Mixxx User Manual Release 2.1.0
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Digging in the Crates: an Ethnographic Study of Djsʼ Work Ahmed Y
Digging in the Crates: An Ethnographic Study of DJsʼ Work Ahmed Y. Ahmed, Steve Benford, Andy Crabtree Mixed Reality Laboratory University of Nottingham, Nottingham NG8 1BB, UK {psxaaa, sdb, axc}@cs.nott.ac.uk ABSTRACT Contemporary DJing provides a salient site to explore the An ethnographic study uncovers the work of nightclub DJs, interplay between traditional physical and emerging digital which extends far beyond the act of mixing tracks to also forms of music and so inform future music technologies. It encompass collecting music, preparing for performances, should therefore come as no surprise that there is already an and promotion and networking. We reveal how DJs value established history of DJ-related research. A previous study vinyl and digital formats in different ways, acquire music of DJs performing in nightclubs revealed how they draw on through ‘crate digging’, prepare physical and digital crates various cues to adapt their performances to the dancers of music before gigs, and how these underpin improvised [11]. Other studies have explored DJs’ varying attitudes selections during their performances. We document how towards new digital technologies [10] and the changing DJs interact with promoters, venues, dancers and other DJs, notions of DJ practice that have arisen as a result [15]. revealing an etiquette that governs how they select and Novel technologies have been developed to partially or share music, and manage an ongoing tension between even fully automate DJing such as Mixxx, which employs revealing and hiding metadata so as to maintain a automatic beat matching so as to free up the DJ’s time to competitive edge. -
Op E N So U R C E Yea R B O O K 2 0
OPEN SOURCE YEARBOOK 2016 ..... ........ .... ... .. .... .. .. ... .. OPENSOURCE.COM Opensource.com publishes stories about creating, adopting, and sharing open source solutions. Visit Opensource.com to learn more about how the open source way is improving technologies, education, business, government, health, law, entertainment, humanitarian efforts, and more. Submit a story idea: https://opensource.com/story Email us: [email protected] Chat with us in Freenode IRC: #opensource.com . OPEN SOURCE YEARBOOK 2016 . OPENSOURCE.COM 3 ...... ........ .. .. .. ... .... AUTOGRAPHS . ... .. .... .. .. ... .. ........ ...... ........ .. .. .. ... .... AUTOGRAPHS . ... .. .... .. .. ... .. ........ OPENSOURCE.COM...... ........ .. .. .. ... .... ........ WRITE FOR US ..... .. .. .. ... .... 7 big reasons to contribute to Opensource.com: Career benefits: “I probably would not have gotten my most recent job if it had not been for my articles on 1 Opensource.com.” Raise awareness: “The platform and publicity that is available through Opensource.com is extremely 2 valuable.” Grow your network: “I met a lot of interesting people after that, boosted my blog stats immediately, and 3 even got some business offers!” Contribute back to open source communities: “Writing for Opensource.com has allowed me to give 4 back to a community of users and developers from whom I have truly benefited for many years.” Receive free, professional editing services: “The team helps me, through feedback, on improving my 5 writing skills.” We’re loveable: “I love the Opensource.com team. I have known some of them for years and they are 6 good people.” 7 Writing for us is easy: “I couldn't have been more pleased with my writing experience.” Email us to learn more or to share your feedback about writing for us: https://opensource.com/story Visit our Participate page to more about joining in the Opensource.com community: https://opensource.com/participate Find our editorial team, moderators, authors, and readers on Freenode IRC at #opensource.com: https://opensource.com/irc . -
Mixxx User Manual Release 2.1.0
