DOCSLIB.ORG

Rare and out of Print LP Vinyl Records for Sale – Jazz & Rock

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Rare and out of Print LP Vinyl Records for Sale – Jazz & Rock http://www.artpane.com תקליטי ויניל למכירה לאספנים - גאז', רוק ואתני רשימה מספר 1 אם ברצונכם בתקליטים מרשימה זו, התקשרו ואשלח תיאור מפורט, מחיר, אמצעי תשלום ואפשרויות משלוח. אשמח גם לספק מידע נוסף בקשר לתכנו של כל תקליט לפי בקשתכם. Rare and vintage LP vinyl records for sale - jazz, rock and ethnic List No 1 http://www.artpane.com/Music/M1002.htm Once you have made your selection from the record list, contact me at the address below and I will send you further information including full description of the record, price and estimated shipping cost. Contact Details: Dan Levy, 7 Ben Yehuda Street, Tel-Aviv 6248131, Israel, Tel: 972-(0)3-6041176 [email protected] Rare and out of print LP vinyl records for sale – Jazz & Rock Louis Armstrong - 2 Facets of Louis - Jazz Party - Vinyl LP - 1-S 52740 - Columbia Louis Armstrong - Sidney Bechet - Vinyl LP - MPD 250 - Ahmad Jamal - Freeflight - Vinyl LP - AS 9217 - Impulse Ray Bryant - Sound Ray - Vinyl LP - LPS 830 - Cadet Ray Bryant - Up Above The Rock - Vinyl LP - LPS 818 - Cadet Lee Morgan - The Sixth Sense - Vinyl LP - BST 84335 - Blue Note Milt Jackson & Ray Charles - Soul Brothers - Vinyl LP - SD 1279 STA 11511 PR - Atlantic Milt Jackson & John Coltrane - Bugs & Trane - Vinyl LP - SD 1368 STA 61317 PR - Atlantic Thelonious Monk - Blue Monk - Vol 2 - Vinyl LP - PR 7848 - Prestige Herbie Hancock - V.S.O.P - Vinyl 2xLP Album - CBS 88235 CBS 81949 - CBS Herbie Hancock - Treasure Chest - Vinyl 2xLP Album - 2WS 2807 S40 - Werner Bros Eric Dolphy - Eric Dolphy At The Five Spot - Vinyl LP - PR 7826 - Prestige John Coltrane - The Mastery of John Coltrane - Feelin' Good - Vinyl 2xLP Album - IZ 9345/2 - Impulse John Coltrane - Transition - Vinyl LP - AS 9195 - Impulse John Coltrane - Stardust - Vinyl LP - PR 7268 - Prestige Miles Davis - Walkin' - Vinyl LP - PR 7608 - Prestige Miles Davis - Conception - Vinyl LP - PR 7744 - Prestige Art Blakey - Art Blakey and the Jazz Messengers - Vinyl LP - AS 7 - Impulse Art Blakey - Art Blakey's Jazz Messengers with Thelonious Monk - Vinyl LP - SD 1278 ST A 1153 PR - Atlantic Art Blakey - Art Blakey and the Jazz Messengers - Roots and Herbs - Vinyl LP - BST 84347 - Art Blakey - Thermo - Vinyl 2xLP Album - MSP 47008 - Milestone Roland Kirk - You Did It, You Did It - Vinyl LP - 6336 384 - Mercury Roland Kirk - The Inflated Tear - Vinyl LP - SC 1502 - Atlantic Yusef Lateef - Club Date - Vinyl LP - ASD 9310 - ABC Yusef Lateef - The Best Of Yusef Lateef - Vinyl LP - SD 1591 - Atlantic Yusef Lateef - Live at Pep's - Vinyl LP - AS 69 - Impulse Yusef Lateef - The Many Faces of Yusef Lateef - Vinyl 2xLP Album - 47009 - Milestone Yusef Lateef - Psychicemotus - Vinyl LP - AS 92 - Impulse Milt Jackson - Milt Jackson Quartet - Statements - Vinyl LP - AS 14 - Impulse Billie Holiday - The History of the Real Billie Holiday - Vinyl 2xLP Album - V6S 8816 - Verve Charles Mingus - Mingus at Monterey - Vinyl 2xLP Album - P 24100 - Prestige Charles Mingus - Mingus - Vinyl 2xLP Album - PR 24010 - Prestige Charles Mingus - Mingus In Europe - Vinyl LP - IC 3049 - Enja Charles Mingus - Mingus at Carnegie Hall - Vinyl LP - SD 1667 - Atlantic Oscar Peterson - Oscar Peterson Trio-Night Train - Vinyl LP - V6 8538 63 - Verve Dave Brubeck - The Dave Brubeck Quartet featuring Gerry Mulligan - The Last Set at Newport - Vinyl LP - SD 1607 - Atlantic Frank Zappa - Zappa in New York - Vinyl 2xLP Album - 2D 2290 - Discrete Frank Zappa - Mothers of Invention - Roxy & Elsewhere Vinyl 2xLP Album - K 69201 - Discrete Dr. Feelgood - Stupidity - Vinyl LP - UAS 29990 - United Artists Phoebe Snow - Against the Grain - Vinyl LP - CBS 82915 - JC 35436 - CBS Devo - Duty now for the future - Vinyl LP - V 2125 - Virgin Laurie Anderson - Mister Heartbreak - Vinyl LP - 925077-1 - Werner Bros Laurie Anderson - Big Science - Vinyl LP - WB 57 002 - Werner Bros Gong - Shamal - Vinyl LP - V 2046 - Virgin Gong - Live Etc - Vinyl 2xLP Album - 25 083 XBU - Virgin Ravi Shankar - Ali Akbar Khan - The Exotic Sitar and Sarod - Vinyl LP - ST 10497 - Capitol .
