Rust-Red Stringy Rot Caused by the Indian Paint Fungus Gregory M
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Additions to the Rust Fungi of South Africa
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by RERO DOC Digital Library Mycol Progress (2012) 11:483–497 DOI 10.1007/s11557-011-0764-z ORIGINAL ARTICLE Additions to the rust fungi of South Africa Reinhard Berndt & Alan R. Wood Received: 7 February 2011 /Revised: 15 April 2011 /Accepted: 19 April 2011 /Published online: 28 May 2011 # German Mycological Society and Springer 2011 Abstract This paper presents new species, combinations, Leucosidea sericea (Rosaceae), Uromyces cypericola whose national reports and host records for the South African rust urediniospores are described for the first time, Phakopsora fungi (Uredinales/Pucciniales). Endophyllum mpenjatiense stratosa in that spermogonia and Uredo-like aecia were on cf. Hibiscus sp. (Malvaceae), Phakopsora combretorum discovered, and for Sphaerophragmium dalbergiae in that (anamorph Uredo combreticola) on the new host Combretum characters of the urediniospores are re-evaluated. A lectotype apiculatum (Combretaceae) and Uredo sekhukhunensis on is selected for Aecidium garckeanum and spermogonia are Ziziphus mucronata (Rhamnaceae) are described as new reported for this rust for the first time. The rust fungi of species. Dietelia cardiospermi and E. metalasiae are Ehrharta (Poaceae) are discussed and critically evaluated in proposed as new combinations to replace Aecidium cardio- the light of spore morphology and host species. spermi on Cardiospermum halicacabum (Sapindaceae) and A. metalasiae on Metalasia spp. (Asteraceae), respectively. Keywords Combretum . Dietelia . Ehrharta . Four species are new records for South Africa: Crossopsora Endophyllum . Ziziphus antidesmae-dioicae on Antidesma venosum (Euphorbiaceae), Phakopsora ziziphi-vulgaris on Z. mucronata,andUromyces cypericola and Puccinia subcoronata, both on a new host, Introduction Cyperus albostriatus (Cyperaceae). -
Rust Disease of Water Willow Intercepted in Import Plant Quarantine in Japan
RES.BULL.PL.PROT.JAPAN No. 41: 59~64(2005) Short Communication Rust Disease of Water Willow Intercepted in Import Plant Quarantine in Japan Yoichi MOTOKURA, Masayoshi NAGASE*, Akihiro OOI**, Koshi UEDA, and SHIGERU KIMURA Research Division, Yokohama Plant Protection Station 1-16-10, Shin-yamashita, Naka-ku, Yokohama 231- 0801, Japan. * Nagoya Airport Branch, Nagoya Plant Protection Station ** Nagoya Plant Protection Station Abstract: A rust disease on water willow(Justicia gendarussa Burm f.)was found at an import plant quar- antine inspection at Nagoya airport, in January, 2002. The causal rust fungus was identified with Puccinia thwaitesii Berk., based on it's morphology and the results of inoculation experiments. This is the first report on the interception of rust disease of water willow caused by P. thwaitesii at import plant quarantine inspection in Japan. Key words: rust, water willow, Justicia gendarussa, Puccinia thwaitesii Introduction Water willow(Justicia gendarussa Burm f..)is a perennial shrub native to the tropical and sub- tropical zones of the Asia, and it belongs to Acanthaceae(Editorial Committee of the Flora of Taiwan,1998). In the Southeast Asia, this plant is utilized as a raw material of Chinese medicine, or as a medicine for rheumatism(IWATSUKI et. al. ed., 1997). In our country, water willow is introduced and used as an ornamental plant, mainly for indoor. In January 2002, potted plants of water willow infected with a rust disease were found at an import plant quarantine inspection at Komaki(Nagoya international airport)in Japan. They were plants imported from Thailand for use as the ornamental foliage. -
Colours in Nature Colours
