Course Guide Eng 834 Advanced English Stylistics
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Systemic Functional Features in Stylistic Text Classification
Systemic Functional Features in Stylistic Text Classification Casey Whitelaw Shlomo Argamon School of Information Technologies Department of Computer Science University of Sydney, NSW, Australia Illinois Institute of Technology [email protected] 10 W. 31st Street, Chicago, IL 60616, USA [email protected] Abstract of meaning, we are unlikely to gain any true insight into the nature of the stylistic dimension(s) under study. We propose that textual ‘style’ should be best de- fined as ‘non-denotational meaning’, i.e., those as- How then should we approach finding more theoretically- pects of a text’s meaning that are mostly inde- motivated stylistic feature sets? First consider the well- pendent of what the text refers to in the world. accepted notion that style is indicated by features that in- To make this more concrete, we describe a lin- dicate the author’s choice of one mode of expression from guistically well-motivated framework for compu- among a set of equivalent modes. At the surface level, this tational stylistic analysis based on Systemic Func- may be expressed by specific choice of words, syntactic struc- tional Linguistics. This theory views a text as a tures, discourse strategy, or combinations. The causes of such realisation of multiple overlapping choices within surface variation are similarly heterogeneous, including the a network of related meanings, many of which re- genre, register, or purpose of the text, as well as the educa- late to non-denotational (traditionally ‘pragmatic’) tional background, social status, and personality of the au- aspects such as cohesion or interpersonal distance. thor and audience. -
Out of Style: Reanimating Stylistic Study in Composition and Rhetoric
Utah State University DigitalCommons@USU All USU Press Publications USU Press 2008 Out of Style: Reanimating Stylistic Study in Composition and Rhetoric Paul Butler Follow this and additional works at: https://digitalcommons.usu.edu/usupress_pubs Part of the Rhetoric and Composition Commons Recommended Citation Butler, Paul, "Out of Style: Reanimating Stylistic Study in Composition and Rhetoric" (2008). All USU Press Publications. 162. https://digitalcommons.usu.edu/usupress_pubs/162 This Book is brought to you for free and open access by the USU Press at DigitalCommons@USU. It has been accepted for inclusion in All USU Press Publications by an authorized administrator of DigitalCommons@USU. For more information, please contact [email protected]. 6679-0_OutOfStyle.ai79-0_OutOfStyle.ai 5/19/085/19/08 2:38:162:38:16 PMPM C M Y CM MY CY CMY K OUT OF STYLE OUT OF STYLE Reanimating Stylistic Study in Composition and Rhetoric PAUL BUTLER UTAH STATE UNIVERSITY PRESS Logan, Utah 2008 Utah State University Press Logan, Utah 84322–7800 © 2008 Utah State University Press All rights reserved. ISBN: 978-0-87421-679-0 (paper) ISBN: 978-0-87421-680-6 (e-book) “Style in the Diaspora of Composition Studies” copyright 2007 from Rhetoric Review by Paul Butler. Reproduced by permission of Taylor & Francis Group, LLC., http:// www. informaworld.com. Manufactured in the United States of America. Cover design by Barbara Yale-Read. Library of Congress Cataloging-in-Publication Data Library of Congress Cataloging-in- Publication Data Butler, Paul, Out of style : reanimating stylistic study in composition and rhetoric / Paul Butler. p. cm. Includes bibliographical references and index. -
A Pragmatic Stylistic Framework for Text Analysis
International Journal of Education ISSN 1948-5476 2015, Vol. 7, No. 1 A Pragmatic Stylistic Framework for Text Analysis Ibrahim Abushihab1,* 1English Department, Alzaytoonah University of Jordan, Jordan *Correspondence: English Department, Alzaytoonah University of Jordan, Jordan. E-mail: [email protected] Received: September 16, 2014 Accepted: January 16, 2015 Published: January 27, 2015 doi:10.5296/ije.v7i1.7015 URL: http://dx.doi.org/10.5296/ije.v7i1.7015 Abstract The paper focuses on the identification and analysis of a short story according to the principles of pragmatic stylistics and discourse analysis. The focus on text analysis and pragmatic stylistics is essential to text studies, comprehension of the message of a text and conveying