Own 51 Library, the New Festival ••••• 59 Going Out

Total Page:16

File Type:pdf, Size:1020Kb

Own 51 Library, the New Festival ••••• 59 Going Out • • , • • • • • • , NEWS Dancing Out. 72 Theory and Practice 10 Bar Guide 73 Notes From Home 12 Community Directory 75 News 14 Classifieds 79 Eye Spy 14 Personals 87 > Queer Planet.. 16 ARTS Rim Shots ; .20 , Film: Truth or Dare May:!r Rus man.ds at theBaIgirI. •• 52 DEPARTMEN:TS EXPOSED . ' - , .- Manica Dorenkamp watches a Outspoken .t~,':~.4'•world of m;srepresentation. ••• :54 'Letters , 5 ~ 1; .. BOOKS: Essex Hemphill Stonewall Riots 5 Michael S. Smith talks to the Blurt Out ~.. 6 poet/editor •................... 55 Sotomayor , .. 8 , BOOKS: Brother to Brother , - Jennifer Camper · 8 Jim Marks on the hotly awilited Stomping Out. ; 9 anthology ....••..•••...•...••. 56 " Insider Trading .•....... ",..:26 MUSIC: A Month at the Opera AIDS This Week :,.:28 Bruce-Michael Gelbert spends Milestones ~.~30 one. ~.••.•..•. e••••••••••••••• 57 Look Out.. :.44 SIT AND SPIN Gossi p Watch '::46 New York:SMark Cicero ..... 58 Gaydar ,: 47 LIP SERVICE Field Tripping •.......... : .. 50 Daddy Kane update, the Center Out on the Town 51 Library, the New Festival ••••• 59 Going Out. 67 POETRY:This Dark Apartment Tuning In 71 James Schuyler •••.•..•••••• 60 FEATURES Keep Your Cool , Michael Wakefield documents queer summer fantasies. ••••••••••••••••••••• 34 - , • Cove...·Photo: Michael Wakefield • C9ver model: Heather Murray " OutWeek (lSSN 1047-34421 is published weekly (51 iss~1 by OutWeek Publishing Corporation. 159 Wm 25th St. New Yor!r. N.Y. 10001 (2121337·1200. AppliCation to mall at $8COnd class postage rates is pending at New YorIc; N.Y. Subscription prices: $69.95 per year. ' Postmaster send change of address to OutWeek Magazine. 159 West 25 Street. 7th Floor. New YorlcNY 10001 The entil8 contents of OutWeek al8 copyright«l1!l91 by OutWeek Publishing Corporation. and may not be rapro- duced in ~ny !"l"nner. either in whole or in part.without writ1Bn parmi~~ ~ the ptt!'lisher. All ri~tsreserved. 'l'ubliCatlOn of the name or photogl8ph of any person. group or Of98"izatiCIl appeanng or adwrtising in OutWeek mtIf rot be taken as an indication of the sexual orientation of such person. group or organization unless specifICally stated. The opinions of OutWeek are expressed only in our editorials. Oth~r opinions al8 those of the writers and artists and do not necessarily represent the opinions of OutWeek or its publISher. To subscribe call 1·800·0utWeek • OUIBIDleD • EDITOR IN CHIEF GABRIEL ROTELLO NEWS EDITOR ANDREW MILLER ARTS EDITOR SARAH PETT1T FEAlURES EDITOR VICTORIA STARR STAFF REPORTER NINA REYES March on Hollywood DESIGN MARIA C. PEREZ EDITOR AT LARGE MICHELANGELO SIGNORILE Ever since Vito Russo deconstructed Hollywood homopho- CONTRIBUTING EDITORS bia in his seminal 1981 book, The Celluloid Closet, lesbians and AIDS, PAUL RYKOFF COLEMAN; POETRY, DAVID TRINIDAD; gays have slowly come to recognize the enormous culpability of LISTINGS, DALE PECK filllll?in fostering anti-gay attitudes. Unfortunately, awareness of CONTRIBUTING REPORTERS the damage imparted by queer-bashing movies has never been Janis AWlr del Valle, Laura Briggs, Vidoria A Brownwor1h, Mark ChesooI, Joe ' CIa/t(, loweD B. Den~ III,Scoll Hamil, Artlnr S.leonard, Avril McDonald, high in our community. Karen Ocamb, DIIlCiIIl Osborne, Rachel Peppar, Dell Rkhards, Rayroond Rogers. African Americans long ago dealt with a similar filmic bias Maer Roshan, James Waller, Allen Wilie, CaRie Wolford by organizing protests and boycotts and loudly demanding NEWS WIRE SERVICES change. They were often led by Black actors, whose anger was Cliff O'Neill, Rex Wockner, John Zeh .