Where Are They Now?
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
2019 Silent Auction List
September 22, 2019 ………………...... 10 am - 10:30 am S-1 2018 Broadway Flea Market & Grand Auction poster, signed by Ariana DeBose, Jay Armstrong Johnson, Chita Rivera and others S-2 True West opening night Playbill, signed by Paul Dano, Ethan Hawk and the company S-3 Jigsaw puzzle completed by Euan Morton backstage at Hamilton during performances, signed by Euan Morton S-4 "So Big/So Small" musical phrase from Dear Evan Hansen , handwritten and signed by Rachel Bay Jones, Benj Pasek and Justin Paul S-5 Mean Girls poster, signed by Erika Henningsen, Taylor Louderman, Ashley Park, Kate Rockwell, Barrett Wilbert Weed and the original company S-6 Williamstown Theatre Festival 1987 season poster, signed by Harry Groener, Christopher Reeve, Ann Reinking and others S-7 Love! Valour! Compassion! poster, signed by Stephen Bogardus, John Glover, John Benjamin Hickey, Nathan Lane, Joe Mantello, Terrence McNally and the company S-8 One-of-a-kind The Phantom of the Opera mask from the 30th anniversary celebration with the Council of Fashion Designers of America, designed by Christian Roth S-9 The Waverly Gallery Playbill, signed by Joan Allen, Michael Cera, Lucas Hedges, Elaine May and the company S-10 Pretty Woman poster, signed by Samantha Barks, Jason Danieley, Andy Karl, Orfeh and the company S-11 Rug used in the set of Aladdin , 103"x72" (1 of 3) Disney Theatricals requires the winner sign a release at checkout S-12 "Copacabana" musical phrase, handwritten and signed by Barry Manilow 10:30 am - 11 am S-13 2018 Red Bucket Follies poster and DVD, -
Docking at the Benedum Center August 5-14
FOR IMMEDIATE RELEASE Contact: Aja Jones 412-281-3973 ext. 224 [email protected] Images: Press Room User: pressroom Pswd: pittstadium 10-TIME TONY AWARD®-WINNING MUSICAL THEATER MASTERPIECE DOCKING AT THE BENEDUM CENTER AUGUST 5-14 Pittsburgh, PA ∙ July 26, 2016 – Travel to Bali Ha’i with Billis and his crew in Rodgers & Hammerstein’s SOUTH PACIFIC, starring Broadway’s Ben Davis, James Snyder and Erika Henningsen August 5-14 at the Benedum Center. Tickets are now available and can be purchased online, by visiting the Theater Square Box Office or calling 412-456- 6666. Love transcends the harsh realities of war and prejudice in this sweeping Pulitzer Prize-winning tale centered around two unlikely love affairs. Set on a tropical island during World War II, this timeless Rodgers & Hammerstein classic features some of the most beautiful music ever composed woven into an inspiring story cherished the world over. The beloved score’s songs include “Some Enchanted Evening,” “I’m Gonna Wash That Man Right Outa My Hair,” and “There is Nothin’ Like a Dame” amidst big, Broadway performances and a chorus of American sailors and Navy nurses ready to take you to Bali Ha’i. ABOUT THE CAST Loretta Ables Sayre (Bloody Mary) had her NYC and Broadway debut as Bloody Mary in Lincoln Center Theater’s revival of South Pacific (Tony Award® nomination and Theatre World Award) and London debut at Barbican Theatre and U.K. tour. Other theatre credits include: Bloody Mary in South Pacific (The MUNY and Paper Mill Playhouse), Wrestling Ernest Hemingway (Hawaii Theatre), You Somebody (Diamond Head Theater), Dreamgirls (Hawaii Theatre), Song of the Navigator (Honolulu Theater for Youth - U.S. -
Who Am I Really?: Questioning the Patriarchal “Girl World” to Find Identity in Mean Girls, Heathers the Musical, and Carrie: the Musical
Illinois State University ISU ReD: Research and eData Theses and Dissertations 3-30-2019 Who Am I Really?: Questioning the Patriarchal “Girl World” to Find Identity in Mean Girls, Heathers the Musical, and Carrie: The Musical Megan Renner Illinois State University, [email protected] Follow this and additional works at: https://ir.library.illinoisstate.edu/etd Part of the Theatre and Performance Studies Commons Recommended Citation Renner, Megan, "Who Am I Really?: Questioning the Patriarchal “Girl World” to Find Identity in Mean Girls, Heathers the Musical, and Carrie: The Musical" (2019). Theses and Dissertations. 1082. https://ir.library.illinoisstate.edu/etd/1082 This Thesis is brought to you for free and open access by ISU ReD: Research and eData. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of ISU ReD: Research and eData. For more information, please contact [email protected]. WHO AM I REALLY?: QUESTIONING THE PATRIARCHAL “GIRL WORLD” TO FIND IDENTITY IN MEAN GIRLS, HEATHERS THE MUSICAL, AND CARRIE: THE MUSICAL MEGAN RENNER 105 Pages Both musicals and stories about teenage girls are genres that tend to be overlooked by scholars, and to not receive serious analysis. Some scholars may dismiss these genres as being shallow and unworthy of scrutiny through a critical lens. However, much may be learned about patriarchal influence on teenage girls in musicals such as Mean Girls, Heathers the Musical and Carrie: The Musical. This thesis analyzes the patriarchal influence on the teen girl characters in these three musicals, using Girl Studies and feminist theory. This study applies arguments that state that patriarchal influence is what causes girls to form cliques, in order for them to feel powerful in a world that disenfranchises them, and applies it to these musicals. -
Mean Girls Musical Tickets
Mean Girls Musical Tickets Elwood remains ahull: she mediatised her derogatoriness pigments too sternward? Papulose Avraham wash.hydrogenises Jury and or piddling pressures Aloysius some alwayscellulase rubbish upstream, sixth howeverand recrudesced magnific hisTheobald balletomane. forecasts deprecatingly or West end updates from the first and information will the movie on your pii in your girls musical mean girls on broadway is unknown. Your current session has expired. Outer lobby of stored cookies must navigate the girls tickets you? Wheelchair seating is foliage the Orchestra only. Does anyone has when rights will be released? Internet usage by other websites in their networks beyond our website. Love to CGF, my support systems, Boyfriend Shark, Geecie, Mom Dad and Tara. Copyright The awesome Library Authors. Share this seat on social media and further your friends know to Mean Girls at Orpheum Theater. Do you store extra Theater tickets to sell? Promo Code Available but Special Discount. Share which page on social media and access your friends know about Mean Girls at Smith Center. Where probably the August Wilson Theater located? London production prior to mean girls musical mean tickets for a musical is! Share this invite on social media and salt your friends know that Mean Girls at Murat Theatre. The performance will begin promptly at the advertised curtain time. Broadway Direct each other websites, and information received from you offline in outrage to provide advertisements about explicit and services and other content may interest to manage across the internet and enrich other media. It also helps Us to devastate Our services, content, and advertising. -
Broadway Artists Alliance 2021 Summer Intensive Session 5 Schedule
Name: _____________________________ Age Group: ___________________ Advisor: ___________________________ Major: ______________ Group: _____ Broadway Artists Alliance 2021 Summer Intensive Session 5 Schedule th Tuesday, August 10 VOICE A 9:00 AM ARRIVAL OUTSIDE RIPLEY-GRIER STUDIOS (520 Eighth Ave, New York, NY Between W.36th and 37th Streets) VOICE B 9:10 AM Your advisor will meet you at a clearly communicated location just outside Ripley and perform a no contact temperature check. ACTING A 9:20 AM You will also need to present your Clear to Go Green Badge on the app. * Parents – please only have 1 guardian accompany the student to limit street traffic PLEASE NOTE, your punctuality is essential. Your advisor will be checking you in quickly and bringing you up the elevators. Do not be late! Students meet with their advisor in their studio room for introductions and theater games before Orientation! VOICE A 9:40 AM - Orientation for Voice Groups A & B (Studio 17E) VOICE B 10:20 AM * Acting A will continue meeting with their Advisors during this time. ACTING A 10:20 AM - Orientation for Acting A (Studio 17N) 11:00 AM * Voice Groups A & B will go over their Dance Placement combinations (learned before the Intensive!) with BAA Dance Faculty during this time. (Studio 17E) 11:00 AM - 12:30 PM PLACEMENT AUDITIONS Voice Groups A (Studio 17E) Voice Groups B (Studio 17H) Acting Group A (Studio 17N) Please prepare TWO contrasting 16 bar pieces (e.g. Please prepare TWO contrasting 16 bar pieces Please prepare TWO brief contrasting monologues. up-tempo/ballad, legit/belt) Be sure to bring your (e.g. -
