En Situation Précaire: Poverty, Stigma, and Mental Health in Geneva, Switzerland

Total Page:16

File Type:pdf, Size:1020Kb

En Situation Précaire: Poverty, Stigma, and Mental Health in Geneva, Switzerland EN SITUATION PRÉCAIRE: POVERTY, STIGMA, AND MENTAL HEALTH IN GENEVA, SWITZERLAND By RYAN P. THEIS A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2010 1 © 2010 Ryan P. Theis 2 To my family and friends for their love and support, to Dorin, Nadim, and Tania for their trust and friendship, and to all in Geneva who find themselves in a “precarious” situation 3 ACKNOWLEDGMENTS I would first like to thank Allan Burns for his guidance as my advisor, professor, and committee chair over many years of graduate school, and as my mentor in applied anthropology. Dr. Burns and my committee, Willie Baber, William Chen, and Elizabeth Guillette, have been a valuable influence for me, and it was through their encouragement that I sought to pursue a niche between anthropology and public health, to travel and learn a foreign language, and to be resilient to the challenges of academia. There are many who, over the years, have helped me to develop as a professional and as a person, and without whom this work would not have been possible. I am grateful to Nabih Asal for his leadership as my professor and mentor in epidemiology, and Elizabeth Shenkman for her guidance in health policy and program evaluation. With much admiration, I thank Alice Allen, Charlie Gass, and Hal Clarendon for showing me what I am capable of, and capable of becoming, physically, mentally, and spiritually. I owe many thanks to my colleagues in Switzerland – Hans Wolff, Patricia Hudelson, Antoine Stähli, Nicolas Senni, and all those in the clinics and social services of Geneva who helped me to realize my doctoral work. In particular, I acknowledge the doctors, nurses, and social workers of UMSCO, the social service workers and volunteers at CSRG, and the faculty of the University Hospitals of Geneva whose warm welcome helped to ease my transition to living in a foreign country, and whose valued input contributed greatly to this study. Credit is due to my research assistants Géraldine Bugnon and Ayari Félix for their enthusiasm, adaptability, and hard work during my final months in Switzerland. 4 I extend sincere gratitude to the many homeless and unemployed social service clients whose trust and helpfulness were critical to the success of this study. I thank Dorin, Nadim, and Tania for allowing me to follow them in their private lives, to witness their trials and tribulations, and to hear their stories. I gratefully acknowledge these and other informants, who, with little to gain personally from their participation, agreed to help out of their respect for others living in précarité. Lastly, I thank my friends, family, and counselors who have given me constant support over the years, who encouraged me to keep trying when I was overwhelmed, and who congratulated me when I found success. 5 TABLE OF CONTENTS page ACKNOWLEDGMENTS .................................................................................................. 4 LIST OF TABLES ............................................................................................................ 9 LIST OF FIGURES ........................................................................................................ 10 ABSTRACT ................................................................................................................... 11 CHAPTER 1 INTRODUCTION .................................................................................................... 13 Stigma and the Sociopolitical Dimensions of Poverty ............................................. 15 Study Rationale ...................................................................................................... 18 Social Exclusion and the Production of Urban Poverty .................................... 19 Poverty, Identity, and Mental Health ................................................................. 26 Geneva, Switzerland: Setting For an Ethnographic Study ...................................... 29 Study Approach and Research Questions........................................................ 33 Dissertation Outline .......................................................................................... 35 2 STIGMA THEORY AND THE ANTHROPOLOGY OF POVERTY: TOWARD A SOCIAL, PSYCHOLOGICAL, AND CULTURAL SYNTHESIS ............................... 38 “Spoiled Identity”: Early Concepts of Stigma and Deviance in Sociology................ 40 Labeling and Stigma in Social Psychology ............................................................. 47 Cultural Models of Stigma – The Contribution of Anthropology and Ethnography .. 57 The Anthropology of Deviance ......................................................................... 62 Ethnographic Studies of the Poor ..................................................................... 67 Stigma in Multidisciplinary Synthesis ...................................................................... 76 3 POVERTY IN GENEVA: THE BALANCE OF STIGMA AND SOCIAL ACCEPTANCE ....................................................................................................... 78 A Visitor’s Snapshot of Geneva .............................................................................. 78 Poverty and Social Support in Switzerland ............................................................. 82 A Typology of Stigmatized Identities in Geneva ...................................................... 90 Homelessness and Begging ............................................................................. 90 Unemployment ................................................................................................. 94 Being an Immigrant .......................................................................................... 97 Social Support in Geneva ..................................................................................... 103 Social Assistance Organizations .................................................................... 104 Day Centers and Soup Kitchens .................................................................... 110 Homeless Shelters ......................................................................................... 113 Social Support as a Response to Stigma.............................................................. 116 6 4 RESEARCH APPROACH: QUESTIONS, INFORMANTS, PLACES, AND METHODS ............................................................................................................ 