Load more

Recommended publications
  • Jazz Lines Publications
    Jazz Lines Publications Presents sweet honey bee Arranged by duke pearson transcribed and Prepared by Dylan Canterbury full score jlp-7330 Music by Duke Pearson Copyright © 1965 Gailancy Music International Copyright Secured All Rights Reserved Logos, Graphics, and Layout Copyright © 2015 The Jazz Lines Foundation Inc. This Arrangement Has Been Published with the Authorization of the Estate of Duke Pearson. Published by the Jazz Lines Foundation Inc., a not-for-profit jazz research organization dedicated to preserving and promoting America’s musical heritage. The Jazz Lines Foundation Inc. PO Box 1236 Saratoga Springs NY 12866 USA duke pearson series sweet honey bee (1966) Background: Duke Pearson was an important pianist, composer, arranger and producer during the 1960s and 1970s. He was born in Atlanta, Georgia in 1932 and played trumpet as well as piano with many local groups. After attending Clark College, he toured with Tab Smith and Little Willie John before he moved to New York City in January of 1959. Donald Byrd heard him, and Byrd was the leader of Pearson’s first recording session. Soon Pearson was playing with the Benny Golson-Art Farmer Jazztet. Pearson became the musical director for Nancy Wilson, as well as continuing to tour and record with Donald Byrd. In 1963, Blue Note Records producer and musical director Ike Quebec passed away, and Pearson became Blue Note’s A&R director, as well as make his own albums. Grant Green, Stanley Turrentine, Johnny Coles, Blue Mitchell, Hank Mobley, Bobby Hutcherson, Lee Morgan and Lou Donaldson all benefited from his arranging and producing skills.
    [Show full text]
  • Jazz Audition Materials Spring 2021
    Jazz Bass Audi+ons Spring 2021 Submit a link to a single unlisted YouTube recording to [email protected]. Record with camera placement that captures the en;rety of the fingerboard. Play all three pieces without pausing the video recording. Minimize ;me between pieces by having music and accompaniment cued in advance. Play the en;re audi;on on double bass. Audi;on Material: 1. Using this link to an Evidence play-along, play the Audi%oning Basses Evidently pdf. Observe the mul;ple repeats and vary between melodic reading, accompaniment, and improvisa;on as instructed on the pdf. hKps://www.youtube.com/watch?v=EEI7aoxSY4E 2. Using 1:35 to 1:55 in this link to Tommy Igoe's Groove Essen%als #79: Very Fast Swing, play two choruses of a blues in any key. hKps://www.youtube.com/watch?v=EjMRgT5dytM 3. Choosing a tempo that allows strong ;me and ar;cula;on, record 16th note reading 1 using a metronome set within the range of 72 to 120 b.p.m. Be sure the metronome is audible in your recording. Spring 2021 Jazz Ensemble Audi+ons: Jazz Guitar Your audi;on is to completed by recording a short video of you playing the following two tunes (3 min). Upon comple;on you will submit your video directly to me, Mac Himes, [email protected]. 1.“Bag’s Groove” (Milt Jackson)- Video record yourself playing this tune with the aKached play-a-long en;tled, “Bag’s Groove” Blues Play-a-Long final mp3*. With the recording you will play the melody of “Bag’s Groove” 2 ;mes followed by you soloing on the chord changes for 2 choruses and then ending with the melody 1 ;me.
