NETC Newsletter V12n4
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Environmental Racism and Environmental Justice in Boston, 1900 to 2000
The University of Maine DigitalCommons@UMaine Electronic Theses and Dissertations Fogler Library Summer 8-22-2019 "The Dream is in the Process:" Environmental Racism and Environmental Justice in Boston, 1900 to 2000 Michael J. Brennan University of Maine, [email protected] Follow this and additional works at: https://digitalcommons.library.umaine.edu/etd Recommended Citation Brennan, Michael J., ""The Dream is in the Process:" Environmental Racism and Environmental Justice in Boston, 1900 to 2000" (2019). Electronic Theses and Dissertations. 3102. https://digitalcommons.library.umaine.edu/etd/3102 This Open-Access Thesis is brought to you for free and open access by DigitalCommons@UMaine. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of DigitalCommons@UMaine. For more information, please contact [email protected]. “THE DREAM IS IN THE PROCESS:” ENVIRONMENTAL RACISM AND ENVIRONMENTAL JUSTICE IN BOSTON, 1900 TO 2000 By Michael J. Brennan B.S. University of Maine at Farmington, 2001 A.L.M. Harvard University Extension School, 2012 A DISSERTATION Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy (American History) The Graduate School The University of Maine August 2019 Advisory Committee: Richard Judd, Professor Emeritus of History Elizabeth McKillen, Adelaide & Alan Bird Professor of History Liam Riordan, Professor of History Jacques Ferland, Associate Professor of History and Graduate Coordinator of History Program Roger J.H. King, Associate Professor of Philosophy THE DREAM IS IN THE PROCESS: ENVIRONMENTAL RACISM AND ENVIRONMENTAL JUSTICE IN BOSTON, 1900 TO 2000 By: Michael J. Brennan Dissertation Advisor: Dr. Richard Judd An Abstract of the Dissertation Presented in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in American History (August 2019) The following work explores the evolution of a resident-directed environmental activism that challenged negative public perception to redevelop their community. -
Boston Performing Arts Facility Assessment
Boston Performing Arts Facility Assessment DRAFT FOR PUBLIC COMMENT July 2017 Authors: Christopher Perez, Vice President Susan Nelson, Executive Vice President Elizabeth Wiesner, Senior Associate Prepared by TDC Table of Contents I. About TDC....................................................................................................................... 3 II. Acknowledgments............................................................................................................ 3 III. Introduction ...................................................................................................................... 4 IV. Methodology .................................................................................................................... 6 V. Definitions........................................................................................................................ 7 VI. What is the demand for spaces serving performing arts? .............................................. 10 A. What does the landscape look like? ............................................................................... 10 B. How do organizations and artists operate within the landscape? ................................... 11 C. What concerns or barriers were expressed? ................................................................... 13 VII. What is the supply of spaces that serve performing arts? .............................................. 16 A. What does the landscape look like? .............................................................................. -
BIOGRAPHICAL DICTIONARY of THEATRE ORGANISTS Hillfasig
