim modern Young One headscarf. the need. She is wearing gives but also faith her within fits that with experiment to She likes her identity. it wants She also beanies or caps. hats, weather all kinds of be suitable for to distinguish to Anything conditions. thesis, during my is why, That themselves. - headscarf to of type new a I developed fits One that women. Muslim with gether of; com- made seasons, different within fabrics. and durable innovative fortable, janvaneyck.nl ainaseerden.com Van Eyck Van Entre Deux Entre Instagram: yourdigitaltwin Instagram: EBBY PORT EBBY AINA SEERDEN Web: caravancultura.eu birgittadevos.nl caravancultura.eu Web: PERFORMANCE “SOUL MATTERS” “SOUL MATTERS” Instagram: yelenakharitonbova / birgittadevos yelenakharitonbova Instagram: PHOTO EXHIBITION Boekhandel Dominicanen Boekhandel PRESENTS EYCK VAN ‘YOUR DIGITAL TWIN’ DIGITAL ‘YOUR TZSARINA PRESENTS SISSEL MARIE TONN & MARIE TONN SISSEL ‘FASHION AS RELIGION’ ‘FASHION BIRGITTA DE VOS WITH BIRGITTA BY YELENA KHARITONOVA BY YELENA KHARITONOVA VERA ROSANNE GULIKERS, FASHION TALK AND (HE) ART TALK FASHION VAN WIJK, DASHA TSAPENKO, TSAPENKO, WIJK, DASHA VAN Tzsarina FashTech Platform and Birgitta de Vos Studio Studio de Vos and Birgitta Platform FashTech Tzsarina show to Talk, Fashion our "Soul Matters" with like, would what Installation (He)Art a small with also alternatives, move to ready are they and how for our hearts beat global ! Soul, actually, of world on in this matters! Aina Seerden’s set of (new) costumes raise awareness awareness raise costumes (new) of set Seerden’s Aina She our behaviour. affects internet the way the of attract that ‘digital archetypes’ of defined a number have They media environment. a social within attention become leaders they so followers number of a growing popular? so them makes what But listeners. of a lot with online during off-and The Digital Twins following By - a trans can experience you Festival, FASHIONCLASH affect digital world in the actions how inside at parent The Digital week, this Within and vice versa. real the real the into media persona’s, social real as will act Twins public and the of and out’s in’s the you show to world festival. during the exhibitions the MAMDT Academy presents: Eylem Polat, Ginger Eylem Polat, presents: Academy MAMDT Haarman. Bibett Golob, Bloemen, Rowena MAMDT, of Photography students graduating Four Media Design & Technology of Academy Maastricht the as 'Fashion theme the of interpretation their show Religion'. Vera Gulikers presents paintings in the Director's office office Director's in the paintings presents Gulikers Vera → veragulikers.com Eyck. Van the of visible and non-visible by is fascinated Wijk van Rosanne lives. in our daily face we and constructions systems and interacting to adapting are constantly Systems we during FASHIONCLASH performance with. Rosanne’s performance year's last on her a follow-up Festival is of restrictions the deal with to How festival during the this on her ongoing research part of is a system? and → instagram.com/rosannevanwijk topic. the Dress_de_Code performance Tsapenko’s In Dasha prism the through is explored dressed getting of ritual on Our movement and choreography. architecture of - questio are body techniques and accustomed daily basis from transition (usually invisible) the ned and challenged, this to Next one is revealed. a social body to a private Room Fitting the of installations three performance, - [un]dres of process the exploring on show, Series are room space, fitting the within dress sing and changing body. dressed - the outcome its it from but isolating between relationship defined mutually the Uncovering → dashatsapenko.com covers. body and its the van the open air of in the In a one-hour installation, her summer collec- presents Port Ebby garden, Eyck the at printed silk screen are prints All tion: ‘kriskras’. the of & Publishing Printing Nypels Lab for Charles ebbyport.com Eyck. → Van TALKS, TALKS, & OTHER EXHIBITIONS EXHIBITIONS Web: LEO-NORE.com Web: Entre Deux Entre Entre Deux Deux Entre Web: kasperjongejan.nl Web: Het Vrijthof Vrijthof Het Instagram: kasperjongejan Instagram: Designer: Bobbine Berden Web: schuitcollection.com Web: Web: amberjaeslooten.com Web: LEO-NORE Instagram: amberjaeslooten Instagram: Photography: Sylwia Makris Photography: Instagram: bobbineleonoreberden Instagram: Lumière Cinema Lumière OLD MASTERS Centre Céramique Céramique Centre Instagram: ninaathanasiou, sylwiamakris ninaathanasiou, Instagram: Web: nina-athanasiou.de, sylwiamakris.com nina-athanasiou.de, Web: THE PINK CHURCH PINK THE SCHUIT PRESENTS & SYLWIA MAKRIS & SYLWIA Partners: asimovinstitute.org, thefabricant.com asimovinstitute.org, Partners: NINA ATHANASIOU ‘TOWER OF BABEL’ KASPER JONGEJAN ABSENT PRENSENCE The Pink Church is an initiative of waardengedreven.nl of is an initiative The Pink Church Instagram: schuitcollection, _l.a.b_, Kate_mccambridge schuitcollection, Instagram: AMBER JAE SLOOTEN AMBER JAE MATERIAL-THINK-SPACE Sint Servaasbasiliek (Bergportaal) Servaasbasiliek Sint OLD MASTERS, a project by fashion designer Nina designer Nina fashion by a project MASTERS, OLD models such as and Sylwia Makris.Featuring Athanasiou Garison Bullock, Justin Forrest, Diandra Ross, Shaun Melanie Gaydos, Rick Genest, Boy Zombie Partush, James Gallagher, Regina, his wife and Matthews Ryan Sailors. model Elliot and the David Brett Similar to the story of the Tower of Babel our humanity is our humanity Babel of Tower the of story the Similar to we clothing one of bricks, one of but not building a tower, “language of talk this We do. we need, but think do not anymore. each other understand don’t really but we fashion” - mar we money, make to just intentionally overproduce We need we them, without live can’t we like products these ket goal”? With a higher “fashion achieve To what? for them, to viewer the like I would and presentation, collection this aware you Are religion? your fashion Is about fashion. think is creating? industry fashion pollution the the of Material-Think-Space is a collective founded by Kate Kate by founded is a collective Material-Think-Space This work Alderson-Bythell. McCambridge and Louis body boundaries delineating perceived the reconsiders matter. and 'other' matter 'our' and surface, Intermaterial Alliances Intermaterial In times of fake news, the search for truth is central. is central. truth for search the news, fake In times of need behind, the church the leaving are And while many - trai mindfulness and kicking. Do the meaning is alive for meaning? in providing succeed classes nings and yoga Cross Zwarte the of pastor the Los, Frank by Led are and FASHIONCLASH & Now Here (Black Cross), of concept the of an exploration for stage a providing for quest A stimulating church. inside a pink 'religion'; is right. about who’s being concerned without truth, religion again about what think to challenged are Visitors believe do you What question: means and the actually to 'here name is welcome join. Under the in? Everyone us encourage that projects social develop they & now' people find impor- on what and reflection still stand to not belief and are religious know do not “We in life. tant attention that We do believe to a political party. affiliated a to meaning and dialogue on meaning contributes to society.” strong Hosted by Frank Los and featuring the following following the and featuring Los Frank by Hosted of Major Strake Penn-te Annemarie speakers: Ummelen Stephan Vrijhof, Joanne Maastricht, DEEP: venturing into unknown territory by dressing digital dressing by territory unknown into DEEP: venturing by made collection the showcases DEEP exhibition entities. with technology in collaboration using artificial intelligence and The Fabricant. Institute The Asimov THE ROUTE 22

