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“What Is the Use of a Book Without Pictures?” an Exploration of The
Children’s Literature in Education DOI 10.1007/s10583-016-9279-1 ORIGINAL PAPER ‘‘What is the Use of a Book Without Pictures?’’ An Exploration of the Impact of Illustrations on Reading Experience in A Monster Calls Jen Aggleton1 Ó The Author(s) 2016. This article is published with open access at Springerlink.com Abstract This article examines the effect of Jim Kay’s illustrations on the experience of reading A Monster Calls by Patrick Ness. The author compares the responses of six Key Stage Three children (11–14 years old), three of whom were given an illustrated version of the text, and three a non-illustrated version. The children with an illustrated copy engaged with the text more deeply and critically than the others. They were also more likely to relate the story to their own lives. The illustrations were found to work alongside the participants’ own visualisations rather than replacing them, and opened up further possible interpretations rather than limiting them. The illustrations did not appear to have influenced the partici- pants’ overall enjoyment of the book, nor did they significantly alter the readers’ views on key themes and ideas of the text. Keywords Illustrations Á A Monster Calls Á Reading Experience Á Literacy Education In 2011, Walker Books published A Monster Calls, a young adult novel written by Patrick Ness, based on an original idea by Siobhan Dowd, who tragically died from cancer before being able to write the book herself. Dowd’s publishers asked Ness to fulfil the original concept, and commissioned Jim Kay to illustrate it. -
Edward Ardizzone Papers, 1935-1966
http://oac.cdlib.org/findaid/ark:/13030/tf1w1004hc No online items Finding Aid for the Edward Ardizzone Papers, 1935-1966 Processed by UCLA Library Special Collections staff; machine-readable finding aid created by Caroline Cubé UCLA Library Special Collections UCLA Library Special Collections staff Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 Email: [email protected] URL: http://www.library.ucla.edu/libraries/special/scweb/ © 1997 The Regents of the University of California. All rights reserved. Note Arts and Humanities --Book ArtsArts and Humanities --Fine Arts --DrawingArts and Humanities --Fine Arts --PaintingGeographical (By Place) --Europe --United Kingdom Finding Aid for the Edward 268 1 Ardizzone Papers, 1935-1966 Finding Aid for the Edward Ardizzone Papers, 1935-1966 Collection number: 268 UCLA Library Special Collections UCLA Library Special Collections staff Los Angeles, CA Contact Information UCLA Library Special Collections staff UCLA Library Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 Telephone: 310/825-4988 (10:00 a.m. - 4:45 p.m., Pacific Time) Email: [email protected] URL: http://www.library.ucla.edu/libraries/special/scweb/ Processed by: Phyllis Herzog, 7 July 1965 Encoded by: Caroline Cubé Online finding aid edited by: Josh Fiala, May 2002 © 1997 The Regents of the University of California. All rights reserved. Descriptive Summary Title: Edward Ardizzone Papers, Date (inclusive): 1935-1966 Collection number: 268 Creator: Ardizzone, Edward, 1900- Extent: 1 box (0.5 linear ft.) Repository: University of California, Los Angeles. Library Special Collections. Los Angeles, California 90095-1575 Abstract: Edward Ardizzone (1900-1979) was born in Haiphong, French Indochina. -
Edward Ardizzone: Artist and Illustrator Free
FREE EDWARD ARDIZZONE: ARTIST AND ILLUSTRATOR PDF Alan Powers | 208 pages | 01 May 2017 | Lund Humphries Publishers Ltd | 9781848221826 | English | London, United Kingdom Edward Ardizzone - Wikipedia Uh-oh, it looks like your Internet Explorer is out of date. For a better shopping experience, please upgrade now. Javascript is not enabled in your browser. Enabling JavaScript in your browser will allow you to experience all the features of our site. Learn how to enable JavaScript on your browser. Home 1 Books 2. Add to Wishlist. Sign in to Purchase Instantly. Members save with free shipping everyday! See details. Overview