Världsstjärnan Demi Lovato Gästar Idol På Fredag 6/11

Total Page：16

File Type：pdf, Size：1020Kb

2015-10-30 21:01 CET Världsstjärnan Demi Lovato gästar Idol på fredag 6/11 Världsstjärnan Demi Lovato gästar svenska idol fredagen den 6 november. Det blir Demis första live tv-framträdande i Sverige. Nu står det klart att världsstjärnan Demi Lovato gästar Idol den 6 november. Demi är aktuell med singeln ”Confident”, skriven av Max Martin, Demi Lovato, Savan Kotecha och Ilya Salmanzadeh.”Confident” är också titeln på hennes nya album, det första sedan det Guldsäljande albumet ”Demi”. På albumet har hon, förut med Max Martin, också jobbat med Laleh, Iggy Azalea och Ryan Tedder. Första singeln från nya albumet ”Cool For The Summer” har redan varit nummer ett på Svenska iTunes-listan och har streamats över 101 miljoner gånger. - Det är en ära att få besök av superstjärnan Demi Lovato! Vi är väldigt glada över att hon väljer att uppträda på den svenska Idolscenen, säger Clara Ytterborn, exekutiv producent för Idol. Sångerskan, skådespelerskan och tv-stjärnan Demi Lovato slog igenom 2008 i Disney’s Camp Rock och fick efter det skivkontrakt med Hollywood Records. Hon har haft en rad singlar som ”Skyscraper”, ”Give Your Heart A Break” och ”Heart Attack” och gjorde ledmotivet ”Let It Go” till den mest framgångsrika animerade filmen någonsin, Frozen. Utöver musiken så har Demi även på senare tid medverkat i TV-serierna Glee och musiktävlingen X Factor där hon var domare under två säsonger. Demi Lovato har över 2 miljarder visningar på YouTube och över 50 miljoner startade strömmar på Spotify bara i Sverige. Hon har över 25 miljoner följare på Instagram, 30 miljoner följare på Twitter och närmre 37 miljoner fans på Facebook. Se YouTube-videon här Visa inbäddat innehåll här Universal Music är Sveriges och världens ledande musikbolag med representation i hela 71 länder. Universal Music i Sverige är helägda av Universal Music Group. Under huvudetiketten återfinns en mängd framgångsrika, klassiska skivmärken som bl.a. Motown, Interscope, Stockholm Records, Def Jam, Polar, Verve och Deutsche Grammophone. Kontaktpersoner Frida Skogh OABBA PR [email protected] 070-4954309 Niklas Torsell Promotion Manager International [email protected] +46 708 974 326.

Copy Link

Recommended publications

An N U Al R Ep O R T 2018 Annual Report
ANNUAL REPORT 2018 ANNUAL REPORT The Annual Report in English is a translation of the French Document de référence provided for information purposes. This translation is qualiﬁed in its entirety by reference to the Document de référence. The Annual Report is available on the Company’s website www.vivendi.com II –— VIVENDI –— ANNUAL REPORT 2018 –— –— VIVENDI –— ANNUAL REPORT 2018 –— 01 Content QUESTIONS FOR YANNICK BOLLORÉ AND ARNAUD DE PUYFONTAINE 02 PROFILE OF THE GROUP — STRATEGY AND VALUE CREATION — BUSINESSES, FINANCIAL COMMUNICATION, TAX POLICY AND REGULATORY ENVIRONMENT — NON-FINANCIAL PERFORMANCE 04 1. Profile of the Group 06 1 2. Strategy and Value Creation 12 3. Businesses – Financial Communication – Tax Policy and Regulatory Environment 24 4. Non-financial Performance 48 RISK FACTORS — INTERNAL CONTROL AND RISK MANAGEMENT — COMPLIANCE POLICY 96 1. Risk Factors 98 2. Internal Control and Risk Management 102 2 3. Compliance Policy 108 CORPORATE GOVERNANCE OF VIVENDI — COMPENSATION OF CORPORATE OFFICERS OF VIVENDI — GENERAL INFORMATION ABOUT THE COMPANY 112 1. Corporate Governance of Vivendi 114 2. Compensation of Corporate Officers of Vivendi 150 3 3. General Information about the Company 184 FINANCIAL REPORT — STATUTORY AUDITORS’ REPORT ON THE CONSOLIDATED FINANCIAL STATEMENTS — CONSOLIDATED FINANCIAL STATEMENTS — STATUTORY AUDITORS’ REPORT ON THE FINANCIAL STATEMENTS — STATUTORY FINANCIAL STATEMENTS 196 Key Consolidated Financial Data for the last five years 198 4 I – 2018 Financial Report 199 II – Appendix to the Financial Report 222 III – Audited Consolidated Financial Statements for the year ended December 31, 2018 223 IV – 2018 Statutory Financial Statements 319 RECENT EVENTS — OUTLOOK 358 1. Recent Events 360 5 2. Outlook 361 RESPONSIBILITY FOR AUDITING THE FINANCIAL STATEMENTS 362 1.