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THE ROUTE SHOWPIECES AT DE BIJENKORF Forever YOUNG

1. TIMNA WEBER Title: Unfinished #1 Mail: [email protected] Web: timnaweber.com Instagram: timnaweber Photo: Fán Liào 2. STEFANEC JOSIPA Title: BREATHING TEXTILE HYBRIDS, MOBILE JACKET Mail: [email protected] Web: josipastefanec.eu Instagram: jo_stefa_ Photo: I.Vulic 3. NANCY TJONG Title: Army of Stiches- 1 of 3 Mail: [email protected] Web: nancytjong.com Instagram: nancytjong 4. MELISSANTHI SPEI Title: A Long Farewell To All My Greatness Mail: [email protected] Web: melissanthispei.com Instagram: melissanthispei Photo: Nikk 5. FERNANDA FERNANDES Title: Tribes Mail: [email protected] Web: www.fernandafernandes.eu Instagram: fernandafernandes_eu Photo: Dauna Kraag 6. MARCIA NEUNER Title: REFLECKTIEREN Mail: [email protected] Instagram: mar.zija

26 Photo: Simon Melchers 7. JAKEYOUNG SHIN

Title: You are terrible Muriel 27 Mail: [email protected] Web: processjakeyoungshim.com Instagram: jakeyoung_shim_ 8. WILD SKINS BY FIONA GRAFEN Title: Wild Skins Mail: [email protected] Instagram: fiona.grafen_designs 9. MOR LUMBROSO Title: Pulse Mail: [email protected] Web: morlumbroso.com Instagram: morlumbroso Photo: Lee Agmon 10. MATTEO CARLOMUSTO Title: DODGY CONCEAL FW 17-18 Mail: [email protected] 10.02 – 02.09.2018 Web: matteocarlomusto.jimdo.com Instagram: matteocarlomusto Photo: Enrico Berni 11. J-ANT. Title: OH SALAD DAYS Mail: [email protected] Web: j-ant.com Instagram: jantdesign Photo: Marinka Grondel 12. PÉJIE Title: Orange Sanguine Mail: [email protected] Instagram: pejie_rex Photo: Christophe Bustin 13. LOONATIEK Title: LOONATIEK – A Morphed Reality Mail: [email protected] Instagram: loonatiek Photo: Joost Termeer 14. IVANA PILJA Title: Avantgarde fashion Mail: [email protected] Web: www.ivanapilja.com Instagram: ivanapilja Photo: Nikola Sokolov 15. HISKE HOTTINGA Title: Fo Me Ne Ri Ku Mail: [email protected] Web: hiskehottinga.com Instagram: hiskehottinga Photo: Kees Penders 16. GÖSTA VON PLATEN Title: Bodily Encounter / Materia Wound Mail: [email protected] Web: gostavonplaten.com Instagram: gosta_v_p Photo: Lindström_Muller Kate Moss © Corinne Day Kate

THINK PIECE 1 ‘HOW WESTERN Marijn van Kreij GET FASHION FOR MUSLIM WOMEN ALL WRONG’ Author & Photos: Didem Tali Nude in the Studio

The fashion world cheered when Western brands like Dolce & Gabbana and Uniqlo launched hijab collections to cater for Muslim audiences. So why do an increasing number of hijabi fashionistas and designers feel more alienated than ever?

Hulya Aslan, 29, always had a thing for pose. In 2015, Fortune described Muslim advantaged positions with large mar- fashion and nice clothes since her child- women as the "next big untapped fashion keting budgets. Business reports and hood. Her love of fashion wasn't affected ." There's money to be made from market researchers continue to urge by her decision to wear a hijab during her the youthful (and growing) global Muslim companies to explore the Muslim apparel school years in the slightest. When she population, which has a higher purchasing industry, which is still dominated by local was working towards her qualifications power than ever. According to the State companies that might be easier compe- to become a at the Istan- of the Global Islamic Economy report of tition. It's entirely possible that in 2019 bul Academy of Fashion, she was the only 2014–2015, have spent $266 the lion's share of $484 billion predic- hijabi student. billion on clothing in 2013. The figure is ted spending of Muslims goes to these expected to reach $484 billion by 2019. companies. In the meantime, independent As she was transitioning into adulthood, Muslim fashion houses, which have played the hijabi fashion industry was still in its In other words, the Muslim gold rush is an important role in the global acceptan- infancy. The collections were basic and here. Unsurprisingly, global brands don't ce of Islamic fashion, might not be able to frumpy in 1990s and 2000s, at least until want to miss it. More and more Western cope with the competition and fade away. conservative fashion started to take off fashion companies that traditionally in Turkey in 2010. She found that it was appeal to a secular, Western, and For thousands of women like Aslan much harder to dress stylishly as a hijabi non-Muslim clientele are beginning to and Birisik, the emergence of Isla- woman than her non-hijabi peers. embrace Muslim women in their collec- mic fashion—and having more fashion tions. It seems that every week, a new options—was a major triumph for "It was a nightmare to shop for clothes Western brand launches a new collection acceptance. But now that they are now during those days," she said. "Before the at this demographic. H&M, UNIQLO, recognized as a profitable demographic, boom in the conservative clothing indus- DKNY, Mango have all launched special that victory has been trivialized. Instead, try, if a woman wanted to look stylish and collections aimed at Muslim women. Muslim women are bombarded with the put together, she basically had to go to a same messages as anybody else: It's okay