the intention of the producer of the text. The paper also presents a set of standards of textuality and criteria from pragmatic stylistics to text analysis. Analyzing a text according to principles of pragmatic stylistics means approaching the text’s meaning and the intention of the producer. Keywords: Discourse analysis, Pragmatic stylistics Textuality, Fictional story and Stylistics 110 www.macrothink.org/ije International Journal of Education ISSN 1948-5476 2015, Vol. 7, No. 1 1. Introduction Discourse Analysis is concerned with the study of the relation between language and its use in context. Harris (1952) was interested in studying the text and its social situation. His paper “Discourse Analysis” was a far cry from the discourse analysis we are studying nowadays. The need for analyzing a text with more comprehensive understanding has given the focus on the emergence of pragmatics. Pragmatics focuses on the communicative use of language conceived as intentional human action. -
Stylistic and Linguistic Analysis of a Literary Text Using Systemic Functional Grammar+῍
῍ῌ Stylistic and Linguistic Analysis of a Literary Text Using Systemic Functional Grammar+῍ Noriko Iwamoto Ώ῝M.A.K.Halliday Ίῑῢ`Ὼῌtransitivity῍ Ῡῤ Ί῭ ῗ῏ῢ῍ `Ὼ῝ῷῸ&ῧ ῞Ῐ*ῗ῏ῢ+,Ὼ- ῌthe ideational function῍ ῤῶ0ῢ 1ῷῸ 3ῗ῏ῡῌ 6῾`ῌ 8`ῌ ;`ῌ <ῷ`ῌ ῼ >`ῌ ?@`Ῐῲ`ΊῑῢBCDEῒῠῢ῍ ΰῠῤJKῪ ῦ N P6Q Ί῭ῌ ῲP6S῾ῌ ῼ>TUῌ P6VW ῺXῌ YῠΊZΰῠῤ[ῖ] QῐῘ0ῢ`+ῤῬc ῑd ῟Ὸfg ῒῠhῠῒΊdῐῘij῍ dῐῚ ῝ῌ l ῳῨῥῦpῤq1Ῐῖῌ ZΰΎῨῥῦp ῌ uῌΌ´ ῚῙ῍ Ί ῭΅ῗ῏ῢῘῤz{ῌ ΰ|ῗ}῎ῘYΰ ῖΐῬc Ῐ Ῐῤῴ1ῢ ῗ῏ῢ῍ Key words : functional grammar ; transitivity ; stylistics ; narrative ; gender +. Introduction This article explores the relationship between linguistic structures and socially constructed meaning in a narrative text. By employing Halliday’s transitivity framework, the article attempts ῍ῌ to reveal the ideology and power relations that underpin a literary text from a semantico-grammatical point of view. This study seeks common ground where systemic grammar and narrative, which have long been considered separate disciplines, can meet. +. + Narrative as a linguistically constructed world We humans beings often put our experiences and thoughts into stories. Narrative refers to storytelling, both written and spoken, including oral narrative. A narrative constructs a world using various linguistic resources. A narrative is a microcosm of how people act, feel, and think, and what they value as an individual or as a member of a community or institution. There are various methods for, and theories of, narrative analysis and its presentation. One of the most widely adopted is that of Labov and Waletsky ῌ+301῍, who presented structural stages for narrative analysis that have been widely accepted. -
Phonological Features in Robert Frost's “Fire and Ice” and “Nothing Gold Can Stay” Poems
PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI PHONOLOGICAL FEATURES IN ROBERT FROST’S “FIRE AND ICE” AND “NOTHING GOLD CAN STAY” POEMS AN UNDERGRADUATE THESIS Presented as Partial Fulfillment of the Requirements for the Degree of Sarjana Sastra in English Letters By HADRIAN KUSUMA ASMARA Student Number: 144214071 DEPARTMENT OF ENGLISH LETTERS FACULTY OF LETTERS UNIVERSITAS SANATA DHARMA YOGYAKARTA 2018 PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI PHONOLOGICAL FEATURES IN ROBERT FROST’S “FIRE AND ICE” AND “NOTHING GOLD CAN STAY” POEMS AN UNDERGRADUATE THESIS Presented as Partial Fulfillment of the Requirements for the Degree of Sarjana Sastra in English Letters By HADRIAN KUSUMA ASMARA Student Number: 144214071 DEPARTMENT OF ENGLISH LETTERS FACULTY OF LETTERS UNIVERSITAS SANATA DHARMA YOGYAKARTA 2018 ii PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI iii PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI iv PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI v PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI vi PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI Time is never Waiting For us To Do Something vii PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI This Page is dedicated for CHRISTIAN KUSUMA ASMARA viii PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI ACKNOWLEDGEMENTS First of all, I would like to send my deepest gratefulness to Jesus Christ for all blessing during and after the process of writing this thesis. I thank Him because He has accompanied me through my family and my friends who always support me in every situation I have. Secondly, I would like to extend my gratitude to my thesis advisor, Arina Isti’anah, S.Pd., M.Hum., for understanding my diffculties, guiding me patiently, and supporting me in finishing my thesis. She patiently read my writing and gave me suggestions that made this writing a success. -
