DOCSLIB.ORG

1360361771 Spamalotc

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
1360361771 Spamalotc RETURNING TO TAUNT L.A. FOR A SECOND TIME… Monty Python’s SPAMALOT The 2005 Tony Award® Winning BEST MUSICAL ONE WEEK ONLY AT THE PANTAGES THEATRE, FEB 28 – MAR 4 Production Photos Available: www.BroadwayLA.org/Media username: media / password: broadway Monty Python’s SPAMALOT, the Tony Award-winning Best Musical of 2005, will return to Los Angeles, playing a strictly limited one week engagement February 28 – March 4, 2012 at the Pantages Theatre. Tickets for Monty Python’s SPAMALOT may be purchased online at www.BroadwayLA.org or by phone at 1-800-982-2787. Tickets may also be purchased in person at the Pantages Box Office and all Ticketmaster outlets. The Pantages Theatre is located at 6233 Hollywood Boulevard, just east of Vine Street, and the box office opens daily at 10am. Leading the cast of Monty Python’s SPAMALOT are Arthur Rowan as King Arthur and Brittany Woodrow as The Lady of the Lake with Michael J. Berry (Patsy), Adam Grabau (Sir Lancelot, The French Taunter, King Ni, Tim the Enchanter), Jacob L. Smith (Sir Galahad, Black Knight, Father), Kasidy Devlin (Sir Robin), Thomas DeMarcus (Mayor, Dennis’ Mother, Sir Bedevere, Concorde), James David Larson (Not Dead Fred, Prince Herbert) and Joe Beuerlein (Historian, Minstrel, Brother Maynard, French Guard). Rounding out the company are Kimber Benedict, Jason Elliott Brown, Ryan Cowles, Carl DeForrest Hendin, Amanda Johns, Andrew Leggieri, Melissa Denise Lopez, McKayla Marso, Jesse Palmer, Tiffani Robbins, Jared Titus and Bradley Allan Zarr. Lovingly "ripped-off" from the internationally famous comedy team's most popular motion picture, Monty Python and the Holy Grail, Monty Python's SPAMALOT is the winner of three 2005 Tony Awards including Best Musical and Best Director (Mike Nichols), as well as the Drama Desk and Outer Critics Circle awards for Best Musical. The original cast recording of Monty Python’s SPAMALOT won the 2006 Grammy Award for Best Musical Show Album. Telling the legendary tale of King Arthur and the Knights of the Round Table, and their quest for the Holy Grail, Monty Python's SPAMALOT features a chorus line of dancing divas and knights, flatulent Frenchmen, killer rabbits and one legless knight. Based on the Tony Award winning direction of Mike Nichols and the riotous choreography of Casey Nicholaw, Monty Python's SPAMALOT features a book by Eric Idle, based on the screenplay of Monty Python and the (more) Page 2 of 3 Holy Grail by Monty Python creators Graham Chapman, John Cleese, Terry Gilliam, Eric Idle, Terry Jones and Michael Palin, with music and lyrics by the Grammy Award-winning team of Mr. Idle and John Du Prez. Monty Python's SPAMALOT is produced by Stephen B. Kane, Michael McFadden and Phoenix Entertainment. The performance schedule for Monty Python’s SPAMALOT is Tuesday through Friday at 8pm, Saturday at 2pm & 8pm, and Sunday at 1pm & 6:30pm. Monty Python’s SPAMALOT has a running time of 2 hours including intermission and is recommended for ages 12 and up. (Please note that in consideration of audiences, no one under 5 will be admitted to the theatre.) Orchestra level tickets for Monty Python’s SPAMALOT start at just $25. Prices are subject to change without notice. For more information on Monty Python’s SPAMALOT, please visit www.MontyPythonsSpamalot.com. For tickets or more information about Monty Python’s SPAMALOT’s Los Angeles engagement, please visit the Pantages Theatre’s official website, www.BroadwayLA.org. # # # Press Contact: Benny Aguayo Marketing Manager, PR & Communications [email protected] 323.468.1768 Page 3 of 3 LISTINGS INFORMATION Dates: FEBRUARY 28 – MARCH 4, 2012 Theatre: PANTAGES THEATRE 6233 Hollywood Blvd, Los Angeles, CA 90028 Schedule: Tuesday - Friday at 8pm Saturday at 2pm & 8pm Sunday at 1pm & 6:30pm Ticket Prices: Orchestra level tickets start at just $25 Ticket prices subject to change without notice. Running Time: 2 Hours including Intermission Parental Advisory: Recommended for Ages 12 and Up In consideration of audiences, no one under 5 admitted to the theatre Tickets: Online: BroadwayLA.org Phone: 1-800-982-2787 In Person: Pantages Box Office (opens daily at 10am) and all Ticketmaster Outlets Description: Monty Python’s SPAMALOT, the Tony Award-winning Best Musical of 2005, will return to Los Angeles, playing a strictly limited one week engagement February 28 – March 4, 2012 at the Pantages Theatre. Lovingly "ripped-off" from the internationally famous comedy team's most popular motion picture, Monty Python and the Holy Grail, Monty Python's SPAMALOT is the winner of three 2005 Tony Awards including Best Musical and Best Director (Mike Nichols), as well as the Drama Desk and Outer Critics Circle awards for Best Musical. The original cast recording of Monty Python’s SPAMALOT won the 2006 Grammy Award for Best Musical Show Album. Telling the legendary tale of King Arthur and the Knights of the Round Table, and their quest for the Holy Grail, Monty Python's SPAMALOT features a chorus line of dancing divas and knights, flatulent Frenchmen, killer rabbits and one legless knight. .
