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DISTRICT MAGISTRATE .- Sh
LIST OF SPECIAL BLOs APPOINTED IN EDUCATIONAL INSTITUTIONS FOR FACILITATING STUDENTS ENROLLMENT Sl. No. ASSEMBLY Name of College/Educational Name of special BLO and Telephone No./ CONSTITUENCIES Institute/School designation Mobile No. No. & NAME DISTRICT NORTH-EAST, NAME OF THE DISTRICT ELECTION OFFICER (DEO) /DISTRICT MAGISTRATE .- Sh. L. R. Garg, 22122732, Mob:8800995555,[email protected] 1. 63 (SEELAMPUR) SBV B-Block, Nand Nagri, Delhi. Sh. Budeshwar Pd Kunjan, principal 9911594980 22575804 2. 63 (SEELAMPUR) GSKV E-Block, Nand Nagri, Delhi Mrs. Asha Kumar (Vice Principal) 0120-2631169 22594460 3. 63 (SEELAMPUR) GGSSS C-Block, Dilshad Garden, Delhi. Mrs. Sunita Rahi, VicePrincipal 9810140041 22578191 4. 63 (SEELAMPUR) Flora Dale, Sr. Secondary Public Mrs. Indu Bhatia, Principal 22129159 School, R-PKT, Dilshad Garden. Delhi. 9560764705 5. 63 (SEELAMPUR) GGSSS janta Flats, GTB Enclave, Delhi. Mrs. Sushma Sharma, Vice Principal 9968827327 22574030 6. 63 (SEELAMPUR) GBSSS Between A & C Block, New Sh. L.R.Bharti, Principal 9891662477 Seemapuri, Delhi. 22353202 7. 63 (SEELAMPUR) ITI, Nand Nagri, Delhi Sh. Juwel Kujur, Principal 22134850 8. 64 (ROHTAS GBSS School, East of Loni Road Sh. C.P Singh, Principal 22817384 NAGAR) Shahdara Delhi-93 9. 64 (ROHTAS GGSS School, East of Loni Road Smt. B. Barla, Principal 22815660 NAGAR) Shahdara Delhi-93 10. 64 (ROHTAS GBSSS No.2, M.S. Park Shahdara Delhi Sh. Kiran Singh, Principal 22588428/ NAGAR) 9868490197 11. 64 (ROHTAS GBSSS No.1, M.S. Park Shahdara Delhi Sh. Ravi Dutt, Principal 22578531 NAGAR) 9910746125 12. 64 (ROHTAS GBSS School, Shivaji Park Shahdara Sh. Kishori Lal, Principal 22328736 NAGAR) Delhi 13. -
Government Cvcs for Covid Vaccination for 18 Years+ Population
S.No. District Name CVC Name 1 Central Delhi Anglo Arabic SeniorAjmeri Gate 2 Central Delhi Aruna Asaf Ali Hospital DH 3 Central Delhi Balak Ram Hospital 4 Central Delhi Burari Hospital 5 Central Delhi CGHS CG Road PHC 6 Central Delhi CGHS Dev Nagar PHC 7 Central Delhi CGHS Dispensary Minto Road PHC 8 Central Delhi CGHS Dispensary Subzi Mandi 9 Central Delhi CGHS Paharganj PHC 10 Central Delhi CGHS Pusa Road PHC 11 Central Delhi Dr. N.C. Joshi Hospital 12 Central Delhi ESI Chuna Mandi Paharganj PHC 13 Central Delhi ESI Dispensary Shastri Nagar 14 Central Delhi G.B.Pant Hospital DH 15 Central Delhi GBSSS KAMLA MARKET 16 Central Delhi GBSSS Ramjas Lane Karol Bagh 17 Central Delhi GBSSS SHAKTI NAGAR 18 Central Delhi GGSS DEPUTY GANJ 19 Central Delhi Girdhari Lal 20 Central Delhi GSBV BURARI 21 Central Delhi Hindu Rao Hosl DH 22 Central Delhi Kasturba Hospital DH 23 Central Delhi Lady Reading Health School PHC 24 Central Delhi Lala Duli Chand Polyclinic 25 Central Delhi LNJP Hospital DH 26 Central Delhi MAIDS 27 Central Delhi MAMC 28 Central Delhi MCD PRI. SCHOOl TRUKMAAN GATE 29 Central