28 seamstress and get customized clothes." Most recently, luxury brand Dolce & to be you—as long as you're white, rich, Gabbana began to sell and abayas. and glamorous and can spend a lot of

But when Turkey eased the headscarf The collection features D&G's luxurious money. 29 ban that was traditionally imposed in touch in the form lace, satin, and floral public institutions in 2010, things started prints. Its campaign features a fair-skinned to change. As hijabi women became more and green-eyed white model posing with active in all aspects of social life, there her mouth ajar. There is no evidence to "Hijab is worn to achieve modesty. To me, was a greater demand for Islamic fashion suggest that she is Muslim. Although the it's a visual reminder that I see every day items. There was even a new hijabi line received positive feedback from the that I have to remain modest. How can fashion magazine, Ala. When Aslan took pressand hundreds of users, people achieve modesty when they're the position of an editor at this maga- it left many Muslim women feeling wearing a headscarf worth thousands? zine, she didn't predict the hijabi fashion excluded and alienated. It's also wastefulness, which has no place renaissance to progress this quick. in Islam," Birisik explained.

"It was as if [hijabi women] were hungry She believes that the collections create for nice clothes for decades," she said. the illusion that Muslim women are repre- DIDEM TALI "We were aware of the demand and the "There are sented and have a lot of choice in fashion, market gap. Many people emerged as currently when the items in these collections fashion designers and established their actually mock their beliefs. "It's difficult own businesses." Aslan now also runs her designers that enough to shop as a hijabi woman. But

own fashion consultancy, working with create world-class when the market is full of 'Islamic clothes' 2017 the emerging Islamic fashion brands. that misunderstand and misrepresent us,

collections, but it's frustrating." 1959),

Millions of Muslim women around the it's the now have more choices than ever Gonul Taban, a hijabi writer, described about what to wear. Being able to wear brands that take the D&G collection as "a half-baked ef- the desired clothing items, whilst mana- fort to sink its teeth into the burgeoning ging to look stylish and elegant has made the credit." Islamic fashion market" that is "far from thousands of Muslim women like Aslan revolutionary" on Daily Sabah. "[The D&G feel more empowered, confident, and collection] is nothing but mediocre," she socially included. For many, the Islamic wrote, "and cannot compare to what the was a rite of passage, "I've worn a hijab for most of my life. traditional fashion houses currently have which increased the visibility of Muslim But I don't know anyone who would wear on offer." is an award-winning journalist women. anything like that," said Zehra Birisik, whose credits include NYTimes, a speech therapist and self-confessed Moreover, these collections epitomize National Geographic, The Guardian, "Muslims in Turkey and around the world Muslim fashionista. She noted that some almost every aspect of textbook cultural Washington Post, BBC and many are getting wealthier," said Cem Ozturk, garments in the D&G line are half-trans- appropriation: They reinforce the idea more. She also collaborates with top founder of Touche, an Istanbul-based parent and some of the skirts end around that even Muslim fashion belongs to the brands around the world; providing Islamic fashion brand. He began his the knees—a no-no for any woman who Westerners. No proper appreciation is them copywriting, content, and brand career as a designer working on custo- wants to dress in accordance with given to the culture of origin, although in consultancy services. See more of her

mized orders but had such a massive Islamic law. the end the act of cultural appropriation work at www.didemtali.com Blue, Transatlantic with Interior Red (Picasso, Untitled demand from his customers that he even- receives the appreciation. tually decided to establish his own brand. While the essence of the Islamic fashion "When people enjoy a higher purchasing is arguably about recognizing Muslim As Hulya Aslan, who has consulted for 30 juni — power, dressing nicer is one of the first women's needs, many Western lines fluff several Islamic fashion brands in Turkey, things they do. It almost comes as an the delivery. What these collections aim puts it: "There are currently designers instinct. Because clothes are such to do isn't to celebrate Muslim women, that create world-class collections, but important symbols," he added. but to make money off them. Some argue it's the Western brands that take the that these brands not only do this in a way credit." It's not just independent Muslim fashion that ignores the needs of Muslim fashion, marres.org 9 sept 2018 designers who are aware of the opportu- but are downright culturally insensitive In the international apparel market, some nities that the global Muslim demographic to boot. Western brands already enjoy extremely

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Mayfair AD Fashion Clash 2018.indd 1 24-04-18 16:01

THINK PIECE 2: THE FASCINATING ROLE OF COLOR IN Heaven

This three part cura- these items are worn both day and night additional purposes and meanings, repre- God, and the earth. In the late 1990s, the and are meant to operate as a reminder senting tradition, modesty and a serious red Kabbalist string became a popular ted series – originally of the sacred vows between man and life committed to God. fashion trend amongst celebrities in the created for Vestoj by God. Adherents consider them to have United States. Phillip Berg’s contro- symbolic or literal protective powers. Eastern Christianity versial Kabbalist Centre in Los Angeles Dalia Vann - and now In 1893, the church made white the Within Eastern Orthodox Christianity, became infamous for its ability to recruit for FASHIONCLASH standard color of all temple garments, clergy typically elect to wear black cas- a long list of high profile celebrities and maintaining that white most adequately socks during non-religious functions. Li- millionaires. Photographed on a multipli- or Festival, examines the represented the physical and spiritual turgical garments, on the other hand, are city of celebrities’ wrists, the red string fascinating role of (non) purity that all Mormons should aspire colorful and ornate. There is a consensus quickly became the most visible symbol of towards. within not just the Eastern Orthodox contemporary Kabbalah, and as a result, colours white, black Church, but other Christian religious an unexpectedly productive marketing and red in religious It is not only temple garments whose bodies as well, that is preferential for tool for a religious movement deeply clothing. standard color is white. Any time an ad- clergy to wear black or dark colors in entangled with business. herent enters a Mormon temple—the public secular settings in order to reflect majority of which are white in exterior a state of modesty. Hinduism Dress is a visual system of human com- and interior—they must be fully dressed Many adherents to Hinduism wear a colo- munication that aids in defining social in white. In short, Mormons attach a Islam red marking on their forehead in order to Hell? identity and interactions across space strong significance to the color white, The chador and niqab are two items identify their third eye, or the center of and time. For organized religious faiths, for its ability to represent purity, of clothing that belong to the Muslim their nervous system. It is believed that techniques of adornment have always modesty and religious faith. commandment of hijab, which instructs in this area, individuals can see spiritual operated as effective communicators females beyond the age of puberty to truths. The markings are usually red, of religious identity, also assisting to Śvētāmbara cover their bodies in the presence of black or white dots. Extraordinary Shoe Design reinforce the boundaries between the Śvētāmbara is a sect of Jainism, an Indian adult males beyond their immediate 28 Jan. sacred and the secular, believers and religion which dictates a life of non-vio- family. The chador is a full body cloak-like Red dots are called bindi or pottu. They non-believers. This has been accom- lence towards all living beings and affirms garment typically worn by Iranian women, are made out of a paste called kumkum, plished through the careful selection spiritual equality between all forms of while the niqab is a cloth which covers which is made out of turmeric powder of garments, jewelry, accessories, and life. The name Śvētāmbara means “white the face. It is worn in Arab counties and and lime juice. Some historians believe until 2 Sept. grooming techniques, which are then clad”, referring to its believers’ tradition additional areas with substantial Muslim that the red markings originate from the infused with a variety of narratives and of wearing white clothes. Some Śvētām- populations. Because this particular ancient practice of animal sacrifices. To- symbolic meanings by top religious autho- bara monks and nuns cover their mouth Quranic requirement is linked directly to day, the color red functions as a marking 2018 rities. In the absence of singular designs with a white cloth, in the practice of modesty, chadors and niqabs are typically of women’s marriage status. Young, un- or textiles, color has played a particularly Ahimasa, meaning nonviolence. The white black, or other dark colors. married women wear a black bindi, while significant role in this process. cloth prevents them from causing harm married women wear a bright red bindi. to others through speech or thought. RED WHITE During the late twentieth century, the

