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Der Untergang Der Pamir« Die Erfolgsformate Der Polyphon Motive September 2 3 08.09.2006 15:37 Uhr Seite 2
motive_September–16_1-Schiff 08.09.2006 16:11 Uhr Seite 3 www.studio-hamburg.de september 2006 motive am set titel VFF TV Movie Award Nachwuchsförderung: für »Die Frau am Ende der Straße« Haus der jungen Produzenten Event-Zweiteiler »Der Untergang der Pamir« Die Erfolgsformate der Polyphon motive_September_2_3 08.09.2006 15:37 Uhr Seite 2 trailer preis Der Start in den Sommer ist gut geglückt: Die Studio Hamburg Produktion »Die Frau am Ende der Straße« wurde in München mit einem der bedeutendsten und wichtigsten Medienpreise des Landes ausgezeichnet, dem Movie Award der Verwertungsgesellschaft der Film- und Fernsehproduzenten. Hauptdarstellerin Maren Eggert Mit Hubertus Meyer-Burckhardt haben wir als Chef der Polyphon einen »Die Frau am Ende der Straße« neuen und hervorragenden Kapitän an Bord der Studio Hamburg Gruppe. VFF TV Movie Award Alles zum Portfolio der Polyphon – im Herbst wird das zweiteilige Event- Höchste Ehre für Studio Hamburg Produktion: Die Verwertungs- Movie »Der Untergang der Pamir« im gesellschaft der Film- und Fernsehproduzenten (VFF) hat das NDR- Ersten ausgestrahlt – lesen Sie in Familien-Drama »Die Frau am Ende der Straße« beim Filmfest dieser Ausgabe. München als besten Film ausgezeichnet. Gewinnerin des mit 25.000 Euro dotierten VFF TV Movie Award ist Produzentin Lisa Grund zum Feiern hatten wir auch in Blumenberg. »Wir hatten den Anspruch, einen wahrhaftigen, ge- nau erzählten Film zu machen«, so die Preisträgerin. »Offensicht- Berlin: Der Standort Studio Berlin lich ist es uns gelungen, daher gilt mein besonderer Dank der Adlershof hat sich in den vergangenen Redakteurin Doris J. Heinze, dem herausragenden Schauspieler- zwölf Jahren vorbildlich und über unsere ensemble und dem gesamten Film-Team, ohne deren Motivation erhofften Prognosen hinaus entwickelt. -
Elli Griff Set Decorator
Elli Griff Set Decorator Credits include: KNIVES OUT 2 Writer/Director: Rian Johnson Detective Comedy Crime Drama Producers: Ram Bergman, Rian Johnson Exec Producer: Tom Karnowski Designer: Rick Heinrichs Featuring: Daniel Craig, Dave Bautista, Kathryn Hayn Production Co: T-Street / Lionsgate / Netflix UNCHARTERED Director: Ruben Fleischer Action Adventure Producers: Ari Arad, Avi Arad, Alex Gartner, Charles Roven Designer: Shepherd Frankel Featuring: Tom Holland, Mark Wahlberg, Antonio Banderas Production Co: Atlas Ent. / Arad Productions Columbia Pictures / Sony Pictures THE DARK TOWER Director: Stephen Hopkins Adventure Fantasy Producers: Akiva Goldsman, Stephen King, Glen Mazzara Designer: Barry Robison Featuring: Michael Rooker, Sam Strike, Jerome Flynn Production Co: Amazon Studios / Sony Pictures Television THE ROOK Directors: Sunu Gonera, Rebecca Johnson Fantasy Thriller Drama Series China Moo-Young, Kari Skogland Exec Producer: Stephen Garrett Designer: Jonathan Lee Featuring: Emma Greenwell, Joely Richardson, Jon Fletcher Production Co: Character 7 / Lionsgate / Starz Originals GHOST IN THE SHELL Director: Rupert Sanders Sci-Fi Action Drama Producers: Ari Arad, Avi Arad, Michael Costigan, Steven Paul Designer: Jan Roelfs Featuring: Scarlett Johansson, Michael Pitt, Juliette Binoche Production Co: Paramount Pictures / DreamWorks / Reliance Ent. Arad Productions / Steven Paul Production / Amblin MISS PEREGRINE’S HOME FOR Director: Tim Burton PECULIAR CHILDREN Producers: Peter Chernin, Jenno Topping Adventure Fantasy Drama Designer: Gavin Bocquet Featuring: Eva Green, Asa Butterfield, Ella Purnell Production Co: Twentieth Century Fox / Chernin Ent. Creative Media Management | 10 Spring Bridge Mews | London | W5 2AB t: +44 (0)20 3795 3777 e: [email protected] w: creativemediamanagement.com Creative Media Management Limited Incorporated in England and Wales No: 3816049 VAT No: 739953576 Registered Office: 61 St Dunstans Road, London, W7 2EY Elli Griff | Set Decorator 2 THE MAN FROM U.N.C.L.E. -
The Origins of the Magical Girl Genre Note: This First Chapter Is an Almost
