DOCSLIB.ORG

Mixxx User Manual Izdaja 2.2.2

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Mixxx User Manual Izdaja 2.2.2 Mixxx User Manual Izdaja 2.2.2 The Mixxx Development Team 27 apr., 2021 Contents 1 Uvod v Mixxx 1 1.1 Delovanje Mixxx-a ............................................ 1 2 Kako začeti 3 2.1 Zagon Mixxx ............................................... 3 2.2 Uvoz zvočnih datotek ........................................... 3 2.3 Analizira vašo knjižnico ......................................... 4 2.4 Nastavitve vhodnih in izhodnih naprav .................................. 5 3 Pregled Mixxx vmesnika 7 3.1 Section Skin Settings ........................................... 8 3.2 Razdelki s predvajalnikom ........................................ 8 3.3 The Mixer Section ............................................ 18 3.4 The Sampler Section ........................................... 22 3.5 Razdelek Efekti .............................................. 24 3.6 The Microphone Section ......................................... 24 3.7 Preview Deck Section .......................................... 25 4 Mixxx knjižnica 26 4.1 Pregled funkciji knjižnice ......................................... 26 4.2 Tracks - View and edit your whole collection ............................... 27 4.3 Loading Tracks .............................................. 30 4.4 Finding Tracks (Search) ......................................... 31 4.5 Previewing Tracks ............................................ 32 4.6 Edit metadata of audio files ........................................ 32 4.7 Auto DJ - Automate your mix ...................................... 35 4.8 Playlists - Arranging tracks in a set order ................................. 36 4.9 Crates - Organizing tracks into collections ................................ 37 4.10 Computer - Loading tracks from anywhere on your computer ...................... 38 4.11 Recordings ................................................ 38 4.12 History - Keep track of your sessions ................................... 38 4.13 Analyze - Prepare your tracks ...................................... 39 4.14 iTunes, Traktor, Rhythmbox, Banshee - Using external libraries ..................... 39 4.15 Removing tracks from the library ..................................... 40 4.16 Compatible file formats .......................................... 40 4.17 Music from audio CDs .......................................... 41 i 5 DJ Hardware 42 5.1 Kontrolerji ................................................ 42 5.2 Audio Interfaces ............................................. 43 5.3 Mixers .................................................. 44 5.4 Turntables ................................................ 45 5.5 CDJs ................................................... 45 5.6 Microphones ............................................... 45 6 Primeri posatavitev 46 6.1 Computer Only .............................................. 46 6.2 Prenosnik in razdelilni kabel ....................................... 48 6.3 Laptop and External USB Audio Interface ................................ 48 6.4 Prenosnik in MIDI ali HID kontroler ................................... 49 6.5 Prenosnik, zunanja fizična mešalna miza in gramofonsko upravljanje .................. 50 7 Upravljanje programa Mixxx 52 7.1 Uporaba miške in tipkovnice ....................................... 52 7.2 Uporaba tipkovnice ............................................ 53 7.3 Uporaba MIDI/HID kontrolerjev ..................................... 54 7.4 Uporaba gramofonskih ali CD plošč s časovno kodo ........................... 56 8 Vinyl Control 57 8.1 How does it work? ............................................ 57 8.2 What do I need to use it? ......................................... 57 8.3 Nastavitve vhodnih in izhodnih naprav .................................. 60 8.4 Nastavitve gramofonskega upravljanje .................................. 60 8.5 Enabling Vinyl Control .......................................... 63 8.6 Single Deck Control ........................................... 63 8.7 End-Of-Record Mode .......................................... 64 8.8 Control Track ............................................... 64 8.9 Troubleshooting .............................................. 64 9 Raba mikrofonov 66 9.1 Software Monitoring ........................................... 