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Admirals Close Colney Heath St Albans, Herts AL4 0QE House
Admirals Close Colney Heath St Albans, Herts AL4 0QE House Alder Close Park Street St Albans, Herts AL2 2RS House Alexander Road London Colney St Albans, Herts AL2 1HS House Bedford Road St Albans AL1 3BH Flat Bennetts Close Colney Heath St Albans, Herts AL4 0PU House Birch Way London Colney St Albans, Herts AL2 1PE House Birchwood Way Park Street St Albans, Herts AL2 2SF House Bluett Road London Colney St Albans, Herts AL2 1RW House Caledon Road London Colney St Albans, Herts AL2 1PR House Clarence Road St Albans Hertfordshire AL1 4NP Flat Collyer Road London Colney St Albans, Herts AL2 1PD House Cutmore Drive Colney Heath St Albans, Herts AL4 0PH House Cyril Dumpleton House Haseldine Road,St Albans, Herts AL2 1RS Flat Dishman Court Bluett Rd, LondoSt Albans, Herts AL2 1SA Flat Driftwood Avenue St Albans Hertfordshire AL2 3DE House Fairhaven Park Street LaneSt Albans, Herts AL2 2ND Flat Fellowes Lane Colney Heath St Albans, Herts AL4 0PZ House Five Acres London Colney St Albans, Herts AL2 1JD House Grovelands Park Street St Albans, Herts AL2 2TY House Hall Gardens Colney Heath St Albans, Herts AL4 0QF House Harvey Road London Colney St Albans, Herts AL2 1NA House Haseldine Road London Colney St Albans, Herts AL2 1RT House High Street London Colney St Albans, Herts AL2 1HN House How Wood Park Street St Albans, Herts AL2 2RW House Hunters Ride Bricket Wood St Albans, Herts AL2 3LY Flat Hyde Lane Frogmore St Albans, Herts AL2 2LE House Kings Road London Colney St Albans, Herts AL2 1ER House Lovatts Cottages Park Street St Albans, Herts AL2 -
Viewpoint the Fire at Notre Dame Cathedral
Opinion thestructuralengineer.org Notre-Dame fi re Viewpoint Following the recent fi re at Notre-Dame de Paris, Th e fi re at Professor Jacques Heyman discusses the construction Notre-Dame of the cathedral and considers some of the questions that will arise in agreeing an approach to repair. cathedral The double roof system of the typical Gothic great church – a stone vault surmounted by a timber roof – is both decorative and functional. The steep external roof provides the necessary weatherproofi ng dictated by northern European climates (shallow pitches were used for Greek temples); indeed the stone vault, perhaps cracked and in any case not waterproof, itself needs the protection of the outer roof (in Cyprus, the crusader churches, e.g. Famagusta, hardly need this cover). However, timber burns well, and one function of the stone vault is to provide a Figure 1 Burning timbers were largely fi re-resistant barrier between caught by masonry vaults the outer roof and the church. GETTY There is thus a symbiotic action between the two coverings If, however, there are side of the church; the timber roof "ONE FUNCTION OF THE STONE VAULT IS aisles to the nave and choir, protects the stone vault and TO PROVIDE A FIRE-RESISTANT BARRIER then such buttresses would the church from the weather, obstruct those aisles. Hence and the stone vault protects the BETWEEN THE OUTER ROOF AND THE the thrusts from the high stone church from the potential fi re CHURCH" vaults are collected by the fl ying hazard of the timber roof. buttresses, and ‘fl own’ over the This dual action was very aisles to heavy masonry placed evident in the fi re of 15 April nave, and the (roughly) square the masonry rib vault and the outside the church. -
Drinkerdrinker
FREE DRINKERDRINKER Volume 41 No. 3 June/July 2019 The Anglers, Teddington – see page 38 WETHERSPOON OUR PARTNERSHIP WITH CAMRA All CAMRA members receive £20 worth of 50p vouchers towards the price of one pint of real ale or real cider; visit the camra website for further details: camra.org.uk Check out our international craft brewers’ showcase ales, featuring some of the best brewers from around the world, available in pubs each month. Wetherspoon also supports local brewers, over 450 of which are set up to deliver to their local pubs. We run regular guest ale lists and have over 200 beers available for pubs to order throughout the year; ask at the bar for your favourite. CAMRA ALSO FEATURES 243 WETHERSPOON PUBS IN ITS GOOD BEER GUIDE Editorial London Drinker is published on behalf of the how CAMRA’s national and local Greater London branches of CAMRA, the campaigning can work well together. Of Campaign for Real Ale, and is edited by Tony course we must continue to campaign Hedger. It is printed by Cliffe Enterprise, Eastbourne, BN22 8TR. for pubs but that doesn’t mean that we DRINKERDRINKER can’t have fun while we do it. If at the CAMRA is a not-for-profit company limited by guarantee and registered in England; same time we can raise CAMRA’s profile company no. 1270286. Registered office: as a positive, forward-thinking and fun 230 Hatfield Road, St. Albans, organisation to join, then so much the Hertfordshire AL1 4LW. better. Material for publication, Welcome to a including press The campaign will be officially releases, should preferably be sent by ‘Summer of Pub’ e-mail to [email protected]. -