[Show full text]
Motivation Portrayed in Demi Lovato's Third Album
MOTIVATION PORTRAYED IN DEMI LOVATO’S THIRD ALBUM ‘UNBROKEN’ A THESIS BY: EVY KARLINA P.SARI REG.NO. 110705020 DEPARTMENT OF ENGLISH FACULTY OF CULTURAL STUDIES UNIVERSITY OF SUMATERA UTARA MEDAN 2017 Universitas Sumatera Utara Universitas Sumatera Utara Approved By Department of English, Faculty of Cultural Studies University of Sumatera Utara (USU) Medan As a Thesis For The Sarjana Sastra Examination. Head, Secretary, Dr. Deliana, M.Hum Rahmadsyah Rangkuti,Ma.Ph.D NIP : 19571117 198303 2 002NIP: 19750209 200812 1 002 Universitas Sumatera Utara Accepted by the Board of Examiners in Partialfulfillment of Requirements for the Degree of Sarjana Sastra from the Department of English, Faculty of Cultural Studies University of Sumatera Utara, Medan. The Examination is Held in Department of English Faculty of Cultural Studies University of Sumatera Utara on …….. Dean of Faculty of Cultural Studies University of Sumatera Utara Dr. Budi Agustono, MS NIP. 19600805198703 1 001 Board of Examiners (signature) 1. Dr. H. Muhizar Muchtar, MS ..................................... 2. Rahmadsyah Rangkuti, MA. Ph.D. ..................................... 3. Dr. Siti Norma Nasution, M.Hum. ..................................... 4. Drs. Parlindungan Purba, M.Hum ..................................... Universitas Sumatera Utara AUTHOR’S DECLARATION I, EVY KARLINA PERMATASARI, DECLARE THAT I AM THE SOLE AUTHOR OF THIS THESIS EXCEPT WHERE REFERENCE IS MADE IN THE TEXT OF THIS THESIS. THIS THESIS CONTAINS NO MATERIAL PUBLISHED ELSEWHERE OR EXTRACTED IN WHOLE OR IN PART FROM A THESIS BY WHICH I HAVE QUALIFIED FOR OR AWARDED ANOTHER DEGREE. NO OTHER PERSON’S WORK HAS BEEN USED WITHOUT DUE ACKNOWLEDGMENTS IN THE MAIN TEXT OF THIS THESIS. THIS THESIS HAS NOT BEEN SUBMITTED FOR THE AWARD OF ANOTHER DEGREE IN ANY TERTIARY EDUCATION.