Mixxx User Manual Release 2.1.0 The Mixxx Development Team Apr 15, 2018 Contents 1 Introduction to Mixxx 1 1.1 How Mixxx Works............................................1 2 Getting Started 3 2.1 Opening Mixxx..............................................3 2.2 Importing your audio files........................................3 2.3 Analyze your library...........................................4 2.4 Configuring sound input and output...................................4 3 An Overview of the Mixxx Interface7 3.1 The Deck Sections............................................8 3.2 The Mixer Section............................................ 17 3.3 The Sampler Section........................................... 20 3.4 The Effects Section............................................ 22 3.5 The Microphone Section......................................... 22 3.6 Preview Deck Section.......................................... 22 4 The Mixxx Library 24 4.1 Overview of the Library features..................................... 24 4.2 Tracks - View and edit your whole collection.............................. 25 4.3 Loading Tracks.............................................. 28 4.4 Finding Tracks (Search)......................................... 29 4.5 Previewing Tracks............................................ 30 4.6 Edit metadata of audio files....................................... 30 4.7 Auto DJ - Automate your mix...................................... 33 4.8 Playlists - Arranging tracks in a set order................................ 33 4.9 Crates - -
Proceedings Der Linux Audio Conference 2018
Proceedings of the Linux Audio Conference 2018 June 7th - 10th, 2018 c-base, in partnership with the Electronic Studio at TU Berlin Berlin, Germany Published by Henrik von Coler Frank Neumann David Runge http://lac.linuxaudio.org/2018 All copyrights remain with the authors. This work is licensed under the Creatice Commons Licence CC BY-SA 4.0 Published online on the institutional repository of the TU Berlin: DOI 10.14279/depositonce-7046 https://doi.org/10.14279/depositonce-7046 Credits Layout: Frank Neumann Typesetting: LATEX and pdfLaTeX Logo Design: The Linuxaudio.org logo and its variations copyright Thorsten Wilms c 2006, imported into "LAC 2014" logo by Robin Gareus Thanks to: Martin Monperrus for his webpage "Creating proceedings from PDF files" ii Partners and Sponsors Linuxaudio.org Technische Universität Berlin c-base Spektrum CCC Video Operation Center MOD Devices HEDD Native Instruments Ableton iii iv Foreword Welcome everyone to LAC 2018 in Berlin! This is the 15th edition of the Linux Audio Conference, or LAC, the international conference with an informal, workshop-like atmosphere and a unique blend of scientific and technical papers, tutorials, sound installations and concerts centering on the free GNU/Linux oper- ating system and open source software for audio, multimedia and musical applications. We hope that you will enjoy the conference and have a pleasant stay in Berlin! Henrik von Coler Robin Gareus David Runge Daniel Swärd Heiko Weinen v vi Conference Organization Core Team Henrik von Coler Robin Gareus David Runge -
Aalborg Universitet Towards an Open Digital Audio Workstation for Live
Aalborg Universitet Towards an open digital audio workstation for live performance Dimitrov, Smilen DOI (link to publication from Publisher): 10.5278/vbn.phd.engsci.00028 Publication date: 2015 Document Version Publisher's PDF, also known as Version of record Link to publication from Aalborg University Citation for published version (APA): Dimitrov, S. (2015). Towards an open digital audio workstation for live performance: the development of an open soundcard. Aalborg Universitetsforlag. (Ph.d.-serien for Det Teknisk-Naturvidenskabelige Fakultet, Aalborg Universitet). DOI: 10.5278/vbn.phd.engsci.00028 General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. ? Users may download and print one copy of any publication from the public portal for the purpose of private study or research. ? You may not further distribute the material or use it for any profit-making activity or commercial gain ? You may freely distribute the URL identifying the publication in the public portal ? Take down policy If you believe that this document breaches copyright please contact us at [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Downloaded from vbn.aau.dk on: April 30, 2017 THE DEVELOPMENT OF AN OPEN SOUNDCARD THE DEVELOPMENT OF FOR LIVE PERFORMANCE: AUDIO WORKSTATION AN OPEN DIGITAL TOWARDS TOWARDS AN OPEN DIGITAL AUDIO WORKSTATION FOR LIVE PERFORMANCE: THE DEVELOPMENT OF AN OPEN SOUNDCARD BY SMILEN DIMITROV DISSERTATION SUBMITTED 2015 SMILEN DIMITROV Towards an open digital audio workstation for live performance: the development of an open soundcard Ph.D. -