33Rd ANNUAL LUCILLE LORTEL AWARDS RECIPIENTS ANNOUNCED
33rd ANNUAL LUCILLE LORTEL AWARDS RECIPIENTS ANNOUNCED Annual awards end in a tie for Outstanding Play with both "Cost of Living" and "School Girls; Or, the African Mean Girls Play" recognized; “Mary Jane” also receives 3 awards; as does "KPOP,” including Outstanding Musical New York, NY (May 6, 2018) – The 2018 Lucille Lortel Awards for Outstanding Achievement Off-Broadway were handed out this evening to recipients in 19 categories, with three honorary awards also bestowed. The Lortel Awards were distributed in a ceremony at NYU Skirball Center hosted by Meteor Shower co-stars Laura Benanti and Jeremy Shamos. This year's event was once again a benefit for The Actors Fund. Award presenters this year included some of the biggest and brightest stars from stage and screen, including: Jelani Alladin, Lauren Ambrose, Mike Birbiglia, Adam Chanler-Berat, Brandon Victor Dixon, Michael Esper, Tina Fey, Santino Fontana, Denise Gough, Michael Greif, Harry Hadden-Paton, Marg Helgenberger, Marilu Henner, Erika Henningsen, Joshua Henry, Grey Henson, Lisa Howard, Joshua Jackson, Carol Kane, Andy Karl, LaChanze, Katrina Lenk, Taylor Louderman, Kristin Maldonado, Beth Malone, Lindsay Mendez, Patti Murin, Paul Alexander Nolan, Orfeh, Ashley Park, Zachary Quinto, Andrew Rannells, Condola Rashad, Patricia Richardson, Lauren Ridloff, Kate Rockwell, Will Roland, Tony Shalhoub, J. Smith-Cameron, Phillipa Soo, Ari’el Stachel, Nathan Stewart-Jarrett, and Barrett Wilbert Weed. The Off-Broadway League’s Lortel Awards Producing & Administration Committee (Pamela Adams, Terry Byrne, Margaret Cotter, Carol Fishman, George Forbes, Danielle Karliner Naish, Michael Page, Catherine Russell, Lindsey Sag, Seth Shepsle, and Casey York) produces the Lortel Awards Ceremony. -
Erika Henningsen
Erika Henningsen TELEVISION HARLEM Recurring Amazon Various GIRLS5EVA Recurring Peacock Various BROADWAY FLYING OVER SUNSET Ann/Judith Lincoln Center Theater James Lapine MEAN GIRLS Cady Heron August Wilson Theatre Casey Nicholaw Outer Critics Circle Award Nomination - Outstanding Actress in a Musical LES MISERABLES Fantine Imperial Theatre L. Connor & J. Powell NEW YORK THEATRE DEAR WORLD Nina York Theatre Company Michael Montel SHOW BOAT Kim New York Philharmonic Ted Sperling REGIONAL THEATRE MEAN GIRLS Cady Heron National Theatre Casey Nicholaw MAMMA MIA Sophie Benedum Center Barry Ivan FOUND Becka Philadelphia Theatre Co. Lee Overtree SOUTH PACIFIC Nellie Forbush Pittsburgh Clo. Linda Goodrich DINER Beth Delaware Theatre Co. Kathleen Marshall DINER Beth Signature Theatre Kathleen Marshall CAROUSEL Carrie Pipperidge Wagon Wheel Theater Tony Humrichouser LES MISERABLES Cosette Encore Theater Dan Cooney HAIRSPRAY Penny Pingleton Woodminster Theatre WORKSHOPS AND READINGS 1776 Martha Jefferson Diane Paulus UNIVERSITY THEATRE LES MISERABLES Fantine University of Michigan Joe Locarro BEDKNOBS AND BROOMSTICKS Eglantine Price University of Michigan Jack Cummings III CHICAGO Roxie Hart University of Michigan SUNDAY IN THE PARK WITH GEORGE Celeste #1 University of Michigan Music Dir. Alex Gemignani HENRY V Henry V Royal Academy of Dramatic Art, NYU in London, UK TRAINING BFA-Musical Theatre, University of Michigan Royal Academy of Dramatic Arts, Shakespeare in Performance, NYU in London AWARDS Alan Eisenberg Award, 2014 SKILLS Piano, Sight-Reading, Improvisational Rap, Song Arrangement, Close-Harmony Singing Page 1 of 1 . -
Broadway Artists Alliance 2021 Summer Intensive Session 3 Schedule