    [Show full text]
  • Grant Green Grantstand Mp3, Flac, Wma
    Grant Green Grantstand mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Grantstand Country: US Released: 1961 Style: Soul-Jazz, Hard Bop MP3 version RAR size: 1122 mb FLAC version RAR size: 1402 mb WMA version RAR size: 1247 mb Rating: 4.2 Votes: 707 Other Formats: WAV MP3 MP1 MIDI AIFF VQF DTS Tracklist Hide Credits Grantstand A1 Written-By – Green* My Funny Valentine A2 Written-By – Rodgers-Hart* Blues In Maude's Flat B1 Written-By – Green* Old Folks B2 Written-By – Hill*, Robison* Companies, etc. Published By – Groove Music Recorded At – Van Gelder Studio, Englewood Cliffs, New Jersey Credits Drums – Al Harewood Guitar – Grant Green Liner Notes – Nat Hentoff Organ – Jack McDuff* Photography By [Cover Photo] – Francis Wolff Producer – Alfred Lion Recorded By [Recording By] – Rudy Van Gelder Tenor Saxophone, Flute – Yusef Lateef Notes Recorded on August 1, 1961, Van Gelder Studio, Englewood Cliffs, New Jersey Blue Note Records Inc., 43 W 61st St., New York 23 (Adress on Back Cover) Barcode and Other Identifiers Matrix / Runout (Side A Label): BN 4086-A Matrix / Runout (Side B Label): BN 4086-B Matrix / Runout (Side A Runout etched): BN-LP-4086-A Matrix / Runout (Side B Runout etched): BN-LP-4086-B Rights Society: BMI Other versions Category Artist Title (Format) Label Category Country Year Blue Grant Grantstand (LP, BN 84086, BN 4086 Note, BN 84086, BN 4086 Japan 1992 Green Album, Ltd, RE) Blue Note Grant Grantstand (CD, 7243 5 80913 2 8 Blue Note 7243 5 80913 2 8 US 2003 Green Album, RE, RM) Grantstand (CD, Blue TOCJ-9244,
    [Show full text]
  • The 2016 NEA Jazz Masters Tribute Concert Honoring the 2016 National Endowment for the Arts Jazz Masters
    04-04 NEA Jazz Master Tribute_WPAS 3/25/16 11:58 AM Page 1 The John F. Kennedy Center for the Performing Arts DAVID M. RUBENSTEIN , Chairman DEBORAH F. RUTTER , President CONCERT HALL Monday Evening, April 4, 2016, at 8:00 The Kennedy Center and the National Endowment for the Arts present The 2016 NEA Jazz Masters Tribute Concert Honoring the 2016 National Endowment for the Arts Jazz Masters GARY BURTON WENDY OXENHORN PHAROAH SANDERS ARCHIE SHEPP Jason Moran is the Kennedy Center’s Artistic Director for Jazz. WPFW 89.3 FM is a media partner of Kennedy Center Jazz. Patrons are requested to turn off cell phones and other electronic devices during performances. The taking of photographs and the use of recording equipment are not allowed in this auditorium. 04-04 NEA Jazz Master Tribute_WPAS 3/25/16 11:58 AM Page 2 2016 NEA JAZZ MASTERS TRIBUTE CONCERT Hosted by JASON MORAN, pianist and Kennedy Center artistic director for jazz With remarks from JANE CHU, chairman of the NEA DEBORAH F. RUTTER, president of the Kennedy Center THE 2016 NEA JAZZ MASTERS Performances by NEA JAZZ MASTERS: CHICK COREA, piano JIMMY HEATH, saxophone RANDY WESTON, piano SPECIAL GUESTS AMBROSE AKINMUSIRE, trumpeter LAKECIA BENJAMIN, saxophonist BILLY HARPER, saxophonist STEFON HARRIS, vibraphonist JUSTIN KAUFLIN, pianist RUDRESH MAHANTHAPPA, saxophonist PEDRITO MARTINEZ, percussionist JASON MORAN, pianist DAVID MURRAY, saxophonist LINDA OH, bassist KARRIEM RIGGINS, drummer and DJ ROSWELL RUDD, trombonist CATHERINE RUSSELL, vocalist 04-04 NEA Jazz Master Tribute_WPAS
    [Show full text]
  • VPI HR-X Turntable & JMW12.6 Tonearm