32 BLACK bindi became a for Indian women. Instead of using the

kumkum powder, women could now buy 33 red felt bindis that stuck on the fore- head. Bindis also began to be manufac- tured in other decorative shapes and colors, many of which included gem- stones for an enhanced glamorous look.

Christianity: Christmas Catholicism Although Christmas is universally Throughout history, the rules of papal associated with red and green, certain dress have carefully been determined by To conclude the series investigating the historians have recently uncovered individuals fully aware of the close links role of color to various religious cultures, the historical roots of this connection. between appearance and power. Indeed, So far, this series has investigated the we now turn to red as a potent commu- Cambridge research scientist Dr Spike much of the Roman Catholic Church’s practical and symbolic relevance of white nicator of various spiritual ideals. As the Bucklow argues that the colors can be image building campaigns have been clothing to various religions or reli- other installments argued, white and traced back multiple centuries, to a time supported by specific efforts to visually gious movements. This next instalment black possess a relatively uniform messa- when the colors held a symbolic meaning. manifest internal church hierarchies, in explores white’s opposite. Black is a color ge across religious faiths; in the case of After examining medieval panel paintings, an effort to legitimize the ecclesiastical that is just as avidly employed by the red, however, there is not one dominant Bucklow uncovered that red and green jurisdiction of specific Church leaders, religiously devout, while communicating meaning attached to the color. In what were typically used to establish a boun- such as the pope. It comes as no surpri- an altogether distinct message. Where- is to follow, we explore three religions’ dary between different spaces of the se, then, that during non-religious, public as white is about purity, spirituality and individual connection to the color. church: the nave, where the congregati- formal functions, the pope is the only one hierarchies of piety, black stands for mo- on sat, painted in green, and the priests’ allowed to wear white, while other clergy desty and simplicity. The natural result of Kabbalah altar, painted in red. wear black. This calculated decision com- the absence of light, its monochromatic Within the Kabbalist Jewish tradition, municates to believers and non-believers use in clothing can elicit an understated it is customary for adherents to wear a Other religious opinions suggest that red alike the sheer extent of the pope’s au- humility which downplays the physical in red crimson string, popularly believed to is used as a symbol of the blood of Jesus, thority within not only spiritual matters, favor of the spiritual. ward off misfortune brought on by the a representation of apples on the paradise but also secular ones. evil eye. The string is knotted seven times tree from the Adam and Eve story or a Hasidic Judaism around the left wrist and then sanctified reference to bishops’ red robes. Carthusian Order Those of us who have visited Williams- with blessings. The tradition originates Carthusians are a Roman Catholic reli- burg in New York City, Stamford Hill from a biblical story, which details the Today, the red-green color duo has been gious order of enclosed monks and nuns. in London or any other neighborhood death of Rachel, wife of Jacob and Je- co-opted by a variety of corporations, The monks live in individual cells, where populated by Hasidic Jews have more wish Matriarch. Upon her death, Jacob who each December, exploit one of the they pray, study, sleep and eat. They only than likely been visually over-whelmed by wound a red string around her tomb most universally recognized color leave their cells for morning mass and the masses of men in head-to-toe black. seven times. The string was then cut into combination in the pursuit of profit. for a communal feast on Sundays. The Black has been the characteristic color pieces and worn on the left wrist—con- monks use color to designate the stages of male Hasidic Jews since the 15th cen- sidered by Jewish mysticism to be the of a Carthusian life. During the first two tury, at the height of Jewish life in Eas- spiritual receiving side. Contemporary TEXT BY years, the novice must wear a black cloak tern Europe. Not only has black remained Kabbalist rabbis believe that by conti- DALIA VANN over a white Carthusian habit. After the standard for all these years, but so have nuing this tradition, we can establish a third year, they become a junior profes- the specifics garments. Some historians connection to the tomb of Rachel, and sed monk, at which point they can wear believe that the preference for black ori- by extension, receive vital protective the full Carthusian white habit. ginates from a decree made by rabbis in energies. Cube design museum is the first and only the 18th century stipulating that colorful Mormonism shiny kaftans, which were once the stan- The Hebrew word for red, adom, is Within Mormonism, it is customary for dard of dress amongst Eastern European related to other words such as adama museum in the Netherlands entirely dedicated to design. those who have taken part in a temple Jewry, should be replaced by subdued (earth), dam (blood), adam (man) and ordinance, known as the Endowment black garments to avoid resentment and Adam HaElyon (supernatural man). As Info & tickets cubedesignmuseum.nl Ceremony, to wear a special type of violence from non Jews. For the Hasidic such, the color red functions as a symbol underwear. Known as “temple garments”, community of today, black has taken on of the eternal connection between man, FESTIVAL 10TH EDITION FCF

Ten editions of FASHIONCLASH Festival have resulted in hundreds of memories, dreams that have come true and careers that have taken off to unimaginable high levels. We – Nawie, Branko and Laurens – did not ever think that this festival would one day form a part of so many lives and create so many emotions and reminiscences. We are GRATEFUL - to all of you!