Load more

Recommended publications
  • John Cleese & Eric Idle
    JOHN CLEESE & ERIC IDLE TOGETHER AGAIN AT LAST…FOR THE VERY FIRST TIME Mesa, AZ • November 21 Tickets On-Sale Friday, June 17 at 10 a.m. June 15, 2016 (Mesa, AZ) – Still together again, Britain’s living legends of comedy, John Cleese and Eric Idle, announce their must see show John Cleese & Eric Idle: Together Again At Last…For The Very First Time in Mesa at Mesa Arts Center on November 21 at 7:30 p.m.! Tickets go on-sale to the public Friday, June 17 at 10 a.m. In Together Again At Last…For The Very First Time, Cleese and Idle will blend scripted and improvised bits with storytelling, musical numbers, exclusive footage and aquatic juggling to create a unique comedic experience with every performance. No two shows will be quite the same, thus ensuring that every audience feels like they’re seeing Together Again At Last… For The Very First Time, for the very first time. And now you know why the show is called that, don’t you? Following a successful run last fall in the Eastern US as well as a sold-out run in Australia and New Zealand this past February, their tour, John Cleese & Eric Idle: Together Again At Last…For The Very First Time will once again embark on some of the warmest (and driest) territories the US (and Canada) has to offer. The tour will take place from October 16 to November 26 and will see the British icons perform unforgettable sit-down comedy at premier venues in Victoria, Vancouver, Seattle, Spokane, Salem, Santa Rosa, San Francisco, San Jose, Thousand Oaks, Santa Barbara, Escondido, San Diego, Las Vegas, Mesa, Tucson, Albuquerque, El Paso with additional markets to be announced soon.
    [Show full text]
  • Broadway Balances America
    FOR IMMEDIATE RELEASE JANUARY 15, 2016 “BROADWAY BALANCES AMERICA” SERIES GIVES YOU A BEHIND-THE-SCENES LOOK AT WHAT IT TAKES TO BE A QUADRUPLE THREAT WITH THE CAST OF ROUNDABOUT THEATRE COMPANY’S TONY AWARD®-WINNING CABARET AIRING EXCLUSIVELY ON “THE BALANCING ACT®” ON LIFETIME® TELEVISION TUESDAY, JANUARY 26nd AT 7:30AM (ET/PT) CABARET concludes Season Two of six-part “Broadway Balances America” Series New York, NY - Broadway Across America’s collaboration with the award-winning morning show “The Balancing Act®” on the Lifetime® Channel continues with the last Season Two installment of the six-part series “Broadway Balances America” featuring Roundabout Theatre Company’s 50th anniversary production of Tony Award®-winning CABARET. This new episode debuts on Tuesday, January 26 at 7:30AM (ET/PT) and will re-air on Tuesday, February 2 at 7:30AM (ET/PT). Roundabout Theatre Company’s CABARET, comes to Milwaukee as part of the 2015/2106 Associated Bank Broadway at the Marcus Center Series. Performances at the Marcus Center run February 23-28. Tickets are on sale now at the Marcus Center Box Office, 929 North Water Street, by phone at 414-273-7206 or online at Ticketmaster.com or MarcusCenter.org. Groups 10 or more should call Group Sales at 414-273- 7121 x210. “The Balancing Act®” correspondent Amber Milt asks you to leave your troubles outside and take a peek behind the curtain into the world of Roundabout Theatre Company’s CABARET. In this segment, you get a glimpse of a day in the life of a few cast members that make up the Kit Kat Girls of CABARET.