Delhi MCD SCHOOL ARUNA NAGAR 30 Central Delhi MCW Bagh Kare Khan PHC 31 Central Delhi MCW Burari PHC 32 Central Delhi MCW Ghanta Ghar PHC 33 Central Delhi MCW Kanchan Puri PHC 34 Central Delhi MCW Nabi Karim PHC 35 Central Delhi MCW Old Rajinder Nagar PHC 36 Central Delhi MH Kamla Nehru CHC 37 Central Delhi MH Shakti Nagar CHC 38 Central Delhi NIGAM PRATIBHA V KAMLA NAGAR 39 Central Delhi Polyclinic Timarpur PHC 40 Central Delhi S.S Jain KP Chandani Chowk 41 Central Delhi S.S.V Burari Polyclinic 42 Central Delhi SalwanSr Sec Sch. -
(Dr) Utpal K Banerjee
About the Book IGNCA is a treasure-trove of cultural artifacts including a rich repository of Video documentaries (published) and Audio and Video DVDs (unpublished). This book – based on the author’s two-year project -- envisions an on-line A-V cultural archive KALASAMPADA that consists of A-V materials stored at IGNCA for the categories of: Interviews; Ritual Documentation; Archaeological Sites and Walk-through; Events; Festivals; Performances (music-dance-theatre-puppetry-mime); Lectures; Seminars; and Workshops. In order to make such a wide variety of materials available on-line – initially on the Intranet, subsequently on a potential Extranet, and eventually (although very selectively) on the Internet – the following digitisation road-map is observed in the project: Conversion of primary A-V materials from analogue to digital format; Creation of data sheets for metadata tagging, following the international standard of Dublin Core Metadata Element Set (DCMES); Integration of metadata with primary A-V material in IGNCA’s Intranet; Access and retrieval by “simple search” with keywords for casual browsers and “advanced search” for users, researchers and scholars with reference to groups of keywords from the intranet. The objectives of the project of on-line A-V cultural archive are: to bring it into public domain; to make it inter-active for scholars; and to make it internationally compatible. Basic advantages of such a project are really five-fold. First, a digital A-V archive assures the near permanent durability of the A-V material. Secondly, it allows need-based quality enhancement. Thirdly, an archive of this kind makes room for highly economic storage of vulnerable Audio and Video files. -
Sonic Performativity: Analysing Gender in North Indian Classical Vocal Music
The University of Manchester Research Sonic Performativity: Analysing Gender in North Indian Classical Vocal Music DOI: 10.1080/17411912.2015.1082925 Document Version Accepted author manuscript Link to publication record in Manchester Research Explorer Citation for published version (APA): Alaghband-Zadeh, C. (2015). Sonic Performativity: Analysing Gender in North Indian Classical Vocal Music. Ethnomusicology Forum, 24(3), 349-379. https://doi.org/10.1080/17411912.2015.1082925 Published in: Ethnomusicology Forum Citing this paper Please note