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Desperate Housewives a Lot Goes on in the Strange Neighborhood of Wisteria Lane
Desperate Housewives A lot goes on in the strange neighborhood of Wisteria Lane. Sneak into the lives of five women: Susan, a single mother; Lynette, a woman desperately trying to b alance family and career; Gabrielle, an exmodel who has everything but a good m arriage; Bree, a perfect housewife with an imperfect relationship and Edie Britt , a real estate agent with a rocking love life. These are the famous five of Des perate Housewives, a primetime TV show. Get an insight into these popular charac ters with these Desperate Housewives quotes. Susan Yeah, well, my heart wants to hurt you, but I'm able to control myself! How would you feel if I used your child support payments for plastic surgery? Every time we went out for pizza you could have said, "Hey, I once killed a man. " Okay, yes I am closer to your father than I have been in the past, the bitter ha tred has now settled to a respectful disgust. Lynette Please hear me out this is important. Today I have a chance to join the human rac e for a few hours there are actual adults waiting for me with margaritas. Loo k, I'm in a dress, I have makeup on. We didn't exactly forget. It's just usually when the hostess dies, the party is off. And I love you because you find ways to compliment me when you could just say, " I told you so." Gabrielle I want a sexy little convertible! And I want to buy one, right now! Why are all rich men such jerks? The way I see it is that good friends support each other after something bad has happened, great friends act as if nothing has happened. -
Redalyc.DISNEY's “WAR EFFORTS”: the LION KING and EDUCATION
Ilha do Desterro: A Journal of English Language, Literatures in English and Cultural Studies E-ISSN: 2175-8026 [email protected] Universidade Federal de Santa Catarina Brasil Modenessi, Alfredo Michel DISNEY’S “WAR EFFORTS”: THE LION KING AND EDUCATION FOR DEATH, OR SHAKESPEARE MADE EASY FOR YOUR APOCALYPTIC CONVENIENCE Ilha do Desterro: A Journal of English Language, Literatures in English and Cultural Studies, núm. 49, julio-diciembre, 2005, pp. 397-415 Universidade Federal de Santa Catarina Florianópolis, Brasil Available in: http://www.redalyc.org/articulo.oa?id=478348687019 How to cite Complete issue Scientific Information System More information about this article Network of Scientific Journals from Latin America, the Caribbean, Spain and Portugal Journal's homepage in redalyc.org Non-profit academic project, developed under the open access initiative Disney's "War efforts": The Lion King and... 397 DISNEY’S “WAR EFFORTS”: THE LION KING AND EDUCATION FOR DEATH, OR SHAKESPEARE MADE EASY FOR YOUR APOCALYPTIC CONVENIENCE Alfredo Michel Modenessi Universidad Nacional Autónoma de México [...]circumstances are incalculable in the manner in which they come about, even if apocalyptically or politically foreseen, and the identity of the vital individuals and objects is hidden by their humble or frivolous role in an habitual set of circumstances. Nadine Gordimer, July’s People I. “Who is here so rude that would not be a Roman?” “‘Peace, ho! Brutus speaks.’ And speaks. And speaks. And except for a couple of fatal blows that he somewhat misplaces in the bodies of his “best lover[s]” (i.e. Caesar and himself), he hardly does anything but deliver speeches. -
March 8-March 31, 2019 Fridays & Saturdays 7:30Pm Sundays 2:00Pm
Funded in part by March 8-March 31, 2019 Fridays & Saturdays 7:30pm Sundays 2:00pm Pay What You Can Thursday, March 21st at 7:30pm Sponsorship provided by: 901 Broadway, Suite 500 Tacoma, WA 98402 253-627-2792 www.tysamusic.org A Little Night Music Drinks $6.00 Mrs. Anderssen Mrs. Anderssen likes to keep her voice in shape to hit the high notes with a classic daquiri. Rum, Lime juice, and simple syrup shaken, not frozen. —OR— A Weekend in the Country What better way to stay refreshed while traveling to the country than with a classic Gin & Tonic? Do you want to save $1.00 every time that you order a drink at TLT? For $3.00 you can get your very own TLT Sippy Cup and whenever you come back with it, you’ll get $1.00 off any drink.