    stereophile.com http://www.stereophile.com/turntables/506vpi#5kC628WHPF3lKHV2.97 VPI HR-X turntable & JMW12.6 tonearm VPI Industries' TNT turntable and JMW Memorial tonearm have evolved through several iterations over the last two decades. Some changes have been large, such as the deletion of the three-pulley subchassis and the introduction of the SDS motor controller. Others have been invisible—a change in bearing or spindle material, for example, or the way the bearing attaches to the plinth. And, as longtime Stereophile readers know, I've been upgrading and evolving along with VPI, most recently reporting on the TNT V-HR turntable (Stereophile, December 2001). But about the time I was expecting the next iteration, designer Harry Weisfeld threw me a curve by unveiling a completely new turntable design, the HR-X. First shown in prototype form at Stereophile's Home Entertainment 2002 show in New York City, the HR-X is a stunning, milled-from-aluminum showcase of everything Weisfeld has learned from designing turntables for the past 25 years. Nuts & bolts Although the HR-X is a clean-slate design, it was obviously informed by the TNT. There are four corner towers with internal pneumatic bladders, a huge platter belt-driven by an outboard motor and flywheel, and a JMW tonearm mounted directly to a massive plinth. Beyond that basic configuration, however, everything is different— rethought, improved, optimized, and executed to the highest standard possible. It's immediately obvious that even VPI's workmanship and cosmetics have been raised to new levels: the TNT was well-built and solid; the HR-X is striking and sumptuous.
    [Show full text]
  • Downbeat.Com December 2014 U.K. £3.50
    £3.50 £3.50 . U.K DECEMBER 2014 DOWNBEAT.COM D O W N B E AT 79TH ANNUAL READERS POLL WINNERS | MIGUEL ZENÓN | CHICK COREA | PAT METHENY | DIANA KRALL DECEMBER 2014 DECEMBER 2014 VOLUME 81 / NUMBER 12 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Davis Inman Contributing Editor Ed Enright Art Director LoriAnne Nelson Contributing Designer Žaneta Čuntová Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Associate Kevin R. Maher Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman,
    [Show full text]
  • The Jazz Record
    oCtober 2019—ISSUe 210 YO Ur Free GUide TO tHe NYC JaZZ sCene nyCJaZZreCord.Com BLAKEYART INDESTRUCTIBLE LEGACY david andrew akira DR. billy torn lamb sakata taylor on tHe Cover ART BLAKEY A INDESTRUCTIBLE LEGACY L A N N by russ musto A H I G I A N The final set of this year’s Charlie Parker Jazz Festival and rhythmic vitality of bebop, took on a gospel-tinged and former band pianist Walter Davis, Jr. With the was by Carl Allen’s Art Blakey Centennial Project, playing melodicism buoyed by polyrhythmic drumming, giving replacement of Hardman by Russian trumpeter Valery songs from the Jazz Messengers songbook. Allen recalls, the music a more accessible sound that was dubbed Ponomarev and the addition of alto saxophonist Bobby “It was an honor to present the project at the festival. For hardbop, a name that would be used to describe the Watson to the band, Blakey once again had a stable me it was very fitting because Charlie Parker changed the Jazz Messengers style throughout its long existence. unit, replenishing his spirit, as can be heard on the direction of jazz as we know it and Art Blakey changed By 1955, following a slew of trio recordings as a album Gypsy Folk Tales. The drummer was soon touring my conceptual approach to playing music and leading a sideman with the day’s most inventive players, Blakey regularly again, feeling his oats, as reflected in the titles band. They were both trailblazers…Art represented in had taken over leadership of the band with Dorham, of his next records, In My Prime and Album of the Year.
