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UC:P351 – Photographs of Michael George

UC:P351/1 - “Eighties New York: A Portrait in Black and White”

UC:P351/1/P1/1

Puck. Puck Building, 295–309 Lafayette Street, SE corner Houston Street, SoHo, Downtown Manhattan. Henry Baerer, sculptor. Albert Wagner, architect. 1885, 1895.

Reproduced in Eighties New York , p. iii.

Archivist: Dr Robin Darwall-Smith E: [email protected] T: +44 (0)1865 276 952

2 UNIV ONLINE CATALOGUES

UC:P351 – Photographs of Michael George

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Brooklyn Bridge (detail). From Frankfort Street and Park Row, east across the East River to Brooklyn, Downtown Manhattan. John Augustus Roebling, Washington Augustus Roebling, and Emily Warren Roebling, engineers. 1869–83.

Reproduced in Eighties New York , p. v.

Archivist: Dr Robin Darwall-Smith E: [email protected] T: +44 (0)1865 276 952

3 UNIV ONLINE CATALOGUES

UC:P351 – Photographs of Michael George

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Tony Neal, as MC, Far West Village, Downtown Manhattan. May 1980.

Reproduced in Eighties New York , p. xi.

Archivist: Dr Robin Darwall-Smith E: [email protected] T: +44 (0)1865 276 952

4 UNIV ONLINE CATALOGUES

UC:P351 – Photographs of Michael George

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The Horse Tamers (detail). Park Circle entrance, Prospect Park, Middle Brooklyn. One of two bronze groups on ornamented granite pedestals. Frederick William MacMonnies, sculptor. Stanford White, architect. 1899.

Reproduced in Eighties New York , p. 1.

Archivist: Dr Robin Darwall-Smith E: [email protected] T: +44 (0)1865 276 952

5 UNIV ONLINE CATALOGUES

UC:P351 – Photographs of Michael George

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UC:P351/1/P1/5

America (detail), The Four Continents . US Custom House, 1 Bowling Green, Battery and Whitehall District, Downtown Manhattan. Marble groups; granite pedestals. Daniel Chester French, sculptor. Cass Gilbert, architect. 1907. The impressive Beaux-Arts granite building, built to signify the importance of New York as a great seaport, receiving goods from the four corners of the globe, is fronted by the four continents, America , Europe , Asia , and Africa , depicted as seated women.

Reproduced in Eighties New York , p. 2.

Archivist: Dr Robin Darwall-Smith E: [email protected] T: +44 (0)1865 276 952

6 UNIV ONLINE CATALOGUES

UC:P351 – Photographs of Michael George

UC:P351/1 - “Eighties New York: A Portrait in Black and White”

UC:P351/1/P1/6

America (detail), The Four Continents . US Custom House, 1 Bowling Green, Battery and Whitehall District, Downtown Manhattan. Marble groups; granite pedestals. Daniel Chester French, sculptor. Cass Gilbert, architect. 1907. The impressive Beaux-Arts granite building, built to signify the importance of New York as a great seaport, receiving goods from the four corners of the globe, is fronted by the four continents, America , Europe , Asia , and Africa , depicted as seated women.

Reproduced in Eighties New York , p. 3.

Archivist: Dr Robin Darwall-Smith E: [email protected] T: +44 (0)1865 276 952

7 UNIV ONLINE CATALOGUES

UC:P351 – Photographs of Michael George

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UC:P351/1/P1/7

Skyline. A view toward the north-east from the Empire State Building, Midtown Manhattan, of: Chrysler Building, 405 Lexington Avenue, NE corner 42nd Street. William Van Alen, architect. 1930. and Pan Am Building (from 1981, MetLife Building), 200 Park Avenue, between 44 th and 45 th streets. Emery Roth & Sons, architects; Walter Gropius (The Architects’ Collaborative) and Pietro Belluschi, design consultants. 1963.

Reproduced in Eighties New York , p. 4.

Archivist: Dr Robin Darwall-Smith E: [email protected] T: +44 (0)1865 276 952

8 UNIV ONLINE CATALOGUES

UC:P351 – Photographs of Michael George

UC:P351/1 - “Eighties New York: A Portrait in Black and White”

UC:P351/1/P1/8

Skyline. A view north toward Midtown from the roof of the Braveman Building, 2 East Broadway, NE corner Catherine Street, Chinatown, Downtown Manhattan, of: Bowery Savings Bank (now Home Savings of America), 130 Bowery, NW corner Grand Street. Stanford White, of McKim, Mead & White, architects. 1894. and, right, Chrysler Building, 405 Lexington Avenue, NE corner 42 nd Street. William Van Alen, architect. 1930. and, left, Empire State Building, 350 Fifth Avenue, SW corner 34 th Street. Shreve, Lamb & Harmon, architects. 1931.

Reproduced in Eighties New York , p. 5

Archivist: Dr Robin Darwall-Smith E: [email protected] T: +44 (0)1865 276 952

9 UNIV ONLINE CATALOGUES

UC:P351 – Photographs of Michael George

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UC:P351/1/P1/9

Skyline. A view south toward Downtown Manhattan. with, right, St Paul’s Chapel, between Broadway, Fulton, Church, and Vesey streets. Thomas McBean, architect. 1764-66; steeple, James Crommelin Lawrence, 1794.

Reproduced in Eighties New York , p. 6.

Archivist: Dr Robin Darwall-Smith E: [email protected] T: +44 (0)1865 276 952

10 UNIV ONLINE CATALOGUES

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UC:P351/1/P1/10

Skyline. A view south toward Downtown Manhattan from the Empire State Building, 350 Fifth Avenue, between 33 rd and 34 th streets, of: Flatiron Building, 175 Fifth Avenue, at Broadway and 23 rd Street. Daniel H. Burnham, architect. 1902. and Washington Arch, Washington Square Park, Greenwich Village. Stanford White, of McKim, Mead & White, architects. 1895.

Reproduced in Eighties New York , p. 7.

Archivist: Dr Robin Darwall-Smith E: [email protected] T: +44 (0)1865 276 952

11 UNIV ONLINE CATALOGUES

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Municipal Building, 1 Centre Street, at Chambers Street, Downtown Manhattan. William Mitchell Kendall, senior partner, McKim, Mead & White, architects. 1909-13. and One and Two World Trade Center (North Tower and South Tower), between Church, Vesey, West, and Liberty streets, Downtown Manhattan. Minoru Yamasaki & Associates; Emery Roth & Sons, architects. 1966–73. Destroyed 11 September 2001 (9/11).

Reproduced in Eighties New York , p. 8.

Archivist: Dr Robin Darwall-Smith E: [email protected] T: +44 (0)1865 276 952

12 UNIV ONLINE CATALOGUES

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Municipal Building, 1 Centre Street, at Chambers Street, Downtown Manhattan. William Mitchell Kendall, senior partner, McKim, Mead & White, architects. 1909–13. and US Courthouse, 40 Centre Street, between Duane and Pearl streets, Downtown Manhattan. Cass Gilbert; Cass Gilbert Jr, architects. 1936.

Reproduced in Eighties New York , p. 9.

Archivist: Dr Robin Darwall-Smith E: [email protected] T: +44 (0)1865 276 952

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UC:P351/1 - “Eighties New York: A Portrait in Black and White”

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The Spirit of Communication (“Golden Boy”). American Telephone and Telegraph Building, 195 Broadway, between Fulton and Dey streets, Downtown Manhattan. Commissioned by AT&T for its headquarters building, the corporate symbol is a 24- foot-tall, gilt bronze, winged, nude male figure, on a globe, also gilt, holding in his raised left hand bolts of lightning and, in his right, cabling which also coils about his torso. It stands atop a stepped pyramidal concrete structure, carried by a square colonnaded temple. Evelyn Beatrice Longman, sculptor. William Welles Bosworth, architect. 1917. In 1980, the sculpture was dismantled, and, following restoration, relocated in the lobby of AT&T’s new headquarters building on Madison Avenue, between 55 th and 56 th Streets. and, left, Park Row Building, 15 Park Row, between Beekman and Ann streets. John Massey Rhind, sculptor. R.H. Robertson, architect. 1899. One of the twin domed towers, each topped with a Baroque-style cupola articulated by piers decorated with female heads. and, right, Two World Trade Center (South Tower), between Church, Vesey, West, and Liberty streets. Minoru Yamasaki & Associates; Emery Roth & Sons, architects. 1966-73.