* *excludes water, tea, and coffee PRE-ORDER YOUR DRINK FOR INTERMISSION! A Little Night Music Music and Lyrics by STEPHEN SONDHEIM Book by HUGH WHEELER Orchestrations by Jonathan Tunick Suggested by a Film by Ingmar Bergman Originally Produced and Directed on Broadway by Harold Prince Directed by John Munn Musically Directed by Deborah Lynn Armstrong Choreographed by Lexi Barnett A LITTLE NIGHT MUSIC is presented through special arrangement with Music Theatre International (MTI). All authorized performance materials are also supplied by MTI. www.MTIShows.com TACOMA LITTLE THEATRE STAFF Managing Artistic Director .......................................... Chris Serface Office Manager .................................................... Karen Christensen Technical Director ........................................................ Blake R. York Lead Carpenter ............................................................ Frank Roberts Education/Production Manager .................................. Nena Curley Development Director ............................................... Diana George House Managers ........... -
A Little Night Music
WELCOME It is a real pleasure to welcome you to the Quarry before last, and who share the role of Fredrika in Theatre for the first time in many months for our A Little Night Music. It’s a thrill to be able to perform co-production of Stephen Sondheim’s A Little Night Sondheim’s work in Jonathan Tunick’s original Music. This latest collaboration between Leeds orchestrations, with the brilliant Orchestra of Opera Playhouse and Opera North represents a significant North conducted by one of the world’s leading step for both organisations on the road back to a full interpreters of classic musical theatre, Jim Holmes. programme of performances for live audiences. Behind the scenes, our staff have been working The partnership between our two companies has incredibly hard to ensure a safe environment flourished since our work together five years ago for performers and audiences alike, and that on another Sondheim musical, Into the Woods, and will continue to be a top priority as we plan for has grown all the stronger during the pandemic. performances without restrictions in the coming Against the odds we made an all too brief return months. There is much to look forward to from to live performance together last October with both companies, with Pam Gems’ sensational play the Connecting Voices season, which included about the life of Edith Piaf at the Playhouse later Orpheus in the Record Shop, an extraordinary new this summer, and an autumn season that includes work by Leeds-based artist Testament, which was the magical Christmas show Wendy and Peter subsequently filmed for BBC4’s Lights Up festival. -
Little Night Music
44th Season • 419th Production SEGERSTROM STAGE / SEPTEMBER 7 - OCTOBER 7, 2007 David Emmes Martin Benson PRODUCING ARTISTIC DIRECTOR ARTISTIC DIRECTOR presents A LITTLE NIGHT MUSIC music and lyrics by Stephen Sondheim book by Hugh Wheeler Sibyl Wickersheimer Shigeru Yaji Christopher Akerlind SCENIC DESIGN COSTUME DESIGN LIGHTING DESIGN Drew Dalzell Ken Roht Jeff Gifford Jamie A. Tucker* SOUND DESIGN CHOREOGRAPHER PRODUCTION MANAGER STAGE MANAGER Musical Direction by Dennis Castellano DIRECTED BY Stefan Novinski Barbara and Bill Roberts HONORARY PRODUCERS CORPORATE PRODUCER Suggested by a film by Ingmar Bergman. Originally produced and directed on Broadway by Harold Prince. A Little Night Music • SOUTH COAST REPERTORY P1 THE CAST (in order of appearance) Mr. Lindquist ............................................................... Christopher Carothers* Mrs. Nordstrom ....................................................................... Karen Culliver* Mr. Erlanson ......................................................................... Kevin McMahon* Mrs. Anderssen ....................................................................... Ann Marie Lee* Mrs. Segstrom ................................................................................ Tracy Lore* Madame Armfeldt ........................................................................ Teri Ralston* Fredrika Armfeldt ................................................................... Katie Horwitch* Frid ................................................................................ -
Developmental Cross Training Repertoire for Musical Theatre