-" . sharply focused from having been forced to portray the very CONTRIBUTING WRITERS stereotypes which so grossly offended th~ir people. Bradley BaI, Mike Barr, Greg Baysalll, Jay BJotcher, Peter Bowen. Max Cavich, Sarah Chiln, AnllKhrislile d'Mesky, Susie Day, Kathleen Joan DeBold, Risa Denenberg. Perhaps because, unlike Blacks, lesbian and gay actors are John Donahue, Morim Dorenkamp, Tom Eubanks, Dawn Falai, David ltinberg, not limited to playing lesbian and gay roles, there has been .inFoIJ3I, Bsmc Gae. ~ Gellert, WllIII Gtf, JeweIe Ganez, Jon Greenberg. much less leadership in our community to fight Tinseltown's NoeIe Hanrahan, Ernest twit!, Mark Harrington, Joe E. Jeffreys,l.arTy Kramer, Gerard Mackey, Mlria Maggenti, ..1m Marb, Michael Paler, SycDy Pommy, John PresIon, phobic depictions. And within our political leadership, there • Jim ProWIIllIOO, Klit B. Reley, Allen Roskoff, Anne Rubenstei1, SRI Sch~man, often seems to be a feeling that the focus of liberation lies only Ira SMrberg, Karl Soehnlein, James St. James, WtcI<ie Stamps, Bruce C. Steele, in the White House or the State House, never on the film set. Otis StIDrt, liz Tr.r;ey, JoM Wasser, John Wng, Madam X. Eva YaaA!aJiewaa.liIda YabJonskaty'a That's a serious mistake. Whatever the cause of our relative ILLUSTRATORS AND CARTOONISTS apathy, the depressingly constant stream of negative film depic- Alison Bechdel, Mark Burdell, JennWer Camper, Tom Kalin, tions has lately turned into a torrent. It's next to impossible to Kris Kovick, Andrea Natalie, Daniel Sotomayor, Zanne find well-adjusted gay characters anywhere in Hollywood's CONTRIBUTING PHOTOGRAPHERS vision, where we're seemingly all mass murderers and psy- Bill Bytsura,Greg Clark. Desi Del Valle, lisa Ebrigh~ Charles Fowler, Marc Geller, chotics, criminals and suicides. Such depictions have as much Efrain J. Gonzalez, Morgan Gwenwald, Marilyn Humphries, Teru Kuwayama, Andrew lichtenstein, lL UtI, Patsy lynch, Jim Marks, Tom McGovern, Tom McKitterick, impact on society as any law or Supreme Court decision. Myrna Morales, Scoll Morgan, Ellen B. Neipris, Rink, lisa Romerein, lee SniderJPIJoto Ironically, a large number of those responsible for this sony Images, Ben ThomberT)', Theresa C. Thadani, Michael Wakefield, C.T. Wemple state are queer producers, directors, screenwriters, agents and PRODUCTION MANAGER DIANA OSTERFELD actors who willingly participate in projects that trash their own PRODUCTION EDITOR JAMES CONRAD community. A larg~r number are cynical or homophobic straights COPY CHIEF WAlTER ARMSTRONG who foster this drek. And, as Russo used to tirelessly point out, GRAPHIC ARTISTS YVEm ROBINSON PAUL V. LEONE the largest number are the millions of lesbians and gays nation- CAMERA TECHNICIAN SALVADOR MENDEZ, JR. wide who willingly troop to such films, pay their money and INTERNS John Campanelli, Ann Conner, don't make a peep. Drew Lee, Sara Simmons A call has now been made in these pages for a national PUBLISHER STEVEN POLAKOFF march on Hollywood, to put the film industry on notice that • ASSOCIATE PUBLISHER GABRIEL ROTELLO we're no longer going to take this