Milt Jackson Quartet Statements
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Jazz Audition Materials Spring 2021
Jazz Bass Audi+ons Spring 2021 Submit a link to a single unlisted YouTube recording to [email protected]. Record with camera placement that captures the en;rety of the fingerboard. Play all three pieces without pausing the video recording. Minimize ;me between pieces by having music and accompaniment cued in advance. Play the en;re audi;on on double bass. Audi;on Material: 1. Using this link to an Evidence play-along, play the Audi%oning Basses Evidently pdf. Observe the mul;ple repeats and vary between melodic reading, accompaniment, and improvisa;on as instructed on the pdf. hKps://www.youtube.com/watch?v=EEI7aoxSY4E 2. Using 1:35 to 1:55 in this link to Tommy Igoe's Groove Essen%als #79: Very Fast Swing, play two choruses of a blues in any key. hKps://www.youtube.com/watch?v=EjMRgT5dytM 3. Choosing a tempo that allows strong ;me and ar;cula;on, record 16th note reading 1 using a metronome set within the range of 72 to 120 b.p.m. Be sure the metronome is audible in your recording. Spring 2021 Jazz Ensemble Audi+ons: Jazz Guitar Your audi;on is to completed by recording a short video of you playing the following two tunes (3 min). Upon comple;on you will submit your video directly to me, Mac Himes, [email protected]. 1.“Bag’s Groove” (Milt Jackson)- Video record yourself playing this tune with the aKached play-a-long en;tled, “Bag’s Groove” Blues Play-a-Long final mp3*. With the recording you will play the melody of “Bag’s Groove” 2 ;mes followed by you soloing on the chord changes for 2 choruses and then ending with the melody 1 ;me. -
Downbeat.Com March 2014 U.K. £3.50
£3.50 £3.50 U.K. DOWNBEAT.COM MARCH 2014 D O W N B E AT DIANNE REEVES /// LOU DONALDSON /// GEORGE COLLIGAN /// CRAIG HANDY /// JAZZ CAMP GUIDE MARCH 2014 March 2014 VOLUME 81 / NUMBER 3 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Davis Inman Contributing Editor Ed Enright Designer Ara Tirado Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes Editorial Intern Kathleen Costanza Design Intern LoriAnne Nelson ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene -
Guide to the Martin Williams Collection
Columbia College Chicago Digital Commons @ Columbia College Chicago CBMR Collection Guides / Finding Aids Center for Black Music Research 2020 Guide to the Martin Williams Collection Columbia College Chicago Follow this and additional works at: https://digitalcommons.colum.edu/cmbr_guides Part of the History Commons, and the Music Commons Columbia COLLEGE CHICAGO CENTER FOR BLACK MUSIC RESEARCH COLLECTION The Martin Williams Collection,1945-1992 EXTENT 7 boxes, 3 linear feet COLLECTION SUMMARY Mark Williams was a critic specializing in jazz and American popular culture and the collection includes published articles, unpublished manuscripts, files and correspondence, and music scores of jazz compositions. PROCESSING INFORMATION The collection was processed, and a finding aid created, in 2010. BIOGRAPHICAL NOTE Martin Williams [1924-1992] was born in Richmond Virginia and educated at the University of Virginia (BA 1948), the University of Pennsylvania (MA 1950) and Columbia University. He was a nationally known critic, specializing in jazz and American popular culture. He wrote for major jazz periodicals, especially Down Beat, co-founded The Jazz Review and was the author of numerous books on jazz. His book The Jazz Tradition won the ASCAP-Deems Taylor Award for excellence in music criticism in 1973. From 1971-1981 he directed the Jazz and American Culture Programs at the Smithsonian Institution, where he compiled two widely respected collections of recordings, The Smithsonian Collection of Classic Jazz, and The Smithsonian Collection of Big Band Jazz. His liner notes for the latter won a Grammy Award. SCOPE & CONTENT/COLLECTION DESCRIPTION Martin Williams preferred to retain his writings in their published form: there are many clipped articles but few manuscript drafts of published materials in his files. -