66 9.2 Direct Monitoring ............................................ 67 9.3 Hardware Mixers ............................................. 69 9.4 DJ Controllers With Microphone Inputs ................................. 70 9.5 Microphone Ducking ........................................... 71 10 Live Broadcasting - Start your own Internet radio 72 10.1 Streaming Servers ............................................ 72 10.2 Nastavljanje Mixxx-a ........................................... 73 10.3 Troubleshooting .............................................. 76 10.4 Activate MP3 streaming support ..................................... 76 11 Učinki 79 11.1 Effect Units ................................................ 79 11.2 Effect Parameters & Metaknobs ..................................... 80 11.3 Effect Unit Mix Modes .......................................... 81 11.4 Effects In Headphones .......................................... 82 12 Didžejanje s programom Mixxx 83 12.1 Pravilno nastavljanje nivojev (določitev ojačitev) ............................. 83 12.2 Izenačevanje ritma in miksanje ...................................... 84 12.3 Master sinhronizacije ........................................... 85 ii 12.4 Harmonično miksanje .......................................... 85 12.5 Snemanje miksa ............................................. 85 12.6 Raba Auto Dj za samodejno miksanje .................................. 86 13 Nastavitve 89 13.1 Strojna oprema za zvok .......................................... 89 13.2 Knjižnica ................................................. 92 13.3 Prepoznavanje beata ........................................... 93 13.4 Prepoznavanje tonalitete ......................................... 95 13.5 Izravnalniki ................................................ 95 14 Napredne teme 98 14.1 Dodajanje podpore za vaš MIDI/HID kontroler ............................. 98 14.2 Ustvarjanje lastnega razporeda za tipkovnico ............................... 100 14.3 Dodatni učinki preko načina delovanja z zunanjim mikserjem ...................... 100 14.4 Brisanje vasših knjižnic .......................................... 102 15 Prispevanje k projektu 104 15.1 Kot ne-razvojnik ............................................. 104 15.2 Kot razvijalec programa ......................................... 105 16 Dodatek 106 16.1 Additional Resources ........................................... 106 16.2 Tabela z razporedom tipk ......................................... 107 16.3 Bližnjice za aplikacije ........................................... 108 16.4 Launching Mixxx from the Command Line ............................... 109 16.5 Razvojna orodja .............................................. 111 16.6 Zgodovina različice ............................................ 111 17 Slovar izrazov 119 iii CHAPTER 1 Uvod v Mixxx Mixx omogoča didžejanja v živo s pomočjo digitalnih zbirk glasbe. Omogoča obvladovanje žurk preko DJ kontrolerjev, gramofonov ali zgolj preko tipkovnice. Razvija ga mednarodna ekipa prostovoljcev, ki bi radi veselje didžejanja delili z vsemi. Projekt je neprofiten, odprtokoden in skupnosten. Skupaj ustvarjamo najboljši Dj program, ki je kdaj obstajal. Upamo, da se nam boste :ref::pridružili <contributing>! 1.1 Delovanje Mixxx-a Mixxx je drugačen od tipičnih programov za predvajanje glasbe, saj predvaja več zvočnih datotek hkrati in ima mnogo možnosti za manipuliranje predvajanja zvočnih datotek. To omogoča kreativno miksanje različnih skladb v živo. You can use Mixxx to preview the next track in headphones before the audience hears it, also known as headphone cueing. This helps you choose a track that is appropriate for the present moment and that will mix well into the currently playing track(s). To use headphone cueing, you need at least 2 separate audio outputs, typically provided by a USB audio interface (also known as a “sound card”, although most of them are not shaped like cards anymore). The shortcut for headphone cueing in Deck1 is T while for Deck 2 the shortcut is Y. Mixxx can be used in two different ways for headphone cueing: Internal Mixing Mixxx plays multiple audio files on the computer at the same time, mixes them together, and sends the mixed signal to one audio interface output. A separate signal is sent to another audio interface output for headphone cueing. Often a DJ controller is used with internal mixing to provide easier control over Mixxx than a mouse and keyboard. Zunanje miksanje In this kind of setup, Mixxx plays multiple audio files on the computer at the same time and sends each track to a separate audio interface output. The audio interface’s outputs are plugged into an external hardware mixer. The hardware mixer performs the actual mixing of the audio signals. On the hardware mixer, there are separate outputs for the mixed signal to play to the audience and for the DJ to use headphone cueing. External mixing is typically used with turntables and special vinyl records to manipulate digital music files as if the music was on the vinyl records. 1 Mixxx User Manual, Izdaja 2.2.2 Figure1: Using Mixxx together with a DJ controller for internal mixing. The DJ controller has an integrated audio interface that provides two separate stereo outputs. Figure2: Using Mixxx together with
Load more

Recommended publications
  • Digging in the Crates: an Ethnographic Study of Djsʼ Work Ahmed Y
    Digging in the Crates: An Ethnographic Study of DJsʼ Work Ahmed Y. Ahmed, Steve Benford, Andy Crabtree Mixed Reality Laboratory University of Nottingham, Nottingham NG8 1BB, UK {psxaaa, sdb, axc}@cs.nott.ac.uk ABSTRACT Contemporary DJing provides a salient site to explore the An ethnographic study uncovers the work of nightclub DJs, interplay between traditional physical and emerging digital which extends far beyond the act of mixing tracks to also forms of music and so inform future music technologies. It encompass collecting music, preparing for performances, should therefore come as no surprise that there is already an and promotion and networking. We reveal how DJs value established history of DJ-related research. A previous study vinyl and digital formats in different ways, acquire music of DJs performing in nightclubs revealed how they draw on through ‘crate digging’, prepare physical and digital crates various cues to adapt their performances to the dancers of music before gigs, and how these underpin improvised [11]. Other studies have explored DJs’ varying attitudes selections during their performances. We document how towards new digital technologies [10] and the changing DJs interact with promoters, venues, dancers and other DJs, notions of DJ practice that have arisen as a result [15]. revealing an etiquette that governs how they select and Novel technologies have been developed to partially or share music, and manage an ongoing tension between even fully automate DJing such as Mixxx, which employs revealing and hiding metadata so as to maintain a automatic beat matching so as to free up the DJ’s time to competitive edge.
    [Show full text]
  • Porting Portaudio API on ASIO
    GRAME - Computer Music Research Lab. Technical Note - 01-11-06 Porting PortAudio API on ASIO Stéphane Letz November 2001 Grame - Computer Music Research Laboratory 9, rue du Garet BP 1185 69202 FR - LYON Cedex 01 [email protected] Abstract This document describes a port of the PortAudio API using the ASIO API on Macintosh and Windows. It explains technical choices used, buffer size adaptation techniques that guarantee minimal additional latency, results and limitations. 1 The ASIO API ASIO (Audio Streaming Input Ouput) is an API defined and proposed by Steinberg. It addesses the area of efficient audio processing, synchronization, low latency and extentibility on the hardware side. ASIO allows the handling of multi-channel professional audio cards, and different sample rates (32 kHz to 96 kHz), different sample formats (16, 24, 32 bits of 32/64 floating point formats). ASIO is available on MacOS and Windows. 2 PortAudio API PortAudio is a library that provides streaming audio input and output. It is a cross-platform API that works on Windows, Macintosh, Linux, SGI, FreeBSD and BeOS. This means that programs that need to process or generate an audio signal, can run on several different computers just by recompiling the source code. PortAudio is intended to promote the exchange of audio synthesis software between developers on different platforms. 3 Technical choices Porting PortAudio to ASIO means that some technical choices have to be made. The life cycle of the ASIO driver must be “mapped” to the life cycle of a PortAudio application. Each PortAudio function will be implemented using one or more ASIO functions.