Edward Ardizzone RA was one of relatively few British artists who defined the field of illustration for their generation. Although his work as an artist and illustrator was wide-ranging, it is for his illustrated children's books, almost continuously available since they were first published from the late s onwards, that he is best known. This book provides the first fully illustrated survey of Ardizzone's work, analysing his activity as an artist and illustrator in the context of 20th- century British art, illustration, printing and publishing. Copiously illustrated with many previously unpublished images, Edward Ardizzone: Artist and Illustrator also contributes more broadly to the Edward Ardizzone: Artist and Illustrator reassessment and investigation of midth-century British art Edward Ardizzone: Artist and Illustrator illustration. Alan Powers author of the bestselling Eric Ravilious: Artist and Designer has written a critically considered text which draws for the first time on the family's archives, those of Ardizzone's publishers, and conversations with those who knew the artist. -
View Catalogue
BOW WINDOWS BOOKSHOP 175 High Street, Lewes, Sussex, BN7 1YE T: +44 (0)1273 480 780 F: +44 (0)1273 486 686 [email protected] bowwindows.com CATALOGUE TWO HUNDRED AND ELEVEN Literature - First Editions, Classics, Private Press 1 - 89 Children's and Illustrated Books 90 - 107 Natural History 108 - 137 Maps 138 - 154 Travel and Topography 155 - 208 Art and Architecture 209 - 238 General Subjects - History, Theology, Militaria 239 - 264 Cover images – nos. 93 & 125 All items are pictured on our website and further images can be emailed on request. All books are collated and described as carefully as possible. Payment may be made by cheque, drawn on a sterling account, Visa, MasterCard or direct transfer to Account No. 40009652 at HSBC Bank, Eastbourne, sort code 40-20-69. Our IBAN code is GB02 HBUK40206940009652; SWIFTBIC is MIDL GB22. Postage will be charged at cost. Foreign orders will be sent by airmail unless requested otherwise. Our shop hours are 9.30 a.m. to 5 p.m., Monday to Saturday; an answerphone operates outside of these times. Items may also be ordered via our website. Ric Latham and Jonathan Menezes General Data Protection Regulation We hold on our computer our customers names and addresses, and in some cases phone numbers and email addresses. We do not share this information with third parties. We assume that you will be happy to continue to receive these catalogues and for us to hold this information; should you wish to change anything or come off our mailing list please let us know. LITERATURE FIRST EDITIONS, CLASSICS, PRIVATE PRESS 1. -
Colour and Autolithography in the 20Th Century Exhibition Guide
Colour and Autolithography in the 20th Century Exhibition Guide An exhibition at Manchester Metropolitan University Special Collections Monday 14th November 2005 – Friday 24th March 2006 Ground Floor Third Floor Case 7 – 22 lifts and stairs Library to 3rd floor issue desk Information Desk Security Case 1 – 6 Stairs To i l e t s Gallery Walls 3rd Floor Case 26 – 30 Library Entrance Entrance Children’s Collection Lifts The exhibition begins Case on the ground floor of the Library. 23 – 25 CASE 1 CASE 2 retreat to many a war-struck child or evacuee. Modelled on some colourful Soviet books and the Technique 4 Plasticowell plates for Wild Flowers by Paxton Pere Castor series, produced in Paris, Puffin Picture Chadwick, 1949. Lent by Peter Chadwick. 1 Griffits,Thomas Edgar. The Technique of Colour books were designed to inform children about their Printing by Lithography, a concise manual of drawn Plastic sheets, invented at the printers W.S.Cowell, environment, natural history and everyday topics to lithography. London, Faber & Faber, 1948. 148×221mm. Ipswich.These cheap and portable sheets could do with the war, travel, hobbies, theatre and 110pp. Printed at The Baynard Press. replace stone or metal plates in lithographic print- machines. Designed to a standard formula of 32 ing. Each sheet would print a separate colour to pages including covers, the print run was of 20,000- Thomas Griffits became the most famous lithograph- build up the full colour plate.These sheets make up 30,000.The price was sixpence each.Young artists ic printer of his time, following his apprenticeship to the final print of a single page of Wild Flowers. -
