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Table of Contents New Orleans for the Articles New Orleans Ray Bradbury's Song of Experience/L T

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Table of Contents New Orleans for the Articles New Orleans Ray Bradbury's Song of Experience/L T the necv ORleans Revierv A Journal Of LOYOLA UNIVERSITY Literature Vol. 1. No. 3/Spring 1969 & Culture Published By Loyola University of the South table of contents New Orleans for the articles New Orleans Ray Bradbury's Song of Experience/L T. B1dd1son Consortium: 226 Loyola University Machine Intelligence and the Arts: St. Mary's The Compleat Imitation Game/ John Mosier 246 Dominican College Blood and Land in 'A View of the Woods'/Don R1so. S.J 255 Xavier University Alain Robbe-Grillet, The Novelist Behind the Venetian Blinds/Catherine Savage Editor: 213 Miller Williams fiction Managing Editor: That's Your Story, Baby/Florence M Hecht .............. 221 Tom Bell Marie/William Kotzwinkle .................. 251 Mogen/Gerald Locklin . ........ Assoc. Editor: 277 Thomas Preston Mr. Bo/Will1am Mills . ...... 230 Secrets/Lawrence Judson Reynolds . 259 Art Director: The Arms of Venus/James Tipton 264 Leonard White interview Advisory Editors: Hodding Carter Talks with NOR's Editor-at-Large Hodding Carter 235 John Ciardi David Daiches photography James Dickey Streetcar/Barney Fortier ............... 241 Thomas Parkinson Walker Percy L. J. Twomey, SJ poetry The Encyclopedia Salesman/Ralph Adamo ................ 252 Editor-at-Large: The Standard Shift/Ralph Adamo . ............ 274 John William L'Ouverture/Fort de Joux/Aiv1n Aubert ..................... 275 Corrington Were There Identifying Marks on the Barracuda?/Ann Darr 257 Elsewhere/Gene Frumkin.. ......... Editorial Assistant: 245 Gayle Gagliano Sunset Poem (for Gordon Quinlan)/Gene Frumk1n 265 Requiem/RobertS Gwynn ..................... 263 Lord Tarzan Drums a Message to His Jane/RobertS. Gwynn 276 The New Orleans Review is pub­ Shedlitz/Shael Herman . ...... 279 lished quarterly by Loyola Uni­ versity, New Orleans (70118) Honey/Larry Johnson . 271 for the New Orleans Consor- A Question of Bilocation/Thomas Kretz . 276 tium. including Loyola Universi­ ty, Saint Mary's Dom1nican Col­ Satrapies/Konstantinos Lardas ................ 240 lege and Xavier Umversity. Rearrangement for the Brain/Gary Margol1s . 270 Subscription rate: $1 .25 per Keep It Under Your Hat/Gary Margolis. ........ 273 copy; $5.00 per year; $8.50 for Report Card/Richard Moore . 272 2 years; $12.00 for 3 years. Concerning the Game/John Morressy . 218 Advertising rate schedule avail­ Hunger/Robert Pack. 253 able on request. The Shadow on the Wall/Lawrence Raab . 2 1 7 Manuscnpts cannot be returned unless accompanied by a self­ A City They Have Made Safe for Poets/Dav1d Steingass . 267 addressed, stamped envelope. Love Poem/David Steingass ................................. 267 All care Will be taken to prevent loss of manuscripts, but no re­ No Fatal Laughter/Francis Sullivan . ........... 268 sponsibility can be assumed for Nightride/Joe Tetl~w . 229 unsolicited materrar Scarlett Tanager/Joe Tetlow . ................. 271 C)1969 by Loyola University, New Orleans. rev1ews Manufactured in the United States of America Perspective/Thomas Parkinson . ................ 286 books . .............. 285 poetry ................................................... 294 records .................................................. 298 ATTENTION: College Seniors and Graduate Students! at is a '• A. A step. B. A geometrical measurement of 5 feet. C. -·Pan-American - College- Estate- plan. If you answered C, you really know vvhat the score is! PACE is a brand-new, special insurance investment and disabilit\] plan offered only to college seniors and graduate students. PACE offers you exclusive benefits at special rates not available to the general public. The PACE premiums can be deferred until quite sometime after graduation. PACE is available to you, a college senior or a graduate student, whether you are married or single. So, now you know what PACE is. It's available through the Pan-American Life Insurance Company. It's your move. 210 non ! -- NEW TITLES FOR SPRING from KENT DR. SYNTAX A Silhouette of William Combe, Esq. HARLAN W. Presents the underside, the Grub Street point of view, of the HAMILTON reign of George III through the life of an incredibly prolific hackwriter, a satirist, a comic poet, Rowlandson's collabo­ rator, friend of Laurence Sterne, and for years editor of The Times when not in debtor's prison. The astonishing adventures and misadventures of a lifelong enigma. 360 pages. With 8 Rowlandson aquatints in full color, notes, bibliography, index. f$8.50 NINE THORNY THICKETS and Other Poems of Dafydd ap Gwilym {1320-1380) ROLFE "He has ab.out him much of his contemporary, Geoffrey HUMPHRIES Chaucer's, early-morning freshness, but he was a much more adroit and accomplished technician." A master of allitera­ tion and internal rhyme, his wit and sensibility come through in the "new arrangements" by his admiring fellow-poet, Rolfe Humphries. Includes four translations by jon Roush and the music of johnny Mercer for NINE THORNY THICKETS. 