The Modality of Miles Davis and John Coltrane14
CURRENT A HEAD ■ 371 MILES DAVIS so what JOHN COLTRANE giant steps JOHN COLTRANE acknowledgement MILES DAVIS e.s.p. THE MODALITY OF MILES DAVIS AND JOHN COLTRANE14 ■ THE SORCERER: MILES DAVIS (1926–1991) We have encountered Miles Davis in earlier chapters, and will again in later ones. No one looms larger in the postwar era, in part because no one had a greater capacity for change. Davis was no chameleon, adapting himself to the latest trends. His innovations, signaling what he called “new directions,” changed the ground rules of jazz at least fi ve times in the years of his greatest impact, 1949–69. ■ In 1949–50, Davis’s “birth of the cool” sessions (see Chapter 12) helped to focus the attentions of a young generation of musicians looking beyond bebop, and launched the cool jazz movement. ■ In 1954, his recording of “Walkin’” acted as an antidote to cool jazz’s increasing deli- cacy and reliance on classical music, and provided an impetus for the development of hard bop. ■ From 1957 to 1960, Davis’s three major collaborations with Gil Evans enlarged the scope of jazz composition, big-band music, and recording projects, projecting a deep, meditative mood that was new in jazz. At twenty-three, Miles Davis had served a rigorous apprenticeship with Charlie Parker and was now (1949) about to launch the cool jazz © HERMAN LEONARD PHOTOGRAPHY LLC/CTS IMAGES.COM movement with his nonet. wwnorton.com/studyspace 371 7455_e14_p370-401.indd 371 11/24/08 3:35:58 PM 372 ■ CHAPTER 14 THE MODALITY OF MILES DAVIS AND JOHN COLTRANE ■ In 1959, Kind of Blue, the culmination of Davis’s experiments with modal improvisation, transformed jazz performance, replacing bebop’s harmonic complexity with a style that favored melody and nuance. -
Milt Jackson Bags & Trane Mp3, Flac
Milt Jackson Bags & Trane mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Bags & Trane Country: US Released: 1988 Style: Hard Bop MP3 version RAR size: 1900 mb FLAC version RAR size: 1801 mb WMA version RAR size: 1921 mb Rating: 4.5 Votes: 984 Other Formats: AUD MP2 FLAC VQF MOD ADX DXD Tracklist Hide Credits Stairway To The Stars 1 3:58 Written-By – Frank Signorelli, Matt Malneck*, Mitchell Parish The Late Late Blues 2 9:35 Written-By – Milt Jackson Bags & Trane 3 7:23 Written-By – Milt Jackson Three Little Words 4 7:27 Written-By – Bert Kalmar, Harry Ruby The Night We Called It A Day 5 4:19 Written-By – Matt Dennis, Tom Adair Be-Bop 6 7:57 Written-By – Dizzy Gillespie Blues Legacy 7 9:00 Written-By – Milt Jackson Centerpiece 8 7:05 Written-By – Harry Edison, William Tennyson Companies, etc. Phonographic Copyright (p) – Atlantic Recording Corporation Copyright (c) – Atlantic Recording Corporation Glass Mastered At – Specialty Records Corporation Published By – Robbins Published By – MJQ Music Published By – Harms, Inc. Published By – Embassy Music Published By – Leeds Published By – Andrew Scott Credits Bass – Paul Chambers Drums – Connie Kay Engineer [Recording] – Tom Dowd Photography By [Cover Photo] – Lee Friedlander Piano – Hank Jones Producer – Nesuhi Ertegun Reissue Producer [Produced For CD] – Bob Porter Sleeve Notes – C. H. Garrigues Tenor Saxophone – John Coltrane Vibraphone [Vibraharp] – Milt Jackson Notes Recorded in January 15, 1959. Tracks 1, 7 & 8 are bonus tracks. ℗ © 1988 Atlantic Recording Corporation No -
An Analytical Approach to Vibraphone Performance Through the Transcription and Analysis of Gary Burton’S Solo on Blue Monk