travesty lying down. It has SALES DIRECTOR BART CHURCH received a favorable reception in California, where demos are ACCOUNT EXECUTIVES already rocking the set of a new, grossly anti-lesbian film, and VEllA CORNEll US, JACK HOFFMANN, EVA LEONARD, COLLEEN the actual planning of such a national march has begun. Out- MANGAN, TROY MASTERS, ARMANDA C. SQUADRllll, DOROTHY DERINGER; (CALIFORNIA) MICHAEL CROSS, (415)861-3142; Week strongly supports such organizing. (NEW ENGLAND) RICHARD DRINKWATER (617)389·5076 , ' ,InaTwilight Zone-like reaction, some gay journalists, partic- CLASSIRED SALES ROGELIO A. PARRIS ularly at the sadly ossified Village Voice, have accused us of cen- RAYMOND P. LEWIS ADVERTISING COORDINATOR MATTHEW DAVIS sorship, even "Stalinism," in protesting Hollywood homophobia. CIRCULATION DIRECTOR GRANT LUKENBILL Thankfully, such self-denigrating dimwittedness is being ignored GENERAL COUNSEL MICHAEL CARVER by progressive lesbians and gays, who will continue fighting and TREASURER LAWRENCE BASILE organizing undeterred by the regressive rationalizations of time- COMPTROLLER AJIT PHILLIPS SYSTEMS DIRECTOR VON DORA CORZEN warped Voice hippies and closet-cases. CREDIT MANAGER KATRINA SIMPSON PUBLISHER'S ASSISTANT DARLA FJELD The bottom line is this: Hollywood homophobes indeed ADMINISTRATIVE ASSISTANT JAY BYRD have a .First Amendment right to make their drek. And queers OFFICE ASSISTANT MISAEL MALDONADO have a First Amendment right to call it that and to march, picket PRESIDENT KENDALL MORRISON and boycott to bring it to an end. I 159 W. 25th St, 7th Roor, New York. NY 10001 Get ready for your close-ups. And see you on the set. (212) 337·1200 FAX: (212) 337·1220 , • LlZA WITH A WHAT? "Queer Curse" issue and the Pet Shop Boys are the Liberaces might anger or alienate some of Remember Dusty Spring- "Why Won't the Pet Shop Boys of tOday-blatantly obvious her fans. Until then, I'd urge peo- field?, She's the British female Come Out" issue [no. 97, May 8] queers who refuse to say so out ple to pick up a copy of Dusty singer who first brought us "I are closely linked in that both are of fear of losing the devotional Springfield's greatest hits the Only Want to Be With You" (no, cases of entertainers not wanting love of their fans. next time they go to the record 12 in 1964). More recently she to be perceived as queer. Cleatly, Sorry Mathew Davis....You store and pass up the likes of sang a duet with the Pet Shop in all industry 75 percent queer, can keep on staring at your large closet cases like the Pet Shop Boys called "What Have I Done the "real-life" queers are terrified glamorous posters of this talented Boys and safe, non-alienating to Deserve This?" which reached that the public will find out. and caring woman, but as far as Liza. Dusty's music is a lot more no. 1 in 1987. In her biography Entertainment-industry people I'm concemed, if she really loved fun anyway. Dusty, by Lucy O'Brien (1989 TonyArena Sedgewick and Jackson Publish- Manhattan ing) Dusty Springfield, the god- srONEWAtt RIOrS BY ANDREA NATALIE dess of '60s mod culture came "Liza with a a"? Liza with a out as a bisexual. She also spoke C is more like it-"e" as in col- out on the hypocricy in the DI C K- Ole 1(- laborator! It's a shame that music industry and in Hollywood Mathew Davis did not ask Liza in this way: FREE PL liS why she sang at Ronald Rea- "I'm in a business where at gan's birthday party.
