Hmong Americans in the Milwaukee Area
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Changing American Population
The Legal Profession Faces New Faces: How Lawyers' Professional Norms Should Change to Serve a Changing American Population By Liwen Maht If a client earnestly asks a lawyer to participate in a cow-sacrificing ceremony to ensure a propitious legal outcome, should the lawyer sharpen her steak knives and attend?' The lawyer might first consult her own con- science. Assuming she has no irreconcilable, personal opposition to sacri- ficing animals, she might consider legal ethics and the social norms of the legal profession. Social norms about how to work with clients are embed- ded within the Model Rules of Professional Responsibility. Unfortunately, adherence to these norms more likely satisfies the expectations of other attorneys than the expectations of the client. The legal profession faces the challenge of meeting the needs of a changing American demographic and adapting to serving clients with different cultural norms. Serving a client with different cultural bearings presents both great peril and opportunity for a lawyer. The explosion of Latino and Asian American populations in recent years increases the likelihood that lawyers will encounter clients who subscribe to different social norms.2 A look at lawyers' own social norms reveals that the American bar is fixated on his- torical lawyering roles, rather than serving the rapidly changing American demographic. Latino and Asian immigrant groups are less likely to com- port with the profession's time-worn view that clients are autonomous Copyright © 2005 California Law Review, Inc. California Law Review, Inc. (CLR) is a California nonprofit corporation. CLR and the authors are solely responsible for the content of their publications. -
8Th International Conference on Hmong Studies
8th International Conference on Hmong Studies April 17th – 19th, 2020 Abstracts Submitted ------------------------------------------------------------------------------------------------ 1. Participant reference in Hmong Shib Sara Mackintosh Hmong Shib is a Hmong-Mien language spoken in Yunnan province, China. This paper considers how different folktale participants are referred to in two stories from the language, as published in Zhang & Cohen (2018). No detailed analysis on this topic has been carried out previously. Consideration was given to different ways of analysing participant reference and Levinsohn's eight step methodology, as detailed in Dooley & Levinsohn (2000), was chosen to be used. Both subject and non- subject situations in the folktales are reviewed. In this language, participants can be referred to using full noun phrases, independent pronouns, or a null reference. Analysis shows that major participants are often referred to with a null pronoun when they are in subject position in the clause, even when there has been a change of subject from the previous clause. In other situations, the non-gender-specific third person pronoun is used. Questions then arise as to how hearers can determine which participant is the current topic with such frequent usage of null reference and non-gender-specific pronouns. It is shown that there are situations when the participant can only be determined by pragmatic inference, either by the preceding context or by the hearer's worldview. One of the folktales shows interesting patterns of change in the way that one of the story's main characters is referred to in different episodes of the story. Considering the changes and ways that the participants are referred to in subject and non-subject situations can help to identify the Very Important Participant in this folktale. -
Asian & Pacific Islander Americans in Sacramento
2000 & beyond Asian & Pacific islander americans in sacramento: A COMMUNITY PROFILE, 2000 AND BEYOND a message from President Alexander Gonzalez ne hallmark of excellence in a public university is a willingness to fully engage in the surrounding community, Odedicating the talents of faculty and student researchers to the task of enhancing the overall quality of life. With this groundbreaking report, the Asian American Studies Program at California State University, Sacramento sets a perfect example of merging applied research capabilities with an acute need for information on a particular population. Sacramento State’s Asian American Studies Program is dedicated to examining the diverse experiences of Asian and Pacific Islander Americans and their contributions to our society. The program’s faculty members are committed to providing a rigorous academic environment, developing future leaders, and creating co-curricular and service learning activities. With Sacramento State’s proximity to the California Legislature, state and federal government agencies, and numerous community-based organizations, we can provide unparalleled opportunities for faculty and students to participate in applied policy research, internships and community service projects. I hope you find this report both useful and compelling. I am certain it will inform public policy discussions in this region for years to come. Alexander Gonzalez President 2 | CALIFORNIA STATE UNIVERSITY, SACRAMENTO PHOTO COURTESY SACRAMENTO BEE/BRIAN BAER Introduction n August 2002, the City of Sacramento was Contents hailed as “America’s Most Diverse City” by Time IMagazine for being an integrated melting pot of 2 A Message from President Alexander people, cultures, and languages. According to Census Gonzalez 2000, there are 407,018 residents in Sacramento. -