31 Language and Literature: Stylistics
742 Peter Stockwell 31 Language and Literature: Stylistics PETER STOCKWELL 1 Introduction It might seem obvious to the non-specialist that literature, the most culturally valued and aesthetically prestigious form of language practice, is best studied using the resources developed in the field of linguistics. However, this truism has not always been obvious to a wide range of disciplines, all of which claim a different stake in the study of the literary. Much of this contentiousness has arisen out of the historical baggage accumulated by institutionalized discip- lines, out of territorial self-interest, and (it must be said) out of intellectual laziness, as well as the legitimate arguments around the validity and scope of linguistics. Stylistics is the discipline that has bridged these areas, and stylisticians have found themselves engaged in arguments not only with literary critics, cultural theorists, philosophers, poets, novelists and dramatists, but also with practitioners of linguistics. On the one hand it is argued that the artistic endeavour of literature cannot be amenable to the sort of rigorous analytical procedures offered by linguistic analysis; on the other hand it is argued that descriptive linguistics cannot be applied to artificial texts and readerly interpretations. For one group, stylistics simply and reductively dissects its object; for the other, the object simply cannot be described in a scientifically replicable and transparent manner. The multivalent position of stylistics has its roots in the histories of lan- guage study and literary criticism, and the institutional make-up of modern universities and department divisions which fossilize particular disciplinary boundaries and configurations. Stylistics has therefore come to be regarded as an essentially interdisciplinary field, drawing on the different sub-disciplines within linguistics to varying degrees, as well as on fields recognizable to literary critics, such as philosophy, cultural theory, sociology, history and psychology. -
Stylistics: an Overview of Its Evolution
Literary Stylistics: An Overview of its Evolution MOAZZAM A L I MALIK ASSISTANT PROFESSOR UNIVERSITY OF GUJRAT What is Stylistics? Stylistics has been derived from a French word Stylistique – an instrument for Writing. A comprehensive definition of stylistics is quite challenging, however Thornborrow & Wareing (1998, p. 4) identify following three key aspects of stylistics. 1 the use of linguistics (the study of language) to approach literary texts; 2 the discussion of texts according to objective criteria rather than according to purely subjective and impressionistic values; 3 an emphasis on the aesthetic properties of language. Stylistics before 20th Century Before 20th century, three major movements can be identified in the evolution stylistics as a discipline. Rhetorical Stylistics Aesthetic Stylistics Individualistic Stylistics Rhetorical Stylistics The origin of the concept of style or the early attempt to study style can be traced back to the classical school of rhetoric, which regards style as a part of the technique of persuasion and discusses it under oratory. This discipline was a set of rules and strategies which enable orators ‘to speak well’; in other words to use language that is fully decorated with all the figures and tropes to bring about changes in the feelings and opinions of the audience. Rhetoric, Dialectic, and Poetics Aesthetic Stylistics Renaissance scholars, compare style to flowers, jewels, embroidery. For Samuel Wesley, it is a ‘dress of thought’. Pope describes stylistics as the equivalent of ‘true wit’, which consists in ‘what oft was thought, but never so well expressed’ and other definition as well. All these definitions or descriptions reflect an artificial and ornamental view of style. -
Stylistics As an Approach to Discourse Analysis: a Thematic Textual Analysis
