DOCSLIB.ORG

Dante / Mini-YGDAI Card Conversion

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Dante / Mini-YGDAI Card Conversion The Extensive Mini-YGDAI Card Lineup on a Dante Network The RSio64-D, the latest addition to the R series, is an audio interface that can convert between Dante and Mini-YGDAI formats for up to 64 inputs and 64 outputs. It provides versatile routing capability as well. Four Mini-YGDAI card slots allow cards for a wide variety of input/output formats as well as processing functions to be connected to a Dante network for live sound, broadcast, recording, post production, and other applications. The RSio64-D also supports remote setup from CL and QL series consoles. Analog Dante / Audio Digital Audio Mini-YGDAI card NetworkedAudio Conversion Dante 44.1 48.0 kHz kHz Sample Sample Rate Rate Converter Converter Dante SRCs Sample Sample One for Each Slot Rate Rate Converter Converter 4 88.2 96.0 kHz kHz 64 DanteIn/Out 64Input/Output 16 In/Out Slotsx 4 Mini-YGDAI 4 Mini-YGDAI Card Slots Routing Patterns Including7 routing between Mini-YGDAI cards 789A 789A 6 B 6 B C C C Dante and slot inputs and 5 5 D D D Dante inputs 1~16* 4 4 4 E E E 3 3 3 F F F 2 2 2 0 0 0 1 1 1 PATTERN 1 outputs connected one-to-one PATTERN 5 distributed to all slots SLOT 1 SLOT 2 SLOT 3 SLOT 4 SLOT 1 SLOT 2 SLOT 3 SLOT 4 48k/44.1k 1-16 1-16 1-16 1-16 48k/44.1k 1-16 1-16 1-16 1-16 96k/88.2k 1-8 1-8 1-8 1-8 96k/88.2k 1-8 1-8 1-8 1-8 48k/44.1k 1-16 17-32 33-48 49-64 48k/44.1k 1-16 17-32 33-48 49-64 96k/88.2k 1-8 9-16 17-24 25-32 96k/88.2k 1-8 9-16 17-24 25-32 Dante Dante This can be useful for a variety of situations, such as connecting a If the same type of card is installed in all four slots the system Dante signal to an AES/EBU digital amplifier, converting a Dante functions as a simple audio splitter, whereas if different cards are signal to AVIOM format for a personal monitor system, connecting installed it is possible to simultaneously split and convert. AES/EBU input to a Dante network, and more. 789A 789A 6 B 6 B C C C 5 C 5 D D D D Dante inputs 1~16* to slots 1 and 2 / 4 4 4 4 E E E E 3 3 3 3 F F F F 2 2 2 2 0 0 0 0 1 1 1 1 PATTERN 2 Slot 1 input distributed to Slots 2~4 PATTERN 6 Dante inputs 17~32* to slots 3 and 4 SLOT 1 SLOT 2 SLOT 3 SLOT 4 SLOT 1 SLOT 2 SLOT 3 SLOT 4 48k/44.1k 1-16 1-16 1-16 1-16 48k/44.1k 1-16 1-16 1-16 1-16 96k/88.2k 1-8 1-8 1-8 1-8 96k/88.2k 1-8 1-8 1-8 1-8 48k/44.1k 1-16 17-32 33-48 49-64 48k/44.1k 1-16 17-32 33-48 49-64 96k/88.2k 1-8 9-16 17-24 25-32 96k/88.2k 1-8 9-16 17-24 25-32 Dante Dante For example, if an MY16-AE AES/EBU card is installed in slot 1 and For example, Dante inputs 1 through 16* could be output in ADAT or EtherSound cards are installed in slots 2 through 4, AES/EBU format via slot 1 and in ADAT format via slot 2. At the same AES/EBU input can be simultaneously converted to Dante format as time Dante inputs 17 through 32* could be output in AES/EBU well as ADAT and/or EtherSound, up to three different output format via slot 3 and in ADAT format via slot 4. formats. With this routing pattern input to slots 2 through 4 can also be converted to Dante format. 789A 789A 6 B 6 B C C C 5 C 5 D D D D Dante 1~32* and slots 1 and 2 4 Slot 1 input to slot 2 / 4 4 4 E E 3 3 E E 3 3 F F 2 2 0 0 1 1 F F 2 2 0 0 1 1 PATTERN 3 slot 3 input to slot 4 PATTERN 7 one-to-one / Slots 3 and 4 mutual SLOT 1 SLOT 2 SLOT 3 SLOT 4 SLOT 1 SLOT 2 SLOT 3 SLOT 4 48k/44.1k 1-16 1-16 1-16 1-16 48k/44.1k 1-16 1-16 1-16 1-16 96k/88.2k 1-8 1-8 1-8 1-8 96k/88.2k 1-8 1-8 1-8 1-8 48k/44.1k 1-16 17-32 33-48 49-64 48k/44.1k 1-16 17-32 33-48 49-64 96k/88.2k 1-8 9-16 17-24 25-32 96k/88.2k 1-8 9-16 17-24 25-32 Dante Dante For example, with an MY16-ES64 EtherSound card in slot 1, an This is a combination of Patterns 1 and 4, described above, MY16-EX I/O expansion card in slot 3, and MY16-AE AES/EBU providing both simple direct conversion as well as mutual cards in slots 2 and 4, it is possible to convert 32* channels of connection between slots. EtherSound input to Dante while simultaneously converting and distributing to AES/EBU output. 