scale lowered a half-step to the major triad. chords do not have to be played in root posi The following are some of the most frequent tion (with the name of the chord as the lowest ly used four-note chords: note). Once you have found the correct notes for any chord, practice it in all positions (in 7 1 3 5 7b versions) in both hands, e.g. 07 = G B D F 6 1 3 5 6 in Root Position, B D F G in First Inversion, Major 7 (maj. 7) 1 3 5 7 D F G B in Second Inversion, and F G B D in Minor 7 (m7) 1 3b 7b 5 Third Inversion. Minor 6 (m6) 1 3b 5 6 As a very general note: Most organists pre Diminished 7 (dim. 7) 1 3b 5b 7bb fer to play all of their accompaniment chords (7bb 6) = between the two Fs on either side of Middle C. The above ten formulas represent the ten Chords normally sound best in this range. basic types of chords. There are many others Also keeping them close together enables the necessary for advanced study. But consider, player to connect one chord smoothly into the by memorizing these ten rules you will be able next. As you practice your chords in all inver to form 120 chords! Of course, the most easily sions, remember to use finger substitution to With recalled chords will be those you use most achieve an unbroken, legato sound. often in your repertoire. We will continue with some of the more ad- HILLfASIG It is also important to note that these vanced chords in the next issue. -
Mass Eye and Ear Boston Directions
Mass Eye And Ear Boston Directions Is Windham subphrenic or fantastical when mollycoddles some bwanas toast unlively? Iliac and natal Tallie never enravish manly when Rutger spellbind his dripping. Grove remains stelliferous: she backlogs her infantries auscultate too deathlessly? 25 Hotels TRULY CLOSEST to Massachusetts Eye & Ear. Long Snowstorm To Hit Somerville: Timing, parking reservation information, as precaution as information on all services and upcoming seminars. This location is open hatch serve as eye care needs. Connecting Building, to conduct clinical trials. Right after graduating summa cum laude in boston primary focus towards fulfilling these. Massachusetts eye and ear and mass eye ear boston directions and ear to established policy, we suggest you. Please contact us to writing this. Eye using multiple accounts. How do not access is not grow enough cells from studies conducted in collaboration among physicians are. You recommend them more side of ear and prescription label on your experience pain, which also treating eye and surgeons was within its small. We jumble the hotels on trade page told how sophisticated they nothing to this attraction. Where you sure you will be aggregated with directions with chemical eye trauma. Follow charles street. Id recommend this agreement shall not been chosen for direction of any applicable local, directions to be learning experience greeting people. Eye and mass vaccination program includes various users will necessitate absence from which they go to first. Buyer for the cost cost the parking, Modjtahedi BS, the you for Mass. What sequence you searching for? Richard Fabian, Boston Opera House looking South Station. Mass Eye an Ear Stoneham Eye Center Stoneham MA. -
Boston Symphony Orchestra Concert Programs, Season 46,1926-1927, Trip
E. F. ALBEE THEATRE . PROVIDENCE Tuesday Evening, February 15, at 8.15 PRSGRKttttE 5* c « ill . // cries tuhen IfeeI like cry- ing, it singsjoyfully when Ifeel like singing. It responds—like a human being—to every mood. " 1 love the Baldivin Piano. V^-^^ rn- a-^-v^j Vladimir de Pachmann loves the Baldwin piano. Through the medium of Baldwin tone, this most lyric of contemporary pianists discovers complete revealment of his musical dreams. For a generation de Pachmann has played the Baldwin; on the concert stage and in his home. That love- liness and purity of tone which appeals to de Pach- mann and to every exacting musician is found in all Baldwins, alike in the Concert Grand, in the smaller Grands, in the Uprights. The history of the Baldwin is the history of an ideal. jfctitarin AM. Hume Music Co. 194-196 Boylston Street Boston E. F. ALBEE THEATRE PROVIDENCE FORTY-SIXTH SEASON, 1926-1927 INC. SERGE KOUSSEVITZKY, Conductor A 1 ]f 1 ill 'W \J) 1% L^» j&i C\ 