121 Research Questions ............................................................................................. 122 Informants ............................................................................................................. 124 Informant Demographics ................................................................................ 126 Informant Profiles ........................................................................................... 128 Précaire informants .................................................................................. 129 Social service informant ........................................................................... 132 Study Sites ............................................................................................................ 132 Participant-Observation ........................................................................................ 135 Qualitative Interviews ............................................................................................ 141 Cultural Domain Analysis ...................................................................................... 145 Methods of Analysis .............................................................................................. 148 Field Notes ..................................................................................................... 149 Interview Transcripts ...................................................................................... 151 Stigmatizing Encounters ................................................................................. 153 Interpretation .................................................................................................. 155 5 LABELS AND STEREOTYPES OF PRÉCARITÉ ................................................. 162 Exploring Personal Labels as a Cultural Domain .................................................. 164 Free Lists ........................................................................................................ 167 Pile Sorts – 34 Labels for “People in Précarité” .............................................. 173 Label groupings ....................................................................................... 175 Aggregate grouping – the “answer key” and its visualization ................... 179 Cultural consensus and competence ratings ........................................... 182 Paired Comparisons ....................................................................................... 184 Stereotypes of Précarité in Geneva ...................................................................... 189 Stereotypes of Poor Immigrants ..................................................................... 192 Stereotypes of Alcoholics, Addicts, and Drug Dealers ................................... 196 Stereotypes of Unemployed/Underemployed State Beneficiaries .................. 197 Stereotypes of the Homeless ........................................................................
Recommended publications
  • 2. Installations D'enneigement Mécanique
    Filière économie d’entreprise Diplôme 2005 / 2006 Etudiant : Alexandre Probst Professeur : Marie-Françoise Perruchoud-Massy Compétitivité des domaines skiables en Valais, Suisse et pays environnants. Benchmark des installations d’enneigement mécanique et autres atouts compétitifs. www.hevs.ch Introduction -2- Table des matières TABLE DES MATIERES ......................................................................................................... 2 TABLE DES ILLUSTRATIONS .............................................................................................. 4 RESUME...................................................................................................................................... 5 LISTE DES ABREVIATIONS................................................................................................... 6 1. INTRODUCTION............................................................................................................... 7 1.1 SITUATION GENERALE 7 1.2 OBJECTIFS 8 1.3 METHODE 8 2. INSTALLATIONS D’ENNEIGEMENT MECANIQUE................................................. 9 2.1 LE CANON A BASSE PRESSION OU MONO-FLUIDE 9 Utilisation 10 Avantages 11 Inconvénients 11 2.2 LE CANON A HAUTE PRESSION OU BI-FLUIDE 12 Utilisation 13 Avantages 14 Inconvénients 14 2.3 TABLEAU COMPARATIF 14 2.4 LE SYSTEME AUTOMATIQUE 15 2.5 ENTRETIEN 18 2.6 QUALITE DE LA NEIGE ARTIFICIELLE 18 2.7 LES EQUIPEMENTS DE DEMAIN 18 Le canon à neige sans compresseur d’air 19 Le système de mesure du manteau neigeux par GPS 19 3. ANALYSE DES RESULTATS
    [Show full text]
  • Light Shadows: Loose Adaptations of Gothic Literature in American TV Series of the 1960S and Early 1970S
    TV/Series 12 | 2017 Littérature et séries télévisées/Literature and TV series Light Shadows: Loose Adaptations of Gothic Literature in American TV Series of the 1960s and early 1970s Dennis Tredy Electronic version URL: http://journals.openedition.org/tvseries/2200 DOI: 10.4000/tvseries.2200 ISSN: 2266-0909 Publisher GRIC - Groupe de recherche Identités et Cultures Electronic reference Dennis Tredy, « Light Shadows: Loose Adaptations of Gothic Literature in American TV Series of the 1960s and early 1970s », TV/Series [Online], 12 | 2017, Online since 20 September 2017, connection on 01 May 2019. URL : http://journals.openedition.org/tvseries/2200 ; DOI : 10.4000/tvseries.2200 This text was automatically generated on 1 May 2019. TV/Series est mis à disposition selon les termes de la licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International. Light Shadows: Loose Adaptations of Gothic Literature in American TV Series o... 1 Light Shadows: Loose Adaptations of Gothic Literature in American TV Series of the 1960s and early 1970s Dennis Tredy 1 In the late 1960’s and early 1970’s, in a somewhat failed attempt to wrestle some high ratings away from the network leader CBS, ABC would produce a spate of supernatural sitcoms, soap operas and investigative dramas, adapting and borrowing heavily from major works of Gothic literature of the nineteenth and early twentieth century. The trend began in 1964, when ABC produced the sitcom The Addams Family (1964-66), based on works of cartoonist Charles Addams, and CBS countered with its own The Munsters (CBS, 1964-66) –both satirical inversions of the American ideal sitcom family in which various monsters and freaks from Gothic literature and classic horror films form a family of misfits that somehow thrive in middle-class, suburban America.