789A 6 B C 5 C D D Slot 1 and 2 mutual / 4 4 E E 3 3 F F 2 2 0 0 1 1 PATTERN 4 slot 3 and 4 mutual User SLOT 1 SLOT 2 SLOT 3 SLOT 4 48k/44.1k 1-16 1-16 1-16 1-16 96k/88.2k 1-8 1-8 1-8 1-8 Pattern + Supports matrix patching 48k/44.1k 1-16 17-32 33-48 49-64 1 96k/88.2k 1-8 9-16 17-24 25-32 Dante If an MY16-AT ADAT card is installed in slot 1 and an MY16-AE AES/EBU card is installed in slot 2, for example, it is possible to convert bi-directionally between ADAT and AES/EBU while Used with the R Remote software application or a CL or QL simultaneously converting from ADAT and AES/EBU to Dante format. series console, full matrix patching is supported so that Slots 3 and 4 are configured in the same way as slots 1 and 2. more complex routing can be set up as required. * At 48/44.1 kHz System Example Infinite applications live sound, broadcast, recording, post production, and more Example 1 : Interfacing to amp racks and RF receivers With four MY16-AE AES/EBU cards installed, the AES/EBU output From / To from RF receivers can be converted to Dante format and fed to a Dante Devices CL or QL series console, while the Dante signal is converted to AES/EBU for connection to digital-input power amplifiers. SLOT 4 SLOT 3 789A 6 B 5 C D MY16-AE MY16-AE 4 E 3 2 F 0 1 From RF Receivers SLOT 2 SLOT 1 MY16-AE MY16-AE To Amplifiers Pattern1 Example 2 : Lake processing 1 With this setup Dante input from a CL or QL series console can be fed to the MY8-LAKE cards and then simultaneously output via From / To Dante, the AES/EBU outputs of the MY8-LAKE card, and the Dante Devices analog outputs of the MY8-DA96 card after processing. * The RSio64-D sample rate converters cannot be used with the MY8-LAKE AES/EBU inputs. Word clock synchronization must be provided if the MY8-LAKE AES/EBU inputs are to be used. SLOT 4 SLOT 3 789A 6 B 5 C D MY8-DA96 MY8-LAKE 4 E 3 2 F 0 1 SLOT 2 SLOT 1 To Amplifiers via MY8-DA96 MY8-LAKE Analog To Amplifiers via AES / EBU Pattern3 Example 3 : Lake processing 2 To Dante Devices The RSio64-D can be used as a stand-alone Lake processor with analog and digital I/O if MY8-LAKE cards are installed in slots 1 and 3 while MY8-ADDA96 cards are installed in slots 2 and 4. * The RSio64-D sample rate converters cannot be used with the MY8-LAKE AES/EBU inputs. Word clock synchronization must be provided if the MY8-LAKE AES/EBU inputs are to be used. SLOT 4 SLOT 3 789A 6 B 5 C D MY8-ADDA96 MY8-LAKE 4 E 3 2 F 0 1 From Analog Device / SLOT 2 SLOT 1 To Amplifiers To Amplifiers via AES / EBU MY8-ADDA96 MY8-LAKE via Analog Pattern4 Example 4 : EtherSound Bridge and AVIOM An AVIOM16/0-Y1 AVIOM card installed in slot 1 allows From / To connection to a personal monitor system. If an MY16-ES64 Dante Devices EtherSound card is also installed in slot 2 while MY16-EX I/O expansion cards are installed in slots 3 and 4, it becomes possible to simultaneously convert between Dante and EtherSound. SLOT 4 SLOT 3 789A 6 B 5 C D MY16-EX MY16-EX 4 E 3 2 F 0 1 From EtherSound SLOT 2 SLOT 1 Devices To Aviom Personal Monitor System / MY16-ES64 AVIOM16/O-Y1 Pattern1 EtherSound Devices Example 5 : Video I/O From / To Dante Devices Four MY8-SDI-ED embed/de-embed cards can be installed in the RSio64-D slots to provide bi-directional conversion between Dante and HD-SDI/SD-SDI signals.
