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Investigating Hip-Hop's Emergence in the Spaces of Late Capitalism
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 2008 Re-Taking it to the Streets: Investigating Hip-Hop's Emergence in the Spaces of Late Capitalism Kevin Waide Kosanovich College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the African American Studies Commons, American Studies Commons, and the Music Commons Recommended Citation Kosanovich, Kevin Waide, "Re-Taking it to the Streets: Investigating Hip-Hop's Emergence in the Spaces of Late Capitalism" (2008). Dissertations, Theses, and Masters Projects. Paper 1539626547. https://dx.doi.org/doi:10.21220/s2-zyvx-b686 This Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. Re-Taking it to the Streets: Investigating Hip-Hop’s Emergence in the Spaces of Late Capitalism Kevin Waide Kosanovich Saginaw, Michigan Bachelor of Arts, University of Michigan, 2003 A Thesis presented to the Graduate Faculty of the College of William and Mary in Candidacy for the Degree of Master of Arts American Studies Program The College of William and Mary August, 2008 APPROVAL PAGE This Thesis is submitted in partial fulfillment of the requirements for the degree of Master of Arts aide KosanovichKej Approved,by the Committee, May, 2008 imittee Chair Associate Pro rn, The College of William & Mary Associate Professor A lege of William & Mary Assistant P ressor John Gamber, The College of William & Mary ABSTRACT PAGE Much of the scholarship focusing on rap and hip-hop argues that these cultural forms represent instances of African American cultural resistance. -
Damp Beginning Tot He Year. Late Yesterday and Through the Night a Heavy Rain, First in a While
2 Jan. 1 92 - Spr~like, damp beginning tot he year. Late yesterday and through the night a heavy rain, first in a while. On the 31st we called Ann arrl Norm and arranged to meet them for lunch at the Lighthouse in La.conner an:i then hike afterward. The hike unluckily flopped, when we followed Ann ' s pencbant and guidebook for a dike walk at Colony Creek north of Bow--good in theory but trn dike was overgra-m with wild roses and blackberries an:i the more was slick rocks ; after about a quarter of a mile we gave up o Beautiful day, though, all mountains out in great clarity ani just enough clouds for decoration. C and I came home arrl had salmon for supper, arrl turned in at our usual (earl y) time; New Year ' s Eve is nothing we care to make an event of. Y 1day I did some year- erd financial totali~ , as I always need to do for my pension plan an"it-1ay, and found that we ' re now worth, in investnents alone , $1,114, 000. The surprise stock market rally of course has boomed the figure up, ard there are probably going to be same heart-lurching times this year as we try to invest, r eal ly to br oaden the stock holdings we now have. But both Carol am I had been chewing the insides of our mouths a bit about our mutually- agreed- upon decision for her to shift all her TIAA,1CREF holdings into bon:is, a few weeks before the stock market took off; it turm out , though, that the TIAA/CREF bond fwd also bas been going great guns, so at the moment there 's no r eal reason to sweat that decision. -
Country Airplay; Brooks and Shelton ‘Dive’ In
Country Update BILLBOARD.COM/NEWSLETTERS JUNE 24, 2019 | PAGE 1 OF 19 INSIDE BILLBOARD COUNTRY UPDATE [email protected] Thomas Rhett’s Behind-The-Scenes Country Songwriters “Look” Cooks >page 4 Embracing Front-Of-Stage Artist Opportunities Midland’s “Lonely” Shoutout When Brett James sings “I Hold On” on the new Music City Puxico in 2017 and is working on an Elektra album as a member >page 9 Hit-Makers EP Songs & Symphony, there’s a ring of what-ifs of The Highwomen, featuring bandmates Maren Morris, about it. Brandi Carlile and Amanda Shires. Nominated for the Country Music Association’s song of Indeed, among the list of writers who have issued recent the year in 2014, “I Hold On” gets a new treatment in the projects are Liz Rose (“Cry Pretty”), Heather Morgan (“Love Tanya Tucker’s recording with lush orchestration atop its throbbing guitar- Someone”), and Jeff Hyde (“Some of It,” “We Were”), who