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31 Days of Oscar® 2010 Schedule
31 DAYS OF OSCAR® 2010 SCHEDULE Monday, February 1 6:00 AM Only When I Laugh (’81) (Kevin Bacon, James Coco) 8:15 AM Man of La Mancha (’72) (James Coco, Harry Andrews) 10:30 AM 55 Days at Peking (’63) (Harry Andrews, Flora Robson) 1:30 PM Saratoga Trunk (’45) (Flora Robson, Jerry Austin) 4:00 PM The Adventures of Don Juan (’48) (Jerry Austin, Viveca Lindfors) 6:00 PM The Way We Were (’73) (Viveca Lindfors, Barbra Streisand) 8:00 PM Funny Girl (’68) (Barbra Streisand, Omar Sharif) 11:00 PM Lawrence of Arabia (’62) (Omar Sharif, Peter O’Toole) 3:00 AM Becket (’64) (Peter O’Toole, Martita Hunt) 5:30 AM Great Expectations (’46) (Martita Hunt, John Mills) Tuesday, February 2 7:30 AM Tunes of Glory (’60) (John Mills, John Fraser) 9:30 AM The Dam Busters (’55) (John Fraser, Laurence Naismith) 11:30 AM Mogambo (’53) (Laurence Naismith, Clark Gable) 1:30 PM Test Pilot (’38) (Clark Gable, Mary Howard) 3:30 PM Billy the Kid (’41) (Mary Howard, Henry O’Neill) 5:15 PM Mr. Dodd Takes the Air (’37) (Henry O’Neill, Frank McHugh) 6:45 PM One Way Passage (’32) (Frank McHugh, William Powell) 8:00 PM The Thin Man (’34) (William Powell, Myrna Loy) 10:00 PM The Best Years of Our Lives (’46) (Myrna Loy, Fredric March) 1:00 AM Inherit the Wind (’60) (Fredric March, Noah Beery, Jr.) 3:15 AM Sergeant York (’41) (Noah Beery, Jr., Walter Brennan) 5:30 AM These Three (’36) (Walter Brennan, Marcia Mae Jones) Wednesday, February 3 7:15 AM The Champ (’31) (Marcia Mae Jones, Walter Beery) 8:45 AM Viva Villa! (’34) (Walter Beery, Donald Cook) 10:45 AM The Pubic Enemy -
Retrospektive the Weimar Touch 1 a Midsummer Night's Dream Von Max
63. Internationale Filmfestspiele Berlin Retrospektive The Weimar Touch A Midsummer Night’s Dream von Max Reinhardt und William Dieterle mit James Cagney, Dick Powell, Olivia De Havilland, Mickey Rooney. USA 1935. Englisch. Kopie: Bonner Kinemathek, Bonn Car of Dreams von Graham Cutts und Austin Melford mit Grete Mosheim, John Mills, Norah Howard, Robertson Hare. Großbritannien 1935. Englisch. Kopie: British Film Institute, National Film & Television Archive, London Casablanca von Michael Curtiz mit Humphrey Bogart, Ingrid Bergman, Conrad Veidt, Peter Lorre. USA 1942. Englisch. Restaurierte Fassung (2012). DCP: Warner Bros. Pictures UK, vertreten durch Park Circus, Glasgow Confessions of a Nazi Spy von Anatole Litvak mit Edward G. Robinson, Francis Lederer, George Sanders. USA 1939. Englisch. Kopie: Cinémathèque de la Ville de Luxembourg, Luxemburg Einmal eine große Dame sein von Gerhard Lamprecht mit Käthe von Nagy, Wolf Albach-Retty, Gretl Theimer, Werner Fuetterer. Deutschland 1934. Deutsch mit englischen elektronischen Untertiteln. Kopie: Friedrich-Wilhelm-Murnau-Stiftung, Wiesbaden Ergens in Nederland. Een film uit de Mobilisatietijd (Somewhere in the Netherlands) von Ludwig Berger mit Lilly Bouwmeester, Jan de Hartog, Matthieu van Eysden. Niederlande 1940. Niederländisch mit englischen elektronischen Untertiteln. Kopie: EYE Film Institute Netherlands, Amsterdam First a Girl von Victor Saville mit Jessie Matthews, Sonnie Hale, Anna Lee, Griffith Jones. Großbritannien 1935. Englisch. Kopie: British Film Institute, National Film & Television Archive, London Fury von Fritz Lang mit Sylvia Sidney, Spencer Tracy, Walter Abel. USA 1936. Englisch. Kopie: Deutsche Kinemathek – Museum für Film und Fernsehen, Berlin Gado Bravo von António Lopes Ribeiro und Max Nosseck mit Nita Brandão, Olly Gebauer, Siegfried Arno, Portugal 1934. Portugiesisch/Deutsch mit englischen elektronischen Untertiteln. -
UNSOLD ITEMS for - Hollywood Auction Auction 89, Auction Date