Load more

Recommended publications
  • Emerging Technology Trends Report Dante Q-LAN EBU N/ACIP
    Emerging Technology Trends Report AES Technical Committee on Network Audio Systems November 2011 Editor, Tim Shuttleworth; [email protected] This document is a compilation of contributions from numerous members of the Technical Committee on Networked Audio Systems. The committee has identified the following important topics related to emerging audio networking technologies. Technologies which have emerged since the last published Emerging Trends Report from the committee in 2007 are included. To provide structure to the report items are discussed in order of their maturity; commercialized technologies implemented in products available for purchase being discussed first and embryonic concepts in early development come up last. Other categorizations referred to in this document are consumer market orientation versus professional market focus, as well as media transport methods versus command and control protocols. Dante Dante is a media networking solution developed by Audinate. In addition to providing basic synchronization and transport protocols Dante provides simple plug and play operation, PC sound card interfacing via software or hardware, glitch free redundancy, support for AVB and support for routed IP networks. The first Dante product arrived in 2008 via a firmware upgrade for the Dolby Lake Processor and since then many professional audio and broadcast manufacturers have adopted Dante. From the beginning Dante implementations have been fully IP based, using the IEEE 1588-2002 standard for synchronization, UDP/IP for audio transport and are designed to exploit standard gigabit Ethernet switches and VoIP-style QoS technology (e.g. Diffserv). Dante is evolving with new networking standards. Audinate has produced versions of Dante that use the new Ethernet Audio Video Bridging (AVB) protocols, including IEEE 802.1AS for synchronization and RTP transport protocols.
    [Show full text]
  • Produktinformation Directout Technologies
    SG.MADI SOUNDGRID / MADI CONVERTER DirectOut GmbH Leipziger Str. 32 | D-09648 Mittweida [email protected] I www.directout.eu SG.MADI TECHNICAL DETAILS is a SoundGrid / MADI converter linking SoundGrid® and MADI (AES10) and offering extra features tailored MADI Ports (I/O): 2 x ports - individually confi gurable: for broadcast, live and studio applications. Housed in - SC-Socket multi/single-mode a robust 1U 19“ casing it makes economical use of - coaxial BNC, 75 Ω valued rack space. - SFP (empty cage without module)* SoundGrid®: 2 x RJ45 Socket (Gigabit-Ethernet) SoundGrid® is a layer2-based network protocol offered by Waves for Audio-over-Ethernet networking Microphone Input: 2 x XLR female and real-time processing solutions for live, broadcast PAD switchable (20 dB) and music production facilities, using SoundGrid® phantom power switchable (P48) technology to deliver uncompressed, multi-channel, Line Output: 2 x XLR male, +24 dBu, balanced low-latency digital audio over ethernet networks. with analogue trim controller Headphone Output: 1 x 6.3 mm TRS jack, unbalanced Quick overview with analogue trim controller The front panel provides status LEDs for sync, sample rate and level metering of the microphone Word Clock (I/O): 2 x coaxial BNC inputs. (75 Ω termination switchable) Sample Rates: 44.1, 48, 88.2, 96 kHz Interfacing MADI Formats (I/O): 48k Frame, 96k Frame, Analog I/Os allow for immediate interfacing with the 56/64 channel, S/MUX network audio and the MADI signal: – 2 x microphone inputs with switchable PAD GPI: 2 x Voltage input