AN ANALYTICAL APPROACH TO VIBRAPHONE PERFORMANCE THROUGH THE TRANSCRIPTION AND ANALYSIS OF GARY BURTON’S SOLO ON BLUE MONK A Monograph Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in Partial fulfillment of the Requirements for the degree of Doctor of Musical Arts in The School of Music By Charles B. Brooks B.A., Western Kentucky University, 1997 M.A., Austin Peay State University, 2000 December 2007 ACKNOWLEDGMENTS This document would not exist without the guidance and counsel of several extraordinary individuals. It is dedicated to my father for introducing me to the world of music. I would like to extend special gratitude to my mother for her guidance, strength, and belief that anything is possible. In addition I would like to thank Johnny Walker and my brother, Michael Brooks, without whom none of this would possible. This document is also dedicated to Kenneth Welch and Larry Long for their counsel and friendship. I extend special thanks to my teachers Dr. Christopher Norton, Mr. David Steinquest, Dr. Charles Smith, Dr. Thomas King, Dr. Jefferey Wood, Dr. Dinos Constantinides, Dr. Joseph Skillen, Dr. Robert Peck, and Dr. Michael Kingan. I would especially like to thank Dr. Willis Delony for staying the course and guiding me through rough terrain. ii TABLE OF CONTENTS ACKNOWLEDGMENTS ..............................................................................................ii LIST OF MUSICAL EXAMPLES................................................................................iv -
Milt Jackson Plenty, Plenty Soul Mp3, Flac, Wma
Milt Jackson Plenty, Plenty Soul mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Plenty, Plenty Soul Country: Germany Style: Bop MP3 version RAR size: 1398 mb FLAC version RAR size: 1607 mb WMA version RAR size: 1711 mb Rating: 4.9 Votes: 942 Other Formats: APE VOC AHX MPC MIDI AAC MP2 Tracklist Hide Credits Plenty, Plenty Soul A1 9:33 Written-By – Milt Jackson, Quincy Jones Boogity Boogity A2 4:55 Written-By – Quincy Jones Heartstrings A3 4:53 Written-By – Milt Jackson Sermonette B1 5:23 Written-By – Julian Adderley* The Spirit-Feel B2 4:22 Written-By – Milt Jackson Ignunt Oil B3 5:35 Written-By – Milt Jackson Blues At Twilight B4 6:46 Written-By – Quincy Jones Companies, etc. Distributed By – WEA Musik GmbH Copyright (c) – WEA Musik GmbH Phonographic Copyright (p) – Atlantic Recording Corporation Pressed By – Record Service Alsdorf Published By – Silhouette & Almanac Published By – Acorn Published By – Silhouette Lacquer Cut At – Atlantic Studios Lacquer Cut At – Tonstudio Pfanz Credits Alto Saxophone – Cannonball Adderley (tracks: A1 to A3) Arranged By – Quincy Jones Baritone Saxophone – Sahib Shihab (tracks: A1 to A3) Bass – Oscar Pettiford (tracks: B1 to B4), Percy Heath (tracks: A1 to A3) Consultant [For "That's Jazz" Series] – Claude Nobs Drums – Art Blakey (tracks: A1 to A3), Connie Kay (tracks: B1 to B4) Engineer [Recording] – Johnny Cue Lacquer Cut By [Runout Etch] – PF* (tracks: B), GP* (tracks: A) Liner Notes – Nat Hentoff Photography By [Cover Photo] – Jay Maisel Piano – Horace Silver Producer – Nesuhi Ertegun Tenor Saxophone – Frank Foster (tracks: A1 to A3), Lucky Thompsen* (tracks: B1 to B4) Trombone – Jimmy Cleveland (tracks: A1 to A3) Trumpet – Joe Newman Vibraphone [Vibraharp] – Milt Jackson Notes Back cover: This record was recorded in January 1957 and previously released as Atlantic SD 1269 on September 6th, 1957. -
Ambassador Auditorium Collection ARS.0043
http://oac.cdlib.org/findaid/ark:/13030/kt3q2nf194 No online items Guide to the Ambassador Auditorium Collection ARS.0043 Finding aid prepared by Frank Ferko and Anna Hunt Graves This collection has been processed under the auspices of the Council on Library and Information Resources with generous financial support from the Andrew W. Mellon Foundation. Archive of Recorded Sound Braun Music Center 541 Lasuen Mall Stanford University Stanford, California, 94305-3076 650-723-9312 [email protected] 2011 Guide to the Ambassador Auditorium ARS.0043 1 Collection ARS.0043 Title: Ambassador Auditorium Collection Identifier/Call Number: ARS.0043 Repository: Archive of Recorded Sound, Stanford University Libraries Stanford, California 94305-3076 Physical Description: 636containers of various sizes with multiple types of print materials, photographic materials, audio and video materials, realia, posters and original art work (682.05 linear feet). Date (inclusive): 