The Gothic Cathedral: Design and Meaning Author(s): Otto G. von Simson Reviewed work(s): Source: Journal of the Society of Architectural Historians, Vol. 11, No. 3 (Oct., 1952), pp. 6-16 Published by: University of California Press on behalf of the Society of Architectural Historians Stable URL: http://www.jstor.org/stable/987608 . Accessed: 01/04/2012 05:25 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact
[email protected]. University of California Press and Society of Architectural Historians are collaborating with JSTOR to digitize, preserve and extend access to Journal of the Society of Architectural Historians. http://www.jstor.org OTTO G. VON S1MSON teaches at the University of Chicago. This article is drawn from two public lectures he gave last January for the Committee on Social Thought there. He wishes to dedicate it to his mother. His analysis of the philosophical approach to architecture, which St. Augustine, St. Bernard and other eminent divines fostered, would give pause to those who think we ought to make up our minds as to what the cathedral was built with: all science or all intuition. THE GOTHIC CATHEDRAL: DESIGN AND MEANING Within the last century the history of architecture has recently attracted a good deal of attention.