    [Show full text]
  • XMOS for AVB Ethernet Based Networking for Audio/Video
    Only a few years ago, computer networks were complex beasts tended by special acolytes and running on different standards. Today they have become commonplace in many homes and offices, simply plugged together using Ethernet technology. The same revolutionary change is coming for Audio/Video (AV) networking, as AVB (Audio XMOS for AVB: Video Bridging) products that run over the same network, Ethernet based networking begin to enter the market. for Audio/Video Putting together networks of AV equipment for professional and consumer use, or for use in How Ethernet Works vehicles, is about to become simpler while also Within Ethernet, data is transmitted between delivering better quality. No longer will devices (such as a computer and a printer) in specialist connectors and cables be needed to packets. Each packet carries one or more create a rats' nest of connectivity. Instead addresses for its destination. Like a postal packet traversing the postal system, the network has no Audio Video Bridging (AVB), a set of knowledge of what is in the packet, but uses the international standards, will make setting up address to pass the packet to the next point in the and managing networks almost as simple as network. just plugging together the different elements. In an Ethernet based network, each endpoint Sound and video sources will be mixed and (computer, storage element, printer etc.) is distributed to screens and speakers, with high identified by a unique address and has a single quality, low latency and tight synchronization. connection to the network, through an Ethernet Furthermore, the connectors and cables are switch.
    [Show full text]
  • DANTE DOMAIN MANAGER IT Issues Resolved
    Lessons from the past for the future BOSCH, DUTCH GUILD AND MEDIANET VLAANDEREN Julian Carro EMEA System Solution Account Director AUDINATE Visionary companies push the technology forward, standards keep them pushing Telegraph 1830s Bell We get beeps, that’s enough to send a message Telephone 1870s We can hear a voice, that’s enough Television 1920s Lucent We can see and hear Data Networks 1920s We can send instructions to a machine Nortel Arpanet 1960s We can send instructions to other people’s machines VOIP introduced 1990s VOIP, not on my network! Cisco VOIP overtakes analogue and digital handsets in mid 2000s 2 Copyright 2017 Audinate Pty Ltd. All rights reserved There have been many AOIP standards… Cobranet Ravenna Mediornet ADAT Ethersound Soundgrid Livewire Supermac QLAN Dante Optocore HyperMac 3 Copyright 2017 Audinate Pty Ltd. All rights reserved How many can claim the following… .Tens of thousands of installations .Standards based architecture, DiffServ, QoS, DHCP, DNS etc. .Proven connection management and discovery .Deterministic latency, user selectable .AN ENVIABLE ECO SYSTEM .380 OEM manufacturers ….. provides user choice .Over 1200 available products …. provides user choice .Dante Just Works!! 4 Copyright 2017 Audinate Pty Ltd. All rights reserved 5 Copyright 2017 Audinate Pty Ltd. All rights reserved 6 Copyright 2017 Audinate Pty Ltd. All rights reserved 7 Copyright 2017 Audinate Pty Ltd. All rights reserved Audinate brings you the next step IP Digital Audio Convergence with IT Same network Same cables Same switches Same concerns about security, control, monitoring Same story, a story as old as time … 8 Copyright 2017 Audinate Pty Ltd.