Street Cred based arrangement. put out Norman >page 10 James sings it with Rockwell World an appropriate in 2018. gospel-/soul-tinged Others who tone. Had a few have enhanced Marty Party breaks happened their careers with In The Hall differently, one a lbu ms i nclude >page 10 could envision an f o r m e r L y r i c alternate world in Street artist Sarah JAMES HUMMON which James, rather HEMBY Buxton ( “ S u n Makin’ Tracks: than co-writer Daze”), who has Riley Green’s Dierks Bentley, was the singer who made “I Hold On” a hit. done some recording with fellow songwriters and musicians Sophomore Single James actually has recorded an entire album that’s expected under the band name Skyline Motel; Lori McKenna (“Humble >page 14 later this year, making him part of a wave of writers who are and Kind”), who counts a series of albums along with her stepping into the spotlight with their own multisong projects. -
“Raising Hell”—Run-DMC (1986) Added to the National Registry: 2017 Essay by Bill Adler (Guest Post)*
“Raising Hell”—Run-DMC (1986) Added to the National Registry: 2017 Essay by Bill Adler (guest post)* Album cover Label Run-DMC Released in May of 1986, “Raising Hell” is to Run-DMC what “Sgt. Pepper’s” is to the Beatles--the pinnacle of their recorded achievements. The trio--Run, DMC, and Jam Master Jay--had entered the album arena just two years earlier with an eponymous effort that was likewise earth-shakingly Beatlesque. Just as “Meet the Beatles” had introduced a new group, a new sound, a new language, a new look, and a new attitude all at once, so “Run-DMC” divided the history of hip-hop into Before-Run-DMC and After-Run-DMC. Of course, the only pressure on Run-DMC at the very beginning was self-imposed. They were the young guns then, nothing to lose and the world to gain. By the time of “Raising Hell,” they were monarchs, having anointed themselves the Kings of Rock in the title of their second album. And no one was more keenly aware of the challenge facing them in ’86 than the guys themselves. Just a year earlier, LL Cool J, another rapper from Queens, younger than his role models, had released his debut album to great acclaim. Run couldn’t help but notice. “All I saw on TV and all I heard on the radio was LL Cool J,” he recalls, “Oh my god! It was like I was Richard Pryor and he was Eddie Murphy!” Happily, the crew was girded for battle. Run-DMC’s first two albums had succeeded as albums, not just a collection of singles--a plan put into effect by Larry Smith, who produced those recordings with Russell Simmons, the group’s manager. -
Finding Aid to the Historymakers ® Video Oral History with Darryl "DMC" Mcdaniels
Finding Aid to The HistoryMakers ® Video Oral History with Darryl "DMC" McDaniels Overview of the Collection Repository: The HistoryMakers®1900 S. Michigan Avenue Chicago, Illinois 60616 [email protected] www.thehistorymakers.com Creator: DMC (Musician) Title: The HistoryMakers® Video Oral History Interview with Darryl "DMC" McDaniels, Dates: August 26, 2016 Bulk Dates: 2016 Physical 5 uncompressed MOV digital video files (2:35:49). Description: Abstract: Hip hop artist Darryl "DMC" McDaniels (1964 - ) was a founding member of the hip hop group Run DMC. McDaniels was interviewed by The HistoryMakers® on August 26, 2016, in Chicago, Illinois. This collection is comprised of the original video footage of the interview. Identification: A2016_018 Language: The interview and records are in English. Biographical Note by The HistoryMakers® Hip hop artist Darryl “DMC” McDaniels was born on May 31, 1964 in Harlem, New York. He graduated from Rice High School in Manhattan in 1982, and enrolled at St. John’s University in Queens, New York, but did not graduate. In 1982, McDaniels formed Run DMC with group mates Joseph “Rev Run” Simmons and Jason “Jam Master Jay” Mizell. In 1984, Run DMC signed to Profile Records under the management of Russell Simmons, and released their first album, Run DMC. That same year, the group’s music video “Rock Box” became first rap music video played on MTV. In 1985, Run DMC released the King of Rock album. They became only the second rap group to appear on American Bandstand, performing the hit “Jam Master Jammin.” In 1986, Run DMC released the critically acclaimed Raising Hell album, which was their top selling album, reaching certified triple platinum status. -