Modern British, Irish and East Anglian Art Tuesday 19 November 2013 at 1Pm Knightsbridge, London
Modern British, Irish and East Anglian Art Tuesday 19 November 2013 at 1pm Knightsbridge, London Modern British, Irish and East Anglian Art Tuesday 19 November 2013 at 1pm Knightsbridge Bonhams Bids Enquiries Please see page 2 for bidder Montpelier Street +44 (0) 20 7447 7448 Modern British & Irish Art information including after-sale Knightsbridge +44 (0) 20 7447 7401 fax Emma Corke collection and shipment London SW7 1HH To bid via the internet please visit +44 (0) 20 7393 3949 www.bonhams.com www.bonhams.com [email protected] Please see back of catalogue for important notice to bidders Viewings Please note that bids should be Shayn Speed submitted no later than 24 hours +44 (0) 20 7393 3909 Illustration [email protected] East Anglian Pictures only before the sale. Front cover: Lot 91 The Guildhall Back cover: Lot 216 East Anglian Pictures Guildhall Street New bidders must also provide Inside front: Lot 46 Daniel Wright Bury St Edmunds proof of identity when submitting Inside back: Lot 215 +44 (0) 1284 716195 Suffolk, IP33 1PS bids. Failure to do this may result [email protected] in your bids not being processed. Tuesday 5 November 9am to 7pm Bidding by telephone will only be Customer Services Monday to Friday 8.30am to 6pm Wednesday 6 November accepted on a lot with a lower +44 (0) 20 7447 7447 9am to 4pm estimate in excess of £400. ----------- St Michael’s Hall Sale Number: 20779 Church Street Live online bidding is Reepham available for this sale Catalogue: £12 Norfolk, NR10 4JW Please email [email protected] with “Live bidding” in the subject Tuesday 12 November line 48 hours before the auction 9am to 7pm to register for this service. -
Document Template
Chatterbooks Fireside Fiction Activity Pack Reading and activity ideas for your Chatterbooks group Fireside Fiction About this pack Here are some fabulous Fireside Fiction titles for you to enjoy with your group, as well as ideas for discussion and activities. You’ll find stories about Christmas and winter; stories to take you to fantasy worlds and adventures, far away from the wind and the rain and the cold; stories which have been shared through generations; stories to curl up with by the fire , and stories to tell each other when you’re gathered round the fireside – or a cosy radiator. This Fireside Fiction pack is brought to you by The Reading Agency and their Children’s Reading Partner publisher partners. Chatterbooks [ www.chatterbooks.org.uk] is a reading group programme for children aged 4 to 14 years. It is coordinated by The Reading Agency and its patron is author Dame Jacqueline Wilson. Chatterbooks groups run in libraries and schools, supporting and inspiring children’s literacy development by encouraging them to have a really good time reading and talking about books. The Reading Agency is an independent charity working to inspire more people to read more through programmes for adults, young people and Children – including the Summer Reading Challenge, and Chatterbooks. See www.readingagency.org.uk Children’s Reading Partners is a national partnership of children’s publishers and libraries working together to bring reading promotions and author events to as many children and young people as possible. Contents 3 Fireside Fiction: Ideas for discussion, activities and story sharing: Warm up 4 Fireside Fiction: Longer activities 6 Fireside fiction for your Christmas tree 7 Fireside Fiction: the Books! 18 More Fireside Fiction reading ideas 19 A few tips for your Fireside Fiction story sharing Page 2 of 19 Fireside Fiction: Ideas for discussion, activities and story sharing Warm up Have a go at these two word puzzles. -
Graham Greene's Books for Children