British Journal of English Linguistics Vol.6, No.2, pp.58-71, March 2018 ___Published by European Centre for Research Training and Development UK (www.eajournals.org) STYLISTICS AS AN APPROACH TO DISCOURSE ANALYSIS: A THEMATIC TEXTUAL ANALYSIS Dr. Damasus Tuurosong Department of African and General Studies, University for Development Studies, Ghana. Dr. Rashid Hassan Pelpuo Institute of African Stuides, University of Ghana, Legon. Justine Bakuuro Department of English, University of Ghana, Legon ABSTRACT: This write-up is a stylistic analysis of a prose passage along three thematic areas: pace, expectancy and high emotional tension. Each of these themes is carefully traced in the passage using the analysis. It is a practical application of one of the numerous approaches to Discourse Analysis-Stylistics-in the analysis of a text. The text is an excerpt from Chinua Achebe’s Things Fall Apart. KEYWORDS: stylistic analysis, thematic, pace, expectancy, high emotional tension, discourse analysis, Things fall Apart. Research Objective This study basically attempts to trace how the linguistic choices in the prose passage project the themes of pace, expectancy and high emotional tension which dominate the text. The author could not have evoked these feelings without making appropriate linguistic choices. Identifying those choices and their roles underpin the goal of this study. Theoretical Underpinning Generally speaking, stylistics sometimes involves the exercise of revealing the linguistic peculiarity of an author’s art. This perspective conceives of style as idiolect. Crystal and Davy (1969:77) explain that studying an author’s work via this theory is ‘an attempt to isolate, define, and discuss those linguistic features which are felt to be peculiarly his, which help to distinguish him from other authors’. -
Emojis: a Grapholinguistic Approach
Emojis: A Grapholinguistic Approach Christa Dürscheid & Dimitrios Meletis Abstract. The present article stands at the interface of CMC research and grapholinguistics. After outlining which features are typical of the writing of pri vate text messages, the focus of the first part of the paper (Sections 2 and 3) lies on the use of emojis. Notably, emoji use is not—as is commonly done—analyzed under a pragmatic perspective, but grapholinguistically, at the graphetic and graphematic levels: emojis are conceptualized as visual shapes that may assume graphematic functions within a given writing system. In the second part (Sec tion 4), it is underlined that all variants of written digital communication (such as the use of emojis, but also all other characters) are made possible only due to the Unicode Consortium’s decisions; this, finally, is argued to have farreaching consequences for the future of writing. 1. Preliminary Remarks In this paper, the use of emojis will be considered within a frame work known in the Germanlanguage research area as “Schriftlinguis tik” (grapholinguistics). As will be demonstrated, this term is not equiv alent to the terms graphemics or graphematics. In a much broader sense, grapholinguistics entails different aspects of writing (among them re search on scripts and writing systems, the history of writing, orthogra phy, graphematics, the acquisition of reading and writing, text design and textimagerelations, and differences between the written and spo ken modalities of language) (cf. Dürscheid 2016).1 This paper’s main Christa Dürscheid Department of German Studies, University of Zurich Schönberggasse 9, 8001 Zürich, Switzerland [email protected] Dimitrios Meletis Department of Linguistics, University of Graz Merangasse 70/III, 8010 Graz, Austria [email protected] 1. -
An Introduction to Graphology: Definition, Theoretical Background and Levels of Analysis
AN INTRODUCTION TO GRAPHOLOGY: DEFINITION, THEORETICAL BACKGROUND AND LEVELS OF ANALYSIS EVA GÓMEZ-JIMÉNEZ Universidad de Granada [email protected] 71 1. Introduction Graphology is a linguistic level of analysis that comprises the study of graphic aspects of language1. This term was first brought into use in linguistic studies in the sixties by McIntosh (1961), who considered it an analogous mode to that of phonology. In his paper “Graphology and Meaning”, he declared he had used graphology “in a sense which is intended to answer, in the realm of written language, to that of ‘phonology’ in the realm of spoken language” (1961: 107). A few years later, Halliday, McIntosh and Strevens (1964: 