    [Show full text]
  • Lee Morgan and the Philadelphia Jazz Scene of the 1950S
    A Musical Education: Lee Morgan and the Philadelphia Jazz Scene of the 1950s Byjeffery S. McMillan The guys were just looking at him. They couldn't believe what was coming out of that horn! You know, ideas like . where would you get them? Michael LaVoe (1999) When Michael LaVoe observed Lee Morgan, a fellow freshman at Philadelphia's Mastbaum Vocational Technical High School, playing trumpet with members of the school's dance band in the first days of school in September 1953, he could not believe his ears. Morgan, who had just turned fifteen years old the previous July, had remarkable facility on his instrument and displayed a sophisticated understanding of music for someone so young. Other members of the ensemble, some of whom al- ready had three years of musical training and performing experience in the school's vocational music program, experienced similar feelings of dis- belief when they heard the newcomer's precocious ability. Lee Morgan had successfully auditioned into Mastbaum's music program, the strongest of its kind in Philadelphia from the 1930s through the 1960s, and demon- strated a rare ability that begged the title "prodigy." Almost exactly three years later, in November of 1956, Lee Morgan, now a member of die Dizzy Gillespie orchestra, elicited a similar response at the professional level after the band's New York opening at Birdland. Word spread, and as the Gillespie band embarked on its national tour, au- diences and critics nationwide took notice of the young soloist featured on what was often the leader's showcase number: "A Night in Tunisia." Nat Hentoff caught the band on their return to New York from the Midwest in 1957.
    [Show full text]
  • Indigo in Motion …A Decidedly Unique Fusion of Jazz and Ballet
    A Teacher's Handbook for Pittsburgh Ballet Theatre's Production of Indigo in Motion …a decidedly unique fusion of jazz and ballet Choreography Kevin O'Day Lynne Taylor-Corbett Dwight Rhoden Music Ray Brown Stanley Turrentine Lena Horne Billy Strayhorn Sponsored by Pittsburgh Ballet Theatre's Arts Education programs are supported by major grants from the following: Allegheny Regional Asset District Claude Worthington Benedum Foundation Pennsylvania Council on the Arts The Hearst Foundation Sponsoring the William Randolph Hearst Endowed Fund for Arts Education Additional support is provided by: Alcoa Foundation, Allegheny County, Bayer Foundation, H. M. Bitner Charitable Trust, Columbia Gas of Pennsylvania, Dominion, Duquesne Light Company, Frick Fund of the Buhl Foundation, Grable Foundation, Highmark Blue Cross Blue Shield, The Mary Hillman Jennings Foundation, Milton G. Hulme Charitable Foundation, The Roy A. Hunt Foundation, Earl Knudsen Charitable Foundation, Lazarus Fund of the Federated Foundation, Matthews Educational and Charitable Foundation,, McFeely-Rogers Fund of The Pittsburgh Foundation, William V. and Catherine A. McKinney Charitable Foundation, Howard and Nell E. Miller Foundation, The Charles M. Morris Charitable Trust, Pennsylvania Department of Community and Economic Development, The Rockwell Foundation, James M. and Lucy K. Schoonmaker Foundation, Target Corporation, Robert and Mary Weisbrod Foundation, and the Hilda M. Willis Foundation. INTRODUCTION Dear Educator, In the social atmosphere of our country, in this generation, a professional ballet company with dedicated and highly trained artists cannot afford to be just a vehicle for public entertainment. We have a mission, a commission, and an obligation to be the standard bearer for this beautiful classical art so that generations to come can view, enjoy, and appreciate the significance that culture has in our lives.