'Daylight Upon Magic': Stained Glass and the Victorian Monarchy
‘Daylight upon magic’: Stained Glass and the Victorian Monarchy Michael Ledger-Lomas If it help, through the senses, to bring home to the heart one more true idea of the glory and the tenderness of God, to stir up one deeper feeling of love, and thankfulness for an example so noble, to mould one life to more earnest walking after such a pattern of self-devotion, or to cast one gleam of brightness and hope over sorrow, by its witness to a continuous life in Christ, in and beyond the grave, their end will have been attained.1 Thus Canon Charles Leslie Courtenay (1816–1894) ended his account of the memorial window to the Prince Consort which the chapter of St George’s Chapel, Windsor had commissioned from George Gilbert Scott and Clayton and Bell. Erected in time for the wedding of Albert’s son the Prince of Wales in 1863, the window attempted to ‘combine the two ele- ments, the purely memorial and the purely religious […] giving to the strictly memorial part, a religious, whilst fully preserving in the strictly religious part, a memorial character’. For Courtenay, a former chaplain- in-ordinary to Queen Victoria, the window asserted the significance of the ‘domestic chapel of the Sovereign’s residence’ in the cult of the Prince Consort, even if Albert’s body had only briefly rested there before being moved to the private mausoleum Victoria was building at Frogmore. This window not only staked a claim but preached a sermon. It proclaimed the ‘Incarnation of the Son of God’, which is the ‘source of all human holiness, the security of the continuousness of life and love in Him, the assurance of the Communion of Saints’. -
A Brief History
A Brief History A brief history of St Mary’s Episcopal Cathedral, Glasgow The congregation of St Mary’s can be traced back to Glasgow’s ancient St Mungo’s Cathedral in the turbulent period before the Church of Scotland’s episcopalian structure was dismantled in 1689. Both before and after this change, public worship according to episcopalian traditions caused rioting in the city. However, Glasgow’s Episcopalians continued to meet in private houses or in a succession of meeting houses throughout the eighteenth century, surviving the rigours of the Penal Laws enacted after the 1745 Rising; throughout this period some of them were ardent and influential Jacobites. After the repeal of the Penal Laws in 1792, the congregation expanded, and for many years services took place in a classroom in the Grammar School in George Street. In 1825 St Mary’s Episcopal Chapel opened in Renfield Street to accommodate the growing congregation. The architect of the chapel was Robert Scott. After only forty-five years, the decision was made to move again. George Gilbert Scott, already working as architect for Glasgow University and one of the foremost architects in Britain, was commissioned to design a new church in Great Western Road. The result is one of the city’s best Gothic Revival buildings, constructed by the finest craftsmen available. Most of the stained glass was designed by the studios of Hardman, and Clayton & Bell. The church was opened for worship in 1871 and St Mary’s was consecrated in 1884. Nine years later, the imposing spire, added to the original square tower, was finally completed to the design of Scott’s son. -
“Cathedral-Style” Churches
“Cathedral-Style” Churches After the turn of the century, Ukrainian congregations often grew to a size where their small church buildings were impractical. The years from about 1920 to 1940 thus witnessed the construction of many large Ukrainian churches in Manitoba. These were no longer simple log or light wood frame structures like those built by the early settlers. The new churches were more elaborate structures, larger in scale and often more sophisticated in ornamentation; similar in conception to the large Ukrainian Baroque churches like the restored St. Sophia in Kiev, the Church of the Holy Trinity and the Chapel of the Three Saints. Although not technically cathedrals – which are the seats of bishops – these churches are so extraordinary, especially in a rural landscape, that they are frequently called “prairie cathedrals.” Considering the modest nature of the log or wood frame churches examined previously in this study, the large churches designed for Ukrainian Catholic and Ukrainian Orthodox congregations in Manitoba during the 1920s, 30s, 40, and 50s are remarkable. Foremost among these are the Ukrainian Catholic churches designed by Father Philip Ruh. His designs for “cathedral‐style” churches adorn the countryside outside Manitoba from Edmonton, Alberta to St. Catharineʹs, Ontario. Research to date attributes 33 structures to this amazing man. Ruh’s influence also spread to other communities in less direct ways. He was often called upon by various congregations to discuss the designs for new churches and the two main contractors working for Ruh relied on his designs for the churches they built without his supervision. Ruh was prolific and his designs influential. -