that where the full-text provided on Manchester Research Explorer is the Author Accepted Manuscript or Proof version this may differ from the final Published version. If citing, it is advised that you check and use the publisher's definitive version. General rights Copyright and moral rights for the publications made accessible in the Research Explorer are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. Takedown policy If you believe that this document breaches copyright please refer to the University of Manchester’s Takedown Procedures [http://man.ac.uk/04Y6Bo] or contact [email protected] providing relevant details, so we can investigate your claim. Download date:04. Oct. 2021 Sonic performativity: analysing gender in North Indian classical vocal music This is an Accepted Manuscript of an article published by Taylor and Francis in Ethnomusicology Forum (volume 24, issue 3) on 23/10/2015, available online: https://doi.org/10.1080/17411912.2015.1082925 Abstract Many aspects of contemporary North Indian classical vocal music are gendered: genres, improvisational techniques and even certain ornaments evoke gendered connotations for musicians and listeners. -
Inde Du Nord1
Cité de la musique 1 L’Inde du Nord Traditions hindoustanies programme Jeudi 20, vendredi 21, samedi 22 et dimanche 23 mars 2003 Vous avez la possibilité de consulter les notes de programme en ligne, 2 jours maximum avant chaque concert : www.cite-musique.fr La découverte des Indes « fabuleuses » des XVIe et XVIIe siècles frappa durablement l’imaginaire collectif occidental. Depuis, maintes fois décrite comme une terre de diversité, de contrastes et de paradoxes aux richesses infinies, l’Inde n’a cessé de fasciner. Sa culture musicale, fortement imprégnée d’une ancestrale pensée religieuse, a su préserver un héritage prestigieux tout en s’enrichissant régulièrement d’apports exogènes. La musique jouée au XIIIe siècle à la cour du Sultan de Delhi était alors essentiellement importée d’Asie centrale. Par un lent processus d’intégration et d’assimilation 2 réciproques, des générations de musiciens iraniens, turcs et hindous développèrent une culture musicale syncrétique, issue des mondes persan et indien. C’est ce formidable métissage qui permit aux instruments, aux formes et aux répertoires de s’enrichir mutuellement, en donnant corps à une culture hindoustanie qui allait devenir en Occident, dans le courant du XXe siècle, l’ambassadrice des « musiques du monde ». ’Inde du Nord - Traditions hindoustanies Traditions - ’Inde du Nord L Jeudi 20 mars - 20h Salle des concerts Pandit Hariprasad Chaurasia, flûte bansuri Subhankar Banerjee, tabla Bhawani Shankar, pakhavaj Rupak Kulkarni, flûte bansuri 3 programme jeudi 20 mars - 20h Durée du concert : 2h Avec le soutien de l’Ambassade de France en Inde et de l’Indian Council for Cultural Relations Hariprasad Chaurasia Né en 1939, Hariprasad Chaurasia aurait dû, en bonne logique, reprendre le métier de son père, qui était lutteur. -