    [Show full text]
  • Reuters Institute Digital News Report 2020
    Reuters Institute Digital News Report 2020 Reuters Institute Digital News Report 2020 Nic Newman with Richard Fletcher, Anne Schulz, Simge Andı, and Rasmus Kleis Nielsen Supported by Surveyed by © Reuters Institute for the Study of Journalism Reuters Institute for the Study of Journalism / Digital News Report 2020 4 Contents Foreword by Rasmus Kleis Nielsen 5 3.15 Netherlands 76 Methodology 6 3.16 Norway 77 Authorship and Research Acknowledgements 7 3.17 Poland 78 3.18 Portugal 79 SECTION 1 3.19 Romania 80 Executive Summary and Key Findings by Nic Newman 9 3.20 Slovakia 81 3.21 Spain 82 SECTION 2 3.22 Sweden 83 Further Analysis and International Comparison 33 3.23 Switzerland 84 2.1 How and Why People are Paying for Online News 34 3.24 Turkey 85 2.2 The Resurgence and Importance of Email Newsletters 38 AMERICAS 2.3 How Do People Want the Media to Cover Politics? 42 3.25 United States 88 2.4 Global Turmoil in the Neighbourhood: 3.26 Argentina 89 Problems Mount for Regional and Local News 47 3.27 Brazil 90 2.5 How People Access News about Climate Change 52 3.28 Canada 91 3.29 Chile 92 SECTION 3 3.30 Mexico 93 Country and Market Data 59 ASIA PACIFIC EUROPE 3.31 Australia 96 3.01 United Kingdom 62 3.32 Hong Kong 97 3.02 Austria 63 3.33 Japan 98 3.03 Belgium 64 3.34 Malaysia 99 3.04 Bulgaria 65 3.35 Philippines 100 3.05 Croatia 66 3.36 Singapore 101 3.06 Czech Republic 67 3.37 South Korea 102 3.07 Denmark 68 3.38 Taiwan 103 3.08 Finland 69 AFRICA 3.09 France 70 3.39 Kenya 106 3.10 Germany 71 3.40 South Africa 107 3.11 Greece 72 3.12 Hungary 73 SECTION 4 3.13 Ireland 74 References and Selected Publications 109 3.14 Italy 75 4 / 5 Foreword Professor Rasmus Kleis Nielsen Director, Reuters Institute for the Study of Journalism (RISJ) The coronavirus crisis is having a profound impact not just on Our main survey this year covered respondents in 40 markets, our health and our communities, but also on the news media.