Equipping God S People
Thursday 5th March 9.30am - 1.00pm LAY LEADERS OF WORSHIP Holywell Lodge, 41 Holywell Hill, S. AY,`, AL1 1HE This diocesan Scheme is designed to help EQUIPPING Art of the Annunciation make it possible for public worship to take place in every church every Sunday. It Today the art of the Annunciation offers us a fresh enables parishes to discern the gifts of lay perspective of the written account. Led by the Rev’d people as local Lay Leaders of Worship (LLWs). On GOD’S PEOPLE Lauretta Wilson, we will look at different representations completion of their training they receive a letter of in art of the Annunciation, explore this fresh perspective permission from the Bishop recognising them as LLWs in and examine our own responses. their parish church. PROGRAMME Book via the course contact. Cost: £10 Contact: Laura 01727 For more information on registering for this scheme see 818151 [email protected] www.stalbans.anglican.org/ministry/lay-leaders-worship/ or January - April 2015 Saturday 21st March 10.00am - 3.30pm contact Rev’d Jeanette Gosney. St Paul’s Church, L7-G+G, SG6 1QL Training for LLWs includes 6 introductory sessions over two Events and courses open to all Saturdays. In 2015 a course will run in each Archdeaconry; but Local Ministry Conference: “ We are please choose whichever date combinaon suits you best. the Body of Christ” FIRST SATURDAY (S ESSIONS 1- 3) A training day for Local Ministry Development Teams and Saturday 18th April St Albans (Holywell Lodge) Spring anyone interested in Local Ministry, with the Rt Rev’d Alan Saturday 6th June Bedford (St Mary’s Goldington) Saturday 19th Sept. -
The Cathedral Close
Welcome. No matter your background, your faith, or your reason for visiting, we welcome you to Washington National Cathedral. Each year, the Cathedral opens its doors to hundreds of thousands of worshipers and visitors who come to find peace and inspiration, listen to beautiful music, and experience the 1 2 2 north rose south rose 4 5 5 6 7 8 8 9 Cathedral’s extraordinary art and architecture. CATHEDRAL ART AND ARCHITECTURE Built of Indiana limestone, the Cathedral is the sixth largest in Main Level (the Nave) 4 A tribute to those who have served in our armed forces, the 7 At the east end of the Cathedral nave is the HIGH 9 The Cathedral’s great iconographic story—the movement i The artwork in the BAPTISTRY depicts symbols the world. Its design is unique and not copied from any earlier art of WAR MEMORIAL CHAPEL tells stories of sacrifice ALTAR. One-hundred-and-ten figures of men and women of humankind from creation to redemption—begins outside representing baptism. A nearby elevator provides building. The building is shaped like a cross, with a long nave— 30 minutes—highlights and the struggle for freedom. exemplifying the highest ideals of Christianity surround at the WEST FAÇADE. The art here explores themes of wheelchair access to the lower level. the central figure of Christ in Majesty, completing the creation. The carved tympana above three massive portals a tenth of a mile—and two shorter transepts. Follow the numbered items to tour the “must see” highlights A statue of the Christ Child welcomes visitors to memorial bays—north 5 iconographic story with the redemption of humankind show the creation of day, the creation of humankind, and the of the Cathedral’s art and architecture. -
PDF (Volume 1: Digitised from Print (June 2021))
Durham E-Theses An Archaeology of Sensory Experience: Pilgrimage in the Medieval Church, c.1170-c.1550 WELLS, EMMA,JANE How to cite: WELLS, EMMA,JANE (2013) An Archaeology of Sensory Experience: Pilgrimage in the Medieval Church, c.1170-c.1550 , Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/7735/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk 2 Emma J. Wells An Archaeology of Sensory Experience: Pilgrimage in the Medieval Church, c. 1 170-c. 1550 ABSTRACT Using a methodological framework built upon principles of recent socio- anthropological and archaeological analyses on the sensory culture of the past, this thesis provides an original interdisciplinary socio-sensual approach to illustrate how the medieval ‘pilgrimage experience’ was socially constructed for and by three separate participatory groups - royalty, laity and a parochial society - at four major English cult churches. -