Nature's Wonderful Colours Magdalena KonečnáMagdalena Sedláčková • Jana • Štěpánka Sekaninová Nature is teeming with incredible colours. But have you ever wondered how the colours green, yellow, pink or blue might taste or smell? What could they sound like? Or what would they feel like if you touched them? Nature’s colours are so wonderful ColoursIN NATURE and diverse they inspired people to use the names of plants, animals and minerals when labelling all the nuances. Join us on Magdalena Konečná • Jana Sedláčková • Štěpánka Sekaninová a journey to discover the twelve most well-known colours and their shades. You will learn that the colours and elements you find in nature are often closely connected. Will you be able to find all the links in each chapter? Last but not least, if you are an aspiring artist, take our course at the end of the book and you’ll be able to paint as exquisitely as nature itself does! COLOURS IN NATURE COLOURS albatrosmedia.eu b4u publishing Prelude Who painted the trees green? Well, Nature can do this and other magic. Nature abounds in colours of all shades. Long, long ago people began to name colours for plants, animals and minerals they saw them in, so as better to tell them apart. But as time passed, ever more plants, animals and minerals were discovered that reminded us of colours already named. So we started to use the names for shades we already knew to name these new natural elements. What are these names? Join us as we look at beautiful colour shades one by one – from snow white, through canary yellow, ruby red, forget-me-not blue and moss green to the blackest black, dark as the night sky. -
Rust-Red Stringy Rot and Red Heart Rot Indian Paint Fungus and Bleeding Stereum in Firs
Rust-Red Stringy Rot and Red Heart Rot Indian paint fungus and bleeding Stereum in firs Pathogen—Rust-red stringy rot is caused by Echinodontium tinctorium. It is one of the few pathogens that has a common name—Indian paint fungus. Red heart rot is caused by Stereum (Haematostereum) sanguinolentum, also known as the bleeding Stereum. Hosts—Indian paint fungus attacks firs, hemlocks, and less commonly other species in western NorthAmerica, but it is primarily found on white fir in the Rocky Mountain Region. Bleeding Stereum occurs primarily on subal- pine fir and Engelmann spruce in this Region, though it can also attack other conifers. Signs and Symptoms—Indian paint fungus produces conks frequently at branch stubs, at wounds, and even inside hollow stems. The conk is hard and woody, hoof-shaped, and perennial (figs. 1-3). The upper surface is blackish and rough with crevices. The lower surface is grey-brown with hard, blunt, thick teeth. The inside is brilliant brick- or rust-red, but it fades over time after exposure. This tissue was ground into a powder and used as paint by some Native Americans, giving the fungus its name. The only other indicator of this disease is punk knots known as “rusty knots.” Although there is no swelling as with punk knots caused by Porodaedalea pini, the interior of the knot shows the rust-red color characteristic of the decay. Bleeding Stereum fruits frequently on logs and slash, but infrequently on live trees. Conks are small, thin, incon- spicuous, and leathery (fig. 4). Portions are appressed to the bark, often with a projecting cap. -
Historical Painting Techniques, Materials, and Studio Practice
Historical Painting Techniques, Materials, and Studio Practice PUBLICATIONS COORDINATION: Dinah Berland EDITING & PRODUCTION COORDINATION: Corinne Lightweaver EDITORIAL CONSULTATION: Jo Hill COVER DESIGN: Jackie Gallagher-Lange PRODUCTION & PRINTING: Allen Press, Inc., Lawrence, Kansas SYMPOSIUM ORGANIZERS: Erma Hermens, Art History Institute of the University of Leiden Marja Peek, Central Research Laboratory for Objects of Art and Science, Amsterdam © 1995 by The J. Paul Getty Trust All rights reserved Printed in the United States of America ISBN 0-89236-322-3 The Getty Conservation Institute is committed to the preservation of cultural heritage worldwide. The Institute seeks to advance scientiRc knowledge and professional practice and to raise public awareness of conservation. Through research, training, documentation, exchange of information, and ReId projects, the Institute addresses issues related to the conservation of museum objects and archival collections, archaeological monuments and sites, and historic bUildings