26662 Agoura Road, Calabasas, CA 91302 Tel: 310.859.7701 Fax: 310.859.3842 UNSOLD ITEMS FOR - Hollywood Auction Auction 89, Auction Date: LOT ITEM LOW HIGH RESERVE 382 MARION DAVIES (20) VINTAGE PHOTOGRAPHS BY BULL, LOUISE, $600 $800 $600 AND OTHERS. 390 CAROLE LOMBARD & CLARK GABLE (12) VINTAGE $300 $500 $300 PHOTOGRAPHS BY HURRELL AND OTHERS. 396 SIMONE SIMON (19) VINTAGE PHOTOGRAPHS BY HURRELL. $400 $600 $400 424 NO LOT. TBD TBD TBD 432 GEORGE HURRELL (23) 20 X 24 IN. EDITIONS OF THE PORTFOLIO $15,000 $20,000 $15,000 HURRELL III. 433 COPYRIGHTS TO (30) IMAGES FROM HURRELL’S PORTFOLIOS $30,000 $50,000 $30,000 HURRELL I, HURRELL II, HURRELL III & PORTFOLIO. Page 1 of 27 26662 Agoura Road, Calabasas, CA 91302 Tel: 310.859.7701 Fax: 310.859.3842 UNSOLD ITEMS FOR - Hollywood Auction Auction 89, Auction Date: LOT ITEM LOW HIGH RESERVE 444 MOVIE STAR NEWS ARCHIVE (1 MILLION++) HOLLYWOOD AND $180,000 $350,000 $180,000 ENTERTAINMENT PHOTOGRAPHS. 445 IRVING KLAW’S MOVIE STAR NEWS PIN-UP ARCHIVE (10,000+) $80,000 $150,000 $80,000 NEGATIVES OFFERED WITH COPYRIGHT. 447 MARY PICKFORD (18) HAND ANNOTATED MY BEST GIRL SCENE $800 $1,200 $800 STILL PHOTOGRAPHS FROM HER ESTATE. 448 MARY PICKFORD (16) PHOTOGRAPHS FROM HER ESTATE. $800 $1,200 $800 449 MARY PICKFORD (42) PHOTOGRAPHS INCLUDING CANDIDS $800 $1,200 $800 FROM HER ESTATE. 451 WILLIAM HAINES OVERSIZE CAMERA STUDY PHOTOGRAPH BY $200 $300 $200 BULL. 454 NO LOT. TBD TBD TBD 468 JOAN CRAWFORD AND CLARK GABLE OVERSIZE PHOTOGRAPH $200 $300 $200 FROM POSSESSED. -
Torrance Press
JUNE 23, 1963 TELEVISION LOG FOR THE WEEK SUNDAY MONDAY TUESDAY WEDNESDAY FRIDAY SATURDAY JUNE 26 JUNE 23 JUNE 24 JUNI 25 JUNE 21 JUNE 29 12:00 i 2) Tet) n Again 12:00 < 2 Burn.* and Alien 12:00 ( 2) Burns and Alien 12:00 ( 2) Burns and Alien 12:00 ( 4^ Ben Jarrod 12:00 ( 2) S*y King ( '•) Movie ( 4) Ben Jerrod ( 4) Ben Jerrod ( 4) Ben Jerrod ( 5) Medic ( 4) Ivanhoe ( 9.) Movie ( 5) Medic ( 5) Medic ( 5) Medic ( 7) *ennessee Ernie ( 7) Bugs Bunny 01) Movie ( 7) Tennessee Ernie ( 7) Ernie Ford ( 7) Tennessee Ernie ( 9) Hour of St. Francis ( 9) Movie d3' o.di Roberts ( 9) Searchlight on ( 9) American ( 9) Dr. Spock (11) Sheriff John (13) Del Moore Civilization 12:30 ( 2) Washington Report Delinquency (11) Sherifi John (13) Assignment 12:30 ( 2) News Mike (13) Assignment (13) Assignment Underwater ( 4) Dr. Frank Baxter (C) (13) Assignment Underwater Wallace Underwater Underwater 12:30 i 2' A> World Turns ( 5) Speedway 12:30 ( 2) As World Turns 12:10 (11) Dodger Dugout ( 4) Teacher '63 international 12:30 ( 2) As World turns (4 ) The Doctors ( 5) Trouble With Father ( 7) Magic Land ( 5) Trouble With Father U:3U « 2> A> World Turns ( 9) Mr. D.A. (13) business (4 ) The Doctors 112:45 ( 2) Sports ( 7) Father Knows Best (4 ) The Doctors (11) Maryann Maurer Opportunities ( 5) Troublp With Father ( 5) Trouble With Father | 1:00 ( 2) Space ( 9) Mr. D.A. (13) 1:00 ( 2) Sum and Substance ( 7) Father Knows Best (ll)Maryann Maurrr ( 9) Mr. -
1948-02-20, [P ]
d Friday, February 20,1948 TOLEDO UNION JOURNAL Page Five “My Girl Tisa” Esther Williams ■y ■v Battling 7 lie Keys ''-n ‘ '■! / ' * HOLLYWOOD — Esther Williams is trying to dupli cate her speed in the swim ming pool on a typewriter. The amphibious Metro- Goldwyn-Mayer star, re Fortune Tn Jewels cently returned from a per Teen-Agers Find Hollywood sonal appearance tour in Screen-Tested AVith connection with the Tech Barbara Stanwyck nicolor musical, “This Time Land Of Opportunity HOLLYWOOD — A fortune For Keeps,” is battling a January 1 deadline. HOLLYWOOD—Hollywood is the teen-agers best booster. in jewels to be worn by Barbara % In no other field of professional activity do ambitious adol Stanwyck in Hal Wallis’ “Sorry, Scheduled for summer escents get so many opportunities of putting their talents to work release> Miss Williams’ with such profitable results in keeping the piggy bank full. The Wrong Humber” was screen- 41 / fy. Ok' AA-Aa^A^A book, “Or Would You tested at Paramount when a Rather Be A Fish?” must movie-makers have long made a jractice of keeping their talent reach publishers Doubleday, scouts on the lookout fo promis quarter of a million dollars in Doran and Company, be ing teen-age material for future T7i roiving Gurred diamonds and other precious stardom. stones were photographed. 0 "W'J fore the New Year. Petite Wanda Hendrix, whose A guide to swimming, A heavy squad of studio five feet, two inches hardly ta. the book covers all angles measure up to her large abilities % police was stationed on Stage 7 of the aquatic art. -