S. No. Name of the Project Anganwadi Centre No. Name of The
ICDS Projects S. No. Name of the Anganwadi Name of the Name of the Address of the Anganwadi Project Centre No. Anganwadi Anganwadi Centre Worker Helper Babarpur 1 Neetu Lalita Gali Number - 49, D Block, Janta Mazdoor Colony 2 Pavitra Chetna D - 362, Janta Mazdoor Colony 3 Virendri Vimlesh D - 282, Janta Mazdoor Colony 4 Chandresh Pal Geeta Sharma L - 392, Janta Mazdoor Colony 5 Archana Raj Kumari A - 49, B - 383, Janta Mazdoor Colony 6 Bharti Pandey Meena B - 334, Janta Mazdoor Colony 7 Vijay Laxmi Deepali Jamshed Anwar - 49 / L - Jaidev 350, Janta Mazdoor Colony 8 Vijay Laxmi Devki Aklota L - 132, Gali Number - 27, Janta Mazdoor Colony 9 Rajni Anju Sharma K - 97, Janta Mazdoor Colony, Gali Number - 5 10 Manju Sharma Vimlesh Deva K - 336, Chaman Panwali, Sushil Gali Number - 4 11 Babita Sonia F - 555, Nazta, Mazdoor Colony 12 Manju Sharma Geeta Vikas F - 179, Janta Mazdoor Devender Colony 1 13 Bharti Vandarna I - 30, Janta Mazdoor Maheswari Colony 14 Akshma Sharma Sunita Om I - 58, Block Khazoor Wali Gali, Janta Mazdoor Colony 15 Sangeeta Poonam Goyal A - 338, Idgah Road, Janta Mazdoor Colony 16 Jayshree Poonam Pawan J - 160, Janta Mazdoor Colony 17 Anjana Kaushik Shradha E - 49, B - 60, Janta Mazdoor Colony 18 Pooja Kaushik Sarvesh E - 49, D - 265, Janta Mazdoor Colony 19 Neetu Singh Rita Sharma E - 49, E - 11, Janta Mazdoor Colony 20 Konika Sharma Sunita Anil E - 49 / 128, Janta Mazdoor Colony 21 Monika Sharma Prem Lata D - 96, Gali Number - 3, Janta Mazdoor Colony 22 Rajeshwari Poonam Manoj W - 586, Gali Number - 3 / 8, Sudama Puri -
Bestguru.Comcarnatic Music ‐ Vocal 1978 Maharajapuram V
Name of the Artist Name of the Art / Field Awarded in Amba Sanyal (Costume Designing) Allied Theatre Arts 2008 Anant Gopal Shinde (Make‐up) Allied Theatre Arts 2003 Ashok Sagar Bhagat (Lighting) Allied Theatre Arts 2002 Ashok Srivastava (Make‐up) Allied Theatre Arts 1981 D. G. Godse (Scenic Design) Allied Theatre Arts 1988 Dolly Ahluwalia (Costume Design) Allied Theatre Arts 2001 G.N. Dasgupta (Lighting) Allied Theatre Arts 1989 Gautam Bhattacharya (Lighting) Allied Theatre Arts 2006 Goverdhan Panchal (Scenic Design) Allied Theatre Arts 1985 H. V. Sharma (Stagecraft) Allied Theatre Arts 2005 Kajal Ghosh (Theatre Music) ‐ Allied Theatre Arts 2000 Kamal Arora (Make‐up) Allied Theatre Arts 2009 Kamal Jain (Lighting) Allied Theatre Arts 2011 Kamal Tewari (Theatre Music) ‐ Allied Theatre Arts 2000 Kanishka Sen (Lighting) Allied Theatre Arts 1994 Khaled Choudhury (Scenic Design) Allied Theatre Arts 1986 Kuldeep Singh (Music for Theatre) Allied Theatre Arts 2009 M. S. Sathyu (Stagecraft) Allied Theatre Arts 1993 Mahendra Kumar (Scenic Design) Allied Theatre Arts 2007 Mansukh Joshi (Scenic & Light Design) Allied Theatre Arts 1997 N. Krishnamoorthy (Stagecraft) Allied Theatre Arts 1995 Nissar Allana (Stagecraft) Allied Theatre Arts 2002 R. K. Dhingra (Lighting) ‐ Allied Theatre Arts 2000 R. Paramashivan (Theatre Music) Allied Theatre Arts 2005 Robin Das (Scenic Design) ‐ Allied Theatre Arts 2000 Roshen Alkazi (Costume Design) Allied Theatre Arts 1990 Shakti Sen (Make‐up) ‐ Allied Theatre Arts 2000 Sreenivas G. Kappanna (Lighting & Stage Design) Allied Theatre Arts 2003 Suresh Bhardwaj (Lighting) Allied Theatre Arts 2005 Tapas Sen (Lighting) Allied Theatre Arts 1974 V. Ramamurthy (Lighting) Allied Theatre Arts 1977 Alathur S. Srinivasa Iyer Carnatic Music ‐ Vocal 1968 Ariyakudi Ramanuja Iyengar Carnatic Music ‐ Vocal 1952 B. -
Item No. 05 to 08 Court No. 1 BEFORE the NATIONAL
WWW.LIVELAW.IN Item No. 05 to 08 Court No. 1 BEFORE THE NATIONAL GREEN TRIBUNAL PRINCIPAL BENCH, NEW DELHI Original Application No. 144/2015 Jaipal Singh Applicant Versus Lt. Governor, Delhi & Ors. Respondent(s) WITH Original Application No. 58/2013 (M.A No. 898/2013, M.A. No. 922/2017, M.A. No. 329/2018, I.A. No. 387/2019 & I.A. No. 388/2019) Sonya Ghosh Applicant Versus Govt. of NCT of Delhi & Ors. Respondent(s) WITH Original Application No.116/2015 (M.A. No. 327/201 & M.A. No. 589/2015) Prof. Imtiaz Ahmed & Ors. Applicant(s) Versus State of NCT of Delhi & Ors. Respondent(s) WITH M.A. No. 258/2015 IN Original Application No. 10/2014 Pavit Singh Applicant(s) Versus The State of NCT Of Delhi & Ors. Respondent(s) Date of hearing: 15.01.2021 CORAM: HON’BLE MR. JUSTICE ADARSH KUMAR GOEL, CHAIRPERSON HON’BLE MR. JUSTICE SHEO KUMAR SINGH, JUDICIAL MEMBER HON’BLE DR. NAGIN NANDA, EXPERT MEMBER Applicant: Mr. Raj Panjwani, Senior Advocate (Amicus Curiae) and Mr. Aagney Sail, Advocate in O.A. No. 58/2013 Ms. Meera Gopal, Advocate in O.A. No. 116/2015 Respondent: Mr. Sanjay Dewan, Advocate for Forest Department, NCT of Delhi Mr. Kush Sharma, Advocate for DDA Ms. Puja Kalra, Advocate for North MCD 1 WWW.LIVELAW.IN ORDER 1. The common issue in this group of matters is conservation and protection of Delhi Ridge which is an extension of Aravalli Range extending from Tughlaqabad and branching out in Wazirabad in the north and also other parts of Delhi. -
Sankeet Natak Akademy Awards from 1952 to 2016
All Sankeet Natak Akademy Awards from 1952 to 2016 Yea Sub Artist Name Field Category r Category Prabhakar Karekar - 201 Music Hindustani Vocal Akademi 6 Awardee Padma Talwalkar - 201 Music Hindustani Vocal Akademi 6 Awardee Koushik Aithal - 201 Music Hindustani Vocal Yuva Puraskar 6 Yashasvi 201 Sirpotkar - Yuva Music Hindustani Vocal 6 Puraskar Arvind Mulgaonkar - 201 Music Hindustani Tabla Akademi 6 Awardee Yashwant 201 Vaishnav - Yuva Music Hindustani Tabla 6 Puraskar Arvind Parikh - 201 Music Hindustani Sitar Akademi Fellow 6 Abir hussain - 201 Music Hindustani Sarod Yuva Puraskar 6 Kala Ramnath - 201 Akademi Music Hindustani Violin 6 Awardee