    [Show full text]
  • The Rutles: All You Need Is Cash
    SPOOFS The Rutles: All You Need Is Cash In the 1970s, Eric Idle, a former member of the legendary British com- edy team Monty Python, featured a Beatles parody song called “It Must Be Love” on Rutland Weekend Television, his own television show on BBC-2. The song had been written by Neil Innes, who had previously worked with Monty Python and the Bonzo Dog Doo-Dah Band. The song was performed by ‘The Rutles’, a Beatles look-alike band featuring Neil Innes as the John Lennon character, and Eric Idle as the Paul McCartney character (vgl. Harry 1985: 69). In October 1976, the parody was shown on America’s NBC TV’s show Saturday Night Live as a se- quel to the running gag of a Beatles reunion for $3,000. The parody went down so well that Eric Idle and Neil Innes decided to produce a feature program about The Rutles for television. Idle, who was a close friend of George Harrison, was allowed to watch Neil Aspinall’s unreleased do- cumentary about The Beatles, called The Long and Winding Road. Aspi- nall’s film featured a bulk of famous footage of The Beatles, from their first televised performance at the Cavern Club in Liverpool to their last group performance on the roof of their Apple business building. Idle u- sed The Long and Winding Road as a model for his fake-documentary about The Rutles and basically re-told the history of The Beatles pro- jected upon this imaginary rock band, adding essential elements of par- ody and the Pythonesque sense of surreal humor.
    [Show full text]
  • Monty Python's SPAMALOT
    Monty Python’s Spamalot CHARACTERS Please note that the ages listed just serve as a guide. All roles are available and casting is open, and newcomers are welcome and encouraged. Also, character doublings are only suggested here and may be changed based on audition results and production needs. KING ARTHUR (Baritone, Late 30s-60s) – The King of England, who sets out on a quest to form the Knights of the Round Table and find the Holy Grail. Great humor. Good singer. THE LADY OF THE LAKE (Alto with large range, 20s-40s) – A Diva. Strong, beautiful, possesses mystical powers. The leading lady of the show. Great singing voice is essential, as she must be able to sing effortlessly in many styles and vocal registers. Sings everything from opera to pop to scatting. Gets angry easily. SIR ROBIN (Tenor/Baritone, 30s-40s) – A Knight of the Round Table. Ironically called "Sir Robin the Brave," though he couldn't be more cowardly. Joins the Knights for the singing and dancing. Also plays GUARD 1 and BROTHER MAYNARD, a long-winded monk. A good mover. SIR LANCELOT (Tenor/Baritone, 30s-40s) – A Knight of the Round Table. He is fearless to a bloody fault but through a twist of fate discovers his "softer side." This actor MUST be great with character voices and accents, as he also plays THE FRENCH TAUNTER, an arrogant, condescending, over-the-top Frenchman; the KNIGHT OF NI, an absurd, cartoonish leader of a peculiar group of Knights; and TIM THE ENCHANTER, a ghostly being with a Scottish accent.
    [Show full text]
  • • Includes the Best and Most Frequently Quoted Moments • Each Disc
    Each of these six discs contains a cornucopia of Monty Python’s best, most famous, and most frequently quoted songs and sketches as selected and introduced by the very lunatics who made Monty Python the world’s premier comedy troupe. Indeed, it’s the perfect package for all of your comedy consumers, from the newcomer to the fanatic, and everyone in between.* • Includes the best and most frequently quoted moments from the groundbreaking Flying Circus series to give new fans a primer on everything Python—that will have them reciting Python like their Megaset™-purchasing brethren in no time! • At under $8 per disc, THE PERSONAL BEST OF MONTY PYTHON’S FLYING CIRCUS opens the best-selling Flying Circus DVD franchise to new, Python-curious audiences. • Each disc includes new footage with the present-day Pythons, plus all of the naughty bits that were edited out of the PBS broadcasts and never-broadcast, DVD-exclusive bonuses with the cast. • Monty Python’s Spamalot on Broadway is still sold out—and touring North America—continuing to bring new fans with deep pockets into the Monty fold. • All of the Pythons’ best sketches are represented, including: “Self-Defense Against Fresh Fruit,” “The Upper Class Twit of the Year,” “The Lumberjack Song,” “Spanish Inquisition,” “Fish Slapping Dance,” “Silly Walks,” and “The Man Who Wrestles Himself,” plus Terry Gilliam’s best animation sequences. DVD PREORDER AUG 1 RELEASE AUG 29 special features: Behind the Scenes of John Cleese’s Personal Best a Terry Gilliam’s Featurette: A Retrospective of Python’s Animation a Eric Idle’s Personal Second-Best a Terry Jones’ Personal Second-Best a Michael Palin’s Personal Second-Best a Graham Chapman’s Personal Second-Best a Six 15-Question, 15-Ton Megaquizzes—One for Each Python a Biography and Selected Credits for Each Python a Interactive Menus a Scene Selection $44.95 srp U.S., $59.95 srp Can.