The Winning Hand Free
FREE THE WINNING HAND PDF Nora Roberts | 336 pages | 04 Jul 2011 | Harlequin (UK) | 9780263896343 | English | Richmond, United Kingdom Who Has The Best Hands In The NFL? Broncos DL Shelby Harris, That’s Who – CBS Denver Goodreads helps you keep track of books you want to read. Want to Read saving…. Want to Read Currently Reading Read. Other editions. Enlarge cover. Error rating book. Refresh and try again. Open Preview See a Problem? Details if other :. Thanks for telling us about the problem. Return to Book Page. And in the bright lights of a Las Vegas casino, The Winning Hand gambled and won! Suddenly the small-town girl was big news - and in need of protection. Robert MacGregor Blade, the casino owner, was determined to make sure Darcy "Did The Winning Hand say I won almost two million dollars? Robert MacGregor Blade, the casino owner, was determined to make sure Darcy could enjoy her good fortune. But Darcy knew what she wanted: a chance with Mac himself. And surely her luck was in? Get A Copy. PaperbackSilhouette Special Edition reprintpages. Published January 1st by Silhouette first published August 25th More Details Original Title. The MacGregors 8. Las Vegas, Nevada United States. Other Editions Friend Reviews. To see what your friends The Winning Hand of this book, please sign up. To ask other readers questions about The Winning Handplease The Winning Hand up. Lists with This Book. Community Reviews. Showing Average rating 4. Rating details. More filters. Sort order. Jul 15, Carol [Goodreads Addict] rated it really liked it Shelves: contemporary-romance. -
Ohio's #1 Professor
THE MAGAZINE OF OHIO WESLEYAN UNIVERSITY Spring 2016 OHIO’S #1 PROFESSOR Eco-Scientist Laurie Anderson Expands the Classroom PagePage 12 12 4 Moot Court 18 Conventioneers 26 Art and 30 Record Conquerers Since 1884 Artifice Championships Elliott Hall at sunrise. Photo by Larry Hamill. 12 18 26 Features 12 Breaking Boundaries Named the 2015 Ohio Professor of the Year, Laurie Anderson is on a quest to solve 21st-century problems. Her method? Engage students to be part of the solution. 18 Conventional Wisdom No doubt about it—presidential nominations raise spirited debate. A century-plus tradition, Ohio Wesleyan’s Mock Convention brings its own political fervor every four years to OWU’s Gray Chapel. 26 Art & Artifice Retiring theatre professor Bonnie Milne Gardner and her former student—Anne Flanagan— reunite to showcase one last play. This time, it’s Flanagan’s award-winning “Artifice” that takes center stage at the Studio Theatre. Departments 02 LEADER’S LETTER 10 COMFORT ZONES 36 CALENDAR 04 FROM THE JAYWALK 30 BISHOP BATTLES 37 FACULTY NOTES 07 OWU TIMESCAPES 32 ALUMNI PROFILE 38 CLASSNOTES 08 GIFTS AND GRATITUDE 34 ALUMNI HAPPENINGS 48 THE FINAL WORD ON THE COVER: Professor of Botany-Microbiology Laurie Anderson in her element at the Moore Greenhouse. Cover photo: Mark Schmitter ‘12 2 | OWU Leader’s Letter CIVIC – AND CIVIL – ENGAGEMENT Arneson Pledge needed more than ever n February Ohio Wesleyan students, home state of Arkansas, where Melissa reasoned reflection. Students and faculty I faculty, and staff gathered in Gray and I were joined by OWU Trustee and deliberated with one another and shared Chapel to continue a tradition that Delaware County Commissioner Jeff the convention floor as equals. -
Andy Griggs This I Gotta See Mp3, Flac, Wma