    [Show full text]
  • Python-Sounddevice Release 0.4.2
    python-sounddevice Release 0.4.2 Matthias Geier 2021-07-18 Contents 1 Installation 2 2 Usage 3 2.1 Playback................................................3 2.2 Recording...............................................4 2.3 Simultaneous Playback and Recording................................4 2.4 Device Selection...........................................4 2.5 Callback Streams...........................................5 2.6 Blocking Read/Write Streams.....................................6 3 Example Programs 6 3.1 Play a Sound File...........................................6 3.2 Play a Very Long Sound File.....................................8 3.3 Play a Very Long Sound File without Using NumPy......................... 10 3.4 Play a Web Stream.......................................... 12 3.5 Play a Sine Signal........................................... 14 3.6 Input to Output Pass-Through..................................... 15 3.7 Plot Microphone Signal(s) in Real-Time............................... 17 3.8 Real-Time Text-Mode Spectrogram................................. 19 3.9 Recording with Arbitrary Duration.................................. 21 3.10 Using a stream in an asyncio coroutine............................... 23 3.11 Creating an asyncio generator for audio blocks........................... 24 4 Contributing 26 4.1 Reporting Problems.......................................... 26 4.2 Development Installation....................................... 28 4.3 Building the Documentation..................................... 28 5 API Documentation
    [Show full text]
  • The Open Master Hearing Aid (Openmha) Application Engineers' Manual
    The Open Master Hearing Aid (openMHA) 4.16.1 Application Engineers’ Manual © 2005-2021 by HörTech gGmbH, Marie-Curie-Str. 2, D–26129 Oldenburg, Germany The Open Master Hearing Aid (openMHA) – Application Engineers’ Manual HörTech gGmbH Marie-Curie-Str. 2 D–26129 Oldenburg iii LICENSE AGREEMENT This file is part of the HörTech Open Master Hearing Aid (openMHA) Copyright © 2005 2006 2007 2008 2009 2010 2012 2013 2014 2015 2016 HörTech gGmbH. Copyright © 2017 2018 2019 2020 2021 HörTech gGmbH. openMHA is free software: you can redistribute it and/or modify it under the terms of the GNU Affero General Public License as published by the Free Software Foundation, version 3 of the License. openMHA is distributed in the hope that it will be useful, but WITHOUT ANY WARRANTY; without even the implied warranty of MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the GNU Affero General Public License, version 3 for more details. You should have received a copy of the GNU Affero General Public License, version 3 along with openMHA. If not, see <http://www.gnu.org/licenses/>. © 2005-2021 HörTech gGmbH, Oldenburg Contents 1 Introduction 1 1.1 Structure........................................ 1 1.2 Platform Services and Conventions......................... 2 2 The openMHA configuration language4 2.1 Structure of the openMHA configuration language................. 4 2.2 Communication between openMHA Plugins .................... 7 3 The openMHA host application8 3.1 Invocation of ’mha’ .................................. 8 3.2 Configuration variables of the openMHA host application............. 10 3.3 States of the openMHA host application ...................... 11 3.4 Audio abstraction layer................................ 11 4 GNU Octave/MATLAB tools 15 4.1 "mhactl_wrapper" - openMHA control interface for GNU Octave and MATLAB .
    [Show full text]
  • Op E N So U R C E Yea R B O O K 2 0
    OPEN SOURCE YEARBOOK 2016 ..... ........ .... ... .. .... .. .. ... .. OPENSOURCE.COM Opensource.com publishes stories about creating, adopting, and sharing open source solutions. Visit Opensource.com to learn more about how the open source way is improving technologies, education, business, government, health, law, entertainment, humanitarian efforts, and more. Submit a story idea: https://opensource.com/story Email us: [email protected] Chat with us in Freenode IRC: #opensource.com . OPEN SOURCE YEARBOOK 2016 . OPENSOURCE.COM 3 ...... ........ .. .. .. ... .... AUTOGRAPHS . ... .. .... .. .. ... .. ........ ...... ........ .. .. .. ... .... AUTOGRAPHS . ... .. .... .. .. ... .. ........ OPENSOURCE.COM...... ........ .. .. .. ... .... ........ WRITE FOR US ..... .. .. .. ... .... 7 big reasons to contribute to Opensource.com: Career benefits: “I probably would not have gotten my most recent job if it had not been for my articles on 1 Opensource.com.” Raise awareness: “The platform and publicity that is available through Opensource.com is extremely 2 valuable.” Grow your network: “I met a lot of interesting people after that, boosted my blog stats immediately, and 3 even got some business offers!” Contribute back to open source communities: “Writing for Opensource.com has allowed me to give 4 back to a community of users and developers from whom I have truly benefited for many years.” Receive free, professional editing services: “The team helps me, through feedback, on improving my 5 writing skills.” We’re loveable: “I love the Opensource.com team. I have known some of them for years and they are 6 good people.” 7 Writing for us is easy: “I couldn't have been more pleased with my writing experience.” Email us to learn more or to share your feedback about writing for us: https://opensource.com/story Visit our Participate page to more about joining in the Opensource.com community: https://opensource.com/participate Find our editorial team, moderators, authors, and readers on Freenode IRC at #opensource.com: https://opensource.com/irc .