and cities. The Institute is an operating program of the J. Paul Getty Trust. COVER ILLUSTRATION Gherardo Cibo, "Colchico," folio 17r of Herbarium, ca. 1570. Courtesy of the British Library. FRONTISPIECE Detail from Jan Baptiste Collaert, Color Olivi, 1566-1628. After Johannes Stradanus. Courtesy of the Rijksmuseum-Stichting, Amsterdam. Library of Congress Cataloguing-in-Publication Data Historical painting techniques, materials, and studio practice : preprints of a symposium [held at] University of Leiden, the Netherlands, 26-29 June 1995/ edited by Arie Wallert, Erma Hermens, and Marja Peek. p. cm. Includes bibliographical references. ISBN 0-89236-322-3 (pbk.) 1. Painting-Techniques-Congresses. 2. Artists' materials- -Congresses. 3. Polychromy-Congresses. I. Wallert, Arie, 1950- II. Hermens, Erma, 1958- . III. Peek, Marja, 1961- ND1500.H57 1995 751' .09-dc20 95-9805 CIP Second printing 1996 iv Contents vii Foreword viii Preface 1 Leslie A. -
Indian Place-Names in Mississippi. Lea Leslie Seale Louisiana State University and Agricultural & Mechanical College
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1939 Indian Place-Names in Mississippi. Lea Leslie Seale Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Part of the English Language and Literature Commons Recommended Citation Seale, Lea Leslie, "Indian Place-Names in Mississippi." (1939). LSU Historical Dissertations and Theses. 7812. https://digitalcommons.lsu.edu/gradschool_disstheses/7812 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. MANUSCRIPT THESES Unpublished theses submitted for the master^ and doctorfs degrees and deposited in the Louisiana State University Library are available for inspection* Use of any thesis is limited by the rights of the author* Bibliographical references may be noted3 but passages may not be copied unless the author has given permission# Credit must be given in subsequent written or published work# A library which borrows this thesis for vise by its clientele is expected to make sure that the borrower is aware of the above restrictions, LOUISIANA. STATE UNIVERSITY LIBRARY 119-a INDIAN PLACE-NAMES IN MISSISSIPPI A Thesis Submitted to the Graduate Faculty of the Louisian© State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy In The Department of English By Lea L # Seale M* A*, Louisiana State University* 1933 1 9 3 9 UMi Number: DP69190 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. -
Color Chart.Pdf
® Finishing Products Division of RPM Wood Finishes Group Inc. Color Chart The Original Touch Up Company™ Made in the USA Color Chart ® Finishing Products Division of RPM Wood Finishes Group, Inc. Index Aerosols 1-5 Ultra® Classic Toner & Tone Finish Toner 1-3 Colored Lacquer Enamel 3-5 Shadow Toner 5 Touch-Up Markers/Pencils 5-15 Ultra® Mark Markers 5-9 3 in 1 Repair Stick 9 Pro-Mark® Markers 9-10 Quik-Tip™ Markers 10-11 Background Marker Touch-Up & Background Marker Glaze Hang-Up 11-13 Artisan Glaze Markers 13 Vinyl Marker Glaze Hang-Up 14 Brush Tip Graining Markers 14 Accent Pencils 15 Blend-Its 15 Fillers 15-29 Quick Fill® Burn-In Sticks 15-16 Edging/Low Heat Sticks 16 E-Z Flow™ Burn-In Sticks 16-17 PlaneStick® Burn-In Sticks 17-18 Fil-Stik® Putty Sticks 18-25 Hard Fill & Hard Fill Plus 25-27 PermaFill™ 27 Epoxy Putty Sticks 27-28 Patchal® Puttys 28-29 Knot Filler 29 Fil-O-Wood™ Wood Putty Tubes 29 Color Replacement 30-31 Blendal® Sticks 30 Sand Thru Sticks 30-31 Blendal® Powder Stains 31 Bronzing Powders 31 Dye Stains 32 Ultra® Penetrating & Architectural Ultra® Penetrating Stain 32 Dye Concentrate 32 Pigmented Stains 32-34 Wiping Wood™, Architectural Wiping Stain & Wiping Wood™ Stain Aerosols 32-33 Designer Series Stain, Designer Series Radiant Stain 33-34 Glazes 34 Finisher’s Glaze™ Glazing Stain & Aerosols 34 Break-A-Way™ Glaze & Aerosols 34 Leather Repair 35-37 E-Z Flow™ Leather Markers 35 Leather/Vinyl Markers 35 Leather/Vinyl Fil Sticks 35-36 Leather Repair Basecoat Aerosols 36 Leather Repair Toner Aerosols 36 Leather Repair Color Adjuster Aerosols 37 Touch Up Pigment 37 Leather Refinishing 37 Base Coat 37 NOTE: COLORS ARE APPROXIMATE REPRESENTATIONS OF ACTUAL COLORS USING MODERN PROCESS TECHNIQUES. -