Hmong and Public Lands in Minnesota and Wisconsin
Society and Natural Resources, 21:876–890 Copyright # 2008 Taylor & Francis Inc. ISSN: 0894-1920 print=1521-0723 online DOI: 10.1080/08941920701684197 Listening to Neglected Voices: Hmong and Public Lands in Minnesota and Wisconsin DAVID N. BENGSTON USDA Forest Service, Northern Research Station, St. Paul, Minnesota, USA MICHELE SCHERMANN, MAIKIA MOUA, AND TOU THAI LEE Bioproducts and Biosystems Engineering, University of Minnesota, St. Paul, Minnesota, USA Natural resource managers need to understand the cultures and concerns of ethnic minority communities in order to serve them effectively. The Hmong are an Asian ethnic group that is heavily involved in natural resource-related activities but has been largely overlooked by social scientists. We conducted a series of five focus groups with Hmong Americans in Minnesota and Wisconsin, exploring their experi- ences and perspectives on public lands. Our participants revealed deep cultural and personal connections with the natural world and the importance of public lands to many Hmong. But we also heard about profound problems and concerns. Percep- tions of racism, discrimination, and harassment from public land managers and other agency personnel, recreationists, and private landowners are common. Participants had many suggestions for improvement and insights regarding the special needs of new refugees who arrived in the United States in recent years. Keywords environmental racism, focus groups, Hmong, Minnesota, public lands, Wisconsin Natural resource managers and policymakers need to understand the cultures and perspectives of ethnic minority communities in order to serve them effectively. But gaining this understanding is often difficult and complex. Significant variability exists Received 29 November 2006; accepted 6 April 2007. -
A History of the Hmong Community in Banning
From the Hills of Laos to the San Gorgonio Pass; A History of the Hmong Community in Banning Banning has historically been a town of pioneering settlers. After original native peoples, principally the Cahuilla, settled in the area, White/European settlers began arriving in the late 1880s, followed closely by Mexican-American immigrants. The African-American community began developing in the 1950s, followed by Lao and Hmong people from Laos in the late 1970s. The Hmong have been a people without a country for thousands of years, forcefully driven from their homelands, first in China and more recently in Laos, a long sliver of a country situated between Vietnam and Thailand. The Hmong have lived in higher elevations because of their fear that the country they settled in would eventually turn against them and attempt to harm them. By living in higher elevations they could keep a lower and safer profile and not be perceived as a threat to the local communities of that country. During the Vietnam War the Hmong people of Laos were recruited by the U.S. Military as part of an anti-communist force in the hilly areas of Laos, where they farmed the fertile soil of the region. After the withdrawal of U.S. forces from Vietnam in 1975, the U.S. accepted more than 110,000 Laotian highlander Hmong as refugees. Many of the first Hmong who arrived in Southern California settled in the San Diego, Santa Ana and Long Beach areas. As they ventured outside of those areas they discovered Banning. The rocky hills bordering the north and south sides of the San Gorgonio Pass reminded them of some of the hilly areas of Laos, their former homeland, and the lower housing costs compared to Orange County were attractive. -
Days & Hours for Social Distance Walking Visitor Guidelines Lynden
53 22 D 4 21 8 48 9 38 NORTH 41 3 C 33 34 E 32 46 47 24 45 26 28 14 52 37 12 25 11 19 7 36 20 10 35 2 PARKING 40 39 50 6 5 51 15 17 27 1 44 13 30 18 G 29 16 43 23 PARKING F GARDEN 31 EXIT ENTRANCE BROWN DEER ROAD Lynden Sculpture Garden Visitor Guidelines NO CLIMBING ON SCULPTURE 2145 W. Brown Deer Rd. Do not climb on the sculptures. They are works of art, just as you would find in an indoor art Milwaukee, WI 53217 museum, and are subject to the same issues of deterioration – and they endure the vagaries of our harsh climate. Many of the works have already spent nearly half a century outdoors 414-446-8794 and are quite fragile. Please be gentle with our art. LAKES & POND There is no wading, swimming or fishing allowed in the lakes or pond. Please do not throw For virtual tours of the anything into these bodies of water. VEGETATION & WILDLIFE sculpture collection and Please do not pick our flowers, fruits, or grasses, or climb the trees. We want every visitor to be able to enjoy the same views you have experienced. Protect our wildlife: do not feed, temporary installations, chase or touch fish, ducks, geese, frogs, turtles or other wildlife. visit: lynden.tours WEATHER All visitors must come inside immediately if there is any sign of lightning. PETS Pets are not allowed in the Lynden Sculpture Garden except on designated dog days. -