Developmental Cross Training Repertoire for Musical Theatre Women The repertoire suggestions below target specific developmental goals. It is important to keep in mind however that the distinguishing characteristic of musical theatre singing is the variability of tonal resonance within any given song. A predominantly soprano song might suddenly launch into a belt moment. A chest dominant ballad may release into a tender soprano. Story always pre-empts musical choices. “Just You Wait” from My Fair Lady is part of the soprano canon but we would be disappointed if Eliza could not tell Henry Higgins what she really felt. In order to make things easier for beginning students, it’s a good idea to find repertoire with targeted range and consistent quality as students develop skill in coordinating registration. Soprano Mix—Beginner, Teens to Young Adult Examples of songs to help young sopranos begin to feel functionally confident and enthusiastic about characters and repertoire. Integrating the middle soprano is a priority and it is wise to start there. My Ship Lady in the Dark Weill Far from the Home I Love Fiddler on the Roof Bock/ Harnick Ten Minutes Ago Cinderella Rodgers/Hammerstein Mr. Snow Carousel Rodgers/Hammerstein Happiness is a Thing Called Joe Cabin in the Sky Arlen/Harburg One Boy Bye Bye Birdie Strouse/Adams Dream with Me Peter Pan Bernstein Just Imagine Good News! DeSylva/Brown So Far Allegro Rodgers/Hammerstein A Very Special Day Me and Juliet Rodgers/Hammerstein How Lovely to be a Woman Bye Bye Birdie Strouse/Adams One Boy Bye Bye Birdie Strouse/Adams Lovely Funny Thing. -
Read the Journal
Composite Journal 1 The following is a composite of journal made up of entries written by students in the 2008-2009 session of the Theater in London Class. The names, school years, and majors of the authors follow each entry. In some cases multiple entries for a single play are provided so as to allow the reader to see how different students responded to the same performance. Cinderella (2008). Dir. Melly Still. Based on Brothers Grimm Aschenputtel. Written by Ben Power and Melly Still. Lyric Hammersmith Theatre The Lyric Hammersmith Theatre has a reputation for unique and alternative Christmas shows, and this version of Cinderella certainly didn't disappoint. The play not only models itself after the original Grimm Brother's Aschenputtel but also incorporates elements of other traditional folk tales to add depth to the backgrounds of the characters. It is a darker and more introspective Cinderella than the Perrault-based Disney version many are familiar with, but it is by no means less tender. The depth of character development and psychological intricacy of this production are, in my opinion, its greatest strengths; though at times I felt the storytelling could have been less convoluted. I admired the Pulp-Fiction-esque timeline and its contribution to the dreaming landscape of the production, but I was occasionally distracted from the performance while trying to sort through the multiple myths and multiple timelines in my head. Another thing I admired about this production was the characterization of the step-sisters: they are not exactly sympathetic but are portrayed in a less harsh light than in most Cinderella tales I have read. -
Low Male Voice Repertoire in Contemporary Musical Theatre: a Studio and Performance Guide of Selected Songs 1996-2020
LOW MALE VOICE REPERTOIRE IN CONTEMPORARY MUSICAL THEATRE: A STUDIO AND PERFORMANCE GUIDE OF SELECTED SONGS 1996-2020 by Jeremy C. Gussin Submitted to the faculty of the Jacobs School of Music in partial fulfillment of the requirements for the degree, Doctor of Music Indiana University December 2020 Accepted by the faculty of the Indiana University Jacobs School of Music, in partial fulfillment of the requirements for the degree Doctor of Music Doctoral Committee __________________________________________ Ray Fellman, Research Director __________________________________________ Brian Gill, Chair __________________________________________ Jane Dutton __________________________________________ Peter Volpe December 10, 2020 ii Copyright © 2020 Jeremy Gussin iii Preface This project is intended to be a resource document for bass voices and teachers of low male voices at all levels. For the purposes of this document, I will make use of the