Cliff Harrington
“I have shaken the hand of Moses, Michelangelo and Ben Hur.” Cliff Harrington Cliff interviewing Charlton Heston, Imperial Hotel, 1976 Cliff Harrington (1932 — 2013), traveler, writer, English teacher, friend Interviewed by Allan Murphy, Tokyo 26 March, 1998 Text copyright Allan Murphy, 2017 http://www.finelinepress.co.nz "1 Preface I met Clifford (Cliff) Harrington when we both worked for an English language school in Tokyo. The English Language Education Council (ELEC) had its own seven-storey building, next to Senshu University, for over 40 years before moving to smaller premises in Jimbocho. We worked together for at least 10 years. The school's foreign teachers basically fell into one of two camps. There were the older teachers with 20 or more years of time here and to whom Japan was home. And there were the younger teachers with a maximum of five years or so here. Most were in Japan for the travel experience or what Australians refer to as "the gap year" — a break after graduating from university and before taking a full-time job at home. Needless to say, Cliff was in the former group, and I was in the latter. Of all the old hands, to me anyway, it seemed that only Cliff could truly relate to the younger staff. Typically on a Friday night after work, Cliff and half a dozen other teachers would go to a nearby pub. Along with the beer, soon travel stories would be pouring out. Everyone had some interesting experiences to share. But, whenever it became Cliff's turn, he'd easily trump all of us and then hold the floor. -
1941-08-24 [P F-2]
To the Be Osborne 'Blues' Role for Carolyn Young They'll Will Osborne and his bend have Carolyn Lee. child star of "Vir- in been engaged by Warner Bros, for ginia" and "Birth of the Blues " Theaters This W eek musical In "New Orleans will next in "Out of the New on Photoplays Washington sequences appear Faces the Screen Blues." Another name band that Frying Pan," Paramount'* picturiza- will appear in the picture is that tion of the hit Broadway play by (Continued From First WEEK or AUG Page.) SUNDAY MONDAY TUESDAY WEDNESDAY THURSDAY FRIDAY SATURDAY of Jimmy Lunceford. which has al- Francis Swann. which Edward H. ' "Pet β' Geld" I "Pot o' Gold "That Uncertain "That Uncertain "M#et John Do# end Meet John Doe" end "The Or«t Swindl* ready done its studio stint. The Griffith will produce and direct. Vir- «Omen and their talents never were in the same and and and Feeling and "I Wis a Prisoner on I Wa« * Prisoner on • rid questioned. They appear Academy Feeling cast of the feature, directed Van wrote "Vir* ; 8th »nfl Ο Sts b e. "Hit the Road." I "Hit the Rond •father» Son." ''Father's De vils Isla nd." Devil's Island." Across the Sierra»." being ginia Upp, whc film. "They Died with Their Boots On." 6on^ bv Anatole is headed will Robert Montgomery 1 Robert Montgomery Robert Montgomery Robert Montgomery Robert Montgomery Err ο! Fi y η η end Errol Flynn and Litvak, by glnia." adapt the comedy, Most of the once-famous old timers, of course, never will rise to any- Ambassador in Here Comes Mr. -
Letters from the Homefront Your Task