64 pages /$5.00 AMERICAN DISSERTATIONS ON THE DRAMA AND THE THEATRE A Bibliography FREDERIC An interdisciplinary listing of doctoral dissertations on all M. uno subjects related to the theatre and the drama. Four sections: Bibliography, Author Index, Keyword-in-Context Index, and Subject Index. 544 pages f$12.50 PARADOX, PROCESS & PROGRESS Essays on the Community of Higher Education RONALD W. The changing world of higher education as observed by: ROSKENS Hubert H. Humphrey, Ronald W. Roskens, john W. Gardner, and Samuel B. Gould, james A. Perkins, Clark Byse, Harold ROBERT I. Howe II, Logan Wilson, john Kamerick, McGeorge Bundy, WHITE Allan M. Cartier, Alan Pifer, Robert I. White, and Howard Editors R. Bowen. 188 pages f$5.00 DECISION MAKING AND ADMINISTRATION IN HIGHER EDUCATION JOHN D. A calm and balanced consideration of the myriad problems MILLETT that beset administrators, legislators, trustees, and faculties in university operations. By the Chancellor of Ohio's Board of Regents for Higher Education who speaks from a vast resource in both theory and practice. 184 pages f$5.00 cloth f$1.95 paper and two for children SPRING SONG JACQUELINE A lilting picture book illustrated delightfully in full color. JACKSON Children will be fascinated by a chorus of creatures, each and one greeting the end of ice and snow in his own inimitable BARBARA way. Created by a Kent author and a Kent artist who have, MORROW long since, been favorites with small fry. The music, too, is in color. 32 pages f$3.75 SPRINGFIELD TOWN IS A BUTTERFLY TOWN and Other Poems for Children VACHEL LINDSAY with drawings by the author with Foreword by Delighted with the discovery of these lost poems for chil­ LOUIS dren, Louis Untermeyer recalls, " ... the dedicated preacher UNTERMEYER touched with gentle madness ... propagandist who fought and Introduction for the preservation of the human spirit ... [and the reflec­ by tion of] the minstrel-missionary in these light, amusing lyrics PIERRE DUSSERT and random jingles." 64 pages /$3.95 THE KENT STATE UNIVERSITY PRESS Kent, Ohio 44240 Alain Robbe-Grillet, The Novelist Behind the Venetian Blinds by Catherine Savage With the advent of a new generation of novelists to us; it simply is there, it is. If we believe we see it in in France, the novel form has evolved toward a more a humanized way, we are anthropomorphizing, precise means of seeing. In the work of Alain without justification. In Robbe-Grillet's rigorously Robbe-Grillet, it has become a psychological instru­ scientific view, this is incorrect, therefore dishonest, ment, using optics, indicated verbally. leaving aside therefore harmful to ourselves. We need to surpass, much of the traditional contribution of human im­ he insists, our tragic and romantic notions about a agination, and many classical assumptions of the relationship between the world and us. He believes novelist, it has encompassed only the relationship that if we do so, we will know ourselves better and between a human look, on the one hand, and an be able to deal better with our presence in the object perceived on the other. It has limited literary world, with our dilemma. What he means by our di­ realism - and thus our assumptions about reality­ lemma is not a particular social or political situation to the content of such a seeing relationship. like the but the whole complex of factors that govern who works of the eighteenth century sensualist philoso­ we are and how we live and the image we have of phers, it presupposes that knowledge comes ourselves. through our senses, only. But unlike them, it does not assume that such knowledge is absolute or uni­ On the literary plane, this unemotional, straight­ versal. It explores only the personal look, the limited forward manner of seeing the world becomes stylis­ relationship of one or a few seeing human beings to tic objectivity. Objectivity, in Robbe-Grillet's writ­ the world of shapes, colors, and textures around ing, is first of all a refusal of metaphor. Metaphor them. It makes no statement about its own general sees qualities shared in common behind forms and validity; it has only a self-contained truth. It is, to surfaces; Robbe-Grillet sees only the forms and sur­ take lola's phrase in a new sense, "the world seen faces. No storm can be like the passion in a man's through a temperament." It is a literary relativism. heart: a storm is merely a natural phenomenon. Robbe-Grillet, like fellow new novelists, most of Therefore such comparisons and adjectives as whom have been published by the same house, did "stormy" must disappear when we are speaking of not spring from the Parisian literary establishment. anything besides a literal storm. Objectivity is also, His training was scientific; he had personal experi­ literally, a concentration on objects, which form the ence as an agronomist, specializing in tropical fruit research. He recognized no literary master - al­ world around us, to which we are not related in any moral or otherwise meaningful way, but which are a though it is clear that Sartre's Nausea and Camus' constant part of our field of vision, composing our The Stranger are the immediate ancestors of his own novels, without which he surely could not have outer space and furnishing our minds.
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