R. Vedavalli - 201 Music Carnatic Vocal Akademi Fellow 6 K. Omanakutty - 201 Akademi Music Carnatic Vocal 6 Awardee Neela Ramgopal - 201 Akademi Music Carnatic Vocal 6 Awardee Srikrishna Mohan & Ram Mohan 201 (Joint Award) Music Carnatic Vocal 6 (Trichur Brothers) - Yuva Puraskar Ashwin Anand - 201 Music Carnatic Veena Yuva Puraskar 6 Mysore M Manjunath - 201 Music Carnatic Violin Akademi 6 Awardee J. Vaidyanathan - 201 Akademi Music Carnatic Mridangam 6 Awardee Sai Giridhar - 201 Akademi Music Carnatic Mridangam 6 Awardee B Shree Sundar 201 Kumar - Yuva Music Carnatic Kanjeera 6 Puraskar Ningthoujam Nata Shyamchand 201 Other Major Music Sankirtana Singh - Akademi 6 Traditions of Music of Manipur Awardee Ahmed Hussain & Mohd. Hussain (Joint Award) 201 Other Major Sugam (Hussain Music 6 Traditions of Music Sangeet Brothers) - Akademi Awardee Ratnamala Prakash - 201 Other Major Sugam Music Akademi -
46 S-I Chattarpur
Election Commission of India Electoral Rolls for NCT of Delhi Back AC NAME LOCALITY LOCALITY DETAILS 46-CHHATARPUR ASOLA 1- JHANDA COLONY ASOLA 2 J COLONY TO SANTRAM 2-SANGAT STOCK ASOLA 537 TO SSTOCK <> 1- ASOLA EXTN 27 TO S STOCK 2- ASOLA WEST 32 TO 32 <> 1- VILLAGE ASOLA 1 TO AS-53 <> 1- VILLAGE ASOLA 7 TO S-61 <> 1- VILLAGE ASOLA 30 TO 459 2- A BLOCK ASOLA 224 TO 224 3- BALMIKI BASTI ASOLA 25 TO A-1 <> 1- BICHH PATTI VILLAGE ASOLA 1 TO 394 2-BICH PASS ASOLA 1/28 TO 392 <> 1-JATAV MOHOLLA ASOLA 21 TO S T BASTI <> 1- FARM HOUSES ASOLA 2 TO TUREK MKT.MAIN ROAD 2- VILLAGE ASOLA 1 TO K-199-B <> AYA NAGAR 1- GHORA MOHALLA AYA NAGAR 4 TO KH.232/141 3- AYA NAGAR EXT PH I 2 TO F-31 4- BHUBLIA MOHALLA 7 TO G-864 5- AYA NAGAR EXT PH V 11/A TO Z/37 6- AHUJA FARM AYA NAGAR A/193 TO G- FARM 2- BUS STAND AYA NAGAR 95/3 TO MAHENDER <> 1- AYA NAGAR EXTN PH I 1 TO H-75/1 2- AYA NAGAR PH III 30 TO L 1306 3- AYA NAGAR PH III 282 TO PH111 4 - AYA NAGAR PH IV 507E -5 TO Z26 5- AYA NAGAR PH V 2/3 TO Z -27 6-AHUJA FARM AYA NAGAR AMRAVATI TO AMRAVATI 7- GHATLA MOHLLA AYA NAGAR VILL 1 TO 517GA <> 1- VILL AYA NAGAR BABA MOHALLA 1 TO P MOHALLA 2- AYA NAGAR GANDIA MOHALLA 1 TO M/N-725 3- AYA NAGAR GHODA MOHALLA 9 TO H.N.64 4- HARIJAN BASTI AYA NAGAR 2 TO HNO 21 5- AYA NAGAR EXTN AHUJA F-3 TO C- 3/100 <> 1-AMBEDKAR COLONY AYA NAGAR PAHARI 1/6 TO H105 2- BLOCK A AYA NAGAR EXTN 83 TO F/68 3 - BLOCK B AYA NAGAR EXTN 4 TO G -402 4- AYA NAGAR EXTN 2 C-2/88 TO H-253 <> 1- BLOCK F AYA NAGAR EXTN 281 TO G- 210 2- BLOCK G AYA NAGAR EXTN 2 TO H-106 3- AYA NAGAR COLONY PH -
Government of Nct of Delhi Department for the Welfare of Sc/St/Obc/Minorities B-Block, 2Nd Floor, Vikas Bhawan, I.P