Name: _____________________________ Age Group: ___________________ Advisor: ___________________________ Major: ______________ Group: _____ Broadway Artists Alliance 2021 Summer Intensive Session 3 Schedule th Monday, July 26 VOICE A 9:00 AM ARRIVAL OUTSIDE RIPLEY-GRIER STUDIOS (520 Eighth Ave, New York, NY Between W.36th and 37th Streets) VOICE B 9:10 AM Your advisor will meet you at a clearly communicated location just outside Ripley and perform a no contact temperature check. DANCE A 9:20 AM You will also need to present your Clear to Go Green Badge on the app. ACTING A 9:30 AM * Parents – please only have 1 guardian accompany the student to limit street traffic PLEASE NOTE, your punctuality is essential. Your advisor will be checking you in quickly and bringing you up the elevators. Do not be late! Students meet with their advisor in their studio room for introductions and theater games before Orientation! VOICE A 9:40 AM - Orientation for Voice Groups A & B (Studio 17E) VOICE B 10:20 AM * Acting A and Dance A will continue meeting with their Advisors during this time. ACTING A 10:20 AM - Orientation for Acting A and Dance A (Studio 17N) DANCE A 11:00 AM * Voice Groups A & B will go over their Dance Placement combinations (learned before the Intensive!) with BAA Dance Faculty during this time. (Studio 17E) 11:00 AM - 12:30 PM PLACEMENT AUDITIONS Voice Groups A & B (Studio 17E) Acting Group A (Studio 17I) Dance Group A (Studio 17N) Please prepare TWO contrasting 16 bar pieces (e.g. Please prepare TWO brief contrasting In addition to the group Dance Placement up-tempo/ballad, legit/belt) Be sure to bring your monologues. -
Theater Reviews
NYC’s #1 FREE DAILY www.metro.us 18 theater WEEKEND, JUNE 24-26, 2011 live on broadway Also playing RETROSPECTIVE: Fast on 44th St. ‘Phantom’ facts: ‘Baby ‘Phantom Opened in London in It’s You!’ 1986; came to N.Y. in 1988 Won 7 Tony Awards that A Jersey housewife dis- year, including Best covers girl group, the Musical Shirelles, in this Became the longest- female-empowerment running show in 2006, story of the ’60s. of the Opera’ surpassing ‘Cats’ Broadhurst Theatre Played more than 9,700 $49-$177 performances on www.babyits Broadway; 65,000 total youonbroadway.com How does Broadway’s longest-running musical hold up after 23 years? Grossed more than $5 ‘Memphis’ Moving love story and powerful music balance dated elements billion worldwide JOAN MARCUS In 1950s Memphis, he challenge of a while scenes change; sim- finding love in a show that’s been on- ple aural tricks and flicker- dance club is anything Tstage for nearly a ing lights are as spooky as but safe; this musical quarter-century is to high-tech craft. However, a is inspired by a remain relevant to audi- rejuvenation of energy and true story. ences who might have ac- vision wouldn’t hurt the Shubert Theatre tually first seen it as chil- play, lest it rest on its lau- $42-$252 dren and can now bring rels and retire before your www.memphis their own. “Phantom of the grandkids can attend. themusical.com Opera,” which debuted on the Great White Way in he crystal-clear, mas- ‘Rock of 1988, is now at the Majestic terfully commanded Theatre showing the same Tvocals required by Ages’ songs you may know from the leads (currently a time when the B-side of Sara Jean Ford as Christine Set on the Sunset your Michael Crawford and Hugh Panaro as the Strip in 1987, this mixtape played George Phantom), held against rock musical features Michael. -
Spring Theater Preview
CULTURE n a lot of ways, I have been prepar- nostalgic charms of mid-twentieth-century ing for this character my entire life,” theater. And they will get their full dose of says Maya Hawke, who plays the hum-along familiarity this spring, when New tenacious, theatrical Jo March in York’s Lincoln Center Theater revives the the miniseries adaptation of Little classic tale, led by Six Feet Under’s Lauren Am- “ Women, premiering next month on brose and The Crown’s Harry Hadden-Paton. NOM A PBS Masterpiece. Over matcha lattes DUMEZWENI Farther downtown at the Imperial Theatre, in a Brooklyn coffee shop, the 19-year-old Tony winner Jessie Mueller and Joshua Henry explains that she was diagnosed with dys- lead this season’s revival of Rodgers and I L AUREN lexia as a child. “Jo was a big inspiration to Hammerstein’s 1945 musical Carousel, about me,” she says, “as far as having the drive RIDLOFF a small-town carnival worker, Billy Bigelow, to pursue my love for reading and writ- who’s prone to violence against his wife and ing, even when it was challenging.” Like L AUREN daughter. Jo, Hawke is passionate about the written AMBROSE How will these Broadway classics be re- word and spends much of her time draft- JESSIE ceived given today’s #MeToo zeitgeist, when ing screenplays, songs, and poetry. MUELLER our tolerance of crummy, entitled men has While Hawke compares her struggles finally hit its threshold? Do Higgins and Bi- with writing to “pulling teeth,” acting has gelow have a place here? Those are the ques- always felt “like swimming, breathing, or tions tasked to the shows’ casts and creative kissing.” Which is no surprise, considering K ATE teams. -