The origins of the magical girl genre Note: this first chapter is an almost verbatim copy of the excellent introduction from the BESM: Sailor Moon Role-Playing Game and Resource Book by Mark C. MacKinnon et al. I took the liberty of changing a few names according to official translations and contemporary transliterations. It focuses on the traditional magical girls “for girls”, and ignores very very early works like Go Nagai's Cutie Honey, which essentially created a market more oriented towards the male audience; we shall deal with such things in the next chapter. Once upon a time, an American live-action sitcom called Bewitched, came to the Land of the Rising Sun... The magical girl genre has a rather long and important history in Japan. The magical girls of manga and Japanese animation (or anime) are a rather unique group of characters. They defy easy classification, and yet contain elements from many of the best loved fairy tales and children's stories throughout the world. Many countries have imported these stories for their children to enjoy (most notably France, Italy and Spain) but the traditional format of this particular genre of manga and anime still remains mostly unknown to much of the English-speaking world. The very first magical girl seen on television was created about fifty years ago. Mahoutsukai Sally (or “Sally the Witch”) began airing on Japanese television in 1966, in black and white. The first season of the show proved to be so popular that it was renewed for a second year, moving into the era of color television in 1967. -
Modus Operandi Films and High Point Media Group Present
Modus Operandi Films and High Point Media Group Present A film by Craig McCall Worldwide Sales: High Point Media Group Contact in Cannes: Residences du Grand Hotel, Cormoran II, 3 rd Floor: Tel: +33 (0) 4 93 38 05 87 London Contact: Tel: +44 20 7424 6870. Fax +44 20 7435 3281 [email protected] CAMERAMAN: The Life & Work of Jack Cardiff page 1 of 27 © Modus Operandi Films 2010 HP PRESS KIT CAMERAMAN: The Life and Work of Jack Cardiff www.jackcardiff.com Contents: - Film Synopsis p 3 - 10 Facts About Jack p 4 - Jack Cardiff Filmography p 5 - Quotes about Jack p 6 - Director’s Notes p 7 - Interviewee’s p 8 - Bio’s of Key Crew p10 - Director's Q&A p14 - Credits p 19 CAMERAMAN: The Life & Work of Jack Cardiff page 2 of 27 © Modus Operandi Films 2010 HP PRESS KIT CAMERAMAN : The Life and Work of Jack Cardiff A Documentary Feature Film Logline: Celebrating the remarkable nine decade career of legendary cinematographer, Jack Cardiff, who provided the canvas for classics like The Red Shoes and The African Queen . Short Synopsis: Jack Cardiff’s career spanned an incredible nine of moving picture’s first ten decades and his work behind the camera altered the look of films forever through his use of Technicolor photography. Craig McCall’s passionate film about the legendary cinematographer reveals a unique figure in British and international cinema. Long Synopsis: Cameraman illuminates a unique figure in British and international cinema, Jack Cardiff, a man whose life and career are inextricably interwoven with the history of cinema spanning nine decades of moving pictures' ten. -
Wmc Investigation: 10-Year Analysis of Gender & Oscar
WMC INVESTIGATION: 10-YEAR ANALYSIS OF GENDER & OSCAR NOMINATIONS womensmediacenter.com @womensmediacntr WOMEN’S MEDIA CENTER ABOUT THE WOMEN’S MEDIA CENTER In 2005, Jane Fonda, Robin Morgan, and Gloria Steinem founded the Women’s Media Center (WMC), a progressive, nonpartisan, nonproft organization endeav- oring to raise the visibility, viability, and decision-making power of women and girls in media and thereby ensuring that their stories get told and their voices are heard. To reach those necessary goals, we strategically use an array of interconnected channels and platforms to transform not only the media landscape but also a cul- ture in which women’s and girls’ voices, stories, experiences, and images are nei- ther suffciently amplifed nor placed on par with the voices, stories, experiences, and images of men and boys. Our strategic tools include monitoring the