Gilding with Kolner Burnishing Clay and Insta-Clay by Lauren Sepp
Gilding with Kolner Burnishing Clay and Insta-Clay By Lauren Sepp ’ve been asked many times by custom framing re- achieve different shades. The white Burnishing Clay tailers if there is an easier way to water gild and can be tinted with Mixol tinting agents up to 5 percent I burnish a surface, as it’s generally agreed upon that by weight to achieve any color you desire. traditional water gilding is a labor-intensive method. Both the Burnishing Clay and Insta-Clay can be Kolner products address that demand by streamlining applied to many different surfaces. Certain nonpo- the water gilding process, which would otherwise in- rous substrates require no sealing before application clude many more steps. of the clay: Plexiglas and other plastics, sealed woods, Kolner Products, based in Germany, formulated a nonporous paints, and lacquered metals. Unsealed water-based, single-layer, burnishable gilders’ clay for metals may require a primer. Smooth plastics and water gilding in 1985 called Kolner Burnishing Clay. metals may require a light sanding to promote good This product combines and replaces the glue size, ges- adhesion. Porous surfaces such as matboard, paper, so, and bole layers with a single product. The clay is parchment, raw wood, textiles, unglazed ceramics, premixed with an acrylic binder and only needs to be stone, plaster, traditional gesso and compo orna- thinned slightly and stirred. There is no heating, dis- ments require a sealer before applying the clays. In solving of glues, or straining. There is also a sprayable many applications, shellac is a good all-around sealer. -
J9 Packline Report V8
Great Notions Embroidery Designs Pack#: 110011 COUNTY FAIR I Pg 1 SHEEP PIG LAMB Design# 80619Design# 80620Design# 80621 Stitches 4,622 #Col 5 Stitches 4,170 #Col 4 Stitches 2,747 #Col 4 Height IN 1.76 CM 4.47 Height IN 1.10 CM 2.79 Height IN 1.24 CM 3.15 Width IN 2.30 CM 5.66 Width IN 2.23 CM 5.66 Width IN 1.62 CM 4.11 Seq# Color# Color Name Seq# Color Color Name Seq# Color Color Name 1 REDDISH BROWN 1 LT GREEN 1 ECRU 2 OFF WHITE 2 PEACH 2 OFF WHITE 3 ECRU 3 LT RUST 3 BEIGE 4 RUST 4 DK BROWN 4 BROWN 5 DK BROWN COW HORSE BULL Design# 80622Design# 80623Design# 80624 Stitches 5,834 #Col 7 Stitches 5,756 #Col 5 Stitches 7,126 #Col 5 Height IN 1.63 CM 4.14 Height IN 1.82 CM 4.62 Height IN 1.76 CM 4.47 Width IN 2.35 CM 6.73 Width IN 2.65 CM 6.73 Width IN 2.62 CM 6.65 Seq# Color# Color Name Seq# Color Color Name Seq# Color Color Name 1 ECRU 1 ECRU 1 ECRU 2 BEIGE 2 BROWN 2 ECRU 3 OFF WHITE 3 LT GOLD 3 RUST 4 DK GRAY 4 RUST 4 LT BROWN 5 ECRU 5 DK BROWN 5 DK BROWN 6 OFF WHITE 7 BLACK 'COUNTY FAIR' COTTON CANDY FIRST PLACE RIBBON FIRST PLACE RIBBON Design# 81325Design# 83178Design# 83179 Stitches 1,397 #Col 4 Stitches 3,801 #Col 5 Stitches 3,769 #Col 4 Height IN 1.16 CM 2.95 Height IN 18.08 CM 45.92 Height IN 1.89 CM 4.80 Width IN 2.34 CM 2.95 Width IN 1.16 CM 2.95 Width IN 1.14 CM 2.90 Seq# Color# Color Name Seq# Color Color Name Seq# Color Color Name 1 LT GOLD 1 DK BLUE 1 LT BLUE 2 PINK 2 LT BLUE 2 BLUE 3 LT PINK 3 BLUE 3 DK BLUE 4 ROYAL BLUE 4 DK BLUE 4 RED 5 WHITE Great Notions Embroidery Designs Pack#: 110011 COUNTY FAIR I Pg 2 FIRST PLACE -
TREES of OHIO Field Guide DIVISION of WILDLIFE This Booklet Is Produced by the ODNR Division of Wildlife As a Free Publication
TREES OF OHIO field guide DIVISION OF WILDLIFE This booklet is produced by the ODNR Division of Wildlife as a free publication. This booklet is not for resale. Any unauthorized reproduction is pro- hibited. All images within this booklet are copyrighted by the ODNR Division of Wildlife and its contributing artists and photographers. For additional INTRODUCTION information, please call 1-800-WILDLIFE (1-800-945-3543). Forests in Ohio are diverse, with 99 different tree spe- cies documented. This field guide covers 69 of the species you are most likely to encounter across the HOW TO USE THIS BOOKLET state. We hope that this guide will