1. KIKI the first show, during the fashion shows for more than 30 several FCF editions, partici- feeling! Another one to remem- WILLEMS FASHIONCLASH Festival in years now and we've never seen pated in the expo & Show and ber is the trip to Prague with MODEL 2010. For me, this was definitely something like this. It's all the often like to take part in their FASHIONCLASH team and a One of my favourite things the most magical show, one I different people that make this challenging assignments. The few designers to participate at about FASHIONCLASH are will always remember! Every- fashion-event so special. From most precious moment was when DesignSupermarketPrague! We the talented designers I have thing was perfect: the venue, our point of view the crossover my collection got presented had a supercool time over there, met during the festival, some of the models, the pictures, the between art, dance and fashion during the FC event in 2015 for met nice people in business who I am still in touch with or people... Unforgettable. It is my is unique and very inspiring. This the Dutch RTL4 tv show 'Puur and I sold so many pieces of my see around sometimes anywhere dearest memory of my fashion is why we love FASHIONCLASH. Geluk' without me knowing. collection to people worldwi- around the world. It was a very beginnings, and that will always However, my experiences during de; that was awesome. I think kind and gentle introduction to keep me connected FASHION- 7. LISA BORN my intership(s) are equal happy FASHIONCLASH helped me the fashion world. CLASH. They supported me INTERN / VOLUNTEER and educational memories that grow from student/designer into from the early beginning, and Starting of as one of the first I cherish. They guided me and designer/entrepreneur. I don't 2. DENISE FERTIG believed in me just by seeing my interns at FASHIONCLASH still support me in every way see myself as fashion designer, INTERN / VOLUNTEER sketches. That was my biggest in 2012, I quickly became a fan, possible. Over the years, I have I graduated in textile and print I guess I'm some kind of a girl for support. FASHIONCLASH friend, volunteer, supporter and evolved into a FASHIONCLASH design and that is who I am everything: I just like going for is one of the most innovative therefore long-term companion apprentice, admirer and a friend. today but more than only that. all kind of different things that platforms for avant-garde, inno- at this one and only festival. For almost 5 years I participated need to be done. This way, I have vation, unique fashion approach, FASHIONCLASH Festival is not 11. BARBARA at FASHIONCLASH in several been able to experience a lot of with strong focus on bringing on only the sum of the numerous SANCHEZ disciplines and projects. I love different aspects of the festival stage some of the most inno- activities they have offered over KANE the fashion design industry, but and its organization. Every time vative designers, with giving a the years, but especially the DESIGNER after those years I wanted to the tasks are as diverse as much chance to show their work to precious people that keep that For me, my most precious memory focus more at entrepreneurship as the festival is interdisciplinary big fashion audiences! festival alive with all their power of FASHIONCLASH was the and how to make a living out of as such, which is part of why I and passion. One of my favorite first show I had after graduating my passion. So that's why I star- enjoy it so much. The memory I 5. MATYLDA memories refers to my first fes- from University with a new ted my own studio & concept enjoy most about FASHION- KRZYKOWSKI tival opening in 2012. The actors collection. I had nervous feelings store in 2015 in Geleen. Now I CLASH Festival is not so much DESIGNER / CLASH PROJECT CURATOR of KARMIJNROOD & Mieke about being alone for the first can work on my label in an area a memory in form of a specific In the first 7 years of FASHION- Kockelkorn prepared a perfor- time in a creative process. that is created by myself, where I moment, but rather the feeling CLASH, I have curated, and pre- mance with self-made naked Despite the nerves, FASHION- combine fashion, interior, lifesty- I take away from each edition. viously co-initiated the CLASH . To surprise the audience CLASH selected me and suppor- le, plants and coffee all together

34 Once the weekend is over, it’s Project. It is always presented they were entering the stage in ted my work and vision, and gave into an urban hangout thats like stepping out of one world, first because it contextualises a closed up convertible. The mo- me the opportunity to showcase feels like home. I couldn’t have