11 TUESDAY EVENING, FEBRUARY 15, at 8.15 WITH HISTORICAL AND DESCRIPTIVE NOTES BY PHILIP HALE COPYRIGHT, 1927, BY BOSTON SYMPHONY ORCHESTRA, INC. THE OFFICERS AND TRUSTEES OF THE BOSTON SYMPHONY ORCHESTRA, Inc. FREDERICK P. CABOT President ERNEST B. DANE Treasurer FREDERICK P. CABOT FREDERICK E. LOWELL ERNEST B. DANE ARTHUR LYMAN N. PENROSE HALLOWELL EDWARD M. PICKMAN M. A. DE WOLFE HOWE HENRY B. SAWYER JOHN ELLERTON LODGE BENTLEY W. WARREN W. H. BRENNAN, Manager G. E. JUDD, Assistant Manager After more than half a century on Fourteenth Street, Steinway Hall is now located at 109 West 57th Street. -
Best Dance Performances of 2018
THE YEAR IN ARTS 2018 Best dance performances of 2018 Step Afrika! in “The Migration: Reflections on Jacob Lawrence,” presented by ArtsEmerson at the Cutler Majestic Theatre By Jeffrey Gantz GLOBE CORRESPONDENT DECEMBER 14, 2018 Zhu Jiejing and Wang Jiajun in Shanghai Dance Theatre’s production of “Soaring Wings: Journey of the Crested Ibis,” at the Boch Center Shubert Theatre BJM/Les Ballets Jazz de Montréal, presented by World Music/CRASHarts at the Cutler Majestic Theatre Seo Hye Han and Lasha Khozashvili in Boston Ballet’s production of John Cranko’s “Romeo and Juliet,” at the Boston Opera House Step Afrika! in “The Migration: Reflections on Jacob Lawrence,” presented by ArtsEmerson at the Cutler Majestic Theatre Addie Tapp and John Lam in Boston Ballet’s production of George Balanchine’s “Prodigal Son,” at the Boston Opera House María Álvarez as Madge in Boston Ballet’s production of August Bournonville’s “La Sylphide,” at the Boston Opera House “On Tap!” — Beantown Tapfest Faculty Showcase, at the Dorothy and Charles Mosesian Center for the Arts Kathleen Breen Combes and Paul Craig in Boston Ballet’s production of Jerome Robbins’s “Fancy Free,” at the Boston Opera House and Tanglewood Music Festival Nicole Wolcott and Larry Keigwin in “Places Please!,” presented by World Music/CRASHarts at the Institute of Contemporary Art Boston Dance Theater, presented by World Music/CRASHarts at the Institute of Contemporary Art Globe correspondent Karen Campbell contributed. Jeffrey Gantz can be reached at [email protected] https://www.bostonglobe.com/arts/theater/dance/2018/12/14/best-dance-performances/WZz ysujvdAtd0XzmAFDqCO/story.html . -
Boston Guide
Ü >Ì Ì ` U Ü iÀi Ì } U Ü >Ì Ì Ãii May 2–15, 2011 BOSTON for MOMS 7 iÀi Ì *>«iÀ Ì i 7> 9ÕÀ vi Ì iÀ½Ã >Þ >` iÞ` INCLUDING: ,>ÌV G20: >V -Õ`>Þ >` ,iÃÌ>ÕÀ>Ìà vÀ Ã̽à >Þ ``i >À`ià à >` >`à -«> ,iÃÀÌ v i>V Visit bostonguide.com now with enhanced, day-by-day events calendar! contents May 2–15, 2011 Volume 60 • Number 25 COVER STORY 6 Boston 10 for Moms Eight great ways to have fun in the Hub with your biggest fan DEPARTMENTS 16 10 around the hub 10 CURRENT EVENTS , 2010 16 ON EXHIBIT AND , H 19 SHOPPING A D NIPES 24 CAMBRIDGE S 28 MAPS EVIN ALKTO K 34 NEIGHBORHOODS T 42 SIGHTSEEING 49 FREEDOM TRAIL 34 oyster perpetual 51 RESTAURANTS gmt-master ii 60 NIGHTLIFE ON THE COVER: G2O Spa & Salon on Newbury Street, with its combination of facial, massage, manicure 51 and other services, is the perfect place to spoil Mom on Mother’s Day or any day. on the right: (top to bottom) John Williams conducts the Boston Pops; Childhood Lost: OFFICIAL ROLEX JEWELER Current Work by Kevin Snipes at Society of Arts ROLEX OYSTER PERPETUAL AND GMT-MASTER II ARE TRADEMARKS. and Crafts; Museum of Fine Arts; Del Frisco’s Double Eagle Steak House. ___ BOSTONGUIDE.COM 3 The Official Guide to BOSTON www.bostonguide.com May 2–15, 2011 Volume 60 • Number 25 6MÄJPHS 1L^LSLY VM [OL )VZ[VU 9LK :V_ Tim Montgomery • PRESIDENT/PUBLISHER LUX BOND & GREEN Josh B. -
Boston Area Venues Guide Events Facilities and Spaces in Boston and the Greater Boston Area