[Show full text]
Give Your Heart a Break – Demi Lovato
iSing.pl - Każdy może śpiewać! Give Your Heart a Break – Demi Lovato The day I first met you You told me you'd never fall in love But now that I get you I know fear is what it really was Now here we are, so close Yet so far, haven't I passed the test? When will you realize Baby, I'm not like the rest Don't wanna break your heart I wanna give your heart a break I know you're scared it's wrong Like you might make a mistake There's just one life to live And there's no time to wait, to waste So let me give your heart a break Give your heart a break Let me give your heart a break Your heart a break Oh, yeah yeah On Sunday, you went home alone There were tears in your eyes I called your cell phone, my love But you did not reply The world is ours, if you want it We can take it, if you just take my hand There's no turning back now Baby, try to understand Don't wanna break your heart Wanna give your heart a break I know you're scared it's wrong Like you might make a mistake There's just one life to live And there's no time to wait, to waste So let me give your heart a break Give your heart a break Let me give your heart a break Your heart a break There's just so much you can take Give your heart a break Let me give your heart a break Your heart a break Oh, yeah yeah When your lips are on my lips And our hearts beat as one But you slip right out of my fingertips Every time you ruuuuuun, whoa Don't wanna break your heart Wanna give your heart a break I know you're scared it's wrong Like you might make a mistake There's just one life to live And
[Show full text]
Nostalgias in Modern Tunisia Dissertation
Images of the Past: Nostalgias in Modern Tunisia Dissertation Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By David M. Bond, M.A. Graduate Program in Near Eastern Languages and Cultures The Ohio State University 2017 Dissertation Committee: Sabra J. Webber, Advisor Johanna Sellman Philip Armstrong Copyrighted by David Bond 2017 Abstract The construction of stories about identity, origins, history and community is central in the process of national identity formation: to mould a national identity – a sense of unity with others belonging to the same nation – it is necessary to have an understanding of oneself as located in a temporally extended narrative which can be remembered and recalled. Amid the “memory boom” of recent decades, “memory” is used to cover a variety of social practices, sometimes at the expense of the nuance and texture of history and politics. The result can be an elision of the ways in which memories are constructed through acts of manipulation and the play of power. This dissertation examines practices and practitioners of nostalgia in a particular context, that of Tunisia and the Mediterranean region during the twentieth and early twenty-first centuries. Using a variety of historical and ethnographical sources I show how multifaceted nostalgia was a feature of the colonial situation in Tunisia notably in the period after the First World War. In the postcolonial period I explore continuities with the colonial period and the uses of nostalgia as a means of contestation when other possibilities are limited.
[Show full text]
Karaoke Mietsystem Songlist
Karaoke Mietsystem Songlist Ein Karaokesystem der Firma Showtronic Solutions AG in Zusammenarbeit mit Karafun. Karaoke-Katalog Update vom: 13/10/2020 Singen Sie online auf www.karafun.de Gesamter Katalog TOP 50 Shallow - A Star is Born Take Me Home, Country Roads - John Denver Skandal im Sperrbezirk - Spider Murphy Gang Griechischer Wein - Udo Jürgens Verdammt, Ich Lieb' Dich - Matthias Reim Dancing Queen - ABBA Dance Monkey - Tones and I Breaking Free - High School Musical In The Ghetto - Elvis Presley Angels - Robbie Williams Hulapalu - Andreas Gabalier Someone Like You - Adele 99 Luftballons - Nena Tage wie diese - Die Toten Hosen Ring of Fire - Johnny Cash Lemon Tree - Fool's Garden Ohne Dich (schlaf' ich heut' nacht nicht ein) - You Are the Reason - Calum Scott Perfect - Ed Sheeran Münchener Freiheit Stand by Me - Ben E. King Im Wagen Vor Mir - Henry Valentino And Uschi Let It Go - Idina Menzel Can You Feel The Love Tonight - The Lion King Atemlos durch die Nacht - Helene Fischer Roller - Apache 207 Someone You Loved - Lewis Capaldi I Want It That Way - Backstreet Boys Über Sieben Brücken Musst Du Gehn - Peter Maffay Summer Of '69 - Bryan Adams Cordula grün - Die Draufgänger Tequila - The Champs ...Baby One More Time - Britney Spears All of Me - John Legend Barbie Girl - Aqua Chasing Cars - Snow Patrol My Way - Frank Sinatra Hallelujah - Alexandra Burke Aber Bitte Mit Sahne - Udo Jürgens Bohemian Rhapsody - Queen Wannabe - Spice Girls Schrei nach Liebe - Die Ärzte Can't Help Falling In Love - Elvis Presley Country Roads - Hermes House Band Westerland - Die Ärzte Warum hast du nicht nein gesagt - Roland Kaiser Ich war noch niemals in New York - Ich War Noch Marmor, Stein Und Eisen Bricht - Drafi Deutscher Zombie - The Cranberries Niemals In New York Ich wollte nie erwachsen sein (Nessajas Lied) - Don't Stop Believing - Journey EXPLICIT Kann Texte enthalten, die nicht für Kinder und Jugendliche geeignet sind.