where freedom of mind and and manifests the transdisci- ment when seven naked looking my collection, for which I am very done it without the support of 35 creativity are just like the air you plinary intention of the festival. performing strangers jumped grateful. FASHIONCLASH. breathe and entering back into What if non-fashion designers out of the car was hilarious. a world full of people that did produce for the body? is what Seeing Nawie’s, Laurens’ and 12. NINA 14. EBBY PORT not experience this world. Every we wanted to look into only to Branko’s faces light up that very WILLEMS DESIGNER time it leaves you with a bit of a find out that the demand for moment and Joost leading on THEATRE PERFORMER My most precious memory of weird feeling, because it was just participation was high from the the cheering crowd was very Over the years, I have created a FASHIONCLASH Festival is my the most intense weekend in the beginning. My most precious rewarding. few installations/performances very first in 2013. sense of impressions and emo- memories are the moments when for FASHIONCLASH. One of I was so happy to be selected tions. It's a bit how I image the all ten CLASH Project outfits 8. MIEKE the most recent memories is and I was so nervous. It was kids from Narnia must have walk out onto the catwalk. It is KOCKELKORN quite a controversial memory; a really big moment for me felt when they were suddenly a paradoxical situation, because DESIGNER one of the CLASH project. I because this is when I actually back in England and they were everyone responsible is back- I would describe myself as a very created a dress of a transparent started thinking about beco- the only ones who experienced stage, watching the show on a grateful designer, but a fan of tube, where a blue fluid would be ming a full-time designer. I am a that magical land. But it also flatscreen. It is both absurd and the Festival at the same time! My pumped trough when the model participant in the festival, first allows you to take all the energy, thrilling, because you have been best FASHIONCLASH memory was on the catwalk. I devised a by contributing to shows in the which you received from that working for this moment for is watching two dancers dancing system for that, which I had been evening program. Last year I did omnipresent creative spirit and such a long time. However, the like their life depended on it! testing a million times. However, a show during the day at the Van people's goodness, with you into only thing you see is a translation They did this in a piece called I was quite nervous that it would Eyck Academy. Also I feel like a your everyday life. And it just of what the audience sees on an ‘Folia’ by Martin Harriague and not work... So when my model spectator. I love to watch other gives you so much power, becau- output device, which displays a me (“Folia” means out of your was about to go on the runway, peoples work and see as many se you know that this positive distorted reality. Since everyone mind). The FASHIONCLASH I ran from the backstage to the shows and performances during force of creativity in the world – audience, designers, friends, stage is an exciting place to be! catwalk. I was holding my breath, the weekend. will never fade. helping hands and models – are but exactly at the right moment in the same large space, you 9. HERMIONE her dress filled up with blue.... It 15. SESSIBON 3. DENNIS thrive from the overall energy FLYNN was magic, especially because SHOW DIRECTION / CHOREOGRAPHY VANDERBROECK that is present. In a way the DESIGNER the model was my sister, and she SESSIBON has been a dear THEATRE PERFORMER / SCENOGRAPHER catwalk is a perspective for the We were lucky enough to be did an AMAZING job.... Besides partner since the first edition, FASHIONCLASH took me under audience. given the opportunity to this personal memory, it's great not only for the festival but also its wings for several years and showcase 2 collections in 2015 to be working in the space several other events. They have played a key role in my artistic 6. TEAM PETER and 2016 and 1 Fashion Film at between fashion and theatre believed in FASHIONCLASH practice as it is today. The most STIGTER FASHIONCLASH Fashion Film performance. I feel blessed that before the first edition was memorable moment with the PHOTOGRAPHY / VIDEO Festival. One of my most pre- FASHIONCLASH gives me the even born. Over the years, the FASHIONCLASH family was Team Peter Stigter has been cious memories from FASHION- opportunity to do so. festival became known for its the day we took off to Chengdu, capturing the wonderful, crazy CLASH Festival was the perfor- innovative and dynamic show China. Together we experienced and mesmerizing world of mance finale of our runway show 13. JOELLE BOERS choreographies, unthinkable an unbelievable adventure in FASHIONCLASH in images for for "(IN)DIFFERENCE" in 2015. DESIGNER without the collaboration with which we encountered incredible numerous years; not only behind The gorgeous Gia Bab stomped I have multiple precious moments SESSIBON. For Noël Hermsen people and places. Most impor- the scenes, but also front stage the runway after being wrapped to remember! I often think about and Joyce Boumans there are tantly, we created something and outside the venue. One of in layers of aprons. One audience the first time, back in 2014, too many memorable moments collaboratively; something truly our favorite memories of the member tweeted that it gave her when I launched my collection to mention. One moment that unbelievable on the other side festival is a performance during goosebumps. That is what makes on the runway: the moment you really stood out was three years of the world, that still resonated the CLASH PROJECT show of all the efforts worthwhile! hear your show music playing, it ago when Nawie came backstage within me. This is an experience the 2011 edition of artist Karel it's such an amazing feeling! All after the show to thank every- that I will cherish forever. van Laere. In this performance 10. MARLOU the adrenaline running trough body. Everyone was moved and he dragged four models dressed BREULS your veins! I still cherish the in tears. 4. IVANA PILJA in silicone/wetsuits over the cat- DESIGNER /INTERN moment when Chris van den DESIGNER walk. This is definitely a landmark I started as their first intern, Elzen and I collaborated in 2016. My favourite memory of in how to present fashion. We've from 2010 up to 2012, and from After the show we came up on FASHIONCLASH was definitely been covering the international then on have volunteered at the runway, it was an awesome totype space to submerge visitors into NOUMENON their creation, which will help to develop the eventual space and performance. By Mami Izumi and Jivika Biervliet They are exploring the border between indoor and outdoor, and meeting people ‘Noumenon’ is the first collaboration in a closed but porous space, inhabited between Fashion designer Jivika Biervliet by the performer. and Dancer Mami Izumi. We have fixed characters. Their longing to merge faced the theme of the festival as the life I AM SAD Web: timscheffer.com research. The word ‘religion’ brought the seems an impossible attempt. But that Instagram: day_dream_space doesn't stop them from trying. idea of believe in understanding the way By Festival of Sadness Day Dream Space is supported of life. Life is an endless transformation by ViaZuid and the search within. What we feel is Concept, text & performance: People aren’t crying because of weak- our reality and what brings you happiness Nora Ramakers & Timo Tembuyser ness. They cry because they’ve been is very personal. What we see in reality is Coaching: Joost Horward strong for too long. what we believe in. The believing comes Sound design: Pjotr Lasschuit A divers group of designers and perfor- from your inner self; knowing your truth, Costume design: Karlijn Krijger mers is developing a space for sadness, standing for it and living that. Image: Merel Dames as an antidote for the present societal Turn inside. Recognize and express that Special thanks to: Marc Zwietink, Branko pressure to be happy and UP, fueled by which is exciting, standing for it and Popovic, Toneelacademie Maastricht the need to be part of the fake digital THE JOKER living that. HUNTING is a co-production thumbs up world. What do people need ORACLES with FASHIONCLASH & ViaZuid when they are sad and together in a By Anthony van Gog Web: jivikabiervliet.com / Nora Ramakers & Timo Tembuyser public space? Does one feel like hiding By Anna Luka Da Silva and mamiizumi.com or being noticed? Can your clothing Erik van de Wijdeven "I'm just a joker telling you the laugh is Instagram: jivikabiervliet / mami8383 comfort you? How do we wear sorrow? extinct." A joker is sad because he is Photos: Jonas Löllmann The performance ‘I AM SAD’ is a preview Anna Luka and Erik befriended each no longer necessary in his kingdom. other at the Performance department of the Festival of Sadness (Verdriet- No one laughs about his jokes anymore. festival, Festival der Traurigkeit) that of the theatre academy in Maastricht. The only thing left for him to do is crying. Together they have created 'ORACLES': DESIGN NEW RELIGION will take place autumn 2018 in the Sad Joker! PROJECT #2 “DIALOGUE BETWEEN Euregio Maastricht/Aken from A lament about desolation, isolation and Sept 19th – Oct 7th. A visual and physical performance about FASHION AND DEATH: alienation. A soundful performance in self-realization and spiritual escapism. June 16, SAM-Decorfabriek REDESIGNING THE FASHION This preview connects sadness with the which the cry/the weep is deconstruc- theme of FASHIONCLASH Festival 2018 A seemingly soapy one-man dialogue is NARRATIVE” ted and packed in aesthetic forms and THIS IS situated precisely in an intricate light LUX RELIC by giving The mater dolorosa (the sad theatrical poses. mother Maria) a make-over. "AND THAT IS. AND A BIT OF installation in an effort to sketch a By Nina Willems THIS AND AL LOT OF THAT " surreal universe of banal absurdism SALLY Dansgezelschap Maastricht / By Nora Ramakers and Johanna Thanks to Peter Missotten, Martin Harriague & Mieke Kockelkorn ‘the space of sadness’ will be a work and supernatural overtones. Hehemeyer-Cürten MISSA HOMO SACER Marc Zwietink, Naomi Steijger, Fashion helps us to express ourselves, in progress during opening hours of By Luca Tichelman OP. 35 CONFITEOR DEO Anna Luka da Silva, Maarten Heijnens SALLY Dansgezelschap Maastricht it is a way of sharing our identity. How- Lumière. Their mutual starting point is the body first i thought my holy trinity so ever, in the age of “”, it tells and Luca Meisters. as a source of experience and knowledge, presents LUX, a choreography by Martin different from yours By Timo Tembuyser "It's like everyone tells a story about another story as well. A story of exploi- cultures, traditions and belief-systems Harriague in collaboration with Maas- Performance: Christina Fischer (vocals), themselves inside their own head. Always. but in essence they’re the same tation, pollution and corruption. How do Instagram: anthonyvangog that describe it's exceptional meanings. tricht based fashion designer Mieke Michael Ramisch (keys) Anthony van All the time. That story makes you what we relate to that part of the story, and first i asked you Kockelkorn. LUX, illuminance, draws its In RELIC three performers aim to rede- Gog (host) you are. We build ourselves out of that to the fact that we wear it on our skin A theatrical self-portrait as a lyrical inspiration from the written word within fine the meaning of homooúsion, which in Visuals: Saskia van Drimmelen (fashion story." Patrick Rothfuss daily? If Fashion could speak, how would if you don't mind homage to the (im)possibilities of perso- religion. Nowadays in our individualistic Christian theology pertains to the belie- designer), Desiree Hammen (visual 'THIS IS' is a performance that plays she relate to it? What is her view on the i'll lick the thorns out of your eyes nal growth, and the exotic means for it society everyone chooses their own ve that one entity is three consubstantial artist) Tim Prins (architect) and Margreet with the beliefs concerning 'identity', a world and on us? i'll palm the pulp out of your hair which are continually gaining popularity personal collection of words and symbols persons. In RELIC this believe is held Sweerts (director), Photo Pierre Hansen research into the intriguing differences and warm my hands to your inside within our society. to represent who they are. They reflect up high. Yet, the performers welcome it Festival of Sadness is generously of 'being' and its essence. In this edition of FASHIONCLASH, their essential values for life, which sur- solely as a godless religion, dedicating then i did it supported by Provincie Limburg, 36 theatre performer Nina Willems presents An incarnated caricature of two highly pass the boundaries of a religion. But do their movements to nothing more than Stimuleringsfonds Creatieve Industrie, In association with Chiara Tichelman her first research for the project “Dialo- sensitive hipsters. they illuminate who we really are? each other. Bankgiro Loterij Fonds Sound: Dikkie Baan gue between Fashion and Death”, in the MISSA HOMO SACER builds a spa- 37 tial and musical landscape for a Man, Web: lucatichelman.nl form of a short performance. An attempt Concept & text: Anna Luka da Silva & LUX combines solos, duos and ensembles roaming around, endlessly walking alone. Web: festivalofsadness.com Instagram: lucatichelman Concept & performance: Nora Ramakers to trace and change the “fast fashion” Erik van de Wijdeven in an instinctive, abstract but meaningful He looks for connection and unity, prays Supported by: Brand Cultuurfonds Designer: jJohanna Hehemeyer-Cürten mindset. Performed by: Erik van de Wijdeven dance, that is both sensual and exciting. for salvation and ecstasy, and devoutly Limburg Web: johannahehemeyercuerten.tumblr.com Directed by: Anna Luka da Silva wishes to find a sense of Self, a ray of Instagram: noraramakers / johlemo Concept and performance: Nina Willems Scenography: Erik van de Wijdeven Choreography: Martin Harriague Sun, a slice of Truth. Above all, he longs Text: Giacomo Leopardi Many thanks to: United-C Eindhoven, Costumes: Mieke Kockelkorn to be freed from the shadows of the Design: Marlou Breuls De school van Gaasbeek, Hugo de Greef, Performed by: Patrizio Bucci, Luis R. Original Sin and the fleshly desire it has Director: Eva Line de Boer Anna Luyten, Benjamin Abel Meirhaeghe, Pedraza Cedrón, Lea Giamattei, sown within mankind. But a Man he is, Photography: Lonneke van der Palen Maxime Dreessen, Anthony van Gogh Pedro Ricardo Henry and Amy Greene and a Man he will always remain, eternally Special thanks to: Stimuleringsfonds and Timo Tembuyser. Production: SALLY Dansgezelschap succumbing to the deeply human desire Creatieve Industrie Maastricht to melt into the Other and to disappear. Web: ninawillems.com Web: erikvandewijdeven.com Instagram: ninahannahwillems Facebook: luka.dasilva.75 Web: sallydansgezelschapmaastricht.nl In MISSA HOMO SACER, a women's Instagram: sallydansgezelschapmaastricht choir and a violoncello player accompany a Man's way to confession and repentan- ce, as he steps into the Light and falls back into Darkness. At the same time, they blur the lines as he tries to find the right words to describe his sins, luring him back into a world of destructive ero- tic rituals as he asks forgiveness for his repeatedly failing attempts to live.