Andy Griggs This I Gotta See mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Folk, World, & Country Album: This I Gotta See Country: US Released: 2004 Style: Country MP3 version RAR size: 1233 mb FLAC version RAR size: 1448 mb WMA version RAR size: 1641 mb Rating: 4.5 Votes: 461 Other Formats: MP2 MP1 MP4 AU AC3 AUD VQF Tracklist Hide Credits This I Gotta See 1 3:46 Written-By – Neil Thrasher, Tony Martin My Kind Of Beautiful 2 3:52 Written-By – Andy Griggs, Darrell Scott, Marcus Hummon She Thinks She Needs Me 3 4:00 Written-By – Clay Mills, Shane Minor, Sonny Lemaire Careful Where You Kiss Me 4 3:48 Written-By – Jeff Bates , Neil Thrasher, Wendell Mobley Be Still 5 4:01 Written-By – Neil Thrasher, Wendell Mobley I Never Had A Chance 6 3:44 Written-By – Casey Beathard, Odie Blackmon Hillbilly Band 7 2:54 Written-By – Andy Griggs, Mark Nesler, Tony Martin Why Do I Still Want You 8 5:14 Written-By – Bill Luther , Bob DiPiero Long Enough 9 4:18 Written-By – Bill Luther , Chris Lindsey, Marv Green If Heaven 10 3:33 Written-By – Gretchen Peters No Mississippi 11 Vocals – Bekka Bramlett, Delbert McClintonWritten-By – Gary Nichols , John Paul White, 5:12 Kris Bergsnes Companies, etc. Phonographic Copyright (p) – BMG Music Copyright (c) – BMG Music Manufactured By – BMG Distribution Distributed By – BMG Distribution Pressed By – Sonopress Arvato, USA – D798201 Recorded At – Ocean Way Nashville Recorded At – Scruggs Sound Studio Mixed At – Sound Stage Studios Mastered At – Mastermix Credits Acoustic Guitar – Biff Watson Art Direction – Astrid Herbold May* Backing Vocals – Andy Griggs, Bekka Bramlett, Chip Davis , Delbert McClinton, Wes Hightower Backing Vocals, Handclaps – Neil Thrasher, Russell Terrell, Wendell Mobley Bass – Michael Rhodes Design – Chad Hunter Drums, Percussion – Greg Morrow Electric Guitar, Slide Guitar – Brent Rowan Fiddle, Mandolin – Glen Duncan, Stuart Duncan Handclaps – Donny Kees Mastered By – Hank Williams Mixed By – Steve Marcantonio Mixed By [Assisted] – J.C. -
Jerry Garcia from Wikipedia, the Free Encyclopedia
Jerry Garcia From Wikipedia, the free encyclopedia Background information Birth name Jerome John Garcia Born August 1, 1942, San Francisco, California, United States Died August 9, 1995 (aged 53), Forest Knolls, California, United States Genres Folk rock, bluegrass, progressive rock Occupation(s) Musician, songwriter Instruments Guitar, vocals, pedal steel guitar, banjo Years active 1960–1995 Labels Rhino, Arista, Warner Bros., Acoustic Disc, Grateful Dead Associated acts Grateful Dead, Legion of Mary, Reconstruction, Jerry Garcia Band, Old and in the Way, Jerry Garcia Acoustic Band, New Riders of the Purple Sage͵ Garcia Grisman Band Notable instruments Fender Stratocaster "Alligator" Doug Irwin-modified Alembic "Wolf" Gibson SGs Guild Starfire 1957 Gibson Les Paul Gold-top Les Paul with P-90 Doug Irwin Custom "Tiger" Doug Irwin Custom "Rosebud" Stephen Cripe Custom "Lightning Bolt," Martin D-28, Takamine acoustic-electric guitars Travis Bean TB1000S, TB500[1] Jerome John "Jerry" Garcia (August 1, 1942 – August 9, 1995) was an American musician best known for his lead guitar work, singing and songwriting with the band the Grateful Dead, which came to prominence during the counterculture era. Though he disavowed the role, Garcia was viewed by many as the leader or "spokesman" of the group. One of its founders, Garcia performed with the Grateful Dead for their entire thirty-year career (1965–1995). Garcia also founded and participated in a variety of side projects, including the Saunders-Garcia Band (with longtime friend Merl Saunders), the Jerry Garcia Band, Old and in the Way, the Garcia/Grisman acoustic duo, Legion of Mary, and the New Riders of the Purple Sage (which Garcia co-founded with John Dawson and David Nelson). -
1. This Can't Be Good 2. Don't Make Me 3. the More I Drink 4. I Don't
1. THIS CAN’T BE GOOD d 2. DON’T MAKE ME o 3. THE MORE I DRINK o 4. I DON’T CARE D 5. SHE DON’T LOVE ME o 6. BACK THERE AgAIN d 7. It AIN’T EASY BEIN’ ME o 8. WHAT I WOULDN’T GIVE d 9. I HAVE BEEN LONELY D 10. SHE CAN’T GET THAT D 11. THE LAST COUNTRY SONG D 12. CHANCES D 13. I CAN’T WALK AWAY D 14. HOME o DPRODUCED BY BOBBY BRADDOCK oPRODUCED BY BRENT ROWAN dPRODUCED BY PAUL WORLEY This Can’T BE GOOD Don’T MAKE ME There’s a campfire burning on the Mississippi riverbank Girl when I look at you, you look through me My old pickup speakers are cranking out a lot of Hank Like I’m not even there That’s the sheriff’s daughter dancing on my hood I’m trying not to give up, to be strong but With an empty bottle, this can’t be good I’m afraid to say I’m scared I can’t find the place your heart is hiding There’s an unwritten law in this sleepy little town And I’m no quitter but I’m tired of fighting There ain’t no drinking on the river when the sun goes down I think I see the blue lights coming through the woods Chorus: It’s the sheriff and his posse, this can’t be good Baby I love you, Don’t wanna lose you Don’t make me let you go, Took such a long time Everybody’s running like the end of the world was coming For me to find you, Don’t make me let you go With a Buford T kind of lawman closing in Baby I’m beggin’ please, and I’m down here on my knees She just keeps on rocking, guess I better do some talking I don’t want to have to set you free She’s too dumb to run and I’m too drunk to swim Don’t make me This can’t be good, this can’t be good What -