Reproduced in Eighties New York , p. 10.

Archivist: Dr Robin Darwall-Smith E: [email protected] T: +44 (0)1865 276 952

14 UNIV ONLINE CATALOGUES

UC:P351 – Photographs of Michael George

UC:P351/1 - “Eighties New York: A Portrait in Black and White”

UC:P351/1/P1/14

The Spirit of Communication (“Golden Boy”). American Telephone and Telegraph Building, 195 Broadway, between Fulton and Dey streets, Downtown Manhattan. Commissioned by AT&T for its headquarters building, the corporate symbol is a 24- foot-tall, gilt bronze, winged, nude male figure, on a globe, also gilt, holding in his raised left hand bolts of lightning and, in his right, cabling which also coils about his torso. It stands atop a stepped pyramidal concrete structure, carried by a square colonnaded temple. Evelyn Beatrice Longman, sculptor. William Welles Bosworth, architect. 1917. In 1980, the sculpture was dismantled, and, following restoration, relocated in the lobby of AT&T’s new headquarters building on Madison Avenue, between 55 th and 56 th Streets. and, right, Liberty Enlightening the World (Statue of Liberty). Liberty (former Bedloe’s) Island, Upper New York Bay. Sculpture comprised of 300 repoussé copper plates, each 3/32 of an inch thick, attached to an intricate iron and steel frame, 151 feet high and weighing 225 tons, on a pedestal of granite blocks and concrete, 89 feet high, set within the angular bastions of the star-shaped Fort Wood (1808–11). Frédéric Auguste Bartholdi, sculptor. Alexandre Gustave Eiffel, engineer. Richard Morris Hunt, architect. 1886.

Reproduced in Eighties New York , p. 11.

Archivist: Dr Robin Darwall-Smith E: [email protected] T: +44 (0)1865 276 952

15 UNIV ONLINE CATALOGUES

UC:P351 – Photographs of Michael George

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UC:P351/1/P1/15

Giovanni da Verrazano . Battery Park, Downtown Manhattan. Bronze bust; granite pedestal. Ettore Ximenes, sculptor. 1909. Below the bust of the Florentine navigator, the first white man to see the southern tip of Manhattan Island, is a bronze standing female figure representing Discovery . and, left, Two World Trade Center (South Tower), between Church, Vesey, West, and Liberty streets. Minoru Yamasaki & Associates; Emery Roth & Sons, architects. 1966–73. Destroyed 11 September 2001 (9/11).

Reproduced in Eighties New York , p. 12.

Archivist: Dr Robin Darwall-Smith E: [email protected] T: +44 (0)1865 276 952

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East Coast Memorial (detail). Battery Park, Downtown Manhattan. Bronze eagle; granite pedestal. Albino Manca, sculptor. William Gehron and Gilbert Seltzer, architects. 1960. The enormous, stylised bronze eagle is flanked by two rows of four granite slabs, each one inscribed with the names of the over 4,000 Americans whose lives were lost in the coastal wars of the North Atlantic in World War II.

Reproduced in Eighties New York , p. 13.

Archivist: Dr Robin Darwall-Smith E: [email protected] T: +44 (0)1865 276 952

17 UNIV ONLINE CATALOGUES

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George Washington . Federal Hall National Memorial (former Subtreasury Building), Wall and Broad Streets, Financial District, Downtown Manhattan. Bronze sculpture; granite pedestal. John Quincy Adams Ward, sculptor. 1883. The imposing portrayal of George Washington stands near the spot where he took the oath of office as first President of the United States, 30 April 1789.

Reproduced in Eighties New York , p. 14.

Archivist: Dr Robin Darwall-Smith E: [email protected] T: +44 (0)1865 276 952

18 UNIV ONLINE CATALOGUES

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George Washington . Federal Hall National Memorial (former Subtreasury Building), Wall and Broad streets, Financial District, Downtown Manhattan. Bronze sculpture; granite pedestal. John Quincy Adams Ward, sculptor. 1883. The imposing portrayal of George Washington stands near the spot where he took the oath of office as first President of the United States, 30 April 1789. and Integrity Protecting the Works of Man . New York Stock Exchange, 8 Broad Street, SW corner Wall Street, Financial District, Downtown Manhattan. Sculptural pediment by John Quincy Adams Ward, sculptor; figures modelled by Paul W Bartlett. George B. Post, architect. 1903.

Reproduced in Eighties New York , p. 15.

Archivist: Dr Robin Darwall-Smith E: [email protected] T: +44 (0)1865 276 952

19 UNIV ONLINE CATALOGUES

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Peace , flanked by Wisdom and Strength . Marble group. Karl Bitter, sculptor. and Moses . Marble sculpture. William Couper, sculptor. On the balustrade facing Madison Square, Appellate Division, New York State Supreme Court, Madison Avenue, NE corner 25 th Street, Midtown Manhattan. James Brown Lord, architect. 1900. Sculpture is integral to the design of this magnificent Beaux-Arts marble palace in miniature.

Reproduced in Eighties New York , p. 16.

Archivist: Dr Robin Darwall-Smith E: [email protected] T: +44 (0)1865 276 952

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Wisdom . At the entrance, East 25 th Street, between Madison Avenue and Park Avenue South, Appellate Division, New York State Supreme Court, Madison Avenue, NE corner 25 th Street. Marble sculpture on pedestal. Frederick Wellington Ruckstuhl, sculptor. James Brown Lord, architect. 1900. Inscription: EVERY LAW NOT BASED ON WISDOM IS A MENACE TO THE STATE. Sculpture is integral to the design of this magnificent Beaux-Arts marble palace in miniature.

Reproduced in Eighties New York , p. 17.

Archivist: Dr Robin Darwall-Smith E: [email protected] T: +44 (0)1865 276 952

21 UNIV ONLINE CATALOGUES

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Mrs Vincent (Brooke) Astor (1902–2007), philanthropist, socialite, writer, and chairwoman of the Vincent Astor Foundation, at a party to honour Ashton Hawkins, Executive Vice-President and Counsel to the Trustees, The Metropolitan Museum of Art, at Greene Street, SoHo, Downtown Manhattan, May 1987.

Reproduced in Eighties New York , p. 19.

Archivist: Dr Robin Darwall-Smith E: [email protected] T: +44 (0)1865 276 952

22 UNIV ONLINE CATALOGUES

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Barbara Walters and Merv Adelson, the veteran broadcaster of ABC Television, and her husband, head of Lorimar Telepictures, at a party for the newly-weds given by Mrs Vincent (Brooke) Astor and Mrs Gordon P. (Ann) Getty, the Astor Court, The Metropolitan Museum of Art, Fifth Avenue, west side, 80 th to 84 th Streets, Upper East Side, Uptown Manhattan, 20 October 1986.

Reproduced in Eighties New York , p. 20.

Archivist: Dr Robin Darwall-Smith E: [email protected] T: +44 (0)1865 276 952

23 UNIV ONLINE CATALOGUES

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UC:P351/1/P1/23

HIM Empress Farah (1938–), the former Persian Empress and the last Queen of Iran, at a party for the newly-wed Barbara Walters, veteran broadcaster with ABC Television, and Merv Adelson, head of Lorimar Telepictures, given by Mrs Vincent (Brooke) Astor and Mrs Gordon P. (Ann) Getty, the Astor Court, The Metropolitan Museum of Art, Fifth Avenue, west side, 80 th to 84 th Streets, Upper East Side, Uptown Manhattan, 20 October 1986.

Reproduced in Eighties New York , p. 20.

Archivist: Dr Robin Darwall-Smith E: [email protected] T: +44 (0)1865 276 952

24 UNIV ONLINE CATALOGUES

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Malcolm Forbes (1919–90), the multimillionaire publisher of the bi-monthly magazine that bears his name, at a party for the newly-wed Barbara Walters, veteran broadcaster with ABC Television, and Merv Adelson, head of Lorimar Telepictures, given by Mrs Vincent (Brooke) Astor and Mrs Gordon P. (Ann) Getty, the Astor Court, The Metropolitan Museum of Art, Fifth Avenue, west side, 80 th to 84 th Streets, Upper East Side, Uptown Manhattan, 20 October 1986.

Reproduced in Eighties New York , p. 21.