Linux Applications for Internet Broadcasters
Linux Applications For Internet Broadcasters Written By David Childers www.ScenicRadio.Com Relaxing Entertainment for the World www.BroadcastingWorld.Com Global Broadcast Information Portal Creative Common License This body of work is released under the Attribution-ShareAlike version 3.0, Creative Common License. The work may be freely distributed or modified for commercial or non commercial purposes. If this work is modified, compliance with the Attribution-ShareAlike version 3.0, Creative Common License is required. These requirements include: - Any derivatives of this work must be attributed to David Childers. - Any derivatives of this work must reference any additional sources that may be used. - Alterations, transforming, or building upon this work requires distributing the resulting work only under the same, similar or a compatible license. For the complete legal code, please refer here: www.creativecommons.org/licenses/by-sa/3.0/legalcode Cover graphic – Server Linux Box. www.clker.com/clipart-1907.html Cover graphic – Penguin. www.clker.com/clipart-penguin-14.html Foreword graphic - Still Life with a Skull and a Writing Quill. en.m.wikipedia.org/wiki/File:Pieter_Claeszoon_-_Still_Life_with_a_Skull_and_a_Writing_Quill.JPG About The Author David Childers is the Content Manager for the Global Broadcasting portal www.BroadcastingWorld.com. He is very active in the Internet broadcast industry and has written numerous guides and a book about this growing technological field. He is also the webmaster of www.ScenicRadio.com, the global -
Mixxx User Manual Izdaja 2.2.2
Mixxx User Manual Izdaja 2.2.2 The Mixxx Development Team 27 apr., 2021 Contents 1 Uvod v Mixxx 1 1.1 Delovanje Mixxx-a ............................................ 1 2 Kako začeti 3 2.1 Zagon Mixxx ............................................... 3 2.2 Uvoz zvočnih datotek ........................................... 3 2.3 Analizira vašo knjižnico ......................................... 4 2.4 Nastavitve vhodnih in izhodnih naprav .................................. 5 3 Pregled Mixxx vmesnika 7 3.1 Section Skin Settings ........................................... 8 3.2 Razdelki s predvajalnikom ........................................ 8 3.3 The Mixer Section ............................................ 18 3.4 The Sampler Section ........................................... 22 3.5 Razdelek Efekti .............................................. 24 3.6 The Microphone Section ......................................... 24 3.7 Preview Deck Section .......................................... 25 4 Mixxx knjižnica 26 4.1 Pregled funkciji knjižnice ......................................... 26 4.2 Tracks - View and edit your whole collection ............................... 27 4.3 Loading Tracks .............................................. 30 4.4 Finding Tracks (Search) ......................................... 31 4.5 Previewing Tracks ............................................ 32 4.6 Edit metadata of audio files ........................................ 32 4.7 Auto DJ - Automate your mix ...................................... 35 4.8 Playlists - Arranging -
Werken Met Qjackctl Op GNU/Linux (Handleiding Versie 4.3)