50) broadened this concept when they connected it to spelling, punctuation and any other matter related to graphic resources in language. Other linguists such as Vachek (1973), Sampson (1985), Coulmas (1991, 1999) and Harris (1995) have also worked on graphology, paying close attention to the properties of alphabets and their evolution throughout history. The importance and status of graphology as a linguistic level of analysis is particularly prominent in stylistics and multimodality. Within stylistics, some scholars have studied how graphological deviation may affect meaning and produce aesthetic effects. Van Peer (1993), for instance, considered typographic foregrounding and its evolution as a poetic device, while Nänny (2001) checked the iconic properties of verses according to their length. Within multimodality, miscelánea: a journal of english and american studies 51 (2015): pp. 71-85 ISSN: 1137-6368 Eva Gómez-Jiménez and because of the recent relevance of images in communication, there is an attempt, currently, to integrate some graphological elements into the study of modes of communication. -
English 579.01W Course Syllabus: Spring 2015
ENGLISH 579.01W COURSE SYLLABUS: SPRING 2015 Instructor: Dr. Robin Anne Reid Office: Hall of Languages 125 Office Hours: Face/Face: Monday 2:00-4:00 p.m., Thursday: 1:00-3:00 p.m. Online: Monday-Friday: 10:00 a.m.-11:00 p.m. By appointment Time Zone: Central United States Office Phone: 903-886-5268 Office Fax: 903-886-5928 Email: [email protected] (Preferred) I have face/face office hours for meetings on campus. I have online office hours for checking the Virtual Office in my classes and/or communicating with learners via email. Questions posted in the Virtual Office will be answered within 24 hours (M-F). If you are not free at these times, please email me to set up an appointment. I check my email several times a day during the week and at least once a day on weekends. COURSE INFORMATION Required Textbooks Digital Literary Studies; Corpus Approaches to Poetry, Prose, and Drama. Eds. David L. Hoover, Jonathan Culpeper, and Kieran O'Halloran. Routledge Advances in Corpus Linguistics 16. New York: Routledge. 2014. ISBN-10: 0415352304; ISBN-13: 978-0415352307 1 Recommended/Supplementary Reading The Hobbit J. R. R. Tolkien ISBN-10: 0345339681; ISBN-13: 978- 0345339683. The Lord of the Rings. J. R. R. Tolkien ISBN-10: 0544003411; ISBN-13: 978-0544003415. Note: If you already own copies, or find a used copy (or e-copy) of another edition, feel free to use that copy. Course Description Catalog: A study of style using the techniques of linguistic and rhetorical analysis. -
Department of Linguistics Non-Thesis Group of Students Should Select Two More Courses for Study from the Course Basket Offered by the University of Dhaka Department
MA Curriculum MA Curriculum Department of Linguistics non-thesis group of students should select two more courses for study from the course basket offered by the University of Dhaka department. The thesis group students should complete MA Curriculum their MA thesis paper in lieu of taking two elective courses. Session: 2015-16, 2016-17, 2017-18. 2018-19 The minimum number of students of each elective course should be 10 1. Title of the program 4.6 Comprehensive examination: The course Ling M 5201 Masters of Arts in Linguistics which counts 100 marks (4 credits) will be regarded as comprehensive examination. There will be no formal class 2. Eligibility for admission for comprehensive examination. The question will be set 2.1 Bachelor of Arts in Linguistics or equivalent from all the obligatory courses those will be taught in the whole MA programme. 2.2 Other criteria for admission may be determined by both the Faculty of Arts and the Academic Committee of the 5. Teaching Department of Linguistics, University of Dhaka. 5.1 Please see the instruction provided by the office of Dean, 3. Requirements for the degree Faculty of Arts, DU (Sl. 5) 3.1 Successful completion of pre-specified credits hours in 2 5.2. Please see the instruction provided by the office of Dean, semesters in 1 (one) year. Faculty of Arts, DU (Sl. 6) 3.2 Obtaining of minimum cumulative grade point average of 6. Examination and Evaluation 2.0 on a scale from 4 (without any F grade). 6.1 Evaluation and grading for a full unit course shall be determined on the basis of - 4.