Archivist: Dr Robin Darwall-Smith E: [email protected] T: +44 (0)1865 276 952

25 UNIV ONLINE CATALOGUES

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(left to right ) Merv Adelson, Bill Blass (1922–2002), top American fashion designer, Lynn Wyatt, Texan socialite, and Gayfryd Steinberg, Canadian-born, former Louisiana businesswoman, and art-loving third wife of Saul Steinberg, mega-rich Reliance Insurance tycoon, at a party for the newly-wed Barbara Walters, veteran broadcaster with ABC Television, and Merv Adelson, head of Lorimar Telepictures, given by Mrs Vincent (Brooke) Astor and Mrs Gordon P. (Ann) Getty, the Astor Court, The Metropolitan Museum of Art, Fifth Avenue, west side, 80 th to 84 th Streets, Upper East Side, Uptown Manhattan, 20 October 1986.

Reproduced in Eighties New York , p. 22.

Archivist: Dr Robin Darwall-Smith E: [email protected] T: +44 (0)1865 276 952

26 UNIV ONLINE CATALOGUES

UC:P351 – Photographs of Michael George

UC:P351/1 - “Eighties New York: A Portrait in Black and White”

UC:P351/1/P1/26

Pat Buckley (1926–2006), leading player on Manhattan’s social and charity benefit circuit, and wife of William F Buckley Jr, conservative American author, editor and commentator, at a party for the newly-wed Barbara Walters, veteran broadcaster with ABC Television, and Merv Adelson, head of Lorimar Telepictures, given by Mrs Vincent (Brooke) Astor and Mrs Gordon P. (Ann) Getty, the Astor Court, The Metropolitan Museum of Art, Fifth Avenue, west side, 80 th to 84 th Streets, Upper East Side, Uptown Manhattan, 20 October 1986.

Reproduced in Eighties New York , p. 22.

Archivist: Dr Robin Darwall-Smith E: [email protected] T: +44 (0)1865 276 952

27 UNIV ONLINE CATALOGUES

UC:P351 – Photographs of Michael George

UC:P351/1 - “Eighties New York: A Portrait in Black and White”

UC:P351/1/P1/27

Mr and Mrs Donald J Trump. “America’s golden couple”, the Queens-born, billionaire developer, and Ivana, his wife and business partner, the Czech-born former Olympic skier and top model, at a party for the newly-wed Barbara Walters, veteran broadcaster with ABC Television, and Merv Adelson, head of Lorimar Telepictures, given by Mrs Vincent (Brooke) Astor and Mrs Gordon P. (Ann) Getty, the Astor Court, The Metropolitan Museum of Art, Fifth Avenue, west side, 80 th to 84 th Streets, Upper East Side, Uptown Manhattan, 20 October 1986.

Reproduced in Eighties New York , p. 23.

Archivist: Dr Robin Darwall-Smith E: [email protected] T: +44 (0)1865 276 952

28 UNIV ONLINE CATALOGUES

UC:P351 – Photographs of Michael George

UC:P351/1 - “Eighties New York: A Portrait in Black and White”

UC:P351/1/P1/28

“Crime in Chelsea”, a notice in a shop window, Ninth Avenue, Chelsea, Midtown Manhattan.

Reproduced in Eighties New York , p. 24.

Archivist: Dr Robin Darwall-Smith E: [email protected] T: +44 (0)1865 276 952

29 UNIV ONLINE CATALOGUES

UC:P351 – Photographs of Michael George

UC:P351/1 - “Eighties New York: A Portrait in Black and White”

UC:P351/1/P1/29

“Fuck U.S. Capitalism,” political messaging, sprayed on a retaining wall, Union Square Park, Midtown Manhattan. with George Washington . Bronze equestrian sculpture; 14-foot-high granite pedestal. Henry Kirke Brown, sculptor; John Quincy Adams Ward, assistant. Richard Upjohn, architect. 1856.

Reproduced in Eighties New York , p. 25.

Archivist: Dr Robin Darwall-Smith E: [email protected] T: +44 (0)1865 276 952

30 UNIV ONLINE CATALOGUES

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A young storehand returns to work at M&D Shapiro Hardware Co. Inc., 320 Bowery, Downtown Manhattan.

Reproduced in Eighties New York , p. 26.

Archivist: Dr Robin Darwall-Smith E: [email protected] T: +44 (0)1865 276 952

31 UNIV ONLINE CATALOGUES

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An old derelict, the Bowery, Downtown Manhattan.

Reproduced in Eighties New York , p. 27.

Archivist: Dr Robin Darwall-Smith E: [email protected] T: +44 (0)1865 276 952

32 UNIV ONLINE CATALOGUES

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A young Chinese-American passes a blank-windowed, vacant dwelling with Spanish- American billboard, Madison Street at Market Street, Lower East Side, Downtown Manhattan.

Reproduced in Eighties New York , p. 28.

Archivist: Dr Robin Darwall-Smith E: [email protected] T: +44 (0)1865 276 952

33 UNIV ONLINE CATALOGUES

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A young man in a used-car lot applies a fresh coat of paint to an end-wall, layered with advertising, while a neighbourhood cop looks on, Division Street, Lower East Side, Downtown Manhattan.

Reproduced in Eighties New York , p. 29.

Archivist: Dr Robin Darwall-Smith E: [email protected] T: +44 (0)1865 276 952

34 UNIV ONLINE CATALOGUES

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Pitt Street, between Delancey and Rivington streets, an overhead view from the elevated walkway, Williamsburg Bridge, Lower East Side, Downtown Manhattan.

Reproduced in Eighties New York , p. 30.

Archivist: Dr Robin Darwall-Smith E: [email protected] T: +44 (0)1865 276 952

35 UNIV ONLINE CATALOGUES

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UC:P351/1/P1/35

Four Steps Restaurant, a corner coffee shop, in a cast-iron building, Downtown Manhattan.

Reproduced in Eighties New York , p. 31.

Archivist: Dr Robin Darwall-Smith E: [email protected] T: +44 (0)1865 276 952

36 UNIV ONLINE CATALOGUES

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The busy steps at the entrance to the elevated walkway, Williamsburg Bridge, Delancey Street, Lower East Side, Downtown Manhattan.

Reproduced in Eighties New York , p. 32.

Archivist: Dr Robin Darwall-Smith E: [email protected] T: +44 (0)1865 276 952

37 UNIV ONLINE CATALOGUES

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Pedestrians on the elevated walkway, Williamsburg Bridge, pass the vast housing projects, Lower East Side, Downtown Manhattan.

Reproduced in Eighties New York , p. 33.

Archivist: Dr Robin Darwall-Smith E: [email protected] T: +44 (0)1865 276 952

38 UNIV ONLINE CATALOGUES

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Confucius Plaza, 19 Bowery, an overhead view from the roof of the Braveman Building, 2 East Broadway, NE corner Chatham Square, Chinatown, Downtown Manhattan. The huge, curving, red-brick complex that towers over Division Street, built in 1976, is the most modern residential development in New York’s Chinatown.

Reproduced in Eighties New York , p. 35.

Archivist: Dr Robin Darwall-Smith E: [email protected] T: +44 (0)1865 276 952

39 UNIV ONLINE CATALOGUES

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Steeple, St Paul’s Chapel, between Broadway, Fulton, Church, and Vesey streets, Downtown Manhattan. Thomas McBean, architect. 1764–6; steeple, James Crommelin Lawrence, 1794. and South Tower Building, World Trade Center, between Church, Vesey, West, and Liberty streets. Minoru Yamasaki & Associates; Emery Roth & Sons, architects. 1966–73. Destroyed 11 September 2001 (9/11).

Reproduced in Eighties New York , p. 36.

Archivist: Dr Robin Darwall-Smith E: [email protected] T: +44 (0)1865 276 952

40 UNIV ONLINE CATALOGUES

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Confucius Plaza, with sculptor Liu Shih’s bronze monument to the Chinese philosopher, an overhead view from the roof of the Braveman Building, 2 East Broadway, NE corner Catherine Street, Chinatown, Downtown Manhattan.

Reproduced in Eighties New York , p. 37.

Archivist: Dr Robin Darwall-Smith E: [email protected] T: +44 (0)1865 276 952

41 UNIV ONLINE CATALOGUES

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Construction workers begin the task of reconstructing 649–659 Broadway, a cast-iron building devastated by fire, SoHo, Downtown Manhattan.

Reproduced in Eighties New York , p. 38.