Gallix: Graham Greene’s Books for Children 39 Graham Greene’s Books for Children his first children’s book, The Little Train. Graham Greene’s When it was published in 1946 by Eyre and Spottiswoode, it carried only the name of Books for Children the illustrator, Dorothy Craigie.2 For many generations, English-writing François Gallix authors have aimed at a double reader- ship, like Charles Dickens, Robert-Louis The 2011 Graham Greene Stevenson (who was one of Greene’s remote International Festival cousins), Jonathan Swift, Daniel Defoe, in children-adapted illustrated editions. “No one can recover from their childhood.” More recently, J.K. Rowling’s Harry Potter “Nul ne guérit de son enfance.” books were published in most countries —French singer, Jean Ferrat : in two editions, one for children, one for adults. Bloomsbury produced editions with The British actress, Emma Thomson, a different cover picture in Britain and in once declared: “There is in Britain a great the United States of America; in France respect for children’s literature: We take it “Gallimard” and “Folio Junior” carried the very seriously.” same text, but with different illustrations Undoubtedly, the relationship between and at a cheaper price. The most prominent what adults read and books for children has case was Philip Pullman, who surprised always been quite different in France and critics when he won the Whitbread prize in English-speaking countries. Thus, when for adults in 2001 for The Amber Spyglass,3 T.H. White’s agents decided to translate into the third volume of his trilogy intended for French The Sword in the Stone (1938),1 the children, His Dark Materials. -
St Patrick's Recommended Reading List
St Patrick’s Recommended Reading list At St Patrick’s we want your children to be confident readers and more importantly enjoy reading! We have put together a list of books that we feel your child will enjoy and suitable for their reading level! Red, Yellow, Blue, Green and Orange bands (Working within Foundation stage or stage 1) Title Author Each Peach Pear Plum Janet and Allen Ahlberg Mr Gumpy’s Outing John Burningham Rosie’s Walk’ Pat Hutchins The Very Hungry Caterpillar’ Eric Carle Mister Magnolia’ Quentin Blake Owl Babies’ Martin Waddel Alfie Gets in First’ Shirley Hughes Elmer David McKee Brown Bear, Brown Bear what do you see? Bill Martin and Eric Carle We’re going on a bear hunt Michael Rosen and Helen Oxenbury My cat likes to hide in boxes’ Lynley Dodd ‘Peepo’ Janet and Allen Ahlberg Meg and Mog’ Helen Nicoll and Jan Pienkowski Dear Zoo’ Rod Campbell Kipper Mick Inkpen The Pig in the Pond’ Martin Waddell and Jill Barton Oh Dear!’ Rod Campbell Where’s Spot’ Eric Hill This is the Bear’ and ‘This is the Bear and Sarah Hayes and Helen Craig the Picnic Lunch’ Not Now Bernard’ David McKee Where the Wild Things Are’ Maurice Sendak Gorilla Anthony Browne A Dark, Dark Tale’ Ruth Brown 1 Turquoise, Purple, Gold and silver bands (Working within stages 2 or 3) Frog and Toad are Friends’ Arnold Lobel and other Frog and Toad stories Mrs Plug the Plumber’ and Allan Ahlberg other stories in this series Solomon’s Secret’ Saviour Pirotta Peace at last Jill Murphy The Tiger who came to tea’ Judith Kerr Hairy Maclary from Lynley Dodd Donoldson’s -
Old Ipswichian Journal Leavers 2014 | 03
swich Ip i d a Staff Leavers l n | 01 s O • • S u s p e i p o r a r 12YEARS5 s t r i 1889-2014 n u g B M d u n sic t a Old, Spor Ipswichian Journal swich The Journal of the Old Ipswichian Club | Issue 6 Summer 2015 Ip i d a l n s O • • S u s p e i p o r a r 12YEARS5 s t r i 1889-2014 n u g B M d u an sic, Sport In this issue Club news Features Members’ news Births, marriages, deaths and obituaries OI Club events School news From the archives Programme of events 02 | Old Ipswichian Journal Leavers 2014 | 03 Leavers 2014 Issue 6 – A Journal of 2014 Life Members Leavers List 2014 Associate Members Leavers List 2014: Jonathan Aldous Alex Fitzsimmons Alex Petersen–Carlyon Adam Anad Amber Frettingham Ashwin Philip Lauren Angus–Larkin Sam Galbraith Jacob Phillips Freya Megan Fatima Abeer Edward King Jay Armitage Giddings Proud Hugo Harry Abby Aird Emily McKay Marsha Ash Gillott Richardson Alex Laurie Caleb