Werken met QjackCTL op GNU/Linux (Handleiding versie 4.3) Rosea Grammostola [email protected] Inhoudsopgave 1 Introductie 3 2 JACK 4 3 QjackCTL 5 3.1 Setup . 5 3.1.1 Balans lantency en xruns . 5 3.1.2 Instellingen . 6 3.1.3 Gebruik . 8 3.1.4 Start . 8 3.1.5 Messages . 9 3.2 Connect . 9 3.2.1 Audio . 9 3.2.2 Voorbeeld . 10 3.2.3 MIDI ALSA . 11 3.2.4 MIDI JACK . 11 3.3 De Patchbay . 13 3.3.1 Wat is de Patchbay precies? . 13 3.3.2 Een voorbeeld van een patchbay . 13 3.3.3 Het maken van de Patchbay . 13 3.3.4 Het toevoegen van Sockets en Plugs . 15 3.3.5 Verbinding maken . 17 3.3.6 Opslaan en activeren . 17 3.4 Jack synchronisatie . 19 3.4.1 JACK Transport Control System . 19 3.4.2 Voorbeeld: Hoe Hydrogen synchroniseren met Ardour . 20 3.4.3 Vele mogelijkheden . 21 4 Achtergrond informatie 22 4.0.4 Met dank aan . 22 1 Inhoudsopgave 4.0.5 Referenties . 22 2 Hoofdstuk 1 Introductie Als je muziek wilt maken op Linux dan kun je dat in principe doen op elke `normale' Linux distributie zonder verdere speciale configuratie. Met programma's als Audacity, Hydrogen, LMMS, MuseScore en Mixxx bijvoorbeeld kun je datgene doen waar het programma voor gemaakt is: muziek maken! Als je echter serieus muziek wil componeren en produceren op Linux en wilt werken met programma's als Ardour en Rosegarden dan zul je kennis moeten maken met iemand die ik enkele jaren geleden heb leren kennen en inmiddels een goede vriend van me is geworden: JACK. -
The Perfect Desktop - Ubuntu Studio 7.10
The Perfect Desktop - Ubuntu Studio 7.10 Version 1.0 Author: Oliver Meyer <o [dot] meyer [at] projektfarm [dot] de> Last edited 10/30/2007 This document describes how to set up an Ubuntu Studio 7.10 desktop. The result is a fast, secure and extendable system with focus on multimedia creation - the real-time (RT) kernel is installed by default. It provides all you need for daily work and entertainment. This howto is a practical guide without any warranty - it doesn't cover the theoretical backgrounds. There are many ways to set up such a system - this is the way I chose. 1 Installation 1.1 Get Ubuntu Studio 7.10 The image (about 800MB) is available at http://ubuntustudio.org/downloads . 1.2 Start The Installation Start/restart your computer and insert the installation media - be sure that your bios is configured to boot from your cd/dvd drive first. Afterwards you'll see this: Hit "F3" and choose your Keymap. Hit "F1" if you want some information about the other options. After that select "Install in text mode" from the middle menu and hit "Enter". Choose your language and proceed. Select your location and proceed. Now the installation is beeing prepared. Insert your desired hostname and proceed. If you are not familar with the logical volume manager or a manual partition setup, I recommend to use the simple "Guided - use entire disk"-method. Select the disk to partition and proceed. Here you can see the changes that will be done to your disk. If you agree to the changes select "Yes". -
Ph.D. Dissertation Interaction with Sound and Pre-Recorded Music: Novel Interfaces and Use Patterns
Ph.D. Dissertation Interaction with Sound and Pre-Recorded Music: Novel Interfaces and Use Patterns Tue Haste Andersen Technical Report no. 05/05 ISSN: 0107-8283 HCØ Tryk University of Copenhagen • Universitetsparken 1 DK-2100 Copenhagen • Denmark Ph.D. Dissertation Interaction with Sound and Pre-Recorded Music: Novel Interfaces and Use Patterns by Tue Haste Andersen Department of Computer Science Faculty of Science University of Copenhagen Denmark June 2005 Copyright c 2005 by Tue Haste Andersen except were otherwise stated. All rights reserved. No part of this publication may be reproduced or transmit- ted in any form or by any means, electronic or mechanical, including photocopy, recording, or any information storage and retrieval system, without permission in writing from the author. II Abstract Computers are changing the way sound and recorded music are listened to and used. The use of computers to playback music makes it possible to change and adapt music to different usage situations in ways that were not possible with analog sound equipment. In this thesis, interaction with pre-recorded music is investigated using prototypes and user studies. First, different interfaces for browsing music on consumer or mobile devices were compared. It was found that the choice of input controller, mapping and auditory feedback influences how the music was searched and how the interfaces were perceived. Search performance was not affected by the tested interfaces. Based on this study, several ideas for the future design of music browsing inter- faces were proposed. Indications that search time depends linearly on distance to target were observed and examined in a related study where a movement time model for searching in a text document using scrolling was developed. -