Archivist: Dr Robin Darwall-Smith E: [email protected] T: +44 (0)1865 276 952

42 UNIV ONLINE CATALOGUES

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Shutters, Jersey Street, between Lafayette and Mulberry streets, SoHo, Downtown Manhattan.

Reproduced in Eighties New York , p. 39.

Archivist: Dr Robin Darwall-Smith E: [email protected] T: +44 (0)1865 276 952

43 UNIV ONLINE CATALOGUES

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Twin Towers, World Trade Center, between Church, Vesey, West, and Liberty streets. Minoru Yamasaki & Associates; Emery Roth & Sons, architects. 1966–73. Destroyed 11 September 2001 (9/11). and Woolworth Building, 233 Broadway, between Barclay Street and Park Place. Cass Gilbert, architect. 1913. Downtown Manhattan. A view from Williamsburg Bridge.

Reproduced in Eighties New York , p. 40.

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Twin Towers, World Trade Center, between Church, Vesey, West, and Liberty streets, Downtown Manhattan. Minoru Yamasaki & Associates; Emery Roth & Sons, architects. 1966–73. Destroyed 11 September 2001 (9/11). and a fire escape on Greenwich Street.

Reproduced in Eighties New York , p. 41.

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An uncapped fire hydrant, the outflow of water frozen solid in the subzero temperatures of an especially bitter winter. Washington Heights, Uptown Manhattan.

Reproduced in Eighties New York , p. 42.

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Water tower, the roof of the Braveman Building, 2 East Broadway, NE corner Catherine Street, Chinatown, Downtown Manhattan. with Municipal Building, 1 Centre Street, at Chambers Street, and Twin Towers, World Trade Centre, between Church, Vesey, West, and Liberty streets. Minoru Yamasaki & Associates; Emery Roth & Sons, architects. 1966–73. Destroyed 11 September 2001 (9/11).

Reproduced in Eighties New York , p. 43.

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Brooklyn Bridge. From Frankfort Street and Park Row (City Hall Park) east across the East River to Brooklyn, Downtown Manhattan. John Augustus Roebling, Washington Augustus Roebling, and Emily Warren Roebling, engineers. 1869–83. An overhead view from the roof of the Municipal Building, 1 Centre Street, at Chambers Street.

Reproduced in Eighties New York , p. 44.

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Brooklyn Bridge. From Frankfort Street and Park Row (City Hall Park) east across the East River to Brooklyn, Downtown Manhattan. John Augustus Roebling, Washington Augustus Roebling, and Emily Warren Roebling, engineers. 1869–83. The pedestrian promenade.

Reproduced in Eighties New York , p. 45.

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Metropolitan Life Insurance Headquarters, east side, 1893; tower, 1909, Napoleon Le Brun & Sons; north building (11–25 Madison Avenue), Midtown Manhattan. Harvey Wiley Corbett and D. Everett Waid, 1932, architects; remodelling, Lloyd Morgan, 1962. A view from the west side of Madison Square.

Reproduced in Eighties New York , p. 46.

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George Washington Bridge, from 178 th to 179 th streets across the Hudson River to Fort Lee, New Jersey, Washington Heights, Uptown Manhattan. Othmar H. Ammann, engineer. Cass Gilbert, architect. 1927–31. Second deck, 1982. A view west from the Manhattan shore of: the Hudson River, ice carried by its strong currents; part of the bridge’s great span; and the tower on the New Jersey side, outlined against the Palisades.

Reproduced in Eighties New York , p. 47.

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Queen Elizabeth I Memorial (detail), Orient Overseas Building Plaza, 88 Pine Street, Downtown Manhattan. Yu Yu Yang, sculptor. I. M. Pei (1917–), architect of the plaza. Stainless steel in two unjointed units.The two-part environmental sculpture commemorates the RMS Elizabeth , the largest and fastest ocean liner ever built, which caught fire and sank in Hong Kong Harbour in 1972.

Reproduced in Eighties New York , p. 48.

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Chrysler Building, 405 Lexington Avenue, NE corner 42 nd Street, Midtown Manhattan. William Van Alen, architect. 1930. and Grand Hyatt Hotel,42nd Street, between Lexington and Park avenues. Gruzen and Partners, with Der Scutt, architects. 1980. and Park Avenue viaduct, completed 1919. The ultimate symbol of the Jazz Age, the 77-storey Art Deco Chrysler tower, topped by six-levels of sleek, mirror-like stainless steel wrapping triangular windows, with its distinctive, needle-like spire, at 1,048 feet, was, briefly, the tallest building in the world. Replacing the old Commodore Hotel, the Grand Hyatt, an immense, 30-storey, H-shaped structure sheathed in silver mirror glass, was the first venture in the Manhattan property market of Queens-born, billionaire builder Donald J. Trump.

Reproduced in Eighties New York , p. 49.

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Ideogram . Austin J. Tobin Plaza and One and Two World Trade Center (North and South Tower Buildings), between Church, Vesey, West, and Liberty streets, Downtown Manhattan. A shining steel variation on an open rectangle. James Rosati, sculptor. 1973. Minoru Yamasaki & Associates; Emery Roth & Sons, architects. 1966–73. Destroyed 11 September 2001 (9/11). One of several sculptures were commissioned by the Port Authority of New York and New Jersey, builder of the World Trade Center on a 16-acre site, in an attempt to enliven the vast, 5-acre plaza at its heart.

Reproduced in Eighties New York , p. 49.

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The cemetery, Old St Patrick’s Cathedral, between Mott, Prince, and Mulberry streets, Little Italy, Downtown Manhattan. Joseph Mangin, architect. 1815; restoration: Henry Engelbert, 1868.

Reproduced in Eighties New York , p. 50.

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Old St Patrick’s Cathedral, between Mott, Prince, and Mulberry streets, Little Italy, Downtown Manhattan. Joseph Mangin, architect. 1815; restoration: Henry Engelbert, 1868. A view from the corner of Mulberry and Spring Streets.

Reproduced in Eighties New York , p. 51.

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David N. Dinkins, Manhattan Borough President. Twenty-fifth Anniversary Graduation, College of Insurance, aboard The Spirit of New York , East River, Pier 11, South Street, between Gouverneur and Jones Lanes, Downtown Manhattan, 5 June 1987. The first African-American Mayor of New York City, elected in November, 1989.

Reproduced in Eighties New York , p. 53.

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The Spirit of Commerce . Canal Street approach to Manhattan Bridge, Downtown Manhattan. Granite group with ornamental composition (one of a pair). Carl Augustus Heber, sculptor. 1916. O. F. Nichols, engineer. Carr
re & Hastings, architects. 1909. After Brooklyn and Williamsburg bridges, Manhattan Bridge, the third East River crossing, and the most heavily used, is a suspension bridge of steel, approached by a grand Beaux-Arts stone portal.

Reproduced in Eighties New York , p. 54.

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Transportation . Grand Central Terminal, 42nd Street, at Park Avenue, Midtown Manhattan. Statuary group. Bedford Indiana limestone. Jules-Alexis Coutan, sculptor; carving by John Donnelly. Whitney Warren, of Warren & Whetmore, architects. 1914. The imposing Beaux-Arts façade of Grand Central Terminal is crowned by an elaborate central group, above the clock; a 29-foot Mercury , backed by an American eagle, personifies Commerce, supported on either side by physical and moral energy, in massive stone figures of Hercules and Minerva .

Reproduced in Eighties New York , p. 55.

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A young mother and her little boy, Lower East Side, Downtown Manhattan.

Reproduced in Eighties New York , p. 56.

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A young mother and her little boy, Broadway, Upper West Side, Uptown Manhattan.

Reproduced in Eighties New York , p. 57.

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A conversation piece, Park Row, Lower East Side, Downtown Manhattan.

Reproduced in Eighties New York , p. 58.

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A private moment, Mott Street, Chinatown, Downtown Manhattan.

Reproduced in Eighties New York , p. 59.

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Wall Street, a view west, toward Trinity Church, Broadway, opposite the intersection of Wall Street, from Wall Street, at William Street, where a New York City Transit Police Officer stands guard at the entrance to the subway, closed on the day 33,000 city bus and subway workers went on strike, 1 April 1980. The high-rise buildings on Wall Street, the most famous third of a mile in the world, dominate Trinity Church, the most famous church in New York. The third church on this site, built in 1854 of red sandstone, with a 284-foot octagonal steeple, in Gothic-Revival style by the English architect Richard Upjohn, was, for fifty years the tallest building in the city.

