Globsec 2021 Bratislava Forum Summary ( 3
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THE COUDENHOVE-KALERGI PLAN – the GENOCIDE of the PEOPLES of EUROPE? (Excerpts) Identità News Team
RUNNYMEDE GAZETTE A Journal of the Democratic Resistance FEBRUARY 2016 EDITORIAL THE PROPHET REVEALED CONTENTS ENGLISH TRANSLATION OF SELECTIONS OF PRACTICAL IDEALISM (PRAKTISCHER IDEALISMUS) Count Richard Nicolaus Coudenhove-Kalergi; via Balder Blog RICHARD NIKOLAUS VON COUDENHOVE-KALERGI Wikipedia THE COUDENHOVE-KALERGI PLAN – THE GENOCIDE OF THE PEOPLES OF EUROPE? (Excerpts) Identità News Team TACKLING THE EU EMPIRE: A HANDBOOK FOR EUROPE’S DEMOCRATS, WHETHER ON THE POLITICAL RIGHT, LEFT OR CENTRE The Bruges Group WHO REALLY CONTROLS THE WORLD? Prof. Dr. Mujahid Kamran; Global Research; New Dawn Magazine 12 METHODS TO UNPLUG FROM THE MATRIX Phillip J. Watt; Waking Times; via Libertarian Alliance Blog GETTING THE IDEA OF GOVERNMENT AND POLITICAL AUTHORITY OUT OF YOUR MIND Makia Freeman; Activist Post “NEGATIVE” INTEREST RATES AND THE WAR ON CASH Liquidity Watch; Prof. Richard A. Werner; Rawjapan; via Critical Thinking GERMANY JOINS TREND TOWARD CASHLESS SOCIETY: “CASH CONTROLS” BAN TRANSACTIONS OVER €5,000, €500 EURO NOTE Tyler Durden; Activist Post THE COLLAPSE OF THE TOO BIG TO FAIL BANKS IN EUROPE IS HERE Michael Snyder; Activist Post -------------------------------------------------------------------------------- EDITORIAL THE PROPHET REVEALED We often recognise things we cannot name … a sound, a shape, a smell, an idea … Then suddenly, as if from the ether, a name for that perception suddenly appears. Then it is instant recognition … deja vu writ large. It was thus with Coudenhove-Kalergi. Having spent half a lifetime watching an unnamed influence at work … as if I was aware of some underground river undercutting the ground beneath our feet … last year I was at long last able to give it a name. -
ENCANTAMENTO” E DESENCANTAMENTO DO MUNDO No Universo Criativo De BREAKING the WAVES De LARS VON TRIER
UNIVERSIDADE ESTADUAL DE CAMPINAS INSTITUTO DE FILOSOFIA E CIÊNCIAS HUMANAS LARISSA MALFATTI VIEIRA “ENCANTAMENTO” E DESENCANTAMENTO DO MUNDO no universo criativo de BREAKING THE WAVES de LARS VON TRIER CAMPINAS 2018 LARISSA MALFATTI VIEIRA “ENCANTAMENTO” E DESENCANTAMENTO DO MUNDO no universo criativo de BREAKING THE WAVES de LARS VON TRIER Dissertação apresentada ao Instituto de Filosofia e Ciências Sociais, como parte dos requisitos exigidos para obtenção de título de Mestra em Sociologia. Orientador: MÁRIO AUGUSTO MEDEIROS DA SILVA ESTE EXEMPLAR CORRESPONDE À VERSÃO FINAL DA DISSERTAÇÃO DEFENDIDA PELA ALUNA LARISSA MALFATTI VIEIRA, E ORIENTADA PELO PROF. DR. MÁRIO AUGUSTO MEDEIROS DA SILVA. CAMPINAS 2018 Agência(s) de fomento e nº(s) de processo(s): CNPq, 131773/2015-1 ORCID: https://orcid.org/0000-0002-5374-1959 Ficha catalográfica Universidade Estadual de Campinas Biblioteca do Instituto de Filosofia e Ciências Humanas Paulo Roberto de Oliveira - CRB 8/6272 Vieira, Larissa Malfatti, 1989- V673e Vie"Encantamento" e desencantamento do mundo no universo criativo de Breaking the waves de Lars von Trier / Larissa Malfatti Vieira. – Campinas, SP : [s.n.], 2018. VieOrientador: Mário Augusto Medeiros da Silva. VieDissertação (mestrado) – Universidade Estadual de Campinas, Instituto de Filosofia e Ciências Humanas. Vie1. Weber, Max, 1864-1920. 2. Trier, Lars von, 1956-. 3. Cinema. 4. Racionalização. 5. Teoria Social. I. Silva, Mário Augusto Medeiros da, 1982-. II. Universidade Estadual de Campinas. Instituto de Filosofia e Ciências Humanas. -
Award Ceremony Program
%e J. 'Wi{fiam :Ju{6rigftt Prize I for Intemationa{ 'llnderstancfing .9lwarcf Ceremony o/acfav J{ave[ Presicfent of tfie. Czech 2?.g,pu6 fie 1997 :Ju{6riglit Prize Laureate October 3, 1997 Sponsored by The Fulbright Association With Support of The Coca-Cola Foundation Program Welcome Philip 0. Geier President, Fulbright Association Tribute to Vaclav Havel The Honorable Madeleine Albright Secretary of State Presentation of Fulbright Prize and of "Tribute" (Sculpture by Ser,gio Dolfi) Philip O. Geier Neville Isdell Fulbright Prize Address President Vaclav Havel 1997 Laureate Closing Philip O. Geier 'Vdcfav J-lave[ Born in Prague on October 5, 1936, into the family of a prominent businessman, 1997 !fu[6right Prize Laureate Vaclav Havel completed his primary schooling in 1951. His "bourgeois" background limited his educational options, and he worked as a chemical laboratory technician while attending evening classes at a college preparatory school, graduating in 1954. 'Vaclav J-lave[ From 1955 to 1957, he studied at the Economics Faculty of the Czech Technical University in Prague. After finishing his compulsory military service, Vaclav Havel Presiaent of- the Czech 1?.fpu6lic worked as a stagehand at Prague's ABC Theater. In 1960, he began work as a stagehand and then later as an assistant director and dramaturge at Prague's Theater on the Balustrade, where his first plays were produced, including The Garden Party ( 1963), his first major international success. The Fulbright Prize honors President Havel for his promotion of From 1962 to 1966, Vaclav Havel studied dramaturgy at the Academy of Performing Arts in Prague. He was active in the democratization and renewal of culture during the liberty and human dignity in all countries through his writings, his "Prague Spring," which ended with the Warsaw Pact invasion in August 1968. -
A Film by Kasper Holten Based on Mozart's Don Giovanni
Pressekontakt Filmbüro, Valerio Bonadei, Seefeldstrasse 229, 8008 Zürich, [email protected] , 079 653 65 03 Blenkov & Schønnemann present JUAN A film by Kasper Holten Based on Mozart’s Don Giovanni A visually breathtaking drama; a story of passion, sex, guilt and destruction. Take the journey into the hidden depths of the 21st century Man Pressekontakt Filmbüro, Valerio Bonadei, Seefeldstrasse 229, 8008 Zürich, [email protected] , 079 653 65 03 Title: Juan Director: Kasper Holten Screenplay: Kasper Holten & Mogens Rukov, based on Mozart´s "Don Giovanni" English translation: Christopher Maltman & Henrik Engelbrecht after Lorenzo da Ponte Music: Wolfgang Amadeus Mozart Conductor: Lars Ulrik Mortensen Orchestra: Concerto Copenhagen Production Company: Blenkov & Schønnemann with Eurofilm and Zentropa Producers: Malene Blenkov & Michel Schønnemann Sales Company: Trust Nordisk Cast: Juan: Christopher Maltman- United Kingdom Leporello: Mikhail Petrenko - Russia Donna Anna: Maria Bengtsson - Sweden Elvira: Elizabeth Futral - USA Zerlina: Katija Dragojevic - Sweden Police Chief: Eric Halfvarson - USA Ottavio: Peter Lodahl - Denmark Masetto: Ludvig Lindström - Sweden Principal Photography: July 15th. 2009 Shooting Location: Budapest, Hungary. Budget: 29 mill. DKK / 4 mill Euro Duration: 105 minutes Shooting Format: 16mm Language: Contemporary English Pressekontakt Filmbüro, Valerio Bonadei, Seefeldstrasse 229, 8008 Zürich, [email protected] , 079 653 65 03 Pitch Juan is a famous artist and notorious playboy, thanks to his ability to become just what any woman dreams of. He turns his own life into a megalomanic work of art, playing the game of seduction like no other, driven by a manic restlessness that pushes him forward through an endless stream of conquests, betrayals, sex and eventually murder, with death lurking as the only possible outcome. -
GLOBSEC YOUTH TRENDS: How Young Central Europeans View The
Strategic Communication Programme GLOBSEC YOUTH TRENDS: How Young Central Europeans View the World www.globsec.org CREDITS GLOBSEC Policy Institute Polus Tower II, Vajnorská 100/B 831 04 Bratislava, Slovakia www.globsec.org GLOBSEC Policy Institute carries out research, analytical and communication activities related to the impact of disinformation, information warfare and other subversive efforts aimed at changing the perception and attitudes of the general population in Central European countries. AUTHORS ⊲ Daniel Milo, Senior Research Fellow, GLOBSEC Policy Institute ⊲ Katarína Klingová, Research Fellow, GLOBSEC Policy Institute This publication and research was supported by the National Endowment for Democracy. © GLOBSEC Policy Institute 2018 GLOBSEC Policy Institute and the National Endowment for Democracy assume no responsibility for facts or opinions expressed in this publication or their subsequent use. Sole responsibility lies with the authors of this publication. CONTENTS EXECUTIVE SUMMARY: 5 MAIN TRENDS 5 COMPARATIVE OVERVIEW 7 Where do you think your country belongs to geopolitically? 7 Perceptions of EU membership 8 Perceptions of NATO membership 9 EU membership referendum 10 NATO membership referendum 11 Importance of NATO membership for national security 12 Liberal democracy vs. autocracy 13 COUNTRY-SPECIFIC REPORTS 14 The Czech Republic 14 Hungary 16 Poland 18 Slovakia 21 GLOBSEC YOUTH TRENDS HOW YOUNG CENTRAL EUROPEANS VIEW THE WORLD EXECUTIVE SUMMARY 5 MAIN TRENDS This executive summary provides some of the most interesting findings and takeaways from the opinion surveys and focus group discussions conducted by GLOBSEC and its partners in the Czech Republic, Hungary, Poland, and Slovakia (the Visegrad Four group) in 2017. A more detailed analysis is presented in the comparative section and individual country chapters. -