    [Show full text]
  • Island Sun News Sanibel Captiva
    Read Us Online at IslandSunNews.com NEWSPAPER VOL. 20, NO. 31 SANIBELSanibel & CAPTIVA & Captiva ISLANDS, Islands FLORIDA JANUARY 25, 2013 JANUARY SUNRISE/SUNSET: 25 7:16 • 6:05 26 7:16 • 6:06 27 7:15 • 6:07 28 7:15 • 6:08 29 7:15 • 6:08 30 7:14 • 6:09 31 7:14 • 6:10 Quiz show competitors, from left, Caitlin Ross, Tyler Ulrich and Ashley Thibaut Center 4 Life, Sanibel School Gather For Potluck And Quiz Show by Jeff Lysiak Guests at the Historical Village’s fundraiser will have a chance to bid on lunch and a tour of Sanibel Fire Station #1. Pictured from left are Gerri Perkins of the auction committee, fire- hat was the smallest of Christopher Columbus’ three ships? fighter Shane Grant, Anita Smith of the auction committee and firefighter Brian Howell. How many teaspoons are in two tablespoons? W In which direction does the Earth spin – clockwise or counter-clockwise? If you’re like most folks, the answers to these questions may come to you after a Historical Village Live Auction Items little bit of thought or even some calculated guessing. However, for the three students – Caitlin Ross, Tyler Ulrich and Ashley Thibaut – participating in last Thursday’s Are You ive auction items at the Sanibel Historical Museum and Village’s February 5 Smarter Than A Fifth Grader? quiz show, the answers appeared to be rather easy. fundraiser, It’s Paradise ... Because, are varied enough to be on everyone’s wish But don’t blame John Brown, host of the Center 4 Life’s potluck/game night, who Llist, and exciting enough to entertain everyone.
    [Show full text]
  • Lesleywalker
    (3/10/21) LESLEY WALKER Editor FILM & TELEVISION DIRECTOR COMPANIES PRODUCERS “MILITARY WIVES” Peter Cattaneo 42 Rory Aitken Tempo Productions Ltd. Ben Pugh “THE MAN WHO KILLED DON Terry Gilliam Amazon Studios Mariela Besuievsky QUIXOTE” Recorded Picture Co. Amy Gilliam Gerardo Herrero Gabriele Oricchio “THE DRESSER” Richard Eyre BBC Suzan Harrison Playground Ent. Colin Callender “MOLLY MOON: THE Christopher N. Rowley Amber Ent. Lawrence Elman INCREDIBLE HYPNOTIST” Lipsync Prods. Ileen Maisel “HOLLOW CROWN: HENRY IV”Richard Eyre BBC Rupert Ryle-Hodges Neal Street Prods. Sam Mendes “I AM NASRINE” Tina Gharavi Bridge and Tunnel Prods James Richard Baille (Supervising Editor) David Raedeker “WILL” Ellen Perry Strangelove Films Mark Cooper Ellen Perry Taha Altayli “MAMMA MIA” Phyllida Lloyd Playtone Gary Goetzman Nomination: American Cinema Editors (ACE) Award Universal Pictures Tom Hanks Rita Wilson “CLOSING THE RING” Richard Attenborough Closing the Ring Ltd. Jo Gilbert “BROTHERS GRIMM” Terry Gilliam Miramax Daniel Bobker Charles Roven “TIDELAND” Terry Gilliam Capri Films Gabriella Martinelli Recorded Picture Co. Jeremy Thomas “NICHOLAS NICKLEBY” Douglas McGrath Cloud Nine Ent. S. Channing Williams Hart Sharp Entertainment John Hart MGM/United Artists Jeffery Sharp “ALL OR NOTHING” Mike Leigh Cloud Nine Entertainment Simon Channing Williams Le Studio Canal “SLEEPING DICTIONARY” Guy Jenkin Fine Line Simon Bosanquet "FEAR AND LOATHING IN Terry Gilliam Rhino Patrick Cassavetti LAS VEGAS" Stephen Nemeth "ACT WITHOUT WORDS I" Karel Reisz Parallel
    [Show full text]
  • Production Images Released for Hadestown at the National Theatre Click Here to Download