    [Show full text]
  • The Pulseaudio Sound Server Linux.Conf.Au 2007
    Introduction What is PulseAudio? Usage Internals Recipes Outlook The PulseAudio Sound Server linux.conf.au 2007 Lennart Poettering [email protected] Universit¨atHamburg, Department Informatik University of Hamburg, Department of Informatics Hamburg, Germany January 17th, 2007 Lennart Poettering The PulseAudio Sound Server 2 What is PulseAudio? 3 Usage 4 Internals 5 Recipes 6 Outlook Introduction What is PulseAudio? Usage Internals Recipes Outlook Contents 1 Introduction Lennart Poettering The PulseAudio Sound Server 3 Usage 4 Internals 5 Recipes 6 Outlook Introduction What is PulseAudio? Usage Internals Recipes Outlook Contents 1 Introduction 2 What is PulseAudio? Lennart Poettering The PulseAudio Sound Server 4 Internals 5 Recipes 6 Outlook Introduction What is PulseAudio? Usage Internals Recipes Outlook Contents 1 Introduction 2 What is PulseAudio? 3 Usage Lennart Poettering The PulseAudio Sound Server 5 Recipes 6 Outlook Introduction What is PulseAudio? Usage Internals Recipes Outlook Contents 1 Introduction 2 What is PulseAudio? 3 Usage 4 Internals Lennart Poettering The PulseAudio Sound Server 6 Outlook Introduction What is PulseAudio? Usage Internals Recipes Outlook Contents 1 Introduction 2 What is PulseAudio? 3 Usage 4 Internals 5 Recipes Lennart Poettering The PulseAudio Sound Server Introduction What is PulseAudio? Usage Internals Recipes Outlook Contents 1 Introduction 2 What is PulseAudio? 3 Usage 4 Internals 5 Recipes 6 Outlook Lennart Poettering The PulseAudio Sound Server Introduction What is PulseAudio? Usage Internals Recipes Outlook Who Am I? Student (Computer Science) from Hamburg, Germany Core Developer of PulseAudio, Avahi and a few other Free Software projects http://0pointer.de/lennart/ [email protected] IRC: mezcalero Lennart Poettering The PulseAudio Sound Server Introduction What is PulseAudio? Usage Internals Recipes Outlook Introduction Lennart Poettering The PulseAudio Sound Server It’s a mess! There are just too many widely adopted but competing and incompatible sound systems.