    [Show full text]
  • Deborah Barylski
    DEBORAH BARYLSKI CASTING DIRECTOR (310) 314-9116 (h) SELECTED CREDITS (310) 795-2035 (c) FEATURE FILMS [email protected] PASTIME* Prod: Robin Armstrong, Eric Young Dir: R. Armstrong *Winner, Audience Award, Sundance MOVIES FOR TELEVISION ALLEY CATS STRIKE (Disney Cannel) Execs: Carol Ames, Don Safran, Michael Cieply Dir: Rod Daniel A PLACE TO BE LOVED (CBS) Exec. Producer: Beth Polson Dir: Sandy Smolan A MESSAGE FROM HOLLY (CBS) Exec. Producer: Beth Polson Dir: Rod Holcomb BACK TO THE STREETS OF SF (NBC) Exec. Producer: Diana Kerew, M. Goldsmith Dir: Mel Damski GUESS WHO'S COMING FOR XMAS? Exec. Producer: Beth Polson Dir: Paul Schneider TELEVISION: PILOT & SERIES *Winner, EMMY and Artios Awards for Casting for a Comedy Series, 2004 **Artios Award nomination SAINT GEORGE Execs: M.Williams,D. McFadzean,G.Lopez,M.Rotenberg Lionsgate/FX BACK OF THE CLASS Execs: Hugh Fink, Porter, Dionne, Weiner Nickelodeon DIRTY WORK (Won New Media Emmy) Execs: Zach Schiff-Abrams, Jackie Turnure, A. Shure Fourth Wall Studios THE MIDDLE Execs: Eileen Heisler, DeAnn Heline Warners/ABC UNTITLED DANA GOULD PROJECT Execs: D. Gould, Mike Scully, T. Lassally, D. Becky Warners/ABC THE EMANCIPATION OF ERNESTO Execs: Emily Kapnek, Wilmer Valderama 20th/Fox STARTING UNDER Exec. Bruce Helford/Mohawk Warners/Fox HACKETT Execs: Sonnenfeld, Moss, Timberman, Carlson Sony/FBC NICE GIRLS DON’T GET THE CORNER OFFICE. Execs: Nevins, Sternin, Ventimilia Imagine & 20th/ABC THE WAR AT HOME Exec. Rob Lotterstein, M.Schultheis, M.Hanel 20th/Warners/Fox KITCHEN CONFIDENTIAL Execs: D. Star, D. Hemingson, & New Line Fox/FBC THE ROBINSON BROTHERS Exec. Mark O’Keefe, Adelstein, Moritz,Parouse 20th/ORIGINAL/FBC ARRESTED DEVELOPMENT* Exec.
    [Show full text]
  • Norman Liebmann Papers
    http://oac.cdlib.org/findaid/ark:/13030/c8h99bfn No online items Norman Liebmann Papers Finding aid created by Writers Guild Foundation Archive staff using RecordEXPRESS Writers Guild Foundation Archive 7000 West Third Street Los Angeles, California 90048 (323) 782-4680 [email protected] https://www.wgfoundation.org/archive/ 2019 Norman Liebmann Papers WGF-MS-066 1 Descriptive Summary Title: Norman Liebmann Papers Dates: 1958-1996 Collection Number: WGF-MS-066 Creator/Collector: Liebmann, Norman, 1928-2010 Extent: 28.5 linear feet, 21 record boxes and 2 archival boxes Repository: Writers Guild Foundation Archive Los Angeles, California 90048 Abstract: The Norman Liebmann Collection consists of produced and unproduced television scripts, feature films, book manuscripts, short stories, and plays written by Liebmann. The highlight of the collection relates to development materials, drawings, notes, correspondence, contracts, synopses, outlines, scripts and press clippings for the television series The Munsters, which Liebman co-developed. In addition, the collection contains jokes, sketches and scripts for late-night and variety luminaries Dean Martin, Jerry Lewis, Gene Rayburn, Gene Kelly and Johnny Carson and scripts for popular shows like Chico and the Man and Good Times. Additional materials include pitch documents, outlines and scripts for unproduced TV series and films. Additionally, this collection includes unpublished book manuscripts, short stories, and plays. Language of Material: English Access Available by appointment only. Most materials stored offsite. One week advance notice required for retrieval. Publication Rights The responsibility to secure copyright and publication permission rests with the researcher. Preferred Citation Norman Liebmann Papers. Writers Guild Foundation Archive Acquisition Information Donated by wife Shirley Liebmann on January 29, 2016.