SMART DEFENSE: OVERCOMING HURDLES and PASSING BATONS by António Eugénio
SMART DEFENSE: OVERCOMING HURDLES AND PASSING BATONS By António Eugénio GEORGE C. MARSHALL EUROPEAN CENTER FOR SECURITY STUDIES PROMOTING PEACE THROUGH UNDERSTANDING Unit 24502, APO AE 09053 OCCASIONAL PAPER SERIES DSN: (314) 440-2469 NO 25 | DECEMBER 2013 | ISSN 1863-6020 DSN FAX: (314) 440-2452 Gernackerstrasse 2, 82467 Garmisch-Partenkirchen, Germany CIV: +49 (0) 8821 750-2469, CIV FAX: +49 (0) 8821 750-2452 GEORGE C. MARSHALL EUROPEAN CENTER FOR SECURITY STUDIES Unit 24502, APO AE 09053 DSN: (314) 440-2469 DSN FAX: (314) 440-2452 Gernackerstrasse 2, 82467 Garmisch-Partenkirchen, Germany CIV: +49 (0) 8821 750-2469, CIV FAX: +49 (0) 8821 750-2452 The George C. Marshall European Center for Security Studies The George C. Marshall European Center for Security Studies is a leading transatlantic defense educational and security studies institution. It is bilaterally supported by the U.S. and German governments and dedicated to the creation of a more stable security environment by advancing democratic institutions and relationships, especially in the field of defense; promoting active, peaceful security cooperation; and enhancing enduring partnerships among the countries of North America, Europe, and Eurasia. The Marshall Center Occasional Paper Series The Marshall Center Occasional Paper Series seeks to further the legacy of the Center's namesake, General George C. Marshall, by disseminating scholarly essays that contribute to his ideal of ensuring that Europe and Eurasia are democratic, free, undivided, and at peace. Papers selected for this series are meant to identify, discuss, and influence current defense related security issues. The Marshall Center Occasional Paper Series focus is on comparative and interdisciplinary topics, including international security and democratic defense management, defense institution building, civil-military relations, strategy formulation, terrorism studies, defense planning, arms control, stability operations, peacekeeping, crisis management, regional and cooperative security. -
Ld1 in PURSUIT of TRUTH
IN PURSUIT OF TRUTH Essays on the Philosophy of Karl Popper on the Occasion of His 80th Birthday Edited by PA UL LEVINSON \ with Fore words by (t 21). Isaac Asimov and Helmut Schmidt Chancellor, Federal Republic of Germany I1b2. f'.- t4 z;-Ld1 HUMANITIES PRESS INC. Atlantic Highlands, NJ 248 liv PURSUIT OP TROT/I hope and no proof is Stoicism and Judeo-Christian religion, in which irrationalism and stoicism alternate. Yet there is no inconsistency in the philosophy of hope without proof, especially as a moral injunction to oiler the benefit of doubt wherever at all possible. Now, the philosophy of hope without proof is not exactly Popper's. It began with T. H. Huxley, the famous militant Darwinian, and H. C. Wells. Its best expression is in Bertrand Russell's Free A Popperian Harvest0 Man's Worship," the manifesto of hope born out of despair, clinging to both despair and reason most heroically. This famous paper, published in Russell's W. W. BARTLEY, III Philosophical Essays of 1910, is a sleeper. It was hardly noticed by It is by its methods rather than its subject-matter that philosophy contemporaries and followers, yet now it is the expression of current religion, is to be distinguished from other arts or sciences. ofcurrent scientific ethos. Here, I think, Popper's philosophy of science gave it A. J. Ayer, 1955' substance. Philosophers arc as free as others to use any method in searching Or perhaps Russell's "Free Man's Worship" gives Popper's philosophy of truth. There is no tnethod peculiar to philosophy. -
Musicians from Marlboro Joseph Lin, Violin Francisco Fullana, Violin Pei-Ling Lin, Viola Ahrim Kim, Cello Jay Campbell, Cello Zoltán Fejévári, Piano