The Observer Central Washington University
Central Washington University ScholarWorks@CWU CWU Student Newspaper University Archives and Special Collections 2-11-1988 The Observer Central Washington University Follow this and additional works at: https://digitalcommons.cwu.edu/cwu_student_newspaper Recommended Citation Central Washington University, "The Observer" (1988). CWU Student Newspaper. 1811. https://digitalcommons.cwu.edu/cwu_student_newspaper/1811 This Book is brought to you for free and open access by the University Archives and Special Collections at ScholarWorks@CWU. It has been accepted for inclusion in CWU Student Newspaper by an authorized administrator of ScholarWorks@CWU. For more information, please contact [email protected]. ---No classes Monday-- Happy B-Day George & Abe Volume 6, Issue No. 5 Thursday, February 11, 1988 Central Washington University · Ellensburg, Washington Student-owned cable channel airs One cat and dog was adopted.'' KCAT, the campus radio station, wan Wyllys commented that they' re hop By KELLEY R. WOOD They can do just about any type of ting to do advertising with them. ing to get a lot more people calling in. Staff Writer commercial. Tom designs and draws 11 After going back and forth on ''The more people that call up and say Could it be that the paths may finally most of the graphics, and will design prices,'' explained Bill Wylly~, KCAT that they want to hear us more often, advertising manager, "we basically the better it is for the station, and I think be crossing between CWU students and logos for businesses without one. Ellensburg businesses? "We re trying to make advertising af- came up with a trade. We now do ads the better it is for the school,'' said Two CWU students, Tom and Deb bie Divine, both psychology majors, have ventured into the Ellensburg com munity and began EYEBYTES, a visual ly oriented advertising channel that has combined digitized photographs with music. -
The Guardian, September 27, 1977
Wright State University CORE Scholar The Guardian Student Newspaper Student Activities 9-27-1977 The Guardian, September 27, 1977 Wright State University Student Body Follow this and additional works at: https://corescholar.libraries.wright.edu/guardian Part of the Mass Communication Commons Repository Citation Wright State University Student Body (1977). The Guardian, September 27, 1977. : Wright State University. This Newspaper is brought to you for free and open access by the Student Activities at CORE Scholar. It has been accepted for inclusion in The Guardian Student Newspaper by an authorized administrator of CORE Scholar. For more information, please contact [email protected]. mitt llail11 "uarbian 'The tyrant's foe, the people's friend' ~ September 27, 1977 Volume XIV Issue 10 Wright State University Dayton, Ohio/. Administrators·' reserved A spots cost $52 uid he BY DAVE YETJ'ER SHIO pritc 118 for A spa<es. Dr. Eugene Canu:lupc. dc11n of liberal ans. ) space Guanllaq Stall' Wr!IA>r ··'Vhcn the policy wu first formed. some people rccl-s it is " lmport1n1 to have a (parking indicated that would not pay the SIOO price, so we available for admlnii1rators." but uid "frankly I'm not in price for students Top l'nh•crsity administrators. Including the prcsi· decided there should be a dlscounl,.. Spiegel ..1d. sure" why th ere is a difference dent. ea:ttUtivc vice-president. and selected •dmini.stra "h's bcncr this way than having the administrators and administr11ors. ton and deans pay only SSl annually ror rescncd 10 drive around looking for a place to park," he said.