established term low male voice (LMV) while acknowledging that there is a push for the removal of gender from voice classification in the industry out of respect for our trans, non-binary and gender fluid populations. In addition to analysis and summation of musical concepts and content found within each selection, each repertoire selection will include discussions of style, vocal technique, vocalism, and character in an effort to establish routes towards authenticity in the field of musical theatre over the last twenty five years. The explosion of online streaming and online sheet music resources over the last decade enable analysis involving original cast recordings, specific noteworthy performances, and discussions on transposition as it relates to the honoring of character and capability of an individual singer. My experiences with challenges as a young low voice (waiting for upper notes to develop, struggling with resonance strategies above a D♭4) with significant musicianship prowess left me searching for a musically challenging outlet outside of the Bel Canto aesthetic. -
SINGER's MUSICAL THEATRE ANTHOLOGY Master Index, All Volumes
THE SINGER’S MUSICAL THEATRE ANTHOLOGY SERIES GUIDE AND INDEXES FOR ALL VOLUMES • Alphabetical Song Index • Alphabetical Show Index Updated September 2016 Key Accompaniment Book Only CDs Book/Audio S1 = Soprano, Volume 1 00361071 00740227 00000483 S2 = Soprano, Volume 2 00747066 00740228 00000488 S3 = Soprano, Volume 3 00740122 00740229 00000493 S4 = Soprano, Volume 4 00000393 00000397 00000497 S5 = Soprano, Volume 5 00001151 00001157 00001162 S6 = Soprano, Volume 6 00145258 00151246 00145264 ST = Soprano, Teen's Edition 00230043 00230051 00230047 S16 = Soprano, 16-Bar Audition 00230039 NA NA M1 = Mezzo-Soprano/Belter, Volume 1 00361072 00740230 00000484 M2 = Mezzo-Soprano/Belter, Volume 2 00747031 00740231 00000489 M3 = Mezzo-Soprano/Belter, Volume 3 00740123 00740232 00000494 M4 = Mezzo-Soprano/Belter, Volume 4 00000394 00000398 00000498 M5 = Mezzo-Soprano/Belter, Volume 5 00001152 00001158 00001163 M6 = Mezzo-Soprano/Belter, Volume 6 00145259 00151247 00145265 MT = Mezzo-Soprano/Belter, Teen's Edition 00230044 00230052 00230048 M16 = Mezzo-Soprano/Belter, 16-Bar Audition 00230040 NA NA T1 = Tenor, Volume 1 00361073 00740236 00000485 T2 = Tenor, Volume 2 00747032 00740237 00000490 T3 = Tenor, Volume 3 00740124 00740238 00000495 T4 = Tenor, Volume 4 00000395 00000401 00000499 T5 = Tenor, Volume 5 00001153 00001160 00001164 T6 = Tenor, Volume 6 00145260 00151248 00145266 TT = Tenor, Teen's Edition 00230045 00230053 00230049 T16 = Tenor, 16-Bar Audition 00230041 NA NA B1 = Baritone/Bass, Volume 1 00361074 00740236 00000486 B2 = Baritone/Bass, -
Side by Side by Sondheim.Pdf
sim ACT I CAST SIDE BY SIDE BY SONDHEIM COMEDY ITONIGHT "FORUM" COMPANY CAREY ALLEN ALMA NICHOLSOI IF MOMMA WAS MARRIED "GYPSY" SARITA RAINEY JUSTIN ANDERSON ALYSON NIJEM Music and Lyrics by \ YOU MUST MEET MY WIFE ALYSON NIJEM CHRISTY CLYATT RICHARD NUNLE "A LITTLE NIGHT GARY MOSER MARY HELEN CULBRETH Stephen Sondheim f MUSIC" HOPE INCE TIM FAUSETT RHENDA PARKER and music by Bernste'in, LITTLE THINGS YOU DO TOGETHER "COMPANY" COMPANY JOHN FISHER SARITA RAINEY M St R. Rogers, Styne GETTING MARRIED TODAY "EVENING PRIMROSE" RHENDA PARKER JIM GALLOY JIM RINEHART RICHARD NUNLEY HOPE INCE I REMEMBER MATT SCHENK Continuity by Ned Sherrin "COMPANY" CAREY ALLEN CAN THAT BOY FOXTROT JAMES JOBES SHIRLEY SELLS "COMPANY" LADIES Permission from Music Theatre COMPANY AMY KILGARD DENISE STEPTO: "COMPANY" COMPANY ALLEN MCLEOD International ANOTHER HUNDRED PEOPLE ROSALIND WHIT "COMPANY" HOPE INCE GARY MOSER BARCELONA "COMPANY" MARY HELEN CULBRETH SPECIAL THANK YOU GARY MOSER I NEVER DO ANYTHING TWICE "THE 7% SOLUTION" HOPE INCE Frank R. Steele BEAUTIFUL GIRLS JOE D'ALEO (TWIN LAKES TAVERN Director, "FOLLIES" GENTLEMEN AU PARIS MOODY AFB Pianist "FOLLIES" SARITA RAINEY BUDDY'S BLUES OAK TREE (OR UNFINISHED SHOP) "FOLLIES" JIM GALLOY HOPE INCE (PIANO) •Joanne Griner Narrator BROADWAY BABY "FOLLIES" SHIRLEY SELLS THEATRE GUILD YOU COULD DRIVE PERSON CRAZY "COMPANY" LADIES JOANNE GRINER Mary Ann Green Narrator COMEDY TONIGHT REPRISE COMPANY MICHAEL DOVER KEN PERRY CLEANERS Teri Moser Program ACT II 1991-92 SEASON Kerri Miller ANYONE CAN WHISTLE Art Design- -
Score Alfred Music Publishing Co. Finn