    [Show full text]
  • Trois Figures, Une Forme
    321 Adèle Morerod Trois figures, une forme Étude des discours portant sur la sortie de Les Voyages extraordinaires d’Ella Maillart, Bis ans Ende der Traüme et Yvette Z’Graggen : une femme au volant de sa vie 1 « La mémoire est œuvre de fiction. » 1 Jacques Rancière, « La fiction de mé- moire, à propos du Tombeau d’Alexandre », Trafic, no 29, printemps 1999, p. 37. En l’espace d’à peine une année se sont succédés, sur les écrans suisses, trois films retraçant trois vies : Les Voyages extraordinaires d’Ella Maillart 2 La posture de la RTS quant à la por- (Raphaël Blanc, CH, juin 2017), Bis ans Ende der Traüme, sur l’histoire tée patrimoniale des projets filmiques d’amour houleuse entre Katharina von Arx et Freddy Drilhon (Jusqu’au qu’elle soutient est ambiguë. Ainsi, sur bout des rêves, Wilfried Meichtry, CH, février 2018) et Yvette Z’Graggen : le site coexistent les deux déclarations une femme au volant de sa vie (Frédéric Gonseth, CH, mai 2018). On ne suivantes : « Nous encourageons l’art du peut que remarquer cette soudaine mise en avant de figures féminines cinéma et le regard suisse sur le monde. dans le champ cinématographique helvétique de ces dernières années. Nous voulons soutenir des langages mo- dernes qui racontent des histoires qui Ainsi, à travers des titres pour le moins lyriques, se lit une envie de mettre nous touchent, qui nous interpellent l’accent sur l’indépendance de ces femmes et, par celle-ci, sur leur actua- et qui nous font rêver. Le soutien au ci- lité, qui légitime le fait d’en ériger encore aujourd’hui le portrait.
    [Show full text]
  • Rapport Annuel
    2010 RAPPORT ANNUEL 2010 2 PRO MENTE SANA SUISSE ROMANDE3 ASSOCIATION ROMANDE PRO MENTE SANA MemBres du comitÉ Mme Gisèle BOSSEL Infirmière en psychiatrie, le Pâquier Mme Isabelle CHATAGNY Psychologue, Genève M. Jürg GASSMANN Secrétaire central, avocat, fondation suisse Pro Mente Sana, Zurich (jusqu’au 31 août 2010) Dr Gilles GODINAT Médecin psychiatre, Genève M. Rolf HIMMELBERGER Genève M. Robert JOOSTEN Docteur ès sciences, Lausanne Dr Georges KLEIN Médecin chef, Service de psychiatrie et psychothérapie hospitalière adulte, Réseau Santé Valais, Institutions psychiatriques du Valais romand, Monthey M. Ueli LEUENBERGER Conseiller national, Genève MemBres du Bureau Mme Maria ROTH-BERNASCONI (présidente) 10 Conseillère nationale, Grand-Lancy M. Pierre-Alain VUAGNIAUX (trésorier) IMPRESSUM Ingénieur EPFZ, consultant, Onex Rédaction : Pro Mente Sana Suisse romande Me Nils DE DARDEL Design : Anull Grafikdesign, Zurich, www.anull.ch Avocat, Chêne-Bougeries Mise en pages et illustrations : Mattea Gianotti, Zurich, www.matteagianotti.ch © Pro Mente Sana Suisse romande ; reproduction autorisée avec mention de la source Dr Yasser KHAZAAL Médecin psychiatre, médecin adjoint HUG, privat-docent, président de la Société Ce rapport est disponible sur le site Internet www.promentesana.org. suisse de psychiatrie sociale, Genève Dans ce rapport, nous avons renoncé à utiliser le langage épicène. 4 1 LE MOT DE LA PRÉSIDENTE Une paGE en train de S’Écrire nos partenaires, la brochure « Crise psychique – Que faire ? ». Editées en sept langues, ces pages sont destinées aux personnes migrantes, mais aussi aux professionnels. En En 2010, la sixième révision de l’AI s’est poursuivie à Berne et, avec elle, le grigno- 2010, Pro Mente Sana a également pris en charge la troisième édition de la brochure du tage des prestations.