    [Show full text]
  • Mixxx User Manual Release 2.1.0
    Mixxx User Manual Release 2.1.0 The Mixxx Development Team Apr 15, 2018 Contents 1 Introduction to Mixxx 1 1.1 How Mixxx Works............................................1 2 Getting Started 3 2.1 Opening Mixxx..............................................3 2.2 Importing your audio files........................................3 2.3 Analyze your library...........................................4 2.4 Configuring sound input and output...................................4 3 An Overview of the Mixxx Interface7 3.1 The Deck Sections............................................8 3.2 The Mixer Section............................................ 17 3.3 The Sampler Section........................................... 20 3.4 The Effects Section............................................ 22 3.5 The Microphone Section......................................... 22 3.6 Preview Deck Section.......................................... 22 4 The Mixxx Library 24 4.1 Overview of the Library features..................................... 24 4.2 Tracks - View and edit your whole collection.............................. 25 4.3 Loading Tracks.............................................. 28 4.4 Finding Tracks (Search)......................................... 29 4.5 Previewing Tracks............................................ 30 4.6 Edit metadata of audio files....................................... 30 4.7 Auto DJ - Automate your mix...................................... 33 4.8 Playlists - Arranging tracks in a set order................................ 33 4.9 Crates -
    [Show full text]
  • Audiomath Documentation Release 1.16.1
    audiomath Documentation Release 1.16.1 Jeremy Hill Sep 25, 2021 Table of Contents 1 Installation 3 1.1 Compatibility and requirements.....................................3 1.2 Normal installation............................................3 1.3 Advanced installation (from version-controlled sources)........................4 2 How to. 5 2.1 Read a sound from a file into memory..................................5 2.2 Write a sound from memory into a file.................................5 2.3 Create a sound from scratch, in memory.................................6 2.4 Define a functionally-generated sound..................................6 2.5 Perform simple arithmetic........................................7 2.6 Extract a segment of a sound.......................................7 2.7 Extract selected channels from multi-channel sounds..........................8 2.8 Concatenate sounds in time (splicing)..................................8 2.9 Stack channels (multiplexing)......................................9 2.10 Pitch-shift or time-stretch a sound.................................... 10 2.11 Preprocess a sound using SoX...................................... 10 2.12 Manipulate a sound in other miscellaneous ways............................ 10 2.13 Plot a sound............................................... 11 2.14 Play sounds................................................ 11 2.15 Play sounds with more-precise latency, via PsychPortAudio .................... 14 2.16 Record a sound into memory....................................... 15 2.17 Record
    [Show full text]
  • Proceedings Der Linux Audio Conference 2018
    Proceedings of the Linux Audio Conference 2018 June 7th - 10th, 2018 c-base, in partnership with the Electronic Studio at TU Berlin Berlin, Germany Published by Henrik von Coler Frank Neumann David Runge http://lac.linuxaudio.org/2018 All copyrights remain with the authors. This work is licensed under the Creatice Commons Licence CC BY-SA 4.0 Published online on the institutional repository of the TU Berlin: DOI 10.14279/depositonce-7046 https://doi.org/10.14279/depositonce-7046 Credits Layout: Frank Neumann Typesetting: LATEX and pdfLaTeX Logo Design: The Linuxaudio.org logo and its variations copyright Thorsten Wilms c 2006, imported into "LAC 2014" logo by Robin Gareus Thanks to: Martin Monperrus for his webpage "Creating proceedings from PDF files" ii Partners and Sponsors Linuxaudio.org Technische Universität Berlin c-base Spektrum CCC Video Operation Center MOD Devices HEDD Native Instruments Ableton iii iv Foreword Welcome everyone to LAC 2018 in Berlin! This is the 15th edition of the Linux Audio Conference, or LAC, the international conference with an informal, workshop-like atmosphere and a unique blend of scientific and technical papers, tutorials, sound installations and concerts centering on the free GNU/Linux oper- ating system and open source software for audio, multimedia and musical applications. We hope that you will enjoy the conference and have a pleasant stay in Berlin! Henrik von Coler Robin Gareus David Runge Daniel Swärd Heiko Weinen v vi Conference Organization Core Team Henrik von Coler Robin Gareus David Runge
    [Show full text]
  • Linux Audio Conference 2019
    Proceedings of the Linux Audio Conference 2019 March 23rd – 26th, 2019 Center for Computer Research in Music and Acoustics (CCRMA) Stanford University, USA “In Ping(uins) e trust! Published by CCRMA, Stanford University, California, US March 2019 All copyrights remain with the authors http://lac.linuxaudio.org/2019 ISBN 978-0-359-46387-9 Credits Layout: Frank Neumann and Romain Michon Typesetting: LATEX and pdfLaTeX Logo Design: The Linuxaudio.org logo and its variations copyright Thorsten Wilms c 2006, imported into "LAC 2014" logo by Robin Gareus Thanks to: Martin Monperrus for his webpage "Creating proceedings from PDF files" ii Partners and Sponsors Linuxaudio.org iii iv Foreword Welcome everyone to LAC 2019 at CCRMA! For the second time in its seventeen year history, the Linux Audio Conference (LAC) is hosted in the United Stated of America by the Center for Computer Research in Mu- sic and Acoustics (CCRMA) at Stanford University. With its informal workshop-like at- mosphere, LAC is a blend of scientific and technical papers, tutorials, sound installations, and concerts centered on the free GNU/Linux operating system and open-source free soft- ware for audio, multimedia, and musical applications. LAC is a unique platform during which members of this community gather to exchange ideas, draft new projects, and see old friends. In these times of increasing political tensions and of rising extremism throughout the world, we believe that emphasizing and promoting the universality of this type of event is of the utmost importance. The Linux audio community exists worldwide; we believe it should remain a priority to diversify LAC’s geographical location from year to year for the benefit of those who can’t afford to travel to the other side of the world.