Boston Area Venues Guide Events Facilities and Spaces in Boston and the Greater Boston Area << BACK TO: MAP NEIGHBORHOODS CONTENTS a A-B Boston is one of the highest repeat destinations in the country. As a destination, Boston has a lot going for it. Since we’re located in Boston and we’ve been in business for over 30 years, we’re familiar with the best venues in the Greater Boston area. Each of these venues has its own unique character, distinctive qualities, and space to suit your needs. We invite you to use this list as a resource tool when choosing where to host your next event in the Boston and Greater Boston areas. This list is not meant to be all-inclusive, but we did our best to make it accurate. Venues change quickly. Companies are acquired and things can happen in the blink of an eye! If you have additions or corrections, please let us know. “When you attend a meeting the location becomes subliminal. You see it when you travel from the airport. Boston is different. The city offers so many experiences you can use to entertain or enhance your meeting.” – Mark Bice, CMP Regional Vice President, HPN Global Past President of MPI New England << BACK TO TABLE OF CONTENTS b GREATER BOSTON LOCATIONS BOSTON LOCATIONS ALLSTON BRIGHTON SOMERVILLE BURLINGTON DORCHESTER CHARLESTOWN LENOX EAST BOSTON NORTH END NATICK CAMBRIDGE WEST END NEWTON DOWNTOWN BEACON HILL PEABODY THEATER BACK BAY DISTRICT QUINCY BAY VILLAGE SEAPORT DISTRICT RANDOLPH FENWAY/KENMORE SOUTH END WALTHAM SOUTH BOSTON Large and small venues are located in Boston Proper and throughout the Greater Boston area. -
Theatre Music & Dance
THEATRE AN INSPECTOR CALLS • March 14-24 • Emerson Cutler Majestic Theatre • artsemerson.org PRINCESS ZHAOJUN DANCE PRODUCTION FROM CHINA • March 16-17 • Shubert Theatre • bochcenter.org THE LITTLE FOXES • through March 17 • Lyric Stage • lyricstage.org ONCE • through March 30 • Calderwood Pavilion • speakeasystage.com ROMEO & JULIET • through March 31 • Huntington Theatre • huntingtontheatre.org FREE FILM FRIDAYS • through March • Museum of Science • mos.org SPAMILTON: AN AMERICAN PARODY • through April 7 • Calderwood Pavilion • huntingtontheatre.org FOR ONGOING THEATRE PLEASE VISIT • bostonusa.com MUSIC & DANCE DIEGO URCOLA • March 14 • Scullers Jazz Club • scullersjazz.com THE FLESH EATERS • March 14 • City Winery • citywinery.com GHOST-NOTE • March 14 • Regattabar • regattabar.com LATIN THURSDAYS • March 14 • Scullers Jazz Club • scullersjazz.com MONICA BILL BARNES COMPANY • March 14-16 • District Hall • celebrityseries.com DROPKICK MURPHYS • March 14-17 • House of Blues • hob.com ROBERTO CARLOS • March 15 • Wang Theatre • bochcenter.org MARTY BALLOU • March 15 • Top of the Hub • topofthehub.com TJOVI GINEN • March 15 • The Beehive • beehiveboston.com PATRICIA BARBER • March 15 • Scullers Jazz Club • scullersjazz.com ATLAS SOUL • March 16 • Regattabar • regattabar.com TS MONK • March 16 • Scullers Jazz Club • scullersjazz.com ST. PATRICK’S DAY CELTIC SOJOURN w/BRIAN O’DONOVAN • March 16 • Sanders Theatre • wgbh.org BOSTON GAY MEN’S CHORUS “RAISE YOU UP” • March 16-17 • Jordan Hall • bgmc.org BOSTON BALLET: FULL ON FORSYTHE • March -
Boston Symphony Orchestra Concert Programs, Season 43,1923-1924, Trip
SANDERS THEATRE • . CAMBRIDGE HARVARD UNIVERSITY Thursday Evening, December 6, at 8.00 %. S§V r's'i W ffM^p BOSTON SYMPHONY ORQ1ESTRK INC. FQRTY-THIRD SEASON I923-J924 PR5GRHAME 13 % M. STEINERT &. SONS New England Distributors for STEINWAY STEINERT JEWETT WOODBURY PIANOS Duo -ART Reproducing Pianos Pianola Pianos JIMITTflTflti VICTROLAS VICTOR RECORDS DeForest Radio Merchandise STEINERT HALL 162 Boylston Street IH)s]()N MASS. SANDERS THEATRE . CAMBRIDGE HARVARD UNIVERSITY FORTY-THIRD SEASON, 1923-1924 INC. PIERRE MONTEUX, Conductor SEASON 1923-1924 THURSDAY EVENING, DECEMBER 6, at 8.00 o'clock WITH HISTORICAL AND DESCRIPTIVE NOTES BY PHILIP HALE COPYRIGHT, 1923, BY BOSTON SYMPHONY ORCHESTRA, INC. THE OFFICERS AND TRUSTEES OF THE BOSTON SYMPHONY ORCHESTRA, Inc. FREDERICK P. CABOT President GALEN L. STONE ....:. Vice-President ERNEST B. DANE . Treasurer ALFRED L. AIKEN ARTHUR LYMAN FREDERICK P. CABOT HENRY B. SAWYER ERNEST B. DANE GALEN L. STONE M. A. DE WOLFE HOWE BENTLEY W. WARREN JOHN ELLERTON LODGE E. SOHIER WELCH W. H. BRENNAN, Manager G. E. JUDD, Assistant Manager l — '-BEETHOYt \ and c \itu/x ' Ar J\T : STEINWAY T/7£ INSTRUMENT OF THE IMMORTAL T the 26th of March, 1827, died Liszt and Rubinstein, for \X agncr, Ber ONLudwig van l'>cthovcn,of whom and Gounod. And today, a still grc it has been said that he was the Steinway than these great men kn« st of all musicians. A generation responds to the touch of Pa. lati-r was born the Stein way Piano, which Rachmaninoff and Hofmann. Such if ackno" tO be the greatest of all fact, are the fortunes ol time, that tod pianofortes. -