[Show full text]
Hip Hop Culture in a Small Moroccan City SMALL MORROCAN CITY
Seilstad: Hip Hop Culture in a Small Moroccan City SMALL MORROCAN CITY . Hip Hop Culture in a Small Moroccan City Brian Seilstad This paper explores Hip Hop culture by tracing its development from the global level through the Arab world to finally its manifestation in Morocco. Hip Hop culture is defined broadly as a wide range of artistic expressions—rap, graffiti, breakdancing, DJing, etc.—and also a mind-set or way of life. The focus on the Moroccan context starts at the national level, pointing out some of the key artists, issues Moroccan Hip Hop faces, and how this has been explored by scholars of Hip Hop. The paper focuses on an ethnographic exploration of Hip Hop culture in Ifrane, a small Moroccan city. An analytic approach suggested in Patti Lather’s 1991 book Getting Smart informs and expands the paper particularly by privileging the emancipatory power of Moroccan Hip Hop, creating a nuanced view of the impact of Hip Hop on the lives of youth in this small community. Finally, the paper employs a self-reflexive stance to critically view the author’s own position in the research project in order to name some of the challenges and contradictions of a white male American doing Hip Hop research in the Moroccan context. I was a Peace Corps Volunteer in Morocco from 2005-2007. During that time, I worked in a small town, Amizmiz, near Marrakesh that I came to see as “normal” in terms of infrastructure, schools, and people. Of course, I am using the term “normal” here ironically as “normal” is one of language’s powerful tools for the creation and maintenance of arbitrary, and often oppressive, cultural values and practices.1 When I moved back to Morocco to work as Al Akhawayn University (AUI) in 2010, I lived in another small town near Fes named Ifrane.
[Show full text]
Decision 2012
YEAR-END EDITION MEDIABASE 2012 Decision 2012. #1 Overall Label #1 T40 Label #1 Rhythmic Song Drake f/ Lil Wayne “The Motto” #1 Rhythmic Artist Drake Alternative Song #1 HAW ER T Gotye “Somebody That I Used To Know” Y H A O M R N H E H #1 #1 AAA Label #1 AAA Song Gotye “Somebody That I Used To Know” #2 AAA Song Of Monsters and Men “Little Talks” #3 AAA Song Florence + the Machine “Shake It Out” #1 Urban Artist Drake The people have spoken. www.republicrecords.com c 2012 Universal Republic Records, a Division of UMG Recordings, Inc. REPUBLIC LANDS TOP SPOT OVERALL Republic Top 40 Champ Island Def Jam Takes Rhythmic & Urban Republic t o o k t h e t o p s p o t f o r t h e 2 0 1 2 c h a r t y e a r, w h i c h w e n t f r o m N o v e m b e r 2 0 , 2 0 1 1 - N o v e m b e r 17, 2012. The label was also #1 at Top 40 and Triple A, while finishing #2 at Rhythmic, #3 at Urban, and #4 at AC. Their overall share was 13.5%. Leading the way for Republic was newcomer Gotye, who had one of the year’s biggest hits with “Somebody That I Used To Know.” A big year from Drake and Nicki Minaj also contributed to the label’s success, as well as strong performances for Florence + The Machine, Volbeat, and Of Monsters And Men to name a few.
[Show full text]
Anti-Valentines-Day-Playlist.Pdf
Anti-Valentine's Day LENGTH TITLE ARTIST bpm 4:32 Don't Cha The Pussycat Dolls 120 3:58 Say Something Loving The xx 130 3:03 This Is Not About Us Banks 100 Knowing Me, Knowing You (Almighty Definitive Radio 3:47 Edit) Abbacadabra 128 3:24 I Was a Fool Tegan and Sara 176 4:19 It Must Have Been Love Roxette 81 3:10 That's The Way Love Dies (feat. Tiger Rosa) Buck 65 170 3:11 Only War (feat. Tiger Rosa) Buck 65 168 3:42 Your Love Is A Lie Simple Plan 160 3:23 Bleeding Love - Vinylmoverz Hands Up Edit Swing State 136 4:14 Only Love Can Break Your Heart Jenn Grant 111 6:05 Hearts A Mess Gotye 125 4:22 50 Ways To Leave Your Lover G. Love & Special Sauce 92 3:42 Jealous Nick Jonas 93 I Still Haven't Found What I'm Looking For - 4:37 Remastered U2 101 3:07 Music Is My Hot, Hot Sex CSS 100 3:45 Foundations - Clean Edit Kate Nash 84 4:22 He Wasn't Man Enough Toni Braxton 88 3:49 Same Old Love Selena Gomez 98 3:34 Don't Wanna Know Maroon 5 100 5:20 Boy From School Hot Chip 126 5:48 Somebody Else The 1975 101 3:27 So Sick Ne-Yo 95 3:55 Sugar Maroon 5 120 3:42 Heartless Kris Allen 95 Here Without You - Alex M. & Marc Van Damme 3:26 Remix Edit Andrew Spencer 142 4:13 Let Her Go Passenger 75 2:28 I Will Survive Me First and the Gimme Gimmes 121 3:23 Baby Don't Lie Gwen Stefani 100 3:50 FU Miley Cyrus 190 5:12 I'd Do Anything For Love (But I Won't Do That) D.J.