Mai Neng Moua
Mai Neng Moua Although the Hmong have not had a tradition of written language, we are building one. We are the creators of our own history from this point on. “ — Bamboo Among the Oaks, Introduction Biography Throughout American history, questions regarding the authenticity and ability of individual writers to claim the right to represent the” Ameri- can experience have sparked controversy. A recent development in this debate has been the addition of Hmong-American voices to the canon of Quick Facts American literature. * Born in 1974 At the forefront of this issue is Mai Neng Moua, a Hmong writer and * Hmong- editor who has worked for over a decade to draw out and amplify American writer Hmong-American voices in publications such as the Hmong literary and literary journal Paj Ntaub Voice, and an anthology of Hmong literature called activist Bamboo Among the Oaks, published in 2002. Both are extraordinary ef- * Founded the forts to advance Hmong literature, and even more impressive because a Paj Ntaub Voice written Hmong language has only existed since the latter half of the 20th century. This page was researched and submitted by Heather Herbaugh, Jim Schmit, and Lydia Nobello on May 6, 2004. 1 © 2009 Regents of the University of Minnesota. All rights reserved. The University of Minnesota is an equal opportunity educator and employer. Mai Neng Moua Biography continued It is said that the Hmong of Laos may have had a written language but it had been lost several centuries ago. Then in the 1950s, French Catholic missionaries transliterated Hmong using the Roman alphabet. -
OPEN SEASON Study Guide W Nos 731 2012
Open Season By Mark Tang and Lu Lippold Study Guide for Facilitators and Educators by Louisa Schein and Va-Megn Thoj This guide offers questions and issues for discussion that can be used by community groups, classes, professional groups, teachers, facilitators and others, including individuals, who would like to think more broadly about themes and questions as they view the film. Different sections will be appropriate for different groups, so they are intended to present a range of choices. Classes, community organizations and professional groups can use Open Season in many ways. Topic areas include: Race and Ethnicity, Immigration, U.S. History and American Studies, Hmong and Asian Americans, Law, Enforcement and Jurisprudence, Criminal Justice, Forensics, Hunting and Natural Resources, Community Conflict, Violence and Hate, Civil Rights, Filmmaking and Documentary. This guide is especially designed to offer strategies for discussions about race and racism that are often very difficult to have, and to suggest vocabularies for talking about these difficult subjects. High school teachers and administrators should look closely at the content of the film and only screen it in carefully chosen contexts with some preparation for the emotional impact of the film. Questions and Issues for Discussion The following questions are arranged by themes, but any could be used by themselves or in sequence after screening Open Season. Some questions are similar, but phrased for different emphasis so that the discussion leader can choose and adapt what is most appropriate for the particular group. Immigrants and Assimilation 1. Asian Americans have continued to be seen as newcomers, and sojourners, unassimilable and culturally distinct no matter how many generations their families may have been in the U.S. -
Choosing Detroit As a Backdrop for the Movie Gran Torino Was Obvious
Gran Torino Choosing Detroit as a backdrop for the movie Gran Torino was obvious. After all, the Motor City put the world on wheels! PHOTO: THE HENRY FORD By the mid 20th century, Detroit had become the motor and young entrepreneurs that are reshaping the city and metropolis of the world. The car industry was on the cutting travelers from around the world are taking notice. edge and the “Big Three” auto companies, Ford, General Motors and Chrysler, forced most smaller competitors out In the movie, Walt Kowalski (played by Clint Eastwood), a of business. recently widowed Korean War veteran, is alienated from his family and angry at the world. The auto industry employed vast numbers of working Detroiters; hundreds of thousands of blue-collar workers Follow in the footsteps of the actors in this four-time award- found work on the assembly lines—one of every six people winning movie. Tour the film locations sites and explore the worked for the automotive industry. places where Clint Eastwood and fellow actors spent their downtime. Get the scoop and discover entertaining behind- Today, Detroit is still the world headquarters of the Big the-scene stories and more. Three, but the Motor City is also home to developers PHOTOS: PHIL ROSSI, THE PADDLE LLC PHOTOS: PHIL ROSSI, THE PADDLE GRAN TORINO STREET SCENE Inside the store is a sign that says, “Clint GOODNITE GRACIE 13140 Charlevoix Street Was Here—Gran Torino 2008.” It is the Royal Oak Grosse Pointe Park exact spot Clint Eastwood stood when The kick-off party for the actors was Take a ride over to this location and see picking out the tools for Tao. -
Kindred and a Canticle for Leibowitz As Palimpsestic Novels Sue Vander Hook Minnesota State University - Mankato