    [Show full text]
  • Overview on IP Audio Networking Andreas Hildebrand, RAVENNA Evangelist ALC Networx Gmbh, Munich Topics
    Overview on IP Audio Networking Andreas Hildebrand, RAVENNA Evangelist ALC NetworX GmbH, Munich Topics: • Audio networking vs. OSI Layers • Overview on IP audio solutions • AES67 & RAVENNA • Real-world application examples • Brief introduction to SMPTE ST2110 • NMOS • Control protocols Overview on IP Audio Networking - A. Hildebrand # 1 Layer 2 Layer 1 AVB EtherSound Layer 3 Audio over IP Audio over Ethernet ACIP TCP unicast RAVENNA AES67 multicast RTP UDP X192 Media streaming Dante CobraNet Livewire Overview on IP Audio Networking - A. Hildebrand # 3 Layer 2 Layer 1 AVB Terminology oftenEtherSound Layer 3 Audio over IP • ambiguousAudio over Ethernet ACIP TCP unicast • usedRAVENNA in wrongAES67 context multicast RTP • marketingUDP -driven X192 Media streaming • creates confusion Dante CobraNet Livewire Overview on IP Audio Networking - A. Hildebrand # 4 Layer 2 Layer 1 AVB Terminology oftenEtherSound Layer 3 Audio over IP • ambiguousAudio over Ethernet ACIP TCP Audio over IP unicast • usedRAVENNA in wrongAES67 context multicast RTP • marketingUDP -driven X192 Media streaming • creates confusion Dante CobraNet Livewire Overview on IP Audio Networking - A. Hildebrand # 5 Layer 7 Application Application Application and Layer 6 Presentation protocol-based layers Presentation HTTP, FTP, SMNP, Layer 5 Session Session POP3, Telnet, TCP, Layer 4 Transport UDP, RTP Transport Layer 3 Network Internet Protocol (IP) Network Layer 2 Data Link Ethernet, PPP… Data Link Layer 1 Physical 10011101 Physical Overview on IP Audio Networking - A. Hildebrand # 10 Physical transmission Classification by OSI network layer: Layer 1 Systems Transmit Receive Layer 1 Physical 10011101 Physical Overview on IP Audio Networking - A. Hildebrand # 12 Physical transmission Layer 1 systems: • Examples: SuperMac (AES50), A-Net Pro16/64 (Aviom), Rocknet 300 (Riedel), Optocore (Optocore), MediorNet (Riedel) • Fully proprietary systems • Make use of layer 1 physical transport (e.g.
    [Show full text]
  • Public Address System Network Design Considerations
    AtlasIED APPLICATION NOTE Public Address System Network Design Considerations Background AtlasIED provides network based Public Address Systems (PAS) that are deployed on a wide variety of networks at end user facilities worldwide. As such, a primary factor, directly impacting the reliability of the PAS, is a properly configured, reliable, well-performing network on which the PAS resides/functions. AtlasIED relies solely upon the end user’s network owner/manager for the design, provision, configuration and maintenance of the network, in a manner that enables proper PAS functionability/functionality. Should the network on which the PAS resides be improperly designed, configured, maintained, malfunctions or undergoes changes or modifications, impacts to the reliability, functionality or stability of the PAS can be expected, resulting in system anomalies that are outside the control of AtlasIED. In such instances, AtlasIED can be a resource to, and support the end user’s network owner/manager in diagnosing the problems and restoring the PAS to a fully functioning and reliable state. However, for network related issues, AtlasIED would look to the end user to recover the costs associated with such activities. While AtlasIED should not be expected to actually design a facility’s network, nor make formal recommendations on specific network equipment to use, this application note provides factors to consider – best practices – when designing a network for public address equipment, along with some wisdom and possible pitfalls that have been gleaned from past experiences in deploying large scale systems. This application note is divided into the following sections: n Local Network – The network that typically hosts one announcement controller and its peripherals.
    [Show full text]
  • Roland Partners with Audinate Offering Dante™ with New M-5000 Live Mixing Console
    For Release: November 4th, 2014 Media Contact Rob Read Marketing Communications Manger Phone: 360-746-2650 Roland Partners with Audinate Offering Dante™ With New M-5000 Live Mixing Console Los Angeles, CA – Roland is pleased to announce their support for Audinate’s Dante™ audio networking solution as an optional expansion card in their new M-5000 Live Mixing Console. Roland is a premier pro audio and video manufacturer and is most notable in the audio market for their live digital mixing consoles, digital snake systems, multi-channel recording/playback systems, and personal mixing solution – all over Cat5e/6 Ethernet network. Roland’s offering of a Dante solution addresses the need from system integrators, consultants and pro audio professionals wanting to interconnect digital audio products. Supporting Dante in addition to REAC, MADI and Waves SoundGrid positions the new Roland M-5000 Live Mixing Console and the O.H.R.C.A platform as one of the most openly networked audio consoles on the market. “We are excited to be working together with Audinate in offering Dante connectivity to our users,” explains Roland Corporation U.S vice president, John Broadhead. “The Roland Pro Audio lineup is one of the most comprehensively integrated audio solutions available and with the ability to now integrate with Dante networks, it delivers an enormous amount of power and flexibility to our clients.” The Roland M-5000 Live Mixing Console sits on a new platform called O.H.R.CA. This represents “Open”, “High Resolution”, and “Configurable Architecture” by delivering definable audio paths, supporting multiple audio format protocols, plus pristine 96 kHz sound quality throughout the system.