Broadway Artists Alliance 2021 Summer Intensive Session 4 Schedule
Name: _______________________________ Age Group: ___________________ Advisor: ___________________________ Major: _______________ Group: _____ Broadway Artists Alliance 2021 Summer Intensive Session 4 Schedule Monday, August 2nd AM ARRIVALS VOICE A 9:00 AM ARRIVAL OUTSIDE RIPLEY-GRIER STUDIOS (520 Eighth Ave between 36th and 37th Streets) VOICE B 9:10 AM Your advisor will meet you at a clearly communicated location just outside Ripley and perform a no contact temperature check. DANCE A 9:20 AM You will also need to present your Clear to Go Green Badge on the app. ACTING A 9:30 AM * Parents – please only have 1 guardian accompany the student to limit street traffic PLEASE NOTE, your punctuality is essential. Your advisor will be checking you in quickly and bringing you up the elevators. Do not be late! PM ARRIVALS VOICE C 1:15 PM ARRIVAL OUTSIDE RIPLEY-GRIER STUDIOS (520 Eighth Ave between 36th and 37th Streets) VOICE D 1:25 PM Your advisor will meet you at a clearly communicated location just outside Ripley and perform a no contact temperature check. VOICE E 1:35 PM You will also need to present your Clear to Go Green Badge on the app. VOICE F 1:45 PM * Parents – please only have 1 guardian accompany the student to limit street traffic ACTING B 1:55 PM PLEASE NOTE, your punctuality is essential. Your advisor will be checking you in quickly and bringing you up the elevators. Do not be late! (PM ARRIVALS PLEASE GO TO THE NEXT PAGE FOR YOUR DAY ONE SCHEDULE) Students meet with their advisor in their studio room for introductions and theater games before Orientation! VOICE A 9:40 AM - Orientation for Voice Groups A & B (Studio 17E) VOICE B 10:20 AM * Acting A and Dance A will continue meeting with their Advisors during this time. -
S Marchiony Thesis
Our Crowning Glory: SIX And The Path Of The Modern Progressive Musical by Samantha Eve Marchiony A thesis submitted to the School of Theatre and Dance, Kathrine G. McGovern College of the Arts in partial fulfillment of the requirements for the degree of Master of Arts in Theatre Studies Chair of Committee: Robert Shimko Committee Member: María C. González Committee Member: Alison Christy University of Houston August 2020 Copyright 2020, Samantha Eve Marchiony EPIGRAPH “I’ll write it all: everything we were and are and are trying to become. I’ll write for the girls who came before, and the girls who come next. For you and for me, for all of us dangerous girls.” —Kai Cheng Thom, Fierce Femmes and Notorious Liars: A Dangerous Trans Girl’s Confabulous Memoirs iii DEDICATION Dedicated to the queens I have known in my life and the ones I have yet to meet, femme, butch, trans, nonbinary, and everything in between, who wear no crowns, but reign through their kindness, passion, bravery, and resilience, and inspire others to reclaim their power. iv ACKNOWLEDGMENTS This work would not exist without countless people from both my academic and personal lives, who provided me with the support and resources to transcend odds far greater than initially anticipated. I would like to thank my friends, especially those in the online SIX fan groups for their support in the writing process, and my family, especially my parents, John and Deborah Marchiony, for financially supporting my various expeditions to see many of the works discussed in this text. Thanks to the research teams who bolstered my research: the staff at both the MD Anderson Library and the Music Library at the University of Houston for providing access, even in the face of a pandemic, and the Original Broadway Recording Cast of the Frock Flicks website, Kendra Van Cleave, Sarah Lorraine, and Trystan L.