Minnesota State University, Mankato Cornerstone: A Collection of Scholarly and Creative Works for Minnesota State University, Mankato Theses, Dissertations, and Other Capstone Projects 2011 Kindred and A Canticle for Leibowitz as Palimpsestic Novels Sue Vander Hook Minnesota State University - Mankato Follow this and additional works at: http://cornerstone.lib.mnsu.edu/etds Part of the History Commons, and the Modern Literature Commons Recommended Citation Vander Hook, Sue, "Kindred and A Canticle for Leibowitz as Palimpsestic Novels" (2011). Theses, Dissertations, and Other Capstone Projects. Paper 111. This Thesis is brought to you for free and open access by Cornerstone: A Collection of Scholarly and Creative Works for Minnesota State University, Mankato. It has been accepted for inclusion in Theses, Dissertations, and Other Capstone Projects by an authorized administrator of Cornerstone: A Collection of Scholarly and Creative Works for Minnesota State University, Mankato. Kindred and A Canticle for Leibowitz as Palimpsestic Novels By Sue Vander Hook A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts In English Studies Minnesota State University, Mankato Mankato, Minnesota May 2011 Kindred and A Canticle for Leibowitz as Palimpsestic Novels Sue Vander Hook This thesis has been examined and approved by the following members of the thesis committee. John Banschbach, PhD, Chairperson and Advisor Anne O’Meara, PhD, Committee Member © Copyright by Sue Vander Hook April 8, 2011 All Rights Reserved An Abstract of the Thesis of Sue Vander Hook for the degree of Master of Arts in English Studies Presented April 8, 2011 Title: Kindred and A Canticle for Leibowitz as Palimpsestic Novels ________________________________________________________________________ This thesis is an investigation of a possible new categorization under the speculative fiction umbrella—a genre called palimpsestic novels. -
House Symbolism and Ancestor Cult in the Central Anatolian Neolithic
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by NORA - Norwegian Open Research Archives House Symbolism and Ancestor Cult in the Central Anatolian Neolithic Christopher Fredrik Kvæstad M.A. thesis in Archaeology Department of Archaeology, History, Cultural Studies and Religion University of Bergen November 2010 To Bergljot 2 Contents Acknowledgements ................................................................................................................................. 4 List of maps, tables, plates, and figures................................................................................................... 6 Abbreviations .......................................................................................................................................... 8 Chapter I: Introduction ............................................................................................................................ 9 § 1.1 – Introduction ............................................................................................................................. 9 § 1.2 – Space and time....................................................................................................................... 11 § 1.3 – Structure of the thesis ............................................................................................................ 12 Chapter II: Problem formulations and research methods ...................................................................... 14 § 2.1 – Problem formulations -
Hmong American Experience: the Definition of Success in America
Klinge UW-L Journal of Undergraduate Research XV (2012) Hmong American Experience: The Definition of Success in America Joseph A. Klinge Faculty Sponsor: Dr. Victor M. Macías-González, History Abstract This project surveys four approaches to Hmong history and analyzes how the latest approach, Scholarship, has been developed over the past two decades by Hmong American activists and scholars drawing on the model of U.S. Ethnic and Racial Studies. Introduction Hmong American experience expands the American definition of “success” through what is known as “autoethnographic” literature. Autoethnography combines “autobiography” and “ethnography.” However, it is necessary to clarify these terms before one can begin to understand Hmong American viewpoints. Autobiography generally refers to a Western idea where the individual is the main character. Likewise, ethnography suggests the study of a culture from the perspective of an “outsider,” the distinct character as a participant observer. These views tend to focus on experience of the individual, from a Western worldview. Essentially, this understanding is not relevant for Hmong experience because the understanding of self is as part of the people - the culture and their ancestors. Thus, autoethnography should be thought of as an “inside” view; in this case, a Hmong person who reflects on her or his own culture, not only as an individual, but through connection to the group and their history. By giving voice to experience, this authentic view enriches Hmong American history; in doing so, it also draws attention to issues within American history as a whole, especially the understanding of self and society, individuality, and the role of family.