WWII: US Homefront Letters from the Homefront Even if you weren’t fighting in World War II, you were still expected to contribute to the war effort at home. Some of these contributions included rationing what you ate/bought, growing your own produce, purchasing war bonds to help the government pay for the war, or even joining the workforce. The nation mobilized itself entirely to fight a war on two fronts in a way that, today, we have never experienced. The culture, entertainment, and lives of Americans at home during WWII was completely centered around and dedicated to the success of the war. Winning the war abroad started with winning the war at home. Your Task: Imagine that you are writing from the US homefront to a loved one fighting in the war. They’ve been gone for some time, and you’ve heard in the news that things might be getting rough for the troops. You’ve decided a good way to lift their spirits would be to send them a letter updating them about what’s been happening at home! This packet contains several primary and secondary sources from the US homefront during WWII. Using at least four of the sources, compose a letter to your loved one giving them an update of how things are on the homefront. Letters should be at least one full page long single-spaced. If you do not finish in class, you will need to turn it in tomorrow in class. Source A: 2 Source B: Victory Gardens As part of the war effort, the government rationed foods like sugar, butter, milk, cheese, eggs, coffee, meat and canned goods. -
Yjews Ior Iflfjodern Idjomen
Victory Aides YJewS ior Iflfjodern IdJomen Joan Dean Monday, May 11, 1942 DETROIT EVENING TIMES (PHONE CHERRY 8S00) PAGE 9 Salade Plate Light but Tasty Luncheon Dish Unusual Appetizer Jelly Sauce DRAIN GRAPEFRUIT sec- MAKE JELLY and butUr into A COOLING and colorful UGHT LUNCHEON dishes 1 teaspoon baking powder tions, sprinkle with salt and sauce lor pudding or ice cream. salad supper plate hits the spot with an unusual tang are always 1 teaspoon salt. Melt 1 small glass jellyover low 2 tablespoons shortening sugar. Wrap each in half strip on a warm evening. Arrange an a welcome addition to the recipe of bacon and skewer with a heat; blend In 4 tablespoons but- Pour milk over crumbled bis- Serve hot Green mint jelly individual mold made with shelf. Since eggs are such a cuits, cool and beat until smooth. toothpick. Broil at medium heat ter until bacon is crisp and grape- is nice for peppermint or choco- whole kernel com, chopped popular food for this meal-- Stir in beaten egg yolks. Add cream; grape jelly for leva think of some different fruit sections are heated late ice green pepper and tomato aspic baking powder and salt. Fold pineapple sherbet. ways of using them. in stiffly beaten egg whites. through. Serve as appetizer or in the center of a leaf of let- as garnish with meat course. Around place How about combining with a Heat shortening in heavy skillet. tuce. it sliced cereal to un- cold meats, stuffed hard cooked crunchy make an Pour in omelet mixture and To Cut Marshmallows usual omelet ? cook covered over very low heat BAKED HABH eggs, celery and carrot curls. -
1949-02-11, [P ]
Cho9* Variety of POLISH JlOME COOKED MEAL* EVERY DAY LIQUORSU WINES—BEER MIXED DRINKS Open Daily from 6:00 A. M SPECIAL SUNDAY DINNERS tok:3&.A M Friday, February 11, 1949 TOLEDO UNION JOURNAL Page Five Visiting Time IWewissaBid <a<»Ksip I BARBERSHOPPING I FINISHED '/> 11 TV 1 HOLLYWOOD — The “Bar- ( yQ O Pl ber Shop Quartet” number in CX k-/ X Xvl. geon, Johnson Top M e t r o-Goldwyn-Mayer’s “The! 7 Good Old Summertime,” has! wound up shooting, completing; w i the list of musical selections toi AlbStar ‘ Command Decision” be filmed. Judy Garland was z/- E<SCRE 0 featured in the number. I ^,4^ Releaaetf by WNU Feature*. For sheer thrills, mounting suspense and heart-gr:——g in O Give Lizabeth Scott a good tensity, there has never been a picture like “Command on,” death scene and she's happy. She Glamour. Inc the explosive, star-studded drama coming to the Valentine The didn’t like the one in “Dead atre. Reckoning” — “It was only a When you consider that the all-male cast of this new M-G-M three-line scene, and the dial offering is headed by such top ogue was terrible,” she explained film personalities, as Clark Ga at lunch the other day. “But I Iturbi Is Veteran ble, Walter Pidgeon, Van John have a five-line scene in “Bitter son, Brian Donlevy, John Hod- Victory,” and it was supervised In Films, After All iak, Charles Bickford and Ed by a famous doctor, so it’s abso HOLLYWOOD — When ward Arnold, you have an idea lutely authentic.” ever anyone congratulates of the importance attached by Jose Iturbi, who is one of M-G-M to its film version of the the headliners of “That Mid smach Broadway stage success. -