Recommended publications
  • Baby's Fine After 2V2-Day Stay in Well
    (In Stereo) ra in in g’ A Itauvinism in fired by her Ann Dusen- lated R. nal Count- faces i given the tistory- Kirk erine R oss ■ t n r inya Singer his native le republic's ) min.) ght: V id e o NFL Hosts: (60 min.) (In iianrliPBtpr HfralJi ) Manchester — A City ol Village Charm igels From im war hero Saturday, Oct. 17, 1987 30 Cents 5 and many i old role as Arlene Mar- |ht Service larly 1900s, Midwestern icial prejud- TOTS RESCUE CHEERED Baby’s fine iS after 2V2-day N stay in well MIDLAND, Texas (AP) — Eighteen- month-old Jessica McClure w&s rescued Friday night from an abandoned well by workers who spent 2'A days drilling through solid rock to reach her as the nation waited anxiously to learn her fate. Barefoot, caked with dirt and strapped with gauze to an immobilizing backboard, Jessica was hoisted by cable out of the shaft just before 8 p. m. CDT to the cheers of onlookers. .. J ‘‘They brought her out feet-first. They had put vaseline on her to get her through the hole,” said Police Sgt. Jeff Haile. "She was very alert, very bright-eyed. They got her through with no scratches. She's fine. “I didn’t have any dry eyes.” he said. "I’m relieved and am glad it's over. The toddler, who had gone without food or drink since plunging into the narrow well Wednesday morning in her aunt’s backyard, appeared alert as she rubbed her eyes in the glare of floodlights.
    [Show full text]
  • Queer Theorists and Gay Journalists Wrestle Over
    PLEASURE PRIPRINCIPLES BY CALEB CRAIN QUEER THEORISTS AND GAY JOURNALISTS WRESTLE OVER THE POLITICS OF SEX 26 PLEASURE PRINCIPLES PLEASURE PRIPRINCIPLES Nearly two hundred men and women have come to sit in the sweaty ground-floor assembly hall of New York City’s Lesbian and Gay Community Services Cen- ter. They’ve tucked their gym bags under their folding chairs, and, despite the thick late-June heat, they’re fully alert. Doz- ens more men and women cram the edges of the room, leaning against manila-colored card tables littered with Xerox- es or perching on the center’s grade-school-style water foun- tain, a row of three faucets in a knee-high porcelain trough. A video camera focuses on the podium, where activist Gregg Gonsalves and Columbia University law professor Kendall Thomas welcome the audience to a teach-in sponsored by the new organization Sex Panic. It might have been the Sex Panic flyer reading DANGER! ASSAULT! TURDZ! that drew this crowd. Handed out in New York City’s gay bars and coffee shops, the flyer identified continuing HIV transmission as the danger. It pointed to the recent closing of gay and transgender bars and an increase in arrests for public lewdness as the assault. And it named gay writers Andrew Sullivan, Michelangelo Signorile, Larry Kramer, and Gabriel Rotello as the Turdz. The flyer, however, is not how I first Kramer, or Sullivan with hisses, boos, thing called queer theory. Relatively found out about the Sex Panic meeting. and laughs. The men and women here new, queer theory represents a para- A fellow graduate student recommend- tonight feel sure of their enemies, and as digm shift in the way some scholars are ed it to me as a venue for academic the evening advances, these enemies thinking about homosexuality.