Title: 25th Annual Putnam County Spelling Bee, The - score Author: Finn, William Publisher: Alfred Music Publishing Co. 2006 Description: Score for the musical. Title: 42nd Street - vocal selections Author: Warren, Harry Dubin, Al Publisher: Warner Bros. Publications 1980 Description: Vocal selections from the musical. Contains: About a Quarter to Nine Dames Forty-Second Street Getting Out Of Town Go Into Your Dance The Gold Digger's Song (We're In The Money) I Know Now Lullaby of Broadway Shadow Waltz Shuffle Off To Buffalo There's a Sunny Side to Every Situation Young and Healthy You're Getting To Be a Habit With Me Title: 9 to 5 - vocal selections The musical Author: Parton, Dolly Publisher: Hal Leonard Publishing Corporation Description: Vocal selections from the musical. Contains: Nine to Five Around Here Here for You I Just Might Backwoods Barbie Heart to Hart Shine Like the Sun One of the Boys 5 to 9 Change It Let Love Grow Get Out and Stay Out Title: Addams Family - vocal selections, The Author: Lippa, Andrew Publisher: Hal Leonard Publishing Corporation 2010 Description: Vocal selections from the musical. includes: When You're an Addams Pulled One Normal Night Morticia What If Waiting Just Around the Corner The Moon and Me Happy / Sad Crazier than You Let's Not Talk About Anything Else but Love In the Arms Live Before We Die The Addams Family Theme Title: Ain't Misbehavin' - vocal selections Author: Henderson, Luther Publisher: Hal Leonard Publishing Corporation Description: Vocal selections from the musical. Contains: Ain't Misbehavin (What Did I Do to Be So) Black and Blue (Get Some) Cash For Your Trash Handful of Keys Honeysuckle Rose How Ya Baby I Can't Give You Anything But Love It's a Sin To Tell A Lie I've Got A Felling I'm Falling The Jitterbug Waltz The Joint is Jumping Keepin' Out of Mischief Now The Ladies Who Sing With the Band Looking' Good But Feelin' Bad Lounging at the Waldorf Mean to Me Off-Time Squeeze Me 'Tain't Nobody's Biz-ness If I Do Title: Aladdin and Out - opera A comic opera in three acts Author: Edmonds, Fred Hewitt, Thomas J. -
![A Little Night Music Program [1990]](https://docslib.b-cdn.net/cover/8157/a-little-night-music-program-1990-3598157.webp)
A Little Night Music Program [1990]
University of Southern Maine USM Digital Commons Programs 1990-1991 Season Theatre Programs 1990-2000 Fall 11-1990 A Little Night Music Program [1990] University of Southern Maine Department of Theatre Follow this and additional works at: https://digitalcommons.usm.maine.edu/theatre-programs-1990-1991 Part of the Theatre History Commons Recommended Citation University of Southern Maine Department of Theatre, "A Little Night Music Program [1990]" (1990). Programs 1990-1991 Season. 2. https://digitalcommons.usm.maine.edu/theatre-programs-1990-1991/2 This Program is brought to you for free and open access by the Theatre Programs 1990-2000 at USM Digital Commons. It has been accepted for inclusion in Programs 1990-1991 Season by an authorized administrator of USM Digital Commons. For more information, please contact [email protected]. The University of Southern Maine Theatre Department and Music Department presents iHQe November 30 - December 9 Russell Hall, Gorham Campus A Little Night Music ORCHESTRA Music and Lyrics by STEPHEN SONDHEIM Book by HUGH WHEELER Mary Anne Jones flute, alto flute, piccolo Katrina Casey clarinet Slll}gested by a Fibn by Ingmar Bergman Originally Produced and Directed on Broadway by Harold Prince Erik Rahn clarinet Jeffrey Girard clarinet, bass clarinet This production is a collaboration Kelly Bickford bassoon with the University of Southern Maine Avi Good trumpet Theatre Department and Music Department Eric Haase trumpet Leigh Chinchillo horn Roger Williams synthesizer Stage Director: Walter Stump Sharon Robinson piano, synthesizer Music Director: Bruce Fithian Set Designer: Charles S. Kading PROGRAM NOTES Costume Designer: Sue Picinich Lighting Designer: Fred Fauver Although set in Athens, there is no question that Shakespeare's A Choreographer: Nancy Salmon Midsummer Night's Dream stems from the author's fascination Orchestration, programming: Denis Drobinski with the one evening of the year when all of the mystical creatures Accompanist: Roger Williams of the woods conspire to play havoc with lovers.