    12 November 2018 Production images released for Hadestown at the National Theatre Click here to download Music, lyrics and book by Anaïs Mitchell Developed with Rachel Chavkin Olivier Theatre Press Night 13 November, in rep until 26 January Following record-breaking runs at New York Theatre Workshop and Canada’s Citadel Theatre, Hadestown comes to the National Theatre prior to Broadway. In the warmth of summertime, songwriter Orpheus and his muse Eurydice are living it up and falling in love. But as winter approaches, reality sets in: these young dreamers can’t survive on songs alone. Tempted by the promise of plenty, Eurydice is lured to the depths of industrial Hadestown. On a quest to save her, Orpheus journeys to the underworld where their trust in each other is put to a final test. Celebrated singer-songwriter Anaïs Mitchell and director Rachel Chavkin have transformed Mitchell’s acclaimed concept album into a genre-defying new musical that mixes modern American folk music with vintage New Orleans jazz to reimagine a sweeping ancient tale. ‘Inventive. Beguiling. Luminous. Spellbinding.’ – New York Times The cast includes Sharif Afifi, Reeve Carney, André De Shields, Rosie Fletcher, Amber Gray, Beth Hinton-Lever, Carly Mercedes Dyer, Eva Noblezada, Seyi Omooba, Gloria Onitiri, Patrick Page, Aiesha Pease, Joseph Prouse, Jordan Shaw and Shaq Taylor. Directed by Rachel Chavkin, with set design by Rachel Hauck, costume design by Michael Krass, lighting design by Bradley King, sound design by Nevin Steinberg and Jessica Paz, choreography by David Neumann, musical direction and vocal arrangements by Liam Robinson, orchestrations and arrangements by Michael Chorney and Todd Sickafoose, with Ken Cerniglia as dramaturg.
    [Show full text]
  • Reagan Defends Military Strikes on Iranian Targets Associated Press No Illusions About the Cost of Irresponsible Behavior," WASHINGTON -- President Reagan Said
    Back In the fifties I IACCENT: Bitter 'Beetlejuice' again Mostly sunny and cool Tues­ day, high 45 to 50. Clear and /VIEWPOINT: Respond to the Task Force cold Tuesday night, low 30 to VOL XXI, NO. 125 TUESDAY, APRIL 19, 1988 the independent newspaper serving Notre Dame and Saint Mary's Reagan defends military strikes on Iranian targets Associated Press no illusions about the cost of irresponsible behavior," WASHINGTON -- President Reagan said. Reagan said Monday he or­ "They must know that we dered military strikes against will protect our ships, and if Iranian targets because of "ir­ they threaten us, they'll pay a responsible behavior" toward price," Reagan said. The pres­ U.S. ships, and served notice ident told his audience that "a that Tehran will "pay a price" more normal relationship with for such aggression in the Per­ Iran is desirable -- and we're sian Gulf. prepared for it." Defending attacks on Iranian But Reagan said that "such military platforms in the south­ a relationship is not possible so ern gulf, Reagan said: "we aim long as Iran attacks neutral to deter further Iranian aggres­ ships, threatens its neighbors, sion, not provoke it." He supports terrorism and refuses renewed the U.S. call for Iran to end the bloody war with to accept a United Nations Iraq." resolution demanding a cease­ Besides destroying the two fire in the Iran-Iraq war. offshore Iranian oil platforms Reagan used an appearance used for military purposes, the before a business audience to U.S. Navy either sank or comment on U.S.