    [Show full text]
  • Queer Periodicals Collection Timeline
    Queer Periodicals Collection Timeline 1966 1967 1968 1969 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 Series I 10 Percent 13th Moon Aché Act Up San Francisco Newsltr. Action Magazine Adversary After Dark Magazine Alive! Magazine Alyson Gay Men’s Book Catalog American Gay Atheist Newsletter American Gay Life Amethyst Among Friends Amsterdam Gayzette Another Voice Antinous Review Apollo A.R. Info Argus Art & Understanding Au Contraire Magazine Axios Azalea B-Max Bablionia Backspace Bad Attitude Bar Hopper’s Review Bay Area Lawyers… Bear Fax B & G Black and White Men Together Black Leather...In Color Black Out Blau Blueboy Magazine Body Positive Bohemian Bugle Books To Watch Out For… Bon Vivant 1966 1967 1968 1969 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 Bottom Line Brat Attack Bravo Bridges The Bugle Bugle Magazine Bulk Male California Knight Life Capitol Hill Catalyst The Challenge Charis Chiron Rising Chrysalis Newsletter CLAGS Newsletter Color Life! Columns Northwest Coming Together CRIR Mandate CTC Quarterly Data Boy Dateline David Magazine De Janet Del Otro Lado Deneuve A Different Beat Different Light Review Directions for Gay Men Draghead Drummer Magazine Dungeon Master Ecce Queer Echo Eidophnsikon El Cuerpo Positivo Entre Nous Epicene ERA Magazine Ero Spirit Esto Etcetera 1966 1967 1968 1969 1970 1971 1972 1973 1974 1975
    [Show full text]
  • BROOKS ATKINSON THEATER (Originally Mansfield Theater), 256-262 West 47Th Street, Manhattan
    Landmarks Preservation Commission November 4, 1987; Designation List 194 LP-1311 BROOKS ATKINSON THEATER (originally Mansfield Theater), 256-262 West 47th Street, Manhattan. Built 1925-26; architect Herbert J. Krapp. Landmark Site: Borough of Manhattan Tax Map Block 1018, Lot 57. On June 14 and 15, 1982, the Landmarks Preservation Commission held a public hearing on the proposed designation as a Landmark of the Brooks Atkinson Theater and the proposed designation of the related Landmark Site (I tern No. 7). The hearing was continued to October 19, 1982. Both hearings had been duly advertised in accordance with the provisions of law. Eighty witnesses spoke or had statements read into the record in favor of designation. Two witnesses spoke in opposition to designation. The owner, with his representatives, appeared at the hearing, and indicated that he had not formulated an opinion regarding designation. The Commission has · received many letters and other expressions of support in favor of this designation. DESCRIPTION AND ANALYSIS The Brooks Atkinson Theater survives today as one of the historic theaters that symbolize American theater for both New York and the nation. Built during the mid-1920s, the Brooks Atkinson was among the half-dozen theaters constructed by the Chanin Organization, to the designs of Herbert J. Krapp, that typified the development of the Times Square/Broadway theater district. Founded by Irwin S. Chanin, the Chanin organization was a major construction company in New York. During the 1920s, Chanin branched out into the building of theaters, and helped create much of the ambience of the heart of the theater district.
    [Show full text]
  • Interviewee: Karl Soehnlein Interview Number
    A PROGRAM OF MIX – THE NEW YORK LESBIAN & GAY EXPERIMENTAL FILM FESTIVAL Interviewee: Karl Soehnlein Interview Number: 018 Interviewer: Sarah Schulman Date of Interview: April 18, 2003 © 2004 The New York Lesbian & Gay Experimental Film Festival, Inc. ACT UP ORAL HISTORY PROJECT Interview of Karl Soehnlein April 18, 2003 SARAH SCHULMAN: If you could say your name, how old you are, today’s date and the address of where we are? KARL SOEHNLEIN: My name is Karl Soehnlein. I am 37 years old. Today’s date is April 18, 2003. And we are on Moss Street, in San Francisco. SS: Karl, do you remember the first time you heard the word AIDS? KS: I remember, very vaguely in high school. I had a little class that was called “Journalism” – a high school elective – and there was something about gay cancer. I remember being part of group of people making fag jokes about it. And I don’t know if that was the word AIDS, but I remember there was that gay man dying in an article in Time magazine, probably, which is what I used to read. SS: Where was this? KS: I was in New Jersey – in a suburban high school in New Jersey. SS: And, were you gay yet, at that time? KS: No, except in my fantasies and wet dreams – I was very gay. But I had a girlfriend and was not gay at that point. SS: And when did you come out? How old were you? KS: I came out in college. I was 19. It was my sophomore year of college and I met Alan Klein at Ithaca College, upstate New York.