GOVERNMENT OF NCT OF DELHI DEPARTMENT FOR THE WELFARE OF SC/ST/OBC/MINORITIES B-BLOCK, 2ND FLOOR, VIKAS BHAWAN, I.P. ESTATE, NEW DELHI-110002 SANCTION ORDER Sanction of the Competent Authority is conveyed for incurring an expenditure of Rs. 2,31,97,956/- (Rupees Two Crore Thirty One Lakh Ninety Seven Thousand Nine Hundred & Fifty Six Only) on account of "Merit Scholarship to College/ Professional/ Technical Institutions to SC/ST/OBC/MIN” in r/o 3291 SC/ST students studying in various recognized Colleges/Institutions for the year 2015-16 (List Enclosed). This sanction has been accorded in exercise of the powers delegated by the Finance Department, Govt. of NCT of Delhi and in consultation with the accounts of the department. The expenditure involved on this account would be debitable to the Major Head “2225”-Welfare of SC/ST & Backward Classes, 80 Geneal 789 – Special Component Plan for Scheduled Castes 99 00 34 Scholarship for Colleges and University Students for SC/STs (SCSP) under Demand No. 8 for the FY 2015-16 (Plan) This issue with the approval of Pr. Secretary (DSCST), Govt. of NCT of Delhi vide their U.O.No. 1704 dated – 31/03/2006. (S.P GUPTA) DY. DIRECTOR (SCH) F.No. F11(82)/SCH/MC/DSCST2015-16/5275-5286 Dated : 31/03/2016 Copy to: 1) Director (Planning), Planning Department, GNCT of Delhi, 6th Level, B-Wing, Delhi Sectt. I.P. Estate, New Delhi. 2) Deputy Secretary (Budget), Finance Department, GNCT of Delhi, 4th Level, A-Wing, Delhi Sectt. I.P. Estate, New Delhi. -
Veena Souvenir
düs¡« <˚e eTsT÷ ‘·kÕàB«DÒj·TyéT düs¡« eT+>∑fi≤ Ã| tzƒ ™F| oÀ™Á˚ymzÆ™ Ã| ™lTpÁ |ü⁄Hê‹ $Á|üVü≤‘ê´~ bÕ‘·¬ø’' |ü‹‘êdt »Hêdt úÏåÁuo uƒü“nÆÁut úÁoN{˛: úuooÁà \åÁà Ç+~sê |üÁ‹ø± ÁãVü‰à ‘·TeTT“sêï_Û' düs¡dü«r FÊut∫Á úufiN˛Á §¿—™Á oÏ©§ÏåÁ|uß: Ã∫Àƒoy <√]ø√ yêdüTøÏsY Je' düT<Ûë+X¯ó' kÕ]ø± s¡$' tÁzu∫N˛Áz ƒÁÃÏuN˛∫ \yƒ: ÃÏáÁÊÃÏ: ÃÁu∫N˛Á ∫uƒ: XÊs¡»„ <˚e ` dü+^‘· s¡‘êïø£s¡ ÃÁ∫r tzƒ - ÃÊTyo ∫nåÁN˛∫ Sarva deva mayee tasmaadweeneyam sarva mangala punaati viprahatyaadi patakai patitaas janaas indiraa patrikaa brahmaa tumburnaabhi saraswatee doriko vaasukir jeeva sudhamshu sarikaa ravi Sarajna deva - sangita ratnakara Why are you restless, o manasa? You are a boat this is the sea, all is as it is to be, so why the restlessness, o manasa? Waves roll too high, the shore is too distant. Listen to the ebb and flow of notes, float on shapes of melodies. Through tides and fog, gales and storms, strings will anchor you, sruti will show you north, so why be restless, o manasa! - Satya Gummuluri This Veena Festival is dedicated to the legends of the Veena Universe z Challa Subbaiah z Pappu Someswara Rao z Muluku Sivananda Sastry z Veena Dhanammal z Vasa Krishnamurthy z Dr. S Balachander z Kavirayani Joga Rao z Karaikudi Sambasiva Iyer z Kambhampati Akkaji Rao z Kalpagam Swaminathan z Dr. Emani Sankara Sastry z Dr. S Ramanathan z Dr. Chitti Babu z Rajeswari Padmanabhan z Tirumala Nallan z Veena Seshanna Chakravartula Narayanacharya z Veena Subbanna z Manchala Jagannadha Rao z R K Suryanarayana z Ayyagari Someswara Rao SAPNA endeavors to continue this legacy by embracing …..and many other great Vainikas who inspired the younger Veena traditions and generations to experience the blissful sounds of the Veena.