help you appre- ciate this incredible part of Ohio’s natural resources. Family name Common name Scientific name Trees are a magnificent living resource. They provide DECIDUOUS FAMILY BEECH shade, beauty, clean air and water, good soil, as well MERICAN BEECH A Fagus grandifolia as shelter and food for wildlife. They also provide us with products we use every day, from firewood, lum- ber, and paper, to food items such as walnuts and maple syrup. The forest products industry generates $26.3 billion in economic activity in Ohio; however, trees contribute to much more than our economic well-being. Known for its spreading canopy and distinctive smooth LEAF: Alternate and simple with coarse serrations on FRUIT OR SEED: Fruits are composed of an outer prickly bark, American beech is a slow-growing tree found their slightly undulating margins, 2-4 inches long. Fall husk that splits open in late summer and early autumn throughout the state. -
150 Problem Set 4.Pdf
CS103 Handout 15 Fall 2020 October 9, 2020 Problem Set 4 This fourth problem set explores set cardinality and graph theory. It serves as tour of the infinite (through set theory) and the finite (through graphs and their properties) and will give you a better sense for how discrete mathematical structures connect across these domains. Plus, you’ll get to see some pretty pictures and learn about why all this matters in the first place. Some of the questions on this problem set will assume you’ve read the online Guide to Cantor’s The- orem, which goes into more detail about the mechanics of the proof of Cantor’s theorem as well as some auxiliary definitions. Good luck, and have fun! Due Friday, October 16th at 12:00PM noon Pacific 2 / 6 Problem One: Cartesian Products and Set Cardinalities If A and B are sets, the Cartesian product of A and B, denoted A × B, is the set { (x, y) | x ∈ A ∧ y ∈ B }. Intuitively, A × B is the set of all ordered pairs you can make by taking one element from A and one ele- ment from B, in that order. For example, the set {1, 2} × {u, v, w} is { (1, u), (1, v), (1, w), (2, u), (2, v), (2, w) }. For the purposes of this problem, let’s have ★ and ☺ denote two arbitrary objects where ★ ≠ ☺. Over the course of this problem, we’re going to ask you to prove that |ℕ × {★, ☺}| = |ℕ|. i. Define a bijection f : ℕ × {★, ☺} → ℕ. The inputs to this function are elements of ℕ × {★, ☺}, so you can define your function by writing f(n, x) = ________________________ where n ∈ ℕ and x ∈ {★, ☺}. -
Earthy Browns & Soft Neutrals WOMAN COLLECTION F/W 20-21
Authentic product Designed in Belgium Made in Peru Earthy browns & Soft neutrals WOMAN COLLECTION F/W 20-21 GREY CAMEL BLACK RUST NAVY JACOBS 70% baby alpaca 30% mulberry silk XS-S-M-L-XL Authentic product Designed in Belgium Made in Peru GREY CAMEL BLACK RUST NAVY CELINE 70% baby alpaca 30% mulberry silk XS-S-M-L-XL Authentic product Designed in Belgium Made in Peru GREY CAMEL BLACK RUST NAVY PAULINE 70% baby alpaca 30% mulberry silk XS-S-M-L-XL Authentic product Designed in Belgium Made in Peru ECRU GREY CAMEL PEACH GLACIAR NAVY BRANDY WINE HONEY CORAL AIR BLACK FELICE 60% baby alpaca 5% merino wool 35% PA XS-S-M-L-XL Authentic product Designed in Belgium Made in Peru ECRU GREY CAMEL PEACH GLACIAR NAVY BRANDY WINE HONEY CORAL AIR BLACK ANDINO stripe & plain colour version 60% baby alpaca 5% merino wool 35% PA XS-S-M-L-XL Authentic product Designed in Belgium Made in Peru ECRU GREY CAMEL PEACH GLACIAR NAVY BRANDY WINE HONEY CORAL AIR BLACK PISCO 60% baby alpaca 5% merino wool 35% PA XS-S-M-L-XL Authentic product Designed in Belgium Made in Peru ECRU GREY CAMEL PEACH GLACIAR NAVY BRANDY WINE HONEY CORAL AIR BLACK SURI 75% baby alpaca 25% acrylic XS-S-M-L-XL Authentic product Designed in Belgium Made in Peru ECRU GREY CAMEL PEACH GLACIAR NAVY BRANDY WINE HONEY CORAL AIR BLACK SOL 75% baby alpaca 25% acrylic XS-S-M-L-XL Authentic product Designed in Belgium Made in Peru ECRU GREY CAMEL NAVY WINE BLACK PINE RUST COLCA 70% baby alpaca 7% merino wool 23% PA XS-S-M-L-XL Authentic product Designed in Belgium Made in Peru ECRU GREY CAMEL NAVY