    [Show full text]
  • Andrew Miller Interview Number
    A PROGRAM OF MIX – THE NEW YORK LESBIAN & GAY EXPERIMENTAL FILM FESTIVAL Interviewee: Andrew Miller Interview Number: 056 Interviewer: Sarah Schulman Date of Interview: October 4, 2004 © 2005 The New York Lesbian & Gay Experimental Film Festival, Inc. ACT UP Oral History Project Interview of Andrew Miller October 4, 2004 SARAH SCHULMAN: Okay, so to begin, can you just say your name, today’s date, how old you are, and where we are. ANDREW MILLER: I’m Andrew Miller. And today’s October 6th, 2004. And we’re in my apartment, in Little Italy. And what was the other question? SS: How old are you? AM: I’m gonna be 40 in five weeks. SS: Yay. So you know, I know that you, I remember you as a very important person in ACT UP that did a lot of important work. And we’re definitely gonna talk about that. But I want to start a little bit before that, so we can get a sense of where you were coming from before you came to ACT UP. So where did you grow up? AM: Well, I’m from New York. I was born in Brooklyn. I’m very proud of that. SS: Oh, which neighborhood? AM: Well, that’s kind of a long, convoluted story. I was born in Carson C. Peck Memorial Hospital, on President Street, in Crown Heights. And then I was whisked away to the suburbs. My parents are both from Williamsburg and they grew up there during the Depression. And then they, then they got married; they moved to, so they’re from a generation of Brooklyn Jews who felt like escaping Brooklyn was – mandatory.
    [Show full text]
  • About Outing: Public Discourse, Private Lives
    Washington University Law Review Volume 73 Issue 4 January 1995 About Outing: Public Discourse, Private Lives Katheleen Guzman University of Oklahoma Follow this and additional works at: https://openscholarship.wustl.edu/law_lawreview Part of the First Amendment Commons Recommended Citation Katheleen Guzman, About Outing: Public Discourse, Private Lives, 73 WASH. U. L. Q. 1531 (1995). Available at: https://openscholarship.wustl.edu/law_lawreview/vol73/iss4/2 This Article is brought to you for free and open access by the Law School at Washington University Open Scholarship. It has been accepted for inclusion in Washington University Law Review by an authorized administrator of Washington University Open Scholarship. For more information, please contact [email protected]. ABOUT OUTING: PUBLIC DISCOURSE, PRIVATE LIVES KATHELEEN GUZMAN* Out of sight, out of mind. We're here. We're Queer. Get used to it. You made your bed. Now lie in it.' I. INTRODUCTION "Outing" is the forced exposure of a person's same-sex orientation. While techniques used to achieve this end vary,2 the most visible examples of outing are employed by gay activists in publications such as The Advocate or OutWeek,4 where ostensibly, names are published to advance a rights agenda. Outing is not, however, confined to fringe media. The mainstream press has joined the fray, immortalizing in print "the love[r] that dare[s] not speak its name."' The rules of outing have changed since its national emergence in the early 1990s. As recently as March of 1995, the media forced a relatively unknown person from the closet.6 The polemic engendered by outing * Associate Professor of Law, University of Oklahoma College of Law.
    [Show full text]
  • Signorile, Michelangelo (B
    Signorile, Michelangelo (b. 1960) by Kenneth Cimino Encyclopedia Copyright © 2015, glbtq, Inc. Entry Copyright © 2005, glbtq, inc. Reprinted from http://www.glbtq.com A publicity photograph of Michelangelo Signorile Michelangelo Signorile is a prolific, and often provocative, writer and activist whose provided by Outright books and articles, radio show, newspaper columns, and website champion the cause Speakers and Talent of glbtq rights. He is best known for his practice of "outing" closeted conservatives and Bureau. for advocating the redefinition of marriage to include same-sex couples. He has been Courtesy Outright called the heir to the "in your face" brand of activism pioneered by 1980s AIDS activist Speakers and Talent Bureau. and writer Larry Kramer. Signorile was born on December 19, 1960 in a blue collar Italian family in New York. He grew up in Brooklyn and on Staten Island. He attended the S.I. Newhouse School of Public Communications at Syracuse University, where he studied journalism. Signorile returned to New York City in the early 1980s and proceeded to come out. He spent much of the 1980s working as an entertainment publicist and enjoying the perks that come with such a job. However, by the late 1980s he became involved in gay politics and AIDS activism. He ran the media committee of the direct action group ACT UP in New York, helping to publicize protests and bringing attention to the various issues surrounding AIDS. Signorile and Gabriel Rotello, a New York party promoter, formed the New York-based magazine OutWeek in 1989. Signorile and Rotello felt that both mainstream media and gay media failed to cover the AIDS crisis accurately.