    [Show full text]
  • Downbeat.Com March 2014 U.K. £3.50
    £3.50 £3.50 U.K. DOWNBEAT.COM MARCH 2014 D O W N B E AT DIANNE REEVES /// LOU DONALDSON /// GEORGE COLLIGAN /// CRAIG HANDY /// JAZZ CAMP GUIDE MARCH 2014 March 2014 VOLUME 81 / NUMBER 3 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Davis Inman Contributing Editor Ed Enright Designer Ara Tirado Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes Editorial Intern Kathleen Costanza Design Intern LoriAnne Nelson ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene
    [Show full text]
  • Eddie Henderson Event Release 9-26-17
    ! HALEKULANI’S ‘LIVE AT LEWERS’ MASTERS OF JAZZ SERIES PRESENTS “EDDIE HENDERSON: A LEE MORGAN TRIBUTE” FOR IMMEDIATE RELEASE WAIKIKI, HAWAII – September 26, 2017 – Halekulani, Oahu’s most acclaimed luxury hotel located on Waikiki Beach, announces the return of renowned jazz trumpeter Eddie Henderson to its ‘Live at Lewers’ Masters of Jazz series this November. This speciaL event is in partnership with the Hawaii Interna^onaL FiLm Fes^vaL, which wiLL jointLy present the feature documentary, I CaLLed Him Morgan about briLLiant jazz musician Lee Morgan. Henderson’s extraordinary performances on November 3rd and 4th wiLL pay tribute to Morgan, his good friend and a forma^ve influence. “HalekuLani’s Live at Lewers series is a testament to our ongoing commitment to and apprecia^on of the musicaL and performing arts,” said ULrich Krauer, GeneraL Manager of HaLekuLani. “We are thriLLed to partner with Hawaii Interna^onaL FiLm Fes^vaL and its faLL fes^vaL this year as we weLcome back jazz superstar Eddie Henderson, whose connec^on to the Legendary Late Lee Morgan wiLL set a speciaL tone ahead of the Hawaii Premiere of this uniquely introspec^ve film.” Henderson will perform at 7:30 p.m. on both evenings of November 3rd and 4th. Tickets for this special Live at Lewers event are $100 for first-row VIP sea^ng and $75 for prime sea^ng and include compLimentary parking. Food and beverages are avaiLabLe to order in advance, a La carte, from the Lewers Lounge menu. Reserva^ons are required. To aiend or for more informa^on, call Dining Reserva^ons at (808) 923-2311 or visit hps://www.haLekuLani.com/Live-Lewers.
    [Show full text]
  • Guide to the Martin Williams Collection
    Columbia College Chicago Digital Commons @ Columbia College Chicago CBMR Collection Guides / Finding Aids Center for Black Music Research 2020 Guide to the Martin Williams Collection Columbia College Chicago Follow this and additional works at: https://digitalcommons.colum.edu/cmbr_guides Part of the History Commons, and the Music Commons Columbia COLLEGE CHICAGO CENTER FOR BLACK MUSIC RESEARCH COLLECTION The Martin Williams Collection,1945-1992 EXTENT 7 boxes, 3 linear feet COLLECTION SUMMARY Mark Williams was a critic specializing in jazz and American popular culture and the collection includes published articles, unpublished manuscripts, files and correspondence, and music scores of jazz compositions. PROCESSING INFORMATION The collection was processed, and a finding aid created, in 2010. BIOGRAPHICAL NOTE Martin Williams [1924-1992] was born in Richmond Virginia and educated at the University of Virginia (BA 1948), the University of Pennsylvania (MA 1950) and Columbia University. He was a nationally known critic, specializing in jazz and American popular culture. He wrote for major jazz periodicals, especially Down Beat, co-founded The Jazz Review and was the author of numerous books on jazz. His book The Jazz Tradition won the ASCAP-Deems Taylor Award for excellence in music criticism in 1973. From 1971-1981 he directed the Jazz and American Culture Programs at the Smithsonian Institution, where he compiled two widely respected collections of recordings, The Smithsonian Collection of Classic Jazz, and The Smithsonian Collection of Big Band Jazz. His liner notes for the latter won a Grammy Award. SCOPE & CONTENT/COLLECTION DESCRIPTION Martin Williams preferred to retain his writings in their published form: there are many clipped articles but few manuscript drafts of published materials in his files.
    [Show full text]