Reproduced in Eighties New York , p. 60.

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A man in a corner phone booth, Midtown Manhattan.

Reproduced in Eighties New York , p. 61.

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Boys on a stoop, Little Italy, Downtown Manhattan.

Reproduced in Eighties New York , p. 62.

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Young mothers with children in strollers, at a hot dog cart, Sixth Avenue, Midtown Manhattan.

Reproduced in Eighties New York , p. 63.

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A porter with a handtruck, amid traffic in gridlock, the Garment District, an area between Broadway and Ninth Avenue, south of 40 th Street, centred on Seventh Avenue around 34 th Street, known as Fashion Avenue, Midtown Manhattan, the hub of New York’s vital, multi-million-dollar fashion industry.

Reproduced in Eighties New York , p. 64.

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A porter pulls a rack to be reloaded at a studio, the Garment District, an area between Broadway and Ninth Avenue, south of 40 th Street, centred on Seventh Avenue around 34 th Street, known as Fashion Avenue, Midtown Manhattan, the hub of New York’s vital, multi-million dollar fashion industry.

Reproduced in Eighties New York , p. 65.

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Madonna and child, Rutgers Street, at East Broadway, Lower East Side, Downtown Manhattan.

Reproduced in Eighties New York , p. 66.

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A little boy with an umbrella, Ninth Avenue, Chelsea, Midtown Manhattan.

Reproduced in Eighties New York , p. 67.

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Bayard Building, 65 Bleecker Street, between Broadway and Lafayette streets, Downtown Manhattan. Louis Henri Sullivan, architect. 1898. Originally Condict Building, for its owner, Silas Alden Condict, the Bayard Building, Louis Sullivan’s only New York building, is ornamented with terracotta, the favourite building material of the celebrated Chicago architect, seen here in the filigreed decoration of the entrance.

Reproduced in Eighties New York , p. 68.

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Bust of Sylvette . University Village, Greenwich Village, Downtown Manhattan. Concrete, with black basalt pebbles, 36 feet high, 20 feet long, 12½ inches thick, weighing 60 tons. Pablo Picasso, sculptor; Carl Nesjar, adapting sculptor. 1968. 100– 110 Bleecker Street; 505 LaGuardia Place. I. M. Pei & Partners, with James L. Freed in charge, architects. 1966. New York’s only public Picasso sculpture, an adaptation of a 1934 Cubist study of a girl with a ponytail, originally rendered on a 2-foot painted cut-out of bent sheet metal, is the centrepiece of three high-rise apartment buildings by I. M. Pei, the Chinese-American master of modern architecture.

Reproduced in Eighties New York , p. 69.

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Group of Four Trees . Chase Manhattan Plaza, between Nassau, William, Liberty, and Pine streets, Financial District, Downtown Manhattan. Steel framework, covered with a skin of fibreglass and plastic resin, 40 feet high, painted with polyurethane in a linear pattern. Jean Dubuffet, sculptor. 1972. Skidmore, Owings & Merrill (Gordon Bunshaft, partner in charge), architects. 1961. The French artist’s first outdoor sculpture to be erected in the United States, in Lower Manhattan’s first plaza.

Reproduced in Eighties New York , p. 70.

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A heroic wall-end mural above a concrete playground on which young men from the local community shoot a few hoops, East Broadway, Lower East Side, Downtown Manhattan. All over the city, real New York-style basketball is concrete playground basketball.

Reproduced in Eighties New York , p. 71.

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A rainy day in New York, on 42nd Street, one of the few East-West thoroughfares in the city, Midtown Manhattan.

Reproduced in Eighties New York , p. 72.

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Passersby on 42nd Street inspect work on the site of the future Kalikow Building, 101 Park Avenue, Midtown Manhattan.

Reproduced in Eighties New York , p. 73.

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Seniors schmooze, a minipark on Sixth Avenue, Greenwich Village, Downtown Manhattan.

Reproduced in Eighties New York , p. 74.

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A young man with mental health issues panhandles at the entrance to Village Cigars, 110 Seventh Avenue, SE corner Christopher Street, Greenwich Village, Downtown Manhattan.

Reproduced in Eighties New York , p. 75.

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Empire State Building, 350 Fifth Avenue, SW corner 34 th Street. Shreve, Lamb & Harmon, architects. 1931. Midtown Manhattan. and New York Life Insurance Company Building, 51 Madison Avenue, 26 th to 27 th Streets. Cass Gilbert, architect. 1928. and Projects, Lower East Side. A view from the elevated walkway of Williamsburg Bridge.

Reproduced in Eighties New York , p. 76.

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Empire State Building, 350 Fifth Avenue, SW corner 34 th Street. Shreve, Lamb & Harmon, architects. 1931. Midtown Manhattan. and Marble Collegiate Reformed Church, Fifth Avenue, at 29th Street. Samuel A Warner, architect. 1854. with A young woman cycling past the Big Apple emblem of New York.

Reproduced in Eighties New York , p. 77.

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Flatiron Building (detail), 175 Fifth Avenue, at Broadway and 23 rd Street, Midtown Manhattan. D. H. Burnham & Co., architects. 1902. A view south-west toward the Hudson River from the roof of the Metropolitan Life Building, 1 Madison Avenue, shows the rich, French Renaissance-style detailing of the rusticated limestone in the upper storeys of the 21-storey, 600-foot Flatiron Building, originally named the Fuller Building, after its builder. One of the earliest buildings in New York to be supported by a complete steel cage, designed by the Chicago architect Daniel Burnham, and once the city’s most famous skyscraper.

Reproduced in Eighties New York , p. 78.

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Flatiron Building (detail), 175 Fifth Avenue, at Broadway and 23 rd Street, Midtown Manhattan. D. H. Burnham & Co., architects. 1902. A head-on view south from the sidewalk on Fifth bordering the west side of Madison Square, of the 600-foot, 21- storey Flatiron Building, originally named the Fuller Building, after its builder, designed by the Chicago architect Daniel Burnham. One of the earliest buildings in New York City to be supported by a complete steel cage, and once the city’s most famous skyscraper, triangular in plan, and only 6 feet in width at the apex on 23rd Street.

Reproduced in Eighties New York , p. 79.

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One man and his dog, an intersection, Midtown Manhattan

Reproduced in Eighties New York , p. 80.

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A dance to the music of time, SW corner 33 rd Street, Madison Square Garden Center in shadow, Midtown Manhattan. and Empire State Building, 350 Fifth Avenue, SW corner 34 th Street. Shreve, Lamb & Harmon, architects. 1931.

Reproduced in Eighties New York , p. 80.

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The New Yorker does not break stride. Lower East Side, Downtown Manhattan.

Reproduced in Eighties New York , p. 81.

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“Wall of Respect for Women,” a mural, with a woman passing by, Rutgers Street, at East Broadway, Lower East Side, Downtown Manhattan.

Reproduced in Eighties New York , p. 81.

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A meeting by the bins. An apartment building, Downtown Manhattan.

Reproduced in Eighties New York , p. 82.

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Catherine Street, with a tugboat on the East River passing below Brooklyn Bridge, from the roof of the Braveman Building, 2 East Broadway, NE corner Catherine Street, Chinatown, Downtown Manhattan.

Reproduced in Eighties New York , p. 83.

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A romantic interlude, near the Morgan Library, East 36 th Street, between Park and Madison avenues, Murray Hill, Midtown Manhattan.

Reproduced in Eighties New York , p. 85.

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Administration Building, Brooklyn Botanic Garden, 1000 Washington Avenue, opposite the eastern edge of Prospect Park, Middle Brooklyn. One of New York’s best-loved cultural institutions, Brooklyn Botanic Garden, with 12,000 different kinds of plants growing in its 50 acres, is devoted to the collection, study, and interpretation of plants for education and enjoyment. At its heart, the elegant, two-storey, white stone and stucco former Laboratory Building is reflected in one of the 2 rectangular lily-pools of Conservatory Plaza, a formal garden of magnolias and stone vases.

Reproduced in Eighties New York , p. 86.

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Two well-dressed visitors, seated on a carved stone bench, Brooklyn Botanic Garden, 1000 Washington Avenue, Middle Brooklyn.

Reproduced in Eighties New York , p. 87.