Bond Fergus McKay Zoe Ballard Glasse Ridsdill–Smith James Toby Chloe Brown Olivia McKay Jonathan Balshaw Hamilton Sayer Alex Kian Luke Camilleri Torran McNeill Oliver Baxandall Hardwick Semnani Anna Jack Thomas Cosby Holly Ong George Beecroft Haughton Shenton Elizabeth Ben Monty Douglas Christopher Price Eleanor Blake Herbert Slack James Masha Jodie Fry Tom Renshaw Harriet Bloomfield Hodgkinson Smith James Harry Harriet Galloway Amelia Smith Ollie Bocking Holmes Stanton Alexander Sarah James Harvey Hettie Sohi Andrew Bowly Hoogewerf Stanton Finlay Will James Head Jake Starke–Welch Morgan Boyle Hudson Steele Ben Lily Sophie Hogan Michael -
Appendix B: a Literary Heritage I
Appendix B: A Literary Heritage I. Suggested Authors, Illustrators, and Works from the Ancient World to the Late Twentieth Century All American students should acquire knowledge of a range of literary works reflecting a common literary heritage that goes back thousands of years to the ancient world. In addition, all students should become familiar with some of the outstanding works in the rich body of literature that is their particular heritage in the English- speaking world, which includes the first literature in the world created just for children, whose authors viewed childhood as a special period in life. The suggestions below constitute a core list of those authors, illustrators, or works that comprise the literary and intellectual capital drawn on by those in this country or elsewhere who write in English, whether for novels, poems, nonfiction, newspapers, or public speeches. The next section of this document contains a second list of suggested contemporary authors and illustrators—including the many excellent writers and illustrators of children’s books of recent years—and highlights authors and works from around the world. In planning a curriculum, it is important to balance depth with breadth. As teachers in schools and districts work with this curriculum Framework to develop literature units, they will often combine literary and informational works from the two lists into thematic units. Exemplary curriculum is always evolving—we urge districts to take initiative to create programs meeting the needs of their students. The lists of suggested authors, illustrators, and works are organized by grade clusters: pre-K–2, 3–4, 5–8, and 9– 12. -
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XHVIti NVf 'HdVHOHOHlfW M3SH3QMV NYI1SIHH3 SNVH SDIUlOd 9 SHOOH SM3HQ1IH3 F" 2 BOOKS FOR KEEPS No. 25 MARCH 1984 Lisbeth Zwerger 21 Cover Book Meet our cover artist On our cover this month we Opinion: Andersen and the 22 feature an illustration from Editor's Page 3 The Swineherd, a picture News and comment from the editor English Brian Alderson on English translations book version of the Andersen and illustrations of Andersen fairy tale by artist Lisbeth Children's Books and Zwerger. (Neugebauer Press, Politics News 0907234127, £3.95 from Robert Leeson puts the topic in 4 24 perspective A. and C. Black). We are James Watson and Jan Needle speaking 6 grateful to A. and C. Black for personally help in using this illustration. The roundel used on the Hans Reviews — Paperback 8 — the magazine of the School Bookshop Association Andersen pages is from the MARCH 1984 No. 25 wood engraving by Gwen Authorgraph No. 25 12 Raverat for Four Tales, Jan Mark ISSN: 0143-909X Editor: Pat Triggs translated by R. P. Keigwin, How to... Get Moving on a 14 Managing Editor: Richard Hill C.U.P. (1935). Designer: Alec Davis It and the Punch cartoon on Book Day Typesetting by: Curtis Typesetting, Ideas for getting started with planning Gloucester page 16 appear in Brian Printed by: Surrey Fine Art Press Ltd, Alderson's pamphlet Hans New York Diary 15 Red hi It, Surrey Christian Andersen and his The latest dispatch from John Mason ©School Bookshop Association 1984 Eventyr in England. The Hans Andersen Award 16 can be obtained Patricia Crampton writes about judging on subscription by sending a cheque or an international award postal order to the Subscription Secretary, SBA, 1 Effingham Road, Lee, London Sound and Vision 17 SE12 8NZ.