Linux Desktop Environments Submitted by Prasham Trivedi (6044) As a Partial Fulfillment of the Course of B.E.I.T
2009 Linux desktop environments Submitted By Prasham Trivedi (6044) As a partial fulfillment of the course of B.E.I.T. SHANTILAL SHAH ENGINEERING COLLEGE CERTIFICATE This is to certify that below mentioned student Mr. Prasham H Trivedi(Roll No. 6040) of semester 8th , course B.E.I.T. , have successfully and satisfactorily completed his Seminar report on “ Linux Desktop Environment ” in subject Seminar report and produced this report of year 2009 and submitted to S.S.E.C., BHAVNAGAR. DATE OF SUBMISSION: --------------------------------------------- STAFF IN CHARGE: HEAD OF DEPARTMENT: PRINCIPAL: Table of Contents Desktop Environments Introduction…………………………………………………………………………………………… ………3 GNOME 13 KDE………………………………………………………………………………………………………… …………………………………………52 The Battle: Gnome vs. KDE……. ……………………………………………………………………………………………………….…89 XFCE: The Underdog………………………………………………………………………………………………… ……………………….90 Conclusion And Bibliography…………………………………………………………………………………………… ……………….93 1. Desktop environment introduction In graphical computing, a desktop environment (DE) commonly refers to a style of graphical user interface (GUI) that is based on the desktop metaphor which can be seen on most modern personal computers today. Desktop environments are the most popular alternative to the older command-line interface (CLI) which today is generally limited in use to computer professionals. A desktop environment typically consists of icons, windows, toolbars, folders, wallpapers, and desktop widgets. Software which provides a desktop environment might also provide drag and drop functionality and other features which make the desktop metaphor more complete. On the whole, a desktop environment is to be an intuitive way for the user to interact with the computer using concepts which are similar to those used when interacting with the physical world, such as buttons and windows. -Source WIKIPEDIA The term desktop environment did not originally refer to software, and was adopted as a way to describe a particular style of user interface provided by that software. -
Volume 143 December, 2018 Hhaappppyy Hhoolliiddaayyss
Volume 143 December, 2018 HHaappppyy HHoolliiddaayyss PCLinuxOS Magazine Page 1 In This Issue ... 3 From The Chief Editor's Desk ... 6 Paul's 2018 Holiday Gift Guide The PCLinuxOS name, logo and colors are the trademark of 10 Meemaw's 2018 Holiday Gift Guide Texstar. 13 Screenshot Showcase The PCLinuxOS Magazine is a monthly online publication 14 YouCanToo's 2018 Holiday Gift Guide containing PCLinuxOS-related materials. It is published primarily for members of the PCLinuxOS community. The 17 phorneker's 2018 Holiday Gift Guide magazine staff is comprised of volunteers from the 20 ms_meme's Nook: Don't Bring Windows PCLinuxOS community. 21 PCLinuxOS Recipe Corner: Double Barbecue Bacon Chicken Visit us online at http://www.pclosmag.com 22 Screenshot Showcase This release was made possible by the following volunteers: 23 YouTube: Now Offering Free Movies With Ads Chief Editor: Paul Arnote (parnote) 25 Screenshot Showcase Assistant Editor: Meemaw Artwork: ms_meme, Meemaw 26 Until AM: So You Think You Can Scratch? Magazine Layout: Paul Arnote, Meemaw, ms_meme HTML Layout: YouCanToo 30 Alternatives To Dropbox, Part One Staff: 33 The Best Audio (Codec) You Probably Haven't Heard ms_meme CgBoy 34 Screenshot Showcase Meemaw YouCanToo Gary L. Ratliff, Sr. Pete Kelly 35 Short Topix: Berners-Lee Seeks Web Reset Daniel Meiß-Wilhelm Antonis Komis daiashi Khadis Thok 39 Screenshot Showcase Alessandro Ebersol Smileeb 40 Inkscape Tutorial: Snowflakes And Christmas Trees Contributors: 44 PCLinuxOS Family Member Spotlight: iceman Jabari Zakiya 46 Repo Review: Cool Retro Term 47 ms_meme's Nook: The Twelve Days Of Linux 49 PCLinuxOS Bonus Recipe Corner: The PCLinuxOS Magazine is released under the Creative Dijon Chicken Smothered In Mushrooms Commons Attribution-NonCommercial-Share-Alike 3.0 Unported license.