media; commissioning and conducting research; and undertaking other special initiatives to spotlight gender and racial bias in news coverage, entertainment flm and television, social media, and other key sectors. Our publications include the book “Unspinning the Spin: The Women’s Media Center Guide to Fair and Accurate Language”; “The Women’s Media Center’s Media Guide to Gender Neutral Coverage of Women Candidates + Politicians”; “The Women’s Media Center Media Guide to Covering Reproductive Issues”; “WMC Media Watch: The Gender Gap in Coverage of Reproductive Issues”; “Writing Rape: How U.S. Media Cover Campus Rape and Sexual Assault”; “WMC Investigation: 10-Year Review of Gender & Emmy Nominations”; and the Women’s Media Center’s annual WMC Status of Women in the U.S. -
Westfield Scotch Plains Fanwood
Westfield High girls track squad takes county championship. Please see Sports, page C-1 WESTFIELD SCOTCH PLAINS FANWOOD Friday, January 28, 2000 50 cents Working in a winter wonderland Town talk will listen to Westfield youths Intrepid public works crews help region WESTFIELD survive first major snowstorm of 2000 "Listening to Our Youlh" is the theme of a town meeting BY TERRENCE DOPP blanketing the town. 7:30 p.m. Wednesday at TMK l'HKSS Kelly said Tuesday's storm, Westfield High School. coming right on the heals of the This program will The first snowstorm of the Jan. 20 snowstorm, has not put include the official release of year '2000 brought I ho area to u too much of a strain on the town's a survey of nearly 650 standstill almost, resources, although he said pupils in the Westfield Many people and most stu- another snow event in the nol- school system. Students sur- dents took the day off as the snow tno distant future would nut bo veyed were juniors at began piling up Tuesday morn very good for the town. "With the Westfield High School and ing, hut other intrepid souls lctt two storms, we're not over- home early to trek through thi> stressed," he s:ud. "If we gt»t into eighth grade pupils in the 1 town's intermediate schools. snow at a snail's pact . Koad a third one, we'll star! In wear a The survey was devel- news throughout the area did little thin." oped by a steering commit- their best to keep people safe us In Scotch Plains, where the tee which "sought to find the precipitation chunked from snow forced municipal offices to ways in which the school snow to hail to freo/.ing rain and shut down at 'A.'M) p.m. -
15Th Annual ADG Awards Nominations
15th Annual ADG Awards Nominations Congratulations to the entire team for each film and television show honored! The SDSA would like to particularly acknowledge the set decorators’ contribution for these outstanding productions. NOMINEES FOR EXCELLENCE IN PRODUCTION DESIGN FOR A FEATURE FILM IN 2010 PERIOD FILM TRUE GRIT Production Designer: Jess Conchor Set Decorator: Nancy Haigh THE KING'S SPEECH Production Designer: Eve Stewart Set Decorator: Judy Farr SHUTTER ISLAND Production Designer: Dante Ferretti Set Decorator: Francesca Lo Schiavo SDSA ROBIN HOOD Production Designer: Arthur Max Set Decorator: SonJa KLaus GET LOW Production Designer: Geoffrey KirkLand Set Decorator: Frank Galline SDSA FANTASY FILM ALICE IN WONDERLAND Production Designer: Robert Stromberg Set Decorator: Karen O’Hara SDSA Set Decorator: Peter Young HARRY POTTER AND THE DEATHLY HALLOWS PART 1 Production Designer: Stuart Craig Set Decorator: Stephanie McMiLLan INCEPTION Production Designer: Guy Hendrix Dyas Set Decorator: Larry Dias SDSA Set Decorator: Doug Mowat TRON: LEGACY Production Designer: Darren GiLford Set Decorator: Lin MacDonaLd THE CHRONICLES OF NARNIA: THE VOYAGE OF THE DAWN TREADER Production Designer: Barry Robison Set Decorator: Rebecca Cohen CONTEMPORARY FILM BLACK SWAN Production Designer: Therese DePrez Set Decorator: Tora Peterson THE SOCIAL NETWORK Production Designer: DonaLd Graham Burt Set Decorator: Victor J. Zolfo SDSA THE FIGHTER Production Designer: Judy Becker Set Decorator: Gene Serdena THE TOWN Production Designer: Sharon Seymour Set -
Dept Web Forsythe Act-Dir