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The Army, Soldiers’ and Sailors’ Memorial Arch . Grand Army Plaza, Middle Brooklyn. Frederick William MacMonnies, sculptor (three bronze groups); Thomas Eakins and William Rudolph O’Donovan, sculptors (bronze reliefs). John Hemingway Duncan, architect. The cornerstone was laid by General William Tecumseh Sherman in 1889, and the arch was completed in 1892. Granite arch, 80 feet in height and width, enclosing an archway, 50 feet high, and with a span of 35 feet and a depth of 50 feet along the base. Inscription: To the Defenders of the Union, 1861–1865 . In The Army , a group inspired by Delacroix’s landmark painting Liberty Guiding the People , the forward figure, with a raised sword, is a self-portrait of the sculptor MacMonnies.

Reproduced in Eighties New York , p. 88.

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The Horse Tamers . Park Circle entrance, Prospect Park, Middle Brooklyn. One of two bronze groups on ornamented granite pedestals. Frederick William MacMonnies, sculptor. Stanford White, architect. 1899.

Reproduced in Eighties New York , p. 89.

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The Abby Aldrich Rockefeller Sculpture Garden, The Museum of Modern Art, 11 West 53 rd Street, Midtown Manhattan. Philip L. Goodwin and Edward Durrell Stone, architects. 1939; additions: Philip Johnson, architect, 1951, 1964. The original layout by Philip Johnson has undergone changes to the design of Cesar Pelli. The River . Aristide Maillol, sculptor. and Monument to Balzac . Auguste Rodin, sculptor.

Reproduced in Eighties New York , p. 90.

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The Abby Aldrich Rockefeller Sculpture Garden, The Museum of Modern Art, 11 West 53 rd Street, Midtown Manhattan. Philip L. Goodwin and Edward Durrell Stone, architects. 1939; additions: Philip Johnson, architect, 1951, 1964. The original layout by Philip Johnson has undergone changes to the design of Cesar Pelli. Monument to Balzac . Auguste Rodin, sculptor.

Reproduced in Eighties New York , p. 91.

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Brooklyn Bridge. From Frankfort Street and Park Row, east across the East River to Brooklyn, Downtown Manhattan. John Augustus Roebling, Washington Augustus Roebling, and Emily Warren Roebling, engineers. 1869–83. A view south-east toward Brooklyn Heights from South Street, below FDR Drive, with children playing beside the East River.

Reproduced in Eighties New York , p. 92.

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97 UNIV ONLINE CATALOGUES

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Brooklyn Bridge. From Frankfort Street and Park Row, east across the East River to Brooklyn, Downtown Manhattan. John Augustus Roebling, Washington Augustus Roebling, and Emily Warren Roebling, engineers. 1869–83. A view south toward the Financial District, from South Street, below FDR Drive, with an old seafarer seated beside the East River at low tide.

Reproduced in Eighties New York , p. 93.

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98 UNIV ONLINE CATALOGUES

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José Julian Martí (detail). Central Park South and Sixth Avenue. Bronze equestrian sculpture; granite pedestal. Anna Vaughn Hyatt Huntington, sculptor. 1965. Inscription: Apostle of Cuban Independence, leader of the peoples of America and defender of human dignity. His literary genius vied with his political foresight. He was born in Havana on January 28, 1853. For fifteen years of his exile he lived in New York City. He died in action at Dos Ríos in Oriente Province on May 19, 1895 . At the suggestion of her husband, the poet, scholar, and philanthropist Arthur Milton Huntington, the sculptor portrayed the Cuban writer and revolutionary hero José Martí at the exact moment he was shot and mortally wounded. Financial District, from South Street, below FDR Drive, with an old seafarer seated beside the East River at low tide.

Reproduced in Eighties New York , p. 94.

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William Tecumseh Sherman (detail). Grand Army Plaza, Fifth Avenue, at 59th Street, Midtown Manhattan. Bronze group; polished pink granite pedestal with three bronze wreaths. Augustus Saint-Gaudens, sculptor. Charles Follen McKim, architect. Unveiled 30 May 1903. Remembered for his devastating “march to the sea” from Atlanta – a distance of 300 miles covered in 24 days – Sherman, one of the most successful generals of the Civil War, being led by the symbolic, winged, female figure of Victory . The gilt statue, by the distinguished, Dublin-born, American sculptor Saint- Gaudens, is considered one of the great equestrian monuments in Western art.

Reproduced in Eighties New York , p. 95.

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A young man sports a self-identifying belt-buckle, the waterfront, at the foot of Christopher Street, Far West Village, Downtown Manhattan.

Reproduced in Eighties New York , p. 96.

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Spectators of the paseo , the waterfront, at the foot of Christopher Street, Far West Village, Downtown Manhattan. Easter Sunday, 1980.

Reproduced in Eighties New York , p. 96.

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New Yorkers chill out, Morton Street Pier, Far West Village, Downtown Manhattan. Easter Sunday, 1980.

Reproduced in Eighties New York , p. 97.

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New Yorkers chill out, Morton Street Pier, Far West Village, Downtown Manhattan. Easter Sunday, 1980.

Reproduced in Eighties New York , p. 97.

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Carl, the waterfront, at the foot of Christopher Street, Far West Village, Downtown Manhattan. Easter Sunday, 1980.

Reproduced in Eighties New York , p. 98.

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Two young women step out, the waterfront, at the foot of Christopher Street, Far West Village, Downtown Manhattan.

Reproduced in Eighties New York , p. 99.

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“Roller-Arena,” the waterfront, at the foot of Christopher Street, Far West Village, Downtown Manhattan. Easter Sunday, 1980.

Reproduced in Eighties New York , p. 99.

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Hide-a-Way Motel, West 14 th Street, between 10th Avenue and Eleventh Avenue, Far West Village, Downtown Manhattan.

Reproduced in Eighties New York , p. 100.

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108 UNIV ONLINE CATALOGUES

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“Sleaze” the USP of a hardcore night club is signalled by this poster-covered wall, Far West Village, Downtown Manhattan.

Reproduced in Eighties New York , p. 100.

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A gay man cruises a derelict Hudson River pier building torched by arsonists, Far West Village, Downtown Manhattan.

Reproduced in Eighties New York , p. 101.

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The Ramble, Central Park, Uptown Manhattan. Frederick Law Olmsted and Calvert Vaux, co-designers. 1857–73. Central Park, the only municipal park that is a national historic landmark, is the result of more than eighty years of planning and effort. Within 843 man-made acres, the 37-acre Ramble, a steep, well-wooded, rugged hillside, intersected by winding paths, succeeds, more than any other area in the park, in realising the intention of Olmsted, a pioneer in the new profession of “landscape architecture,” to take city dwellers out of their urban environment.

Reproduced in Eighties New York , p. 103.

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A couple at a corner table in the café, Loeb Boathouse, Central Park, Uptown Manhattan.

Reproduced in Eighties New York , p. 104.

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A couple beside the lake, the Japanese Hill-and-Pond Garden, Brooklyn Botanic Garden, 1000 Washington Avenue, opposite the eastern edge of Prospect Park, Middle Brooklyn. Takeo Shiota, designer. 1914. Probably the most celebrated feature of Brooklyn Botanic Garden is the Japanese Hill-and-Pond Garden, emblematic of the Japanese talent for condensation. Created in one acre around the lake, it embodies aspects of four kinds of gardens – palace, tea cult, Shinto, and Buddhist temple. In the lake, shaped like the Chinese letter meaning “heart” (the centre of meditative calm) is a torii , or bird-perching gate, which marks the approach to a Shinto shrine on the rise beyond the Niwa , or landscape garden.

Reproduced in Eighties New York , p. 105.

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The Bailey Fountain (detail). Grand Army Plaza, Middle Brooklyn. Bronze group on rock base in oval fountain. Eugene Francis Savage, sculptor. Egerton Swartout, designer of the base. 1932.

Reproduced in Eighties New York , p. 106.

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114 UNIV ONLINE CATALOGUES

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The Bailey Fountain (detail). Grand Army Plaza, Middle Brooklyn. Bronze group on rock base in oval fountain. Eugene Francis Savage, sculptor. Egerton Swartout, designer of the base. 1932.

Reproduced in Eighties New York , p. 107.

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A young cyclist, Bethesda Terrace, with a couple in a rowing boat on the Lake, Central Park, Uptown Manhattan.

Reproduced in Eighties New York , p. 108.