    [Show full text]
  • The 7Th Circle of Hell Making Whole-Facility Network Audio Work Matt Ward, Head of Audio Jigsaw 24
    AIMS IP Showcase IBC 2019 September 2019 C U R A T E D B Y The 7th Circle Of Hell Making Whole-Facility Network Audio Work Matt Ward, Head Of Audio Jigsaw 24 IP SHOWCASE THEATRE AT IBC2019 : 13–17 SEPT 2019 IP SHOWCASE THEATRE AT IBC2019 : 13–17 SEPT 2019 2 Curated by Video Services Forum vsf.tv 1 AIMS IP Showcase IBC 2019 September 2019 IP SHOWCASE THEATRE AT IBC2019 : 13–17 SEPT 2019 3 Whole Facility ? Network Audio (AoIP) • Multiple Rooms 20 Audio Transport over IP. • Shared Resources Production Capable • Streaming audio between them Built on standard technologies • May need to integrate with Video Devices 4 IP SHOWCASE THEATRE AT IBC2019 : 13–17 SEPT 2019 4 Curated by Video Services Forum vsf.tv 2 AIMS IP Showcase IBC 2019 September 2019 Transport Over IP Production Capable Built on Standard Technologies QLAN CobraNet Linear | PCM | Uncompressed RTP (RTCP RTSP) media transport Livewire AES50 / SuperMac Minnimum Sampling SIP (Session Initiation Protocol) Frequency 44.1kHz Ravenna Soundgrid SDP (Session Description Protocol) Minnimum Bit Depth 16 bits Dante Riedel Rocknet PTP synchronisation “Low” Latency <10mS ?AES67? Aviom Pro64 Bonjour / SAP AVB Etc… IP SHOWCASE THEATRE AT IBC2019 : 13–17 SEPT 2019 5 Why Bother? AoIP Advantages • Bi directional “To the ‘disinterested • Many channels on a single cable observer’, an ideal • Audio routing at the IP layer network audio system • Commodity Hardware and an ideal • Consolidated Clocking Architecture conventional audio • Automated Device Discovery system should be • CHEAPER identical.” • MORE FLEXIBLE • EFFICIENT IP SHOWCASE THEATRE AT IBC2019 : 13–17 SEPT 2019 6 Curated by Video Services Forum vsf.tv 3 AIMS IP Showcase IBC 2019 September 2019 Why Bother? AoIP Disadvantages • Audio engineers are not network Any sufficiently advanced engineers technology is • Complexity of setup? indistinguishable from • Fear of change magic • Timing / Clocking? IP SHOWCASE THEATRE AT IBC2019 : 13–17 SEPT 2019 7 Making Network Audio Work 1.
    [Show full text]
  • PRODIGY.MC Hardware Guide
    PRODIGY.MC Hardware Guide Version 1.3 Copyright All rights reserved. Permission to reprint or electronically reproduce any document or graphic in whole or in part for any reason is expressly prohibited, unless prior written consent is obtained from the DirectOut GmbH. All trademarks and registered trademarks belong to their respective owners. It cannot be guaranteed that all product names, products, trademarks, requisitions, regulations, guidelines, specifications and norms are free from trade mark rights of third parties. All entries in this document have been thoroughly checked; however no guarantee for correctness can be given. DirectOut GmbH cannot be held responsible for any misleading or incorrect information provided throughout this manual. DirectOut GmbH reserves the right to change specifications at any time without notice. DirectOut Technologies® is a registered trademark of the DirectOut GmbH. © DirectOut GmbH, 2020 page 2 of 68 Prodigy.MC Hardware Guide - Version 1.3 Table of contents About This Manual 5 How to Use This Manual ............................................................................... 5 Conventions .................................................................................................. 5 CHAPTER 1: Overview 6 Introduction ................................................................................................... 6 Feature Summary .......................................................................................... 7 How it works ................................................................................................