THE GERTRUDE CLARKE WHITTALL FOUNDATION iN tHE LIBRARY oF CONGRESS MUSICIANS FROM MARLBORO JOSEPH LIN, VIOLIN FRANCISCO FULLANA, VIOLIN PEI-LING LIN, vIOLA AHRIM KIM, cELLO JAY CAMPBELL, cELLO zOLTÁn FEJÉVÁRI, PIANO Friday, May 6, 2016 ~ 8 pm Coolidge Auditorium Library of Congress, Thomas Jefferson Building In 1935 Gertrude Clarke Whittall gave the Library of Congress five Stradivari instruments and three years later built the Whittall Pavilion in which to house them. The GERTRUDE CLARKE WHITTALL FOUNDATION was established to provide for the maintenance of the instruments, to support concerts (especially those that feature her donated instruments), and to add to the collection of rare manuscripts that she had additionally given to the Library. This concert is co-presented with THE BILL AND MARY MEYER CONCERT SERIES FREER GALLERY OF ART AND ARTHUR M. SACKLER GALLERY PART OF NATIONAL CHAMBER MUSIC MONTH & EUROPEAN MONTH OF CULTURE PRESENTED IN ASSOCIATION WITH THE EMBASSY OF FINLAND & THE DELEGATION OF THE EUROPEAN UNION TO THE UNITED STATES Please request ASL and ADA accommodations five days in advance of the concert at 202-707-6362 or [email protected]. Latecomers will be seated at a time determined by the artists for each concert. Children must be at least seven years old for admittance to the concerts. Other events are open to all ages. Please take note: Unauthorized use of photographic and sound recording equipment is strictly prohibited. Patrons are requested to turn off their cellular phones, alarm watches, and any other noise-making devices that would disrupt the performance. Reserved tickets not claimed by five minutes before the beginning of the event will be distributed to stand-by patrons. -
Globsec 2018/2019 Overview
GLOBSEC 2018/2019 OVERVIEW www.globsec.org GLOBSEC 2018/2019 OVERVIEW (3 TABLE OF CONTENT Introduction 4 Flagship Forums and Activities in 2018/2019 5 Policy institute activities in 2018/2019 12 Visibility of GLOBSEC in 2018/2019 16 Partnerships 18 Fundrising overview 19 4) GLOBSEC 2018/2019 OVERVIEW INTRODUCTION GLOBSEC is a global think-tank committed to enhancing security, prosperity and sustainability in Europe and throughout the world. Its mission is to influence the future by generating new ideas and solutions for a better and safer world. We believe we can change the world by putting together the right stakeholders at the right time for a free exchange of ideas. Its main goal is to shape the global debate through conducting research activities and connecting key experts on foreign and security policy. To this goal contributes the annual GLOBSEC Bratislava Forum, one of the leading conferences on global security in the world. GLOBSEC also organises the annual GLOBSEC Tatra Summit, a conference that provides the opportunity for experts to have fruitful political discussions on the future of Europe. Committed to supporting young talents in the field,GLOBSEC Academy Centre was established to identify exceptional young individuals and aims to educate them to become excellent analysts of tomorrow. The GLOBSEC Policy Institute is a policy-oriented think-tank analysing foreign policy and international environment. While being an integral part of the GLOBSEC organisation, it focuses on research which is relevant to decision-makers, business leaders and all concerned citizens. Its ambition is to help people make sense of the world and identify how the world might make more sense to people – through better policies. -
Address Delivered at the University of Copenhagen on the Occasion of the Award of the Sonning Prize to Bertrand Russell, 19 April 1960
ADDRESS DELIVERED AT THE UNIVERSITY OF COPENHAGEN ON THE OCCASION OF THE AWARD OF THE SONNING PRIZE TO BERTRAND RUSSELL, 19 APRIL 1960 L H [In Bertrand and Edith Russell went to Copenhagen for his award of the Sonning Prize on April. They made a three-day trip of it. On the first day they enjoyed a drive around Copenhagen with Vice-Chancellor Carl Iversen as their guide. Next day was the ceremony at the University of Copenhagen. They departed on the th. By all accounts the trip was a welcome break from Russell’s usual round of speaking, writing and meeting on nuclear disarmament. The prize helped, too, for it was a monetary one: , kroner, of which Russell donated five percent, or £, through Mrs. Niels Bohr, to the