    [Show full text]
  • Major Equestrian and Hiking Trails Plan*
    Major Equestrian and Hiking Trails Plan* an Element of the Master Plan of the City of Los Angeles Prepared by the Department of City Planning and the Department of Recreation and Parks *Language transcribed verbatim from the plan December 1, 2009 by the Los Angeles Equine Advisory Committee. (All illustrations and maps omitted.) City of Los Angeles Major Equestrian and Hiking Trails Plan This plan consists of Statement of Policy, Features of the Plan, and Major Equestrian and Hiking Trails map Tom Bradley, mayor CITY COUNCIL Pat Russell, president Ernardi Bernardi Hal Bernson Marvin Braude David Cunningham Robert Farrell John Ferraro Howard Finn Joan Milke Flores Gilbert W. Lindsay Joy Picus Arthur K. Snyder Peggy Stevenson Joel Wachs Zev Yaroslavsky City Planning Commission Daniel P. Garcia, president Robert Abernethy William Luddy Suzette Neiman Board of Recreation and Parks Commissioners A.E. England, president Mrs. Harold C. Morton, vice-president Brad Pye, Jr. James Madrid Miss Patricia Delaney Master Plan Advisory Board Robert O. Ingman, public facilities committee chairman Department of Recreation and Parks William Frederickson, Jr., general manager Chester E. Hogan, executive officer John H. Ward, superintendent Alonzo Carmichael, planning officer Ted C. Heyl, assistant to planning officer Department of City Planning Calvin S. Hamilton, director of planning Kei Uyeda, deputy director of planning Glenn F. Blossom, city planning officer Advance Planning Division Arch D. Crouch, principal city planner Facilities Planning Section Maurice Z. Laham, senior city planner Howard A. Martin, city planner Ruth Haney, planning associate Brian Farris, planning assistant Franklin Eberhard, planning assistant Photographs by the Boy Scouts of America, the Los Angeles City Department of Recreation and Parks and the Los Angeles County Parks and Recreation Department.
    [Show full text]
  • Public Matching Funds Summary 1993-2001
    CITY ETHICS COMMISSION PUBLIC MATCHING FUNDS SUMMARY PRIMARY ELECTION GENERAL ELECTION MATCHING FUNDS MATCHING FUNDS ELECTION & CANDIDATE RECEIVED RECEIVED 1993 MAYORAL CANDIDATES Linda Griego $272,585.50 Nate Holden $135,154.00 Richard Katz $585,574.69 Nick Patsaouras $176,563.99 Stan Sanders $158,279.00 Joel Wachs $264,836.64 Mike Woo $667,000.00 $800,000.00 1993 CD-3 CANDIDATES Laura Chick $69,869.00 $92,789.34 Joy Picus $72,920.00 $73,475.77 Dennis Zine $24,101.00 1993 CD-5 CANDIDATES Laura Lake $45,930.00 1993 CD-7 CANDIDATES Richard Alarcon $27,708.00 $70,395.34 LeRoy Chase $22,056.00 Albert Dib $32,380.00 Lyle Hall $16,609.00 $52,549.34 Ray Magana $39,280.33 1993 CD-11 CANDIDATES Daniel Pritikin $29,538.00 1993 CD-13 CANDIDATES Jackie Goldberg $100,000.00 $111,358.34 Tom LaBonge $100,000.00 $106,313.34 Efren Mamaril $21,115.00 Tom Riley $48,673.00 Conrado Terrazas $45,272.50 Michael Weinstein $47,399.75 1993 CD-15 CANDIDATES Joan Milke-Flores $78,429.00 $82,999.26 Warren Furutani $100,000.00 Janice Hahn $54,328.00 Diane Middleton $66,440.00 Rudy Svorinich $51,492.90 $82,207.34 TOTAL: $3,353,535.30 $1,472,088.07 PRIMARY ELECTION GENERAL ELECTION MATCHING FUNDS MATCHING FUNDS ELECTION & CANDIDATE RECEIVED RECEIVED 1995 CD-5 CANDIDATES Jeff Brain $19,138.84 Mike Feuer $98,855.00 $92,170.70 Roberta Weintraub $100,000.00 1995 CD-10 CANDIDATES J.