    [Show full text]
  • Purebasic Vs Freepascal
    Purebasic vs freepascal click here to download Most mentioned BASIC dialects are not as multi platform as Lazarus or even Freepascal except Purebasic and Realbasic. Logged. Today I downloaded and installed Lazarus (based on Free Pascal) just to . Most of these extra libs for PureBasic are created in C/C++ or are Read DirectUIHWND class window and. But, if you want write native applications, not requiring a third-party dlls and platforms, or native and cross- platform applications, you can't use. I downloaded both Lazarus & PureBasic and tried both and they look OK. I can not decide I love the Laz IDE, it's much faster than www.doorway.ru and. If I could just install a file (like a mdb, or maybe a Firebird DB file), thats use this for its awesome platform support - have a look at PureBasic. There is a language out there called pure basic, which is actually the . just like I can see why people liked Delphi or FreePascal; it's a nicer. Today I'm writing about PureBasic, a portable programming language, that works on Compared to Lazarus which uses freepascal this is small. just use out of the box, e.g. Threading, DLL creation (or sharedobjects), XML, JSON, Sqlite. The following tables list notable software packages that are nominal IDEs; standalone tools . PureBasic · Fantaisie Software · Proprietary, Yes, Yes, Yes, AmigaOS .. Free Pascal IDE, Volunteers, / February 15, , Yes, Yes, Yes . PyQt · GPLv3 "or later", Yes, until version and since version , Yes, since. In my honest opinion, there is not any language which is the easiest to start with, you could start with C++ or with PureBasic, or with C.
    [Show full text]
  • Aalborg Universitet Towards an Open Digital Audio Workstation for Live
    Aalborg Universitet Towards an open digital audio workstation for live performance Dimitrov, Smilen DOI (link to publication from Publisher): 10.5278/vbn.phd.engsci.00028 Publication date: 2015 Document Version Publisher's PDF, also known as Version of record Link to publication from Aalborg University Citation for published version (APA): Dimitrov, S. (2015). Towards an open digital audio workstation for live performance: the development of an open soundcard. Aalborg Universitetsforlag. (Ph.d.-serien for Det Teknisk-Naturvidenskabelige Fakultet, Aalborg Universitet). DOI: 10.5278/vbn.phd.engsci.00028 General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. ? Users may download and print one copy of any publication from the public portal for the purpose of private study or research. ? You may not further distribute the material or use it for any profit-making activity or commercial gain ? You may freely distribute the URL identifying the publication in the public portal ? Take down policy If you believe that this document breaches copyright please contact us at [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Downloaded from vbn.aau.dk on: April 30, 2017 THE DEVELOPMENT OF AN OPEN SOUNDCARD THE DEVELOPMENT OF FOR LIVE PERFORMANCE: AUDIO WORKSTATION AN OPEN DIGITAL TOWARDS TOWARDS AN OPEN DIGITAL AUDIO WORKSTATION FOR LIVE PERFORMANCE: THE DEVELOPMENT OF AN OPEN SOUNDCARD BY SMILEN DIMITROV DISSERTATION SUBMITTED 2015 SMILEN DIMITROV Towards an open digital audio workstation for live performance: the development of an open soundcard Ph.D.
    [Show full text]