1974-1995 Abstract: The Ambassador Auditorium Collection contains the files of the various organizational departments of the Ambassador Auditorium as well as audio and video recordings. The materials cover the entire time period of April 1974 through May 1995 when the Ambassador Auditorium was fully operational as an internationally recognized concert venue. The materials in this collection cover all aspects of concert production and presentation, including documentation of the concert artists and repertoire as well as many business documents, advertising, promotion and marketing files, correspondence, inter-office memos and negotiations with booking agents. The materials are widely varied and include concert program booklets, audio and video recordings, concert season planning materials, artist publicity materials, individual event files, posters, photographs, scrapbooks and original artwork used for publicity. -
Rare and out of Print LP Vinyl Records for Sale – Jazz & Rock
http://www.artpane.com תקליטי ויניל למכירה לאספנים - גאז', רוק ואתני רשימה מספר 1 אם ברצונכם בתקליטים מרשימה זו, התקשרו ואשלח תיאור מפורט, מחיר, אמצעי תשלום ואפשרויות משלוח. אשמח גם לספק מידע נוסף בקשר לתכנו של כל תקליט לפי בקשתכם. Rare and vintage LP vinyl records for sale - jazz, rock and ethnic List No 1 http://www.artpane.com/Music/M1002.htm Once you have made your selection from the record list, contact me at the address below and I will send you further information including full description of the record, price and estimated shipping cost. Contact Details: Dan Levy, 7 Ben Yehuda Street, Tel-Aviv 6248131, Israel, Tel: 972-(0)3-6041176 [email protected] Rare and out of print LP vinyl records for sale – Jazz & Rock Louis Armstrong - 2 Facets of Louis - Jazz Party - Vinyl LP - 1-S 52740 - Columbia Louis Armstrong - Sidney Bechet - Vinyl LP - MPD 250 - Ahmad Jamal - Freeflight - Vinyl LP - AS 9217 - Impulse Ray Bryant - Sound Ray - Vinyl LP - LPS 830 - Cadet Ray Bryant - Up Above The Rock - Vinyl LP - LPS 818 - Cadet Lee Morgan - The Sixth Sense - Vinyl LP - BST 84335 - Blue Note Milt Jackson & Ray Charles - Soul Brothers - Vinyl LP - SD 1279 STA 11511 PR - Atlantic Milt Jackson & John Coltrane - Bugs & Trane - Vinyl LP - SD 1368 STA 61317 PR - Atlantic Thelonious Monk - Blue Monk - Vol 2 - Vinyl LP - PR 7848 - Prestige Herbie Hancock - V.S.O.P - Vinyl 2xLP Album - CBS 88235 CBS 81949 - CBS Herbie Hancock - Treasure Chest - Vinyl 2xLP Album - 2WS 2807 S40 - Werner Bros Eric Dolphy - Eric Dolphy At The Five Spot - Vinyl LP - PR 7826 - -
Modern Jazz Quartet
THE MUSEUM OF MODERN ART No 95 II WEST 53 STREET. NEW YORK 19. N. Y. For Release TILEPHONI: CltCLI S4900 After Friday, August 5> I960 MODERN JAZZ QUARTET TO GIVE CONCERT AT MUSEUM jazz in the Garden continues at the Museum of Modern Art with The Modern Jazz Quartet, Thursday, August 11, at 8:30 p.m. The ensemble of virtuoso soloists consists of John Lewis, piano, Percy Heath, bass, Milt Jackson, vibraharp, and Connie Kay, drums, This is the ninth in a series of ten Thursday evening promen ade concerts co-sponsored and produced by Metronome magazine. Known as the most highly developed and integrated of the small contemporary groups, The Modem Jazz Quartet was formed in 1951 by four veterans of the Dizzy Gillespie band. Traditional jazz concepts structured on the fugue and classical forms, polished instrumentation, and freedom for individual innovation within the discipline of the group, leads to what John Leewis calls " a collective impro visation which swings." The Quartet has given concerts at Town Hall and Carnegie Hall, at many American universities, at the Newport, French Lick and Monterey festivals. It has joined the Symphony of the Air, the Cleveland Symphony and the Buffalo Philharmonic in concert performances. During the past four years it toured Austria, Belgium, France, Germany and Italy, opening in England at Royal Festival Hall. Not restricted to the concert stage, the Quartet has played night club dates in San Francisco, Chicago, New York and Paris. Much of its repertoire, available on Atlantic Recor-ds, consists of works composed either by John Lewis or Milt Jackson. -