Concept, text, composition, set design: AAN DE ANDERE KANT Timo Tembuyser ICONS Costume design: Karlijn Krijger By Evalinde Lammers & Kimberley Performance: Lena Stallinga (voice), A FIRST VISION OF DYING Agyarko „Everyone is an icon – that reflects Hélène Vrijdag (voice), Gerty Van de IN OUR FOUNTAIN DAY DREAM SPACE the divine in you. You are an incarnation, Perre (voice), Petra Ball (voice), Charlotte By Anthony van Gog Can I ask you something? bringing divine into the material world.” Dommershausen (voice), Job Greuter By Koen Verheijden, Kimberly Afua Can you see these clouds? By Audrey Apers and Tim Scheffer (violoncello), Timo Tembuyser Agyarko & Roann Postma A theatrical installation in which you For this project, all designers who Thanks to: Romy Moons, Nelleke Kuipers, walk into an interspace between living Two girls standing by a lake believing “We love things we cannot fully grasp. have ever been involved in one or more Lisse Knaapen, Bart Wolvekamp, "I know a place and dying. The installation results from different things (or nothing?) We believe in our human desire for fan- FASHIONCLASH events where invited FASHIONCLASH, Toneelacademie I know a place a dream. A dream in which I died. This Trying to understand each other. tasy as a temporary retreat from reality." to create ‘a cape’ that can be worn by Maastricht I know a place made me think about dreaming and dying Trying to believe each other. This statement is used as a base in the various body shapes and sizes. Several where we, we, we, we and their connection. It's a conversati- Trying to stand while everything creation of Day Dream Space, a project DESIGN NEW RELIGION designers have contributed by designing HUNTING and even you on between hope and desire; living and is turning. by Audrey Apers and Tim Scheffer. They PROJECT #1 a cape and they will be presented during Miss with the pretty lips dying; the outside world and I; you and We've been living the same life in a are curious about the human activity of the Opening on Friday June 15. want to be, be, be, be" that point in which you will no longer be different way. "daydreaming" and are translating this June 16, SAM-Decorfabriek By Nora Ramakers & Timo Tembuyser around anymore. Come and let ourselves We've been wondering about the theme into an experience. The instal- ICONS designers: Sanna Schubert, A performance about a place where dive into this limbo, this realm of nothing- other way. lation performance will evolve during a Design New Religion is a project, special- Deniece Clermonts, MCFOOL by Malou HUNTING is an alternative story of cre- there is room for much more. ness, this space of reflection, this throat Can I ask you something? continuous creative research. Audrey ly initiated for FASHIONCLASH Festival Fool, Eumni Kwon, Jessie Beurskens, ation, that takes place in a modernized grabbing silence. I will be there in total Can you see this reflection? Apers, as a performer and maker, and Two theatre makers are each connected Natalie Dawson, Danielle Keller, Marit van Eden. In a garden that is not a garden. stillness, waiting for you. Tim Scheffer, as an installation designer to a fashion designer. Both duo’s have Made and played by: Koen Verheijden, Heumen, Simon Cracker, Djeli de Nijs, In a conceptualized space. This is where will collaborate during this process and met for the very first time. They have Kimberly Afua Agyarko en Roann Postma Instagram: kimberleyagyarko Olga Ozieranska, Juliëtte Heijnen they meet. They are V and A. They strug- Costumes: Julina Vanille Bezold Thanks to Anna Luyten for the review evalindelammers be in constant dialogue with each other been invited to talk about their fascina- gle with the question how to become Supported by: Mosae Forum, on the texts and Peter Missotten for his Mail: [email protected] in order to create. FASHIONCLASH will tions, ideas and visions on the theme of Photo: designer Djeli de Nijs, photography fleshy again, in a world full of symbols and Centrummanagement Maasticht helpful words. [email protected] be an event in which they will use a pro- Fashion My Religion!. David Hummelen