    [Show full text]
  • HBO: Brand Management and Subscriber Aggregation: 1972-2007
    1 HBO: Brand Management and Subscriber Aggregation: 1972-2007 Submitted by Gareth Andrew James to the University of Exeter as a thesis for the degree of Doctor of Philosophy in English, January 2011. This thesis is available for Library use on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. I certify that all material in this thesis which is not my own work has been identified and that no material has previously been submitted and approved for the award of a degree by this or any other University. ........................................ 2 Abstract The thesis offers a revised institutional history of US cable network Home Box Office that expands on its under-examined identity as a monthly subscriber service from 1972 to 1994. This is used to better explain extensive discussions of HBO‟s rebranding from 1995 to 2007 around high-quality original content and experimentation with new media platforms. The first half of the thesis particularly expands on HBO‟s origins and early identity as part of publisher Time Inc. from 1972 to 1988, before examining how this affected the network‟s programming strategies as part of global conglomerate Time Warner from 1989 to 1994. Within this, evidence of ongoing processes for aggregating subscribers, or packaging multiple entertainment attractions around stable production cycles, are identified as defining HBO‟s promotion of general monthly value over rivals. Arguing that these specific exhibition and production strategies are glossed over in existing HBO scholarship as a result of an over-valuing of post-1995 examples of „quality‟ television, their ongoing importance to the network‟s contemporary management of its brand across media platforms is mapped over distinctions from rivals to 2007.
    [Show full text]
  • "The Writer Speaks" Oral History Collection
    http://oac.cdlib.org/findaid/ark:/13030/c8gt5vgn Online items available "The Writer Speaks" Oral History Collection Finding aid created by Writers Guild Foundation Archive staff using RecordEXPRESS Writers Guild Foundation Archive 7000 West Third Street Los Angeles, California 90048 (323) 782-4680 [email protected] https://www.wgfoundation.org/archive/ 2021 "The Writer Speaks" Oral History WGF—IA—001 1 Collection Descriptive Summary Title: "The Writer Speaks" Oral History Collection Dates: 1994-2013 Collection Number: WGF—IA—001 Creator/Collector: Extent: 63 interviews; approximately 90 hours of video footage Online items available https://www.youtube.com/playlist?list=PL1cpvBEDotV7pSBwLB55MhqSmZ5O831Bc Repository: Writers Guild Foundation Archive Los Angeles, California 90048 Abstract: “The Writer Speaks” interview series, conducted by the nonprofit Writers Guild Foundation from 1994 to 2013, consists of 63 videotaped oral history interviews with prominent film and television writers. Interviewees include Billy Wilder, Robert Towne, Julius Epstein, Garry Marshall, James L. Brooks, Norman Lear, Carl Reiner, William Goldman and Sidney Sheldon. Among the major topics discussed are early childhood, inspiration and influence, big breaks, career milestones, process and craft, the Hollywood blacklist, and advice to aspiring writers. The collection is available on DVD as well as on the Writers Guild Foundation’s YouTube channel. Language of Material: English Access Access to this collection is unrestricted. Publication Rights The rights belong to the Writers Guild Foundation. Please contact the Archive for requests to reproduce or publish materials. Preferred Citation "The Writer Speaks" Oral History Collection. Writers Guild Foundation Archive Acquisition Information The series was produced by the Writers Guild Foundation between the years 1994 and 2013 and is part of the institutional archive.
    [Show full text]
  • Steve Pritzker Papers, 1967-1986
    http://oac.cdlib.org/findaid/ark:/13030/kt4489q3bs No online items Finding Aid for the Steve Pritzker papers, 1967-1986 Processed by Arts Special Collections staff; machine-readable by Caroline Cubé. UCLA Library Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA, 90095-1575 (310) 825-4988 [email protected] ©2004 The Regents of the University of California. All rights reserved. Finding Aid for the Steve Pritzker PASC 44 1 papers, 1967-1986 Title: Steve Pritzker papers Collection number: PASC 44 Contributing Institution: UCLA Library Special Collections Language of Material: English Physical Description: 16 linear ft.(38 boxes) Date: 1967-1986 Abstract: Steve Pritzker was a writer and producer whose credits include the television series Room 222, Friends and Lovers, and Silver Spoons. Collection consists of television scripts and production material related to Pritzker's career. Restrictions on Use and Reproduction Property rights to the physical object belong to the UC Regents. Literary rights, including copyright, are retained by the creators and their heirs. It is the responsibility of the researcher to determine who holds the copyright and pursue the copyright owner or his or her heir for permission to publish where The UC Regents do not hold the copyright. Restrictions on Access Open for research. STORED OFF-SITE AT SRLF. Advance notice is required for access to the collection. Please contact UCLA Library Special Collections for paging information. Provenance/Source of Acquisition Gift, 1989. Preferred Citation [Identification of item], Steve Pritzker Papers (Collection PASC 44). Library Special Collections, University of California, Los Angeles.