    [Show full text]
  • Hear Technologies WSG Bridge for Dante
    64-CHANNEL MODULAR AUDIO CONVERTER 17. The apparatus shall be connected to a mains socket outlet with a protective earthing connection. 18. Mains plug is used as the disconnect device. It shall remain readily operable and should not be obstructed during intended use. 19. WARNING: To prevent injury, this apparatus must be securely attached to a rack in accordance with the installation instructions. 20. Detailed installation instruction in user manual. ii WSG Bridge User Guide WSG Bridge User Guide iii ELECTROMAGNETIC COMPATIBILITY This device complies with part 15 of the FCC Rules and the Product Specifications noted on the Declaration of Conformity. Operation is subject to the following two conditions: • this device may not cause harmful interference, and • this device must accept any interference received, including interference that may cause undesired operation. Operation of this unit within significant electromagnetic fields should be avoided. • use only shielded interconnecting cables. WARNING The unit produces heat while powered, and therefore requires adequate ventilation to ensure the internal temperature stays within maximum operating temperatures (0° C to 54.5° C, or 32° F to 130° F). Please ensure that these clearances are met: • 0.85 inches of clearance on either side of WSG Bridge • 1 inch of clearance in front of WSG Bridge • 11 inches of clearance in back of WSG Bridge Care should be taken so that the Mixer’s ventilation holes remain unblocked, allowing adequate airflow through both sides of the unit. If you want to dispose this product, do not mix it with general household waste. There is a separate collection system for used electronic products in accordance with legislation that requires proper treatment, recovery and recycling.
    [Show full text]
  • Dante Networking Guide
    Dante Networking Guide Version 2.0.0.0 July 7, 2017 Copyright notice The information contained in this manual is subject to change without notice. Peavey Electronics is not liable for improper installation or configuration. The information contained herein is intended only as an aid to qualified personnel in the design, installation and maintenance of engineered audio systems. The installing contractor or end user is ultimately responsible for the successful implementation of these systems. All creative content in this manual, including the layout, art design, content, photography, drawings, specifications and all other intellectual property is Copyright © 2016 Peavey Electronics Corporation. All Rights Reserved. Features & specifications subject to change without notice. All other registered trademarks or trademarks are the property of their respective owners. Email:[email protected] (mailto:[email protected]). Scope This guide is designed to help you understand the considerations when using MediaMatrix products on Dante networks. It is important that it is read and understood by network designers and systems administrators. ii Version 2.0.0.0 July 7, 2017 Contents Chapter 1 Basics ..................................................................................................... 1 Introduction ............................................................................................................................................... 2 Introducing Pandad .................................................................................................................................
    [Show full text]
  • Audio Networking Special 2017
    NETWORKING SPECIAL GEAR Products Spotlight: Riedel MediorNet MultiViewer Audio networking equipment – what’s new. Extending the capabilities of hardware through the use of software apps has been an ongoing Lawo launches mc²96 Console theme at Riedel, starting with the company’s app-driven SmartPanel, introduced two years ago. ‘A fundamental benefit of a decentralized signal network is the ability to put signal inputs and outputs where they are needed rather than at a large, monolithic router that requires additional cabling,’ said Dr. Lars Lawo has launched its Höhmann, Product new flagship audio mixing Manager at Riedel console, the fully IP-based Communications. ‘These mc²96 Grand Production benefits apply to the Console at NAB 2017. MediorNet MultiViewer as The new console has been specifically designed to provide well, since the MultiViewer optimal performance in IP video production environments hardware can be placed anywhere while leveraging the network for sources. In addition, integrating the MultiViewer into the through native support for all relevant standards — SMPTE 2110, MediorNet ecosystem removes an extra layer of gear and complexity.’ AES67, RAVENNA and DANTE. The Lawo mc²96 console, available Each single MediorNet MultiViewer engine can access any MediorNet input signal and process up to 18 signals. These in frame sizes with 24 to 200 faders with the same quality Lawo’s signals can be placed flexibly onto four physical screens or routed to any destination within the MediorNet system and output mc²90 series was known for, is designed as Lawo’s most visual at alternative locations. The MultiViewer device provides local signal inputs and outputs to offer further connectivity options, broadcast console ever.
    [Show full text]