FASHIONCLASH Festival 2018 is made possible thanks to the generous support and help from subsidies, funds, sponsors, partners, media partners, interns, friends and volunteers.

Subsidies & Funds

Sponsors, Partners, Media Partners

Team Peter Stigter Chapeau Magazine KALTBLUT Magazine Fucking Young! Arts Thread Amsterdam Fashion Tv WEDOVOODOO.TV Designspotter Marketing Maastricht

Thank you

Via Zuid / Noto / Studio Stad / AKATAK / Das Leben am Haverkamp / Lonneke van der Palen / Mind Fashion/ JUMP the GAP / Collective 12/ Anton Fayle / Sem Shayne / SALLY Dansgezelschap Maastricht / ModaLisboa - Lisboa Fashion Week / Serbia Fashion Week / Heiligdomsvaart Maastricht / Centrummanagement Maastricht / De Bijenkorf / Lumière Cinema / Crafts Council NL / Modemuze / PS-Showsupport / Waardengedreven / Boels Maastricht / Pepsi Max / De Klok dranken / Entre Deux / Op 't Indsje Eetcafe / Designhotel Maastricht / Kruisherenhotel Maastricht / Van Eyck Academie / Centre Céramique / Bonnefantenmuseum / De Brandweerkantine / Mosae Forum / Entre Deux / VVV Maastricht Maastricht Visitors Center / Ipal / Sint Servaasbasiliek / Toneelacademie Maastricht / Boekhandel Dominicanen / The Student Hotel / Erol /Cityliv / SAM Stichting Ateliers Maastricht / A&P Model Management / CJ Models / Embrace Model Management / FIC Model Mngmt / Galucci / Human Models / Mix Models / Models Rock Agency

& Thank you

Jessie Beurskens, Maxime Dohmen, Laura de Waart, Elise Crutzen, Lisette Roijers, Sheila Oroschin, Joost Horward, Raf Sluismans, Tim Prins, Ivo Straetmans, Carlo Wijnands, Monika Turczyn, Mariëlle Van Well, Natacha Gelissen, Els Petit, Fam. Kuiper, Lisa Born, Denise Fertig, Aim Wagemans, Joey Loomans, Lonne Hendriks, Kia Likitalo, Stella Bitsakaki, Ivory van Appeven, Liv Mans, Sem Ophelders, Henk Prins, Demi Storcken, Sean Cremers, Saher Abed Havez, Hannah Kador, Eleni Goessens, Rachel Ritzen, Anniek Geven, Shanice Moers, Walter van Haaren, Jac van den Boogard, Stephan Ummelen, Manon Gerlag, 38 Tom Goossens, Ton Harmes, Valerie Ruijpers. & all volunteers, models, participants, family friends & everyone who loves and supports FASHIONCLASH. 39

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vandort_dikkepech_adv_DEF.indd 1 22-03-18 14:57 Colofon FC Paper editor, content creator FASHIONCLASH Festival 2018 Paper Elise Crutzen

FASHIONCLASH Team Art direction, graphic design Creative direction, curation Noto – Ivo Streatmans Branko Popovic studionoto.nl Laurens Hamacher Nawie Kuiper Thanks to all participants for providing beautiful content. Production Thanks to all isers. Laura de Waart, Lisette Roijers Campaign credits Communication Concept Maxime Dohmen Das Leben am Haverkamp Forza Fashion House Photo Jessie Beurskens Lonneke van der Palen

Interns Aim Wagemans Initiated by Hannah Kador FASHIONCLASH Foundation Saher Abed Havez Postbus 205 Kia Likitalo 6200 AE Maastricht Stella Bitsakaki Sean Cremers www.fashionclash.nl Demi Storcken Sem Ophelders Joey Loomans Lonne Hendriks Eleni Goessens Ivory van Appeven Liv Mans 40