Prestige Label Discography
Discography of the Prestige Labels Robert S. Weinstock started the New Jazz label in 1949 in New York City. The Prestige label was started shortly afterwards. Originaly the labels were located at 446 West 50th Street, in 1950 the company was moved to 782 Eighth Avenue. Prestige made a couple more moves in New York City but by 1958 it was located at its more familiar address of 203 South Washington Avenue in Bergenfield, New Jersey. Prestige recorded jazz, folk and rhythm and blues. The New Jazz label issued jazz and was used for a few 10 inch album releases in 1954 and then again for as series of 12 inch albums starting in 1958 and continuing until 1964. The artists on New Jazz were interchangeable with those on the Prestige label and after 1964 the New Jazz label name was dropped. Early on, Weinstock used various New York City recording studios including Nola and Beltone, but he soon started using the Rudy van Gelder studio in Hackensack New Jersey almost exclusively. Rudy van Gelder moved his studio to Englewood Cliffs New Jersey in 1959, which was close to the Prestige office in Bergenfield. Producers for the label, in addition to Weinstock, were Chris Albertson, Ozzie Cadena, Esmond Edwards, Ira Gitler, Cal Lampley Bob Porter and Don Schlitten. Rudy van Gelder engineered most of the Prestige recordings of the 1950’s and 60’s. The line-up of jazz artists on Prestige was impressive, including Gene Ammons, John Coltrane, Miles Davis, Eric Dolphy, Booker Ervin, Art Farmer, Red Garland, Wardell Gray, Richard “Groove” Holmes, Milt Jackson and the Modern Jazz Quartet, “Brother” Jack McDuff, Jackie McLean, Thelonious Monk, Don Patterson, Sonny Rollins, Shirley Scott, Sonny Stitt and Mal Waldron. -
JAZZVENUE.25.2017.11.28 Playlist
Jazzvenue is a weekly two-hour radio show produced in Penticton British Columbia at Peach City Radio (CFUZ-FM). Host Larry Arthur presents jazz new and old from across the globe, focussing occasionally on other idioms that relate to jazz. Episode: #25......Ellington Compositions Part 1 Original Air Date: Tuesday, Nov 28, 2017 TRACKLIST (Artist/Album/Track) *** incomplete track 01 Earl Hines/Master Jazz recording/In A Sentimental Mood (7:02)(1972) 02 Earl Hines/Master Jazz recording/Love You Madly (5:17)(1971) 03 Charles Mingus Orchestra/Mingus Five/Mood Indigo (4:46)(1963) 04 Elvin Jones Quartet/Dear John C./Fantazm (3:59)(1965) 05 Fraser MacPherson,Oliver Gannon/Do Nothin'.../I Didn't...(4:34)(1980) CANCON 06 Joe Turner, Freddie Slack Trio/Decca recording/Rocks In My Bed (3:14)(1941) 07 Clark Terry Octet/Duke With A Difference/C-Jam Blues (3:08)(1957) 08 Blossom Dearie/I'm Hip/Satin Doll (3:38)(1998) 09 Mel Tormé/The Duke Ellington Songbooks/Don't Get Around Much....(2:32)(1961) 10 Johnny Hodges/Everybody Knows Johnny Hodges/Medley (4:48)(1964) 11 Jeanne Lee, Mal Waldron/After Hours/I Let A Song Go Out Of My.....(4:30)(1994) 12 McCoy Tyner Trio/McCoy Tyner Plays Ellington/Satin Doll (5:39)(1964) 13 Sarah Vaughan/Duke Ellington Songbook One/All Too Soon (3:51)(1980) BREAK HERE 14 Ben Webster Quartet/See You At The Fair/The Single Petal Of A Rose (3:22)(1964) 15 Milt Jackson Quartet/Statements/Paris Blues (2:56)(1961) 16 Michael Blake,Kresten Osgood/Control This/Creole Love Call(10:02(2009)CANCON 17 Archie Shepp Quartet/The Way Ahead/Sophisticated Lady (7:11)(1970) 18 Lionel Hampton Octet/RCA Victor recording/Ring Dem Bells (3:24)(1937) 19 Stacey Kent, Jim Tomlinson/Only Trust Your Heart/I'm Just A Lucky.....(5:22)(2000) 20 Ella Fitzgerald, Ben Webster/The Ellington Songbook/In A Mellotone (5:11)(1957) 21 Johnny Hodges/Everybody Knows Johnny Hodges/The Jeep Is Jumpin' (5:28)(1963) 22 Paul Gonzalves Quartet/Tell It The Way It Is/Duk's Place (5:28)(1963) 23 Ray Nance, Paul Gonzalves Quintet/Just A-Sittin'And A-Rockin'/the same (3:20).