Eric Forsythe Acting Experience (See Key, below). Julius Caesar (Shakespeare) Brutus DC: 1966 (w/Charles Morey) Julius Caesar (Shakespeare) Trebonius PL&T: 1984 (Murphy Guyer) King Lear (Shakespeare) Lear DC: 1975 (Errol Hill) Henry V (Shakespeare) Exeter DC: 1967 Comedy of Errors (Shakespeare) Aegeon DC: 1968 (Don Marcus) Macbeth (Shakespeare) Banquo PL&T: 1985 (Murphy Guyer) Macbeth (Shakespeare) MacD’s Son/Bl. Child CSF: 1958 (Jason Robards) The Tempest (Shakespeare) Trinculo PL&T: 1980 Pericles (Shakespeare) Gower CMU: 1971 (Larry Carra) A Midsummer Night’s Dream (Shakes.) Oberon/Theseus MWVT: 1978 (Karen Trott) Twelfth Night (Shakespeare) Antonio PDG: 1980 (Paxton Whitehead) The Miser (Moliere) Harpagon DC: 1969 Tartuffe (Moliere) Tartuffe MWV: 1979 (David Strathairn) Tartuffe (Moliere) Tartuffe PL&T: 1982 Les Precieuses Ridicules (Moliere) Mascarille DC: 1969 Scapino! (Moliere/Dale/Dunlop) Geronte MWVT: 1978 (Marisa Smith) Prometheus Bound (Lowell) Prometheus PPC: 1972 Dennis Boutsikaris) An Enemy of the People (Ibsen) Mr. Vik DC: 1967 (Richmond Hoxie) The Seagull (Chekhov) Trigorin FT: 1981 Anatol (Schnitzler) Max CC: 1971 La Ronde (Schnitzler) Young Gent TLD: 1970 (Keith Michael) Arms and the Man (Shaw) Russian Officer. MWVT: 1979 (Mandy Carlin) St. Joan (Shaw) Polly/Courcelles McT: 1984 (Nagle Jackson) Augustus Does His Bit (Shaw) Augustus PL&T: 1980 Slasher and Crasher (Morton) Slasher DC: 1968 Charley’s Aunt (Thomas) Spettigue MWVT: 1976 (Jean Passanante) Eric Forsythe 1 The Pirates of Penzance (Gilbert/Sullivan) Major General UI: 1987 Patience (Gilbert/Sullivan) Bunthorne DC: 1968 The Sorceror (Gilbert/Sullivan) J.W. Wells DC: 1967 Yeoman of the Guard (G&S) Sgt. Meryll CMU: 1970 Cox and Box (Burnand & Sullivan) Cox DC: 1967 Cox and Box (Burnand/Sullivan) Sgt. -
Bodies of Desire and Bodies in Distress
Bodies of Desire and Bodies in Distress Bodies of Desire and Bodies in Distress: The Golden Age of Italian Cult Cinema 1970-1985 By Xavier Mendik Bodies of Desire and Bodies in Distress: The Golden Age of Italian Cult Cinema 1970-1985, By Xavier Mendik This book first published 2015 Cambridge Scholars Publishing 12 Back Chapman Street, Newcastle upon Tyne, NE6 2XX, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2015 by Xavier Mendik All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-5954-0, ISBN (13): 978-1-4438-5954-7 This book is dedicated with much love to Caroline and Zena CONTENTS Acknowledgements .................................................................................... ix Foreword ................................................................................................... xii Enzo G. Castellari Introduction ................................................................................................ 1 Bodies of Desire and Bodies of Distress beyond the ‘Argento Effect’ Chapter One .............................................................................................. 21 “There is Something Wrong with that Scene”: The Return of the Repressed in 1970s Giallo Cinema Chapter Two ............................................................................................ -
Film Genre and Its Vicissitudes: the Case of the Psychothriller 1
FILM GENRE AND ITS VICISSITUDES: THE CASE OF THE PSYCHOTHRILLER 1 Virginia Luzón Aguado Universidad de Zaragoza This paper is the result of an exploration into the contemporary psychothriller and its matrix genre, the thriller. It was inspired by the lack of critical attention devoted to this type of film, so popular with the audience yet apparently a thorn in the critics' side. The main aim of this paper is therefore to contribute a small piece of criticism to fill this noticeable gap in film genre theory. It begins with a brief overview of contemporary film genre theory, which provides the background for a vindication of the thriller as a genre and specifically of the psychothriller as a borderline sub-generic category borrowing features from both the thriller and the horror film. When I first started work on this paper I realised how difficult it was to find theoretical material on the thriller. Certain genre critics actually