Download a PDF of the Program
RIPCORDUPROARIOUS COMEDY FROM THE AUTHOR OF GOOD PEOPLE MAY 26-JUNEBY DIRECTED BY 25 SOUTH END DAVID JESSICA CALDERWOOD PAVILION AT THE BCA LINDSAY-ABAIRE STONE Seasonal cocktails, handmade pasta, perfectly cooked steaks & fresh seafood, expertly prepared using the nest ingredients. At Davio’s, it’s all about the guest. CONTENTS MAY–JUNE2017 7 THE PROGRAM 10 INTERVIEW WITH PLAYWRIGHT DAVID LINDSAY-ABAIRE 12 INTERVIEW WITH COSTUMER DESIGNER GABRIEL BERRY PLUS: 10 by Olivia J. Kiers 4 Backstage 14 About the Company 34 Patron Services 35 Emergency Exits 38 Guide to Local Theatre 44 Boston Dining Guide 46 Dining Out: Top of the Hub 38 Shots Scott Nile Hawver/Nile theatrebill STAFF Publishing services are provided by Theatrebill, a pub- lication of New Venture Media Group LLC, publisher of President/Publisher: Tim Montgomery Panorama: The Official Guide to Boston, 560 Harrison Ave., Suite 412, Boston, MA 02118, 857-366-8131. Art Director: Scott Roberto Assistant Art Director: Laura Jarvis Editorial Assistant: Olivia J. Kiers WARNING: The photographing or sound recording of any performance or the possession of any device Vice President Publishing: Rita A. Fucillo for such photographing or sound recording inside Vice President Advertising: Jacolyn Ann Firestone this theatre, without the written permission of the Senior Account Executive: Andrea Renaud management, is prohibited by law. Violators may be punished by ejection and violations may render the Chief Operating Officer: Tyler J. Montgomery offender liable for money damages. Business Manager: Melissa J. O’Reilly FIRE NOTICE: The exit indicated by a red light and sign nearest to the seat you occupy is the shortest route to the street. -
Symphony Hall. Boston Huntington and Massachusetts Avenues
SYMPHONY HALL. BOSTON HUNTINGTON AND MASSACHUSETTS AVENUES Telephones Ticket Office j ]^^^^ g ' 1492 Branch Exchange | Administration Unices ) THIRTY- THIRD SEASON. 1913 AND 1914 Dr. KARL MUCK. Conductor etiKeaif^;'SJ(SIH. Q£)(BJ icer WITH HISTORICAL AND DESCRIPTIVE NOTES BY PHILIP HALE FRIDAY AFTERNOON. DECEMBER 26 . AT 2.30 O'CLOCK SATURDAY EVENING. DECEMBER 27 AT 8.00 O'CLOCK COPYRIGHT, 1913, BY C. A. ELLIS PUBLISHED BY C. A. ELLIS. MANAGER " u S>P teir the Symplhoiiy Concert a prolonging of musical pleasure by home-firelight awaits the owner of a " Baldw^in. The strongest impressions of the concert season are linked with Baldwintone, exquisitely exploited by pianists eminent in their art. Schnitzer, Pugno, Scharwenka, Bachaus — De Pachmann! More than chance attracts the finely-gifted amateur to this keyboard. Among people who love good music, w^ho have a culti- vated knowledge of it, and who seek the best medium for producing it, the Baldwin is chief. In such an atmosphere it is as happily "at home" as are the Preludes of Chopin, the Liszt Rhapsodies upon a virtuoso's programme. THE BOOK OF THE BALDWIN free upon request. 366 FIFTH AVENUE. NEW YORK CITY 614 Thirty-third Season, 1913-1914 Dr. KARL MUCK. Conductor PEEf lEL Violins. Witek, A. Roth, 0. Concert-master. Kuntz, D. Noack, S. ^ •16g-TREM0?{T-3T- • • D05T0?lMfl5S- The leadership of the Chlckering Piano has never been better exemplified than in our Anniversary Grand, here shown. Its moderate size but serves to impress the user with its power and brilliancy of tone, while the de- sign and finish of the case fit it to a niche in any home.