    [Show full text]
  • A Century of Fighting Traffic Congestion in Los Angeles 1920-2020
    A CENTURY OF FIGHTING TRAFFIC CONGESTION IN LOS ANGELES 1920-2020 BY MARTIN WACHS, PETER SEBASTIAN CHESNEY, AND YU HONG HWANG A Century of Fighting Traffic Congestion in Los Angeles 1920-2020 By Martin Wachs, Peter Sebastian Chesney, and Yu Hong Hwang September 2020 Preface “Understanding why traffic congestion matters is … not a matter of documenting real, observable conditions, but rather one of revealing shared cultural understandings.” Asha Weinstein1 The UCLA Luskin Center for History and Policy was founded in 2017 through a generous gift from Meyer and Renee Luskin. It is focused on bringing historical knowledge to bear on today’s policy deliberations. Meyer Luskin stated that “The best way to choose the path to the future is to know the roads that brought us to the present.” This study is quite literally about roads that brought us to the present. The Los Angeles region is considering alternative forms of pricing roads in order to address its chronic congestion. This is a brief history of a century of effort to cope with traffic congestion, a perennial policy challenge in this region. The authors, like the Luskins, believe that the current public debate and ongoing technical studies should be informed by an understanding of the past. We do not duplicate technical or factual information about the current situation that is available elsewhere and under scrutiny by others. We also do not delve deeply into particular historical events or past policies. We hope this overview will be useful to lay people and policy practitioners participating in the public dialog about dynamic road pricing that will take place over the coming several years.
    [Show full text]
  • Film Quarterly E-Prospectus
    Sample Copy EDITOR FROM THE EDITOR Ann Martin Ann Martin EDITORIAL ASSISTANT David Wells Welcome 1 BOOK REVIEW EDITOR Stephen Prince Order Form 2 NEW YORK EDITOR William Johnson ARTICLES LOS ANGELES EDITOR Chon Noriega Todd Berliner LONDON EDITOR Hollywood Movie Dialogue and the Helen Baehr “Real Realism” of John Cassavetes 3 ROME EDITOR Gideon Bachmann Abé Mark Nornes EDITORIAL BOARD For an Abusive Subtitling 18 Leo Braudy Ernest Callenbach Mark Rappaport Brian Henderson I, Jean Seberg 36 Marsha Kinder Akira Mizuta Lippit Linda Williams INDEXED IN Access Art Index Cover: Anna Massey in Peeping Tom; inset: still from The Apple. Arts and Humanities Book Review Index Citation Index Film Quarterly (ISSN 0015-1386, online ISSN: 1533-8630) is published quarterly by the University of California Press, Berke- Film Literature Index ley, CA 94720. Periodicals postage paid at Berkeley, California, and at additional mailing offices. Canadian GST #89626#2698#RT0001. Email: [email protected]. POSTMASTER: send address changes to Film Quarterly, University of Cal- Humanities Index ifornia Press, 2000 Center Street, #303, Berkeley, California 94704-1223. Index to Critical Film Reviews Subscriptions are $28 per year for individuals, $102 per year for institutions. Subscribers outside North America, add $20 for postage. International Index to Film Periodicals Single issues are $6.95 for individuals, $26 for institutions. Student/retired: subscription $18 per year for individuals, single issue $6.95. Domestic claims for nonreceipt of issues should be made within 90 days of the month of publication, overseas claims within MLA Directory of Periodicals 180 days. Readers’ Guide to Periodical Literature Subscription requests and requests for advertising rate cards should be sent to the Journals Department, manuscript enquiries to the Editor, Film Quarterly, at the University of California Press, 2000 Center Street, #303, Berkeley, California 94704-1223.
    [Show full text]