avoided the term thriller altogether and others mentioned it but often seemed to be either unsure about it or simultaneously, and rather imprecisely, referred to different types of films, such as detective films, police procedural films, political thrillers, courtroom thrillers, erotic thrillers and psychothrillers, to name but a few. But the truth of the matter is that "the thriller" as such has rarely been analysed in books or articles devoted to the study of genre and when it has, one can rarely find anything but a few short paragraphs dealing with it. Yet, critical work devoted to other acknowledged and well-documented genres such as melodrama, comedy, film noir, horror, the western, the musical or the war film is easily accessible. -
89Th Oscars® Nominations Announced
MEDIA CONTACT Academy Publicity [email protected] January 24, 2017 FOR IMMEDIATE RELEASE Editor’s Note: Nominations press kit and video content available here 89TH OSCARS® NOMINATIONS ANNOUNCED LOS ANGELES, CA — Academy President Cheryl Boone Isaacs, joined by Oscar®-winning and nominated Academy members Demian Bichir, Dustin Lance Black, Glenn Close, Guillermo del Toro, Marcia Gay Harden, Terrence Howard, Jennifer Hudson, Brie Larson, Jason Reitman, Gabourey Sidibe and Ken Watanabe, announced the 89th Academy Awards® nominations today (January 24). This year’s nominations were announced in a pre-taped video package at 5:18 a.m. PT via a global live stream on Oscar.com, Oscars.org and the Academy’s digital platforms; a satellite feed and broadcast media. In keeping with tradition, PwC delivered the Oscars nominations list to the Academy on the evening of January 23. For a complete list of nominees, visit the official Oscars website, www.oscar.com. Academy members from each of the 17 branches vote to determine the nominees in their respective categories – actors nominate actors, film editors nominate film editors, etc. In the Animated Feature Film and Foreign Language Film categories, nominees are selected by a vote of multi-branch screening committees. All voting members are eligible to select the Best Picture nominees. Active members of the Academy are eligible to vote for the winners in all 24 categories beginning Monday, February 13 through Tuesday, February 21. To access the complete nominations press kit, visit www.oscars.org/press/press-kits. The 89th Oscars will be held on Sunday, February 26, 2017, at the Dolby Theatre® at Hollywood & Highland Center® in Hollywood, and will be televised live on the ABC Television Network at 7 p.m. -
Nisekoi: False Love: Whats in a Name? Free
FREE NISEKOI: FALSE LOVE: WHATS IN A NAME? PDF Naoshi Komi | 192 pages | 22 May 2014 | Viz Media, Subs. of Shogakukan Inc | 9781421564494 | English | San Francisco, United States Nisekoi - False Love (manga) - Anime News Network:W So don't worry. Kosaki Onodera formerlyChitoge. Claude spying on his relationship with Chitoge Kirisaki. Being called "Bean sprout" By Chitoge. One summer ten years ago, Raku made a promise to a girl to marry her once they reunite. The promise girl exchanged a pendant with Raku and held on to a key that would unlock it once they meet again. Ten years had passed and Raku has no memory of the girl's name or what she looks like but remembers the promise he made. After he started his fake relationship with Chitoge Kirisakihe encounters a series of events where he learns that Chitoge KirisakiKosaki OnoderaMarika Tachibanaand Yui Kanakura all possess keys that are connected to his pendant and that they all met each other ten years ago. They all seemed to have made a promise with a boy ten years ago too. This makes all four of the girls be the possible promised girl until Yui returned to Raku and confirmed herself that she is not one of the possible promised girls, despite having a key. His interest in the keys that Chitoge, Onodera, Marika, and Yui possess can get him in trouble for certain situations. He will go to great lengths for his pendant and freaks out if he loses it. Nisekoi: False Love: Whats in a Name? and Raku had tried opening the pendant with her key but it broke in the process.