[Show full text]
Lista Completa Atualizada.Xlsx
HD-OKÊ!! CANTOR NÚMERO MÚSICA 10 cc 04920 I'M NOT IN LOVE 10,000 Maniacs 24831 MORE THAN THIS 10cc 18766 DREADLOCK HOLIDAY 10cc 18940 THE THINGS WE DO FOR LOVE 3 Doors Down 09033 HERE WITHOUT YOU 3 Doors Down 18788 IT'S NOT MY TIME 3 Doors Down 18632 KRIPTONITE 3 Doors Down 18633 WHEN I'M GONE 30 Seconds To Mars 18511 A BEAUTIFUL LIE 30 Seconds To Mars 18589 THE KILL 30 Seconds To Mars 24143 CLOSER TO THE EDGE 3OH!3 24249 DON'T TRUST ME 3OH!3 feat. Katy Perry 24274 STARSTRUKK 4 Non Blondes 09072 WHAT'S UP 5 Seconds of Summer 24849 YOUNGBLOOD 5 Seconds of Summer 24001 AMNESIA 50 Cent 18656 CANDY SHOP 50 Cent 18221 IN DA CLUB 50 Cent 18408 P.I.M.P. 6ix9ine ft. Anuel AA 24850 BEBE A Flock Of Seagulls 24618 I RAN A Perfect Circle 18222 THE OUTSIDER A Perfect Circle 18223 WEAK AND POWERLESS Aaliyah 18224 TRY AGAIN Aaron Neville 24663 TELL IT LIKE IT IS ABBA 04877 CHIQUITITA ABBA 04574 DANCING QUEEN Abba 18771 GIMME! GIMME! GIMME! (A MAN AFTER MIDNIGHT) ABBA 09116 I HAVE A DREAM ABBA 02533 MAMMA MIA ABBA 04787 THE WINNER TAKES IT ALL ABC 18478 POISON ARROW ABC 18812 THE LOOK OF LOVE AC/DC 05870 BACK IN BLACK AC/DC 18854 FOR THOSE ABOUT TO ROCK (WE SALUTE YOU) AC/DC 02606 HIGHWAY TO HELL AC/DC 18592 THUNDERSTRUCK AC/DC 18154 YOU SHOOK ME ALL NIGHT LONG Ace of Base 04857 ALL THAT SHE WANTS Ace of Base 18831 BEAUTIFUL LIFE Ace of Base 18848 DON'T TURN AROUND Ace of Base 09221 HAPPY NATION Ace of Base 18430 LIFE IS A FLOWER Ace of Base 18939 THE SIGN Adele 02603 CHASING PAVEMENTS Adele 24376 HELLO Adele 24748 MAKE YOU FEEL MY LOVE Adele 02569 ROLLING
[Show full text]
Song List by Artist
G-D Karaoke Songs by Artist Party with the best! Title Title Title 10 Years 3 Doors Down 50 Cent & Ne-Yo Through The Iris It's Not My Time Baby By Me Wasteland Landing In London 50 Cent & Olivia 10,000 Maniacs Let Me Be Myself Best Friend Because The Night Let Me Go 50 Cent & The Game These Are The Days Live For Today How We Do (Radio Version) 100 Proof Aged In Soul When I'm Gone 50 Cent Feat Justin Timberlake & Somebody's Been Sleeping 3 Doors Down & Bob Seger Timbaland 10000 Maniacs Landing In London Ayo Technology Candy Everybody Wants 3 Of Hearts 5th Dimension 10cc Arizona Rain (Last Night) I Didn't Get To Sleep At All Dreadlock Holiday Love Is Enough Aquarius I'm Not In Love 30 Seconds To Mars Go Where You Wanna Go Rubber Bullets Kill, The Never My Love Things We Do For Love, The 30H!3 Feat. Katy Perry One Less Bell To Answer 112 Starstrukk Stoned Soul Picnic Peaches And Cream 311 Up Up And Away U Already Know Don't Tread On Me Wedding Bell Blues 12 You Wouldn't Believe 5th Dimension & Marilyn McCoo Build A Little Birdhouse In Your 38 Special You Don't Have To Be A Star Soul-They Mi Caught Up In You 5Th Dimension, The 1910 Fruitgum Co Hold On Loosely Aquarius 1-2-3 Redlight Second Chance One Less Bell To Answer 1910 Fruitgum Co. Teacher, Teacher Stoned Soul Picnic Simon Says 3LW 7th Heaven 1999 Man United Squad No More Sing Lift It High (All About Belief) No More (Baby I'ma Do Right) 98 Degrees 2 Live Crew 3OH!3 Give Me Just One Night Do Wah Diddy Diddy Don't Trust Me Give Me Just One Night (Una Noche) We Want Some Pussy 3OH!3 & Kesha
[Show full text]
Pop Lyrics from Song Titles