Carpenders Park and South Oxhey (Again Watch for Details)
CPSO METHODIST CHURCH NEWSLETTER Lent/Easter 2020 Minister’s Letter – Journey into Lent Our Lent journey begins! We make our way with Jesus towards Jerusalem and the Cross. This year we are exploring that journey and the places en-route through our Lent Group “Places on the Way”. We are stopping off at a village wedding in Cana, climbing new heights at the mount of Transfiguration, finishing up at the Via Dolorosa in Jerusalem as Jesus makes his way to Golgotha. We will be exploring what the journey meant to Jesus and the journey we make this Lent. (See later in the newsletter for details) Following on from the soap cross, this Lent I am asking for you to make pom- poms – brown wool pom-poms of various sizes and shades of brown. Make as many as you can during the six weeks of Lent and then join the team putting the cross together. (More information to follow) Maundy Thursday we are still going to gather for a shared meal and worship in the small hall at Bushey and Oxhey Church but this year it will be a ‘bring & share’ supper (details to follow). Finally, Good Friday, as churches together in Bushey and Oxhey, this year we are trying something slightly different. During Passiontide you will be asked to take some purple ribbons and tie them in prominent places (purple being a symbol of the passion). We will gather outside St. Andrews at 9.30am for a short act of worship before walking (or driving) down to the small park opposite St Peter’s for another short reflection. -
Programme of Meetings - June 1998 to February 1999
Greater Wigston Historical Society White Gate Farm, Newton Lane, Wigston Magna Leicestershire _______________________________________ BULLETIN 51 PETER CHARLES MASTIN 1947-1998 It is with the greatest sadness that we report the very sudden death of Peter Mas tin on 23rd May from a heart attack. Peter was born 16/2/1947 & brought up in Wigs ton. He emigrated with his parents & brother Ian to Australia when a teenager. He married & had three children, Sharon, Richard & Susan. When the family were grown up he felt the need to return to England & lived in Anstey Heights before moving to Wigston. He worked for Jessops the photographers. He joined the Society in 1989 & later became a member of the committee. Always active & involved, he was cheerful, helpful, unassuming & kind, whether offering a lift, operating the slide projector at meetings or directing members to the car park when we moved to the new venue. He will long be remembered for the many photographs he took of the area, both copies of old originals & modern scenes for 'then & now' displays. And for the beautifully designed exhibitions he organised with Stuart Follows in the Methodist Church, South Wigston & with Duncan Lucas at the U.K. Church in Wigston. He was author of "South Wigston-The early years 1883-1913" & "South wigston-Between the wars 1914-1945," & jointly with Duncan & Tricia, of "Wigston Magna & South." A major book on railways was in course of preparation. He was a member of the Mary Webb Appreciation Society & a 'Friend' of the F.W.K. Museum. He had recently become a Trustee of the Oadby & Wigston Buildings Preservation Trust, & was one of those involved in the huge job of moving the Folk Museum into storage. -
FOCC News Spring-2014 Final
Friends of Chorleywood Common Newsletter Spring 2014 1. Ballot of members: Nature Trail and Play Area 2. Chairman’s Annual Report 3. Birds on the Common 4. Community Plan 5. Recent Events 6. Parking on the Common 7. Grazing Update 8. Dates for your diary 9. New Treasurer required 1. Ballot of members: Nature Trail and Play Area The AGM discussed the following two resolutions: A. The Friends of Chorleywood Common support the Parish Council’s proposal for a “Na- ture Trail” on the Common. B. The Friends of Chorleywood Common op- pose the proposal for a “Play Area” with climbing and other play equipment at a single location on the Common. Both were carried; the first unanimously, the second by 19 votes in favour, none against and 6 absten- tions. The meeting also decided that these issues ought to be put to a ballot of the whole membership of the Friends; this has now been arranged. (1) Members who receive this Newsletter elec- tronically will be emailed with a link to complete the survey through a free service called "Survey Monkey". This will accept one vote from an address where our records show there is a single member, and two votes from an address for joint members. It allows one submission (of one or two votes) per email address. The site is up and running; we will use the count of replies received before 12 noon on Monday 9 June. (2) Members who receive this Newsletter by post will also receive a ballot paper (two for joint members) and a stamped addressed envelope; please complete and return.