Anne Frank Committee in Denmark’s fund for refugee children in Israel. Soon after the Russells’ return occurred the U- inci- dent, and then the failure of the Paris Summit on May. With the deterioration in international relations their lives became more hectic. Russell kept two speeches in his honour from the event: the speech introducing him at the prize-giving ceremony, and the vice-chancellor’s shorter speech in pres- enting the award. Russell referred to the latter as “very delightful” and told Iversen that he and Edith “looked forward to reading these at leisure”. They are kept with the Sonningprisen award bound in red leather along with related photographs. Russell was only the second recipient of the Sonning Prize. He followed Albert Schweitzer, with Niels Bohr succeeding Russell in . -
ODIN TEATRET ARCHIVES (OTA) - Documents
ODIN TEATRET ARCHIVES (OTA) - Documents All the materials deposited at Odin Teatret Archives can be consulted at any time and by any person, on agreement with the person responsible for the archives. The personal letters, i.e. those not addressed to the Odin ensemble, cannot be consulted and/or quoted (not even partially, and not even if mentioned in this inventory) for a period of sixty years from the time they were written. The letters older than sixty years can be consulted and quoted only with written permission of the author or the Odin Teatret Archives. The person authorized to read or quote the correspondence is still expected to respect the private nature of the information. FONDS EUGENIO BARBA Inventory * Series Grotowski * Series Odin Teatret * Series ISTA * Series Letters * Letters * Lett-A * Series Awards * Awards * Awards-A *Series Publications * Publications * Publications-A * Series Miscellaneous (compiled by Mirella Schino in collaboration with Francesca Romana Rietti. The work started in March 2008 and numerous additions and revisions were made during the following years. The information that could not be inferred from the documents, or from books and articles, was provided by Eugenio Barba, and it is here included as a source of oral testimony in support of the documents. The general considerations on the theatrical or historical situations are by Mirella Schino.) Eugenio Barba, born in 1936 in Brindisi, Italy, the second son of an officer. When ten years old, just after the Second World War, he watched his father die from illness contracted during the war. He grew up in the home of his father’s mother in the village of Gallipoli. -
Democratic Deficit Theory: a Reversed Approach Why Radical Political Changes in Member States Affect the Quality of Democracy in the EU
ema Awarded Theses 2019/2020 Olivia Houssais Democratic Deficit Theory: A Reversed Approach Why Radical Political Changes in Member States Affect the Quality of Democracy in the EU ema, The European Master’s Programme in Human Rights and Democratisation OLIVIA HOUSSAIS DEMOCRATIC DEFICIT THEORY: A REVERSED APPROACH. WHY RADICAL POLITICAL CHANGES IN MEMBER STATES AFFECT THE QUALITY OF DEMOCRACY IN THE EU OLIVIA HOUSSAIS FOREWORD The European Master’s Degree in Human Rights and Democratisation (EMA) is a one-year intensive programme launched in 1997 as a joint initiative of universities in all EU Member States with support from the European Commission. Based on an action- and policy-oriented approach to learning, it combines legal, political, historical, anthropological and philosophical perspectives on the study of human rights and democracy with targeted skills- building activities. The aim from the outset was to prepare young professionals to respond to the requirements and challenges of work in international organisations, field operations, governmental and non-governmental bodies, and academia. As a measure of its success, EMA has served as a model of inspiration for the establishment of six other EU-sponsored regional master’s programmes in the area of human rights and democratisation in different parts of the world. Today these programmes cooperate closely in the framework of the Global Campus of Human Rights, which is based in Venice, Italy. Up to 90 students are admitted to the EMA programme each year. During the first semester in Venice, they have the opportunity to meet and learn from leading academics, experts and representatives of international and non-governmental organisations.