PopNet: Evaluating the Use of LSTMs and GPT-2 for Generating Pop Lyrics From Song Titles Stanford CS224N Custom Project | Mentor: Yuyan Wang Jason Ah Chuen Eunji Lee Katherine Wu [email protected] [email protected] [email protected] Abstract Many artists now use lyricists to write the lyrics for their songs. We thought that it would be interesting to implement models which are able to take the place of a pop lyricist and generate song lyrics. Currently, LSTM models have been used to generate lyrics and verses, but not songs, and GPT-2 models have been shown to be effective in creative text generation problems, but have not yet been used to generate song lyrics. We implemented LSTM models and fine-tuned GPT-2 models to take in a song title then generate either 1) a line of lyrics, 2) the lyrics for a song verse, or 3) the lyrics to an entire song because we thought it would be interesting to characterize the behavior of LSTMS at generating longer pieces of text, and employ GPT-2 on a new task. Through perplexity scores, BERT scores, and human evaluation results, as well as qualitative evaluation, we are able to see that our finetuned GPT-2 and LSTM models are able to greatly outperform our baseline, the out-of-the-box pre-trained GPT-2 model in generating pop lyrics, verses, and songs. Through our human evaluation, we find that a fine-tuned GPT-2 is able to generate realistic pop lyrics and verses, and decent pop songs. The fine-tuned GPT-2 model outperformed the LSTM model in all three generation tasks, most likely due to difficulty that the LSTM cell state has in preserving upstream information and the difficulty that LSTM attention has in identifying different relevant parts of the input for different parts of the output.
[Show full text]
Pop Fusion - the New Mainstream
Hit Songs Deconstructed Deconstructing Today's Hits for Songwriting Success http://reports.hitsongsdeconstructed.com Pop Fusion - The New Mainstream The Songs The #1 Hit Club Songwriters New Arrivals & De-Charted Hits Song Structure & Compositional Characteristics Song Attributes Back to Top The Songs: There were a total of 21 songs that landed in the top 10 on the Billboard Pop Songs chart during Q4-2012. Flo Rida and Justin Bieber led the pack with 2 top 10 hits. 1 / 48 Hit Songs Deconstructed Deconstructing Today's Hits for Songwriting Success http://reports.hitsongsdeconstructed.com The #1 Hit Club of Q4-2012: During the last quarter of 2012, 7 of the 21 songs that landed in Billboard Pop Songs top 10 either hit #1 for the first time or peaked at #1 during the previous quarter. The quarter started out with P!nk’s Blow Me (One Last Kiss) at #1, but the second week in Maroon 5?s One More Night took over, commencing its marathon 8 consecutive week run at the top spot. Ke$ha’s Die Young wound up dethroning One More Night in December, holding onto the top spot for 3 consecutive weeks until Locked Out Of Heaven took over during the last week of the year. The #1 Pop Hits of Q4-2012: *Blow Me (One Last Kiss) **Die Young *Give Your Heart A Break *Lights **Locked Out Of Heaven 2 / 48 Hit Songs Deconstructed Deconstructing Today's Hits for Songwriting Success http://reports.hitsongsdeconstructed.com *One More Night *Whistle Note: An (*) indicates that the song was also a #1 hit in the preceding quarter (Q3) An (**) indicates a song that was new to the top 10 in Q4 #1 Hit Primary Sub-Genre Influence Comparison: Q3 vs.
[Show full text]