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National Maine Monument (detail). Columbus Circle, intersection of Broadway and Eighth Avenue, Midtown Manhattan. Granite and marble stele, 43½ feet high, supporting bronze and marble sculpture. Attilio Piccirilli, sculptor. H. Van Buren Magonigle, architect. 1913. On the night of 15 February 1898 the Maine , a battleship constructed in Brooklyn Navy Yard in 1890, blew-up and sank in Havana Harbour with the loss of 260 American lives, impressing on a horrified nation the catchphrase “Remember the Maine !” Spain, whose colonial empire included Cuba, was held responsible, and the event sparked the Spanish-American War. Among other symbolic figures, on the east side of the monument a Michelangelesque reclining youth represents the Atlantic.

Reproduced in Eighties New York , p. 109.

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Bethesda Terrace and Fountain. Central Park, Uptown Manhattan. Frederick Law Olmsted and Calvert Vaux, co-designers. 1857–73. A view south from the Ramble toward Central Park South.

Reproduced in Eighties New York , p. 110.

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Angel of the Waters (Bethesda Fountain). Central Park, Uptown Manhattan. Bronze sculpture; granite fountain. Emma Stebbins, sculptor. Jacob Wrey Mould, designer of Bethesda Terrace and Fountain. 1873. The name refers to the biblical account of a healing angel at the pool of Bethesda in Jerusalem. A view toward the Lake and the Ramble.

Reproduced in Eighties New York , p. 111.

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The Lake, Central Park, Uptown Manhattan. Frederick Law Olmsted and Calvert Vaux, co-designers. 1857–73. A view north-east from the Ramble toward Loeb Boathouse and Fifth Avenue. with Carlyle Hotel, 35 East 76 th Street, NE corner Madison Avenue. Bien & Prince, architects. 1923. The Carlyle, the landmark, 38-storey tower, with a conical-topped crown, is considered to be New York’s best hotel.

Reproduced in Eighties New York , p. 112.

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The Lake, Central Park, Uptown Manhattan. Frederick Law Olmsted and Calvert Vaux, co-designers. 1857–73. A view north-west from lakeside near Loeb Boathouse toward Central Park West. with San Remo, 145-146 Central Park West, between 74 th and 75 th Streets. Emery Roth, architect. 1930. The twin-towered, Art Deco San Remo is one of several palazzo- style apartment houses on Central Park West, New York’s grand boulevard. The decades-long neglect of Central Park, evidenced by the wrecked flat-bottomed boat and graffitied rock, was reversed by Elizabeth (“Betsy”) Barlow Rogers, Administrator Central Park, 1980–95, who founded in 1985 The Central Park Conservancy.

Reproduced in Eighties New York , p. 113.

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“Kiss My Cookies,” a coffee shop, Christopher Street, between Bleecker and Hudson streets, Greenwich Village, Downtown Manhattan.

Reproduced in Eighties New York , p. 115.

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HRH Princess Michael of Kent, at a party for TRH Prince and Princess Michael of Kent, organised by the super-social, Athens-born, New York investment banker Alexander (“Alecko”) P. Papamarkou, Mortimer’s, 1057 Lexington Avenue, at 75 th Street, Upper East Side, Uptown Manhattan, 26 October 1986.

Reproduced in Eighties New York , p. 116.

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HRH Prince Michael of Kent, at a party for TRH Prince and Princess Michael of Kent, organised by the super-social, Athens-born, New York investment banker Alexander (“Alecko”) P. Papamarkou, Mortimer’s, 1057 Lexington Avenue, at 75 th Street, Upper East Side, Uptown Manhattan, 26 October 1986.

Reproduced in Eighties New York , p. 117.

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Mrs Estée Lauder, Queens-born Esther Mentzer, the reigning beauty products queen, at a party for TRH Prince and Princess Michael of Kent, organised by the super-social, Athens- born, New York investment banker Alexander (“Alecko”) P. Papamarkou, Mortimer’s, 1057 Lexington Avenue, at 75 th Street, Upper East Side, Uptown Manhattan, 26 October 1986.

Reproduced in Eighties New York , p. 118.

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Mrs A. Alfred Taubman, the former Miss Israel Judy Mazor, wife of the multimillionaire chairman of Sotheby’s, at a party for TRH Prince and Princess Michael of Kent, organised by the super-social, Athens-born, New York investment banker Alexander (“Alecko”) P. Papamarkou, Mortimer’s, 1057 Lexington Avenue, at 75 th Street, Upper East Side, Uptown Manhattan, 26 October 1986.

Reproduced in Eighties New York , p. 118.

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126 UNIV ONLINE CATALOGUES

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Lally Weymouth, right-wing commentator and heiress, and Santo Domingo-born, New York fashion designer Oscar de la Renta, at a party to honour Ashton Hawkins, Executive Vice President and Counsel to the Trustees, The Metropolitan Museum of Art, at Greene Street, SoHo, Downtown Manhattan, May 1987.

Reproduced in Eighties New York , p. 119.

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Mrs Vincent (Brooke) Astor, philanthropist, socialite, writer, and chairwoman of the Visitor Astor Foundation, and Richard Avedon, celebrity photographer, at a party to honour Ashton Hawkins, Executive Vice President and Counsel to the Trustees, The Metropolitan Museum of Art, at Greene Street, SoHo, Downtown Manhattan, May 1987.

Reproduced in Eighties New York , p. 119.

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A guest at a junior party organised by the super-social, Athens-born, New York investment banker Alexander (“Alecko”) P. Papamarkou, at Jim McMullen’s Restaurant, 1341 Third Avenue, Upper East Side, Uptown Manhattan, 27 March 1987.

Reproduced in Eighties New York , p. 120.

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129 UNIV ONLINE CATALOGUES

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A guest at a junior party organised by the super-social, Athens-born, New York investment banker Alexander (“Alecko”) P. Papamarkou, at Jim McMullen’s Restaurant, 1341 Third Avenue, Upper East Side, Uptown Manhattan, 27 March 1987.

Reproduced in Eighties New York , p. 121.

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A guest at a junior party organised by the super-social, Athens-born, New York investment banker Alexander (“Alecko”) P. Papamarkou, at Jim McMullen’s Restaurant, 1341 Third Avenue, Upper East Side, Uptown Manhattan, 27 March 1987.

Reproduced in Eighties New York , p. 122.

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131 UNIV ONLINE CATALOGUES

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A guest at a junior party organised by the super-social, Athens-born, New York investment banker Alexander (“Alecko”) P. Papamarkou, at Jim McMullen’s Restaurant, 1341 Third Avenue, Upper East Side, Uptown Manhattan, 27 March 1987.

Reproduced in Eighties New York , p. 123.

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132 UNIV ONLINE CATALOGUES

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A guest at a junior party organised by the super-social, Athens-born, New York investment banker Alexander (“Alecko”) P. Papamarkou, at Jim McMullen’s Restaurant, 1341 Third Avenue, Upper East Side, Uptown Manhattan, 27 March 1987.

Reproduced in Eighties New York , p. 124.

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133 UNIV ONLINE CATALOGUES

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A guest at a junior party organised by the super-social, Athens-born, New York investment banker Alexander (“Alecko”) P. Papamarkou, at Jim McMullen’s Restaurant, 1341 Third Avenue, Upper East Side, Uptown Manhattan, 27 March 1987.

Reproduced in Eighties New York , p. 125.

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The make-up artist to Hollywood legend Lauren Bacall, making a triumphant return to the Broadway stage, the star’s dressing room, Theater District, Midtown Manhattan.

Reproduced in Eighties New York , p. 126.

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An agent, with a Rolodex, works the phone, in her office, Midtown Manhattan.

Reproduced in Eighties New York , p. 127.

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Tony Neal, Far West Village, Downtown Manhattan. May 1980.

Reproduced in Eighties New York , p. 128.

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Matthew Ledbetter, Washington Heights, Uptown Manhattan.

Reproduced in Eighties New York , p. 129.

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Sam Dobbs, apartment of the photographer, Far West Village, Downtown Manhattan.

Reproduced in Eighties New York , p. 130.

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Jay Jenkins, apartment of the photographer, Far West Village, Downtown Manhattan.

Reproduced in Eighties New York , p. 131.