Picture F?Tj Cjlou,Ellci J~^Cu'sons Hollywood /Mrs
PART 2. PAGE 7 Sunday. December 27. 1912 DETROIT SUNDAY TIMES /7V7OYr CHERRY ericcin picture f?tj cJlou,ellci j~^cu'sons Hollywood /Mrs. Miniver7 Players To Welcome Dominate Starting 11; 43 in Stride Alternates Also Picked MB dß' By LOUELLA O. PARSON’S By BILL WICkKRSIIAM Hr' Motion Picture Editor International Nrw» Service »pr< lai |4> TUK IIKTROIT TLMKH HOLLYWOOD, !>c. 26 jPWBTV' HOLLYWOOD, Dec. 26. r PIME was when practically morning! 1 every filmtown notable Let * hope you will be on speaking terms with Year * Eve turned out on New motion to make swank whoopee and. at me after I print my annual All-American ihe magical moment of midnight, picture team for 1942. This annual feature, in- to raise the glasses in toasts GOOD 12 years ago, is offend after serious augurated to personal good fortune consideration. If you don’t agree with me, write and let mu throughout the coming year. nothing than a good argument. year, however, rev- know. I love better This their Garson, captains my team eling will not be so swank. Their irai Congratulations to Greer who toasts will be drunk to victory. for 1942. 1 name her for her never-to-be-forgotten perform- And that one burst of spirit will ance in "Mrs. Miniver," and place her on my team as center. l*e about it. Not because of the to her credit which will 12 o’clock cocktail curfew, but Greer also has "Random Harvest" because, ere the echo of their ¦** v win her additional fame. subsided, they’ll team in half a dozen shouting has d MR James Cagney, who hasn't made the ’%! i+ making grim resolution" to JWT i k 'iti-uW' years, gets the oovdtd quarterback spot. -
P-26 Motion Picture Collection Repository: Seaver Center For
P-26 Motion Picture Collection Repository: Seaver Center for Western History Research, Natural History Museum of Los Angeles County Span Dates: c.1872-1971, bulk 1890s-1930s Extent: 48 linear feet Language: Primarily English Conditions Governing Use: Permission to publish, quote or reproduce must be secured from the repository and the copyright holder Conditions Governing Access: Research is by appointment only Preferred Citation: Motion Picture Collection, Seaver Center for Western History Research, Los Angeles County Museum of Natural History Related Holdings: There are numerous related collections, and these can be found by consulting the Photo and General Collection guides available at the Seaver Center’s website. They include manuscripts in general collection 1095 (Motion Pictures Collection), general collection 1269 (Motion Picture Programs and Memorabilia), general collection 1286 (Movie Posters Collection), general collection 1287 (Movie Window Cards and Lobby Cards Collection), and general collection 1288 (Motion Picture Exhibitors’ Campaign Books). Seaver Center for Western History Research P-26 Abstract: The Motion Picture Collection is primarily a photograph collection. Actor and actress stills are represented, including portraits by studio photographers, film and set stills, and other images, as well as related programs, brochures and clippings. Early technology and experimental work in moving pictures is represented by images about camera and projection devices and their inventors. Items related to movie production include early laboratories, sound, lighting and make-up technology. These items form Photograph Collection P-26 in the Seaver Center for Western History Research. Scope and Content: The Motion Picture Collection is primarily a photograph collection. Actor and actress stills are represented (including portraits by studio photographers), film stills, set stills, and other images, as well as related programs, brochures and clippings.