    [Show full text]
  • Resume 2017.Pgs
    JANE LABANZ www.janelabanz.com Height: 5’5” / Weight: 120 212 300 5653 Soprano/Mix/Light Belt AEA SAG/AFTRA Strong High Notes 330 West 42nd Street, 18th Floor New York, NY 10036 212-629-9112 [email protected] BROADWAY/NATIONAL TOURS Director Anything Goes Hope u/s (Broadway and National Tour) Jerry Zaks The King and I Anna (Sandy Duncan / Stefanie Powers standby) Baayork Lee The Best Little Whorehouse in Texas Ginger (Doatsey Mae u/s) Thommie Walsh (Cast album, w/ Ann-Margret) Eric Schaeffer Annie Grace Farrell Bob Fitch 42nd Street Phyllis Dale (Peggy u/s) Mark Bramble The Sound of Music (w/ Marie Osmond) Swing/Dance Captain Jamie Hammerstein Bye Bye Birdie (w/ Tommy Tune/Anne Reinking) Kim u/s (to Susan Egan) Gene Saks Dr. Dolittle (w/ Tommy Tune) Puddleby Tommy Tune Cats Jelly/Jenny/Swing David Taylor REGIONAL THEATRE Tuck Everlasting (World Premiere /Alliance Theatre) Older Winnie (Nanna u/s) Casey Nicholaw (Dir.) Love Story (American Premiere) Alison Barrett Walnut Street Theatre A Little Night Music Mrs. Nordstrom / Dance Captain Cincinnati Playhouse 9 to 5 Violet Newstead Tent Theatre I Love a Piano Eileen Milwaukee Repertory Always…Patsy Cline Louise Seger New Harmony Theatre The Cocoanuts (Helen Hayes Award, Best Musical) Polly Potter Arena Stage Noises Off Brooke Ashton Totem Pole Playhouse Cinderella Fairy Godmother / Queen u/s North Shore Music Theatre The Nerd Clelia Waldgrave Totem Pole Playhouse The Music Man Marian Paroo Pittsburgh Playhouse George M! Nellie Cohan Theatre by the Sea George M! Agnes Nolan (plus 9 other
    [Show full text]
  • Download Resume
    PHONE 917.447.7687 E - MAIL [email protected] www.linkedin.com/in/dunjavitolic DUNJA VITOLIC Highly resourceful, Emmy-winning producer with years of experience on east and west coasts in production, development, management, and casting. Proactive, hardworking multi-tasker with exceptionally strong writing ability, organizational skills, attention to detail, diligence in follow-through, unusually detailed memory, and a positive and flexible attitude injected with a healthy dose of humor. Equally comfortable in collaborative settings or working independently. EXPERIENCE Technicolor 8/16-present Los Angeles, CA Senior Producer, Marketing Services 1/17-present • Senior supervising producer for Netflix marketing content: finishing and localization for trailers and broadcast/online spots; responsible for managing the entire production team for Netflix, including producers, operators, editors, and graphic artists, and overseeing thousands of deliverables • Supervising, training, and mentoring junior producers and coordinating every aspect of the production workflow for Netflix finishing team and division of current projects and responsibilities • Working hands-on with Director of Operations and Director of Production within the marketing group to streamline and modify workflows and improve efficiencies specific to Netflix production pipeline; working with Technicolor building-wide personnel to continually update and refresh available technical resources • Handling monthly budget projections and reports, based on current and future projects
    [Show full text]
  • Sanibel Ano Captiva
    WEEK OF JANUARY 18, 2012 is la n d REPORTER SANIBEL ANO CAPTIVA. FLORIDA VOLUME 51, NUMBER 12 1EI&hQE3IESSIIIIKSSS2SSIE33IIISSZ3QQZiISSSS23SSB3!i29I iff? The BAILEY- MATTHEWS MUSEUM Annual Museum Gala goes ‘Under the Sea’ January 27, 2013 at The Sanctuary Story on page 6. At the Library ................. 54 Classifieds ...................... 56 Living Sanibel................. 47 INSIDEf C a le n d a r............................. 8 Island Faces ....................50 Shell Shocked ................. 49 ODAY Captiva Current...............52 Island Reporter . .17-44 What’s Blooming .......... 47 ...214 Palm Lake Drive! SSMa03 jsuioisno lEijirapjseu Stroll to the Beach! 3/2.5 Sanibel Pool Home! ee/9# ijLujad www.214PalmLakeDrive.com Id ‘SU3AIAS Id $775,000 • Call Eric Pfeifer aivd aovisod sn 239-472-00 a is aisud Back to the roost at Ocean’s Reach Contributed to the ISLANDER "Our ‘Osprey Cam’ has been a huge hit "Life is for the birds" at Ocean’s Reach. with guests and friends of Ocean’s Reach," The resort’s unique "Osprey Cam" is giving said Andy Boyle, general manager. "We’ve vacationers a bird’s eye view of some of had dozens of people write us - some from their favorite feathered friends as they once as far away as the U.K., Scotland and again make their home here on Sanibel Finland - to remark how much they enjoy Island. logging on and watching the escapades of Osprey mate for life, and for the past five our resident osprey." years Ocean’s Reach has had a pair return to Ocean’s Reach is offering even more for the same spot at the resort - a special 35-foot birding enthuiasts.
    [Show full text]