Archivist: Dr Robin Darwall-Smith E: [email protected] T: +44 (0)1865 276 952

140 UNIV ONLINE CATALOGUES

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The Indian Hunter (detail), SW of the Mall, Central Park, Uptown Manhattan. Bronze group; granite pedestal. John Quincy Adams Ward, sculptor. 1869. The first piece of American sculpture to be placed in the 11-year-old Central Park.

Reproduced in Eighties New York , p. 132.

Archivist: Dr Robin Darwall-Smith E: [email protected] T: +44 (0)1865 276 952

141 UNIV ONLINE CATALOGUES

UC:P351 – Photographs of Michael George

UC:P351/1 - “Eighties New York: A Portrait in Black and White”

UC:P351/1/P1/141

Jay Jenkins, apartment of the photographer, Far West Village, Downtown Manhattan.

Reproduced in Eighties New York , p. 133.

Archivist: Dr Robin Darwall-Smith E: [email protected] T: +44 (0)1865 276 952

142 UNIV ONLINE CATALOGUES

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UC:P351/1/P1/142

“I am a camera.” Gay Pride, Christopher Street, between Weehawken and West streets, Far West Village, Downtown Manhattan.

Reproduced in Eighties New York , p. 135.

Archivist: Dr Robin Darwall-Smith E: [email protected] T: +44 (0)1865 276 952

143 UNIV ONLINE CATALOGUES

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Pride-goers embrace on the route of the march, Midtown Manhattan.

Reproduced in Eighties New York , p. 136.

Archivist: Dr Robin Darwall-Smith E: [email protected] T: +44 (0)1865 276 952

144 UNIV ONLINE CATALOGUES

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UC:P351/1/P1/144

“We are Family.” LGBT community members and supporters parade in the city, Midtown Manhattan.

Reproduced in Eighties New York , p. 137.

Archivist: Dr Robin Darwall-Smith E: [email protected] T: +44 (0)1865 276 952

145 UNIV ONLINE CATALOGUES

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A power-dressing activist, Christopher Street, between Bleecker and Hudson streets, Greenwich Village, Downtown Manhattan.

Reproduced in Eighties New York , p. 138.

Archivist: Dr Robin Darwall-Smith E: [email protected] T: +44 (0)1865 276 952

146 UNIV ONLINE CATALOGUES

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“National Gay Task Force.” Christopher Street, between Bleecker and Hudson streets, Greenwich Village, Downtown Manhattan.

Reproduced in Eighties New York , p. 139.

Archivist: Dr Robin Darwall-Smith E: [email protected] T: +44 (0)1865 276 952

147 UNIV ONLINE CATALOGUES

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Messaging with a T-shirt, post-Pride crowd, outside Badlands, West Street, NW corner Christopher Street, Far West Village, Downtown Manhattan.

Reproduced in Eighties New York , p. 140.

Archivist: Dr Robin Darwall-Smith E: [email protected] T: +44 (0)1865 276 952

148 UNIV ONLINE CATALOGUES

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A post-Pride crowd gathers on the waterfront at the foot of Christopher Street, Far West Village, Downtown Manhattan.

Reproduced in Eighties New York , p. 141.

Archivist: Dr Robin Darwall-Smith E: [email protected] T: +44 (0)1865 276 952

149 UNIV ONLINE CATALOGUES

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UC:P351/1/P1/149

Mirra Bank Brockman, film-maker ( Anonymous Was a Woman , first film), in her loft apartment, West Broadway, SoHo, Downtown Manhattan.

Reproduced in Eighties New York , p. 142.

Archivist: Dr Robin Darwall-Smith E: [email protected] T: +44 (0)1865 276 952

150 UNIV ONLINE CATALOGUES

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Marya Dalrymple, book editor, apartment of the photographer, Far West Village, Downtown Manhattan.

Reproduced in Eighties New York , p. 142.

Archivist: Dr Robin Darwall-Smith E: [email protected] T: +44 (0)1865 276 952

151 UNIV ONLINE CATALOGUES

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Martha Saxton, author of Louisa May Alcott , in her loft apartment, West 29 th Street, Midtown Manhattan.

Reproduced in Eighties New York , p. 143.

Archivist: Dr Robin Darwall-Smith E: [email protected] T: +44 (0)1865 276 952

152 UNIV ONLINE CATALOGUES

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Church of St Luke-in-the-Fields, Hudson Street, at the foot of Grove Street. John Heath or James N. Wells, architect. 1821–2. Far West Village, Downtown Manhattan. and Federal Archives Building, 645 Washington Street, between Christopher and Barrow streets. William J. Edbrooke, architect. 1899.

Reproduced in Eighties New York , p. 144.

Archivist: Dr Robin Darwall-Smith E: [email protected] T: +44 (0)1865 276 952

153 UNIV ONLINE CATALOGUES

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A lone reader, Hudson River pier building (since demolished) with, right, the block- square Federal Archives Building, Far West Village, Downtown Manhattan.

Reproduced in Eighties New York , p. 144.

Archivist: Dr Robin Darwall-Smith E: [email protected] T: +44 (0)1865 276 952

154 UNIV ONLINE CATALOGUES

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Grove Court (detail), Grove Street, between Bedford and Hudson streets, Greenwich Village, Downtown Manhattan. In Greenwich Village Historic District, designated 29 April 1969, Grove Court, originally built for working men in the 1850s, a group of six, white-shuttered, red-brick-fronted Federal houses, in a red-brick-paved courtyard, shaded by trees, is entered upon, with caution, via an ancient iron gateway, is now one of the most exclusive addresses in New York.

Reproduced in Eighties New York , p. 145.

Archivist: Dr Robin Darwall-Smith E: [email protected] T: +44 (0)1865 276 952

155 UNIV ONLINE CATALOGUES

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Hudson Street, west side, between West 10 th and Charles streets, Far West Village, Downtown Manhattan. In the unforgiving climate of New York, a break in the weather is welcomed by residents with a flurry of activity. The photographer lived at 525 Hudson Street, next door to the Post Office, in the second-floor apartment, with white-painted shutters, directly above Panache Vintage Clothing.

Reproduced in Eighties New York , p. 145.

Archivist: Dr Robin Darwall-Smith E: [email protected] T: +44 (0)1865 276 952

156 UNIV ONLINE CATALOGUES

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UC:P351/1/P1/156

Revd James Harold Flye, Episcopal priest (ordained in 1915), teacher, poet, photographer, and mentor of James Agee, St Luke’s Vicarage, Hudson Street, between Christopher and Barrow streets, Far West Village, Downtown Manhattan.

Reproduced in Eighties New York , p. 146.

Archivist: Dr Robin Darwall-Smith E: [email protected] T: +44 (0)1865 276 952

157 UNIV ONLINE CATALOGUES

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Sally Fisher and Erik Wensberg, poets, at a party hosted by Revd and Mrs Ledlie Laughlin, at St Luke’s Vicarage, Hudson Street, between Christopher and Barrow streets, Far West Village, Downtown Manhattan.

Reproduced in Eighties New York , p. 147.

Archivist: Dr Robin Darwall-Smith E: [email protected] T: +44 (0)1865 276 952

158 UNIV ONLINE CATALOGUES

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Harvey Simmonds, Director and Secretary of the Eakins Press Foundation, before his conversion in 1983 to the Cistercian monastic life as Brother Benedict, at Holy Cross Abbey, Berryville, Virginia, at a party hosted by Revd and Mrs Ledlie Laughlin, at St Luke’s Vicarage, Hudson Street, between Christopher and Barrow streets, Far West Village, Downtown Manhattan.

Reproduced in Eighties New York , p. 147.

Archivist: Dr Robin Darwall-Smith E: [email protected] T: +44 (0)1865 276 952

159 UNIV ONLINE CATALOGUES

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UC:P351/1 - “Eighties New York: A Portrait in Black and White”

UC:P351/1/P1/159

Interior, apartment of the photographer, Far West Village, Downtown Manhattan. 15 January 1983.

Reproduced in Eighties New York , p. 148.

Archivist: Dr Robin Darwall-Smith E: [email protected] T: +44 (0)1865 276 952

160 UNIV ONLINE CATALOGUES

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UC:P351/1 - “Eighties New York: A Portrait in Black and White”

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Michael George, self-portrait, apartment of the photographer, Far West Village, Downtown Manhattan. 15 January 1983.

Reproduced in Eighties New York , p. 149.

Archivist: Dr Robin Darwall-Smith E: [email protected] T: +44 (0)1865 276 952