    [Show full text]
  • 2009 Financial Reporting
    2009 Financial Reporting Financial Report Media Conference from 15 April 2010 Martin Kall and Sandro Macciacchini, Tamedia AG 1 Financial Reporting 2009, 15 April 2010 Annual Report 2009: Overview Martin Kall Chief Executive Officer 2 Financial Reporting 2009, 15 April 2010 Strong Drop in Revenues and Earnings During 2009 Financial Year in MCHF EBIT margin* 2008 15.0% -14% 1.000 2009 6.7% 890 900 2008 2009 800 766 700 600 500 400 -45% -61% 300 -56% 168 200 134 92 106 100 52 47 0 Revenues EBITDA EBIT Net income *The respective figures refer to the continued operations 3 Financial Reporting 2009, 15 April 2010 Decrease Mirrors Prolonged Financial Crisis… Change of real GDP in per cent Consumer climate index (index points) 6% 30 4% 15 0 2% -15 0% -30 01.08 07.08 01.09 07.09 01.10 -2% -45 01.07 07.07 01.08 07.08 01.09 07.09 01.10 -4% Unemployment rate in per cent of labour force Private consummation change in per cent 4.5% 4% 4.0% 3% 3.5% 2% 3.0% 1% 2.5% 0% 2.0% -1% 01.07 07.07 01.08 07.08 01.09 07.09 01.10 01.07 07.07 01.08 07.08 01.09 07.09 Source: Staatssekretariat für Wirtschaft SECO 4 Financial Reporting 2009, 15 April 2010 …Resulting in Significantly Lower Advertising Investments Jan - Dec 2008/2009, net advertising revenues in print acc. to typology of Swiss Press Types 2009 2008 Changes +/- MA MCHF MA MCHF MA MCHF in % in % Daily press 889 56.0 1,133 56.8 -244 -21.6% -0.8 Regional weekly press 51 3.2 52 2.6 -1 -1.2% 0.6 Sunday press 150 9.4 212 10.7 -62 -29.4% -1.2 Finance and economy* 50 3.2 72 3.6 -22 -30.1% -0.4 Newspapers 1,140 71.9 1,469 73.7 -329 -22.4% -1.8 Mass media 187 11.8 234 11.7 -47 -20.0% 0.1 Special interest press 198 12.5 217 10.9 -19 -8.8% 1.6 Expert press 61 3.9 73 3.7 -12 -16.6% 0.2 Magazines 446 28.1 524 26.3 -78 -14.9% 1.8 Total print 1,586 100 1,993 100 -407 -20.4% 0.0 * not identical to publication «Finanz und Wirtschaft» Source Advertiser statistics Swiss Press/VSW Verband Schweizerischer Werbegesellschaften (Assoc.
    [Show full text]
  • Since 125 Years
    Corporate Presentation Tamedia We help you make sense of an increasingly complex world with a wide range of perspectives and by offering structure and choices to our customers – since 125 years. October 2018 The history of Tamedia The Tages-Anzeiger was founded in 1893 The first newspapers – from today’s perspective – published at the beginning of the 17th century. In 1893, Wilhelm Girardet, a publisher, sets up the Tages-Anzeiger together with editor Fritz Walz. On 2 March, the first issue is published, then widely distributed free of charge for one month. In 1902, due to its huge success, the company moves to its present location on Zurich Werdstrasse. The history of Tamedia Growth in the 20th century and stock market flotation The company continues to grow through takeovers and in-house developments. The printing facility in Zurich opens in 1984, the one in Lausanne in 1989, and Berne in 2005. On 2 October 2000, the company goes public with a new name, Tamedia AG. As of 2003, Tamedia progressively increases its involvement in the media brand 20 Minuten. The history of Tamedia Mergers and takeovers in the new millennium In 2007, Tamedia merges with Espace Media Groupe, Berne. In April 2010, Tamedia takes over Zürichsee-Zeitung and Zürcher Unterländer from the NZZ group. In 2011, Edipresse Suisse and Tamedia merge their businesses as previously announced in 2009. In 2014, Der Landbote joins the family of Tamedia’s newspapers, Basler Zeitung follows in 2018. The history of Tamedia Investments and reorganisation of the advertising market Sustained decline in print advertising with simultaneous growth of online advertising.
    [Show full text]