JGA Pocock's Barbarism and Religion
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The Songs of the Beggar's Opera
Eastern Illinois University The Keep Masters Theses Student Theses & Publications 1966 The onS gs of The Beggar's Opera Carolyn Anfinson Eastern Illinois University This research is a product of the graduate program in Music at Eastern Illinois University. Find out more about the program. Recommended Citation Anfinson, Carolyn, "The onS gs of The Beggar's Opera" (1966). Masters Theses. 4265. https://thekeep.eiu.edu/theses/4265 This is brought to you for free and open access by the Student Theses & Publications at The Keep. It has been accepted for inclusion in Masters Theses by an authorized administrator of The Keep. For more information, please contact [email protected]. PAPER CERTIFICATE #3 To: Graduate Degree Candidates who have written formal theses. Subject: Permission to reproduce theses. The University Library is receiving a number of requests from other institutions asking permission to reproduce dissertations for inclusion in their library holdings. Although no copyright laws are involved, we feel that professional courtesy demands that permission be obtained from the author before we allow theses to be copied. Please sign one of the following statements. Booth Library of Eastern Illinois University has my permission to lend my thesis to a reputable college or university for the purpose of copying it for inclusion in that institutionts library or research holdings. Date I respectfully request Booth Library of Eastern Illinois University not allow my thesis be reproduced because Date Author THE SONGS OF THE BEGGAR'S OPERA (TITLE) BY Carolyn Anfinson THESIS SUBMIITTD IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF M.S. -
Markets Not Capitalism Explores the Gap Between Radically Freed Markets and the Capitalist-Controlled Markets That Prevail Today
individualist anarchism against bosses, inequality, corporate power, and structural poverty Edited by Gary Chartier & Charles W. Johnson Individualist anarchists believe in mutual exchange, not economic privilege. They believe in freed markets, not capitalism. They defend a distinctive response to the challenges of ending global capitalism and achieving social justice: eliminate the political privileges that prop up capitalists. Massive concentrations of wealth, rigid economic hierarchies, and unsustainable modes of production are not the results of the market form, but of markets deformed and rigged by a network of state-secured controls and privileges to the business class. Markets Not Capitalism explores the gap between radically freed markets and the capitalist-controlled markets that prevail today. It explains how liberating market exchange from state capitalist privilege can abolish structural poverty, help working people take control over the conditions of their labor, and redistribute wealth and social power. Featuring discussions of socialism, capitalism, markets, ownership, labor struggle, grassroots privatization, intellectual property, health care, racism, sexism, and environmental issues, this unique collection brings together classic essays by Cleyre, and such contemporary innovators as Kevin Carson and Roderick Long. It introduces an eye-opening approach to radical social thought, rooted equally in libertarian socialism and market anarchism. “We on the left need a good shake to get us thinking, and these arguments for market anarchism do the job in lively and thoughtful fashion.” – Alexander Cockburn, editor and publisher, Counterpunch “Anarchy is not chaos; nor is it violence. This rich and provocative gathering of essays by anarchists past and present imagines society unburdened by state, markets un-warped by capitalism. -
Colonization, Education, and the Formation of Moral Character: Edward Gibbon Wakefield's a Letter from Sydney
1 Historical Studies in Education / Revue d’histoire de l’éducation ARTICLES / ARTICLES Colonization, Education, and the Formation of Moral Character: Edward Gibbon Wakefield’s A Letter from Sydney Bruce Curtis Carleton University ABSTRacT Edward Gibbon Wakefield proposed a scheme of “systematic colonization” that he claimed would guarantee the formation of civilized moral character in settler societies at the same time as it reproduced imperial class relations. The scheme, which was first hatched after Wakefield read Robert Gourlay’s A Statistical Account of Upper Canada, inverted the dominant under- standing of the relation between school and society. Wakefield claimed that without systematic colonization, universal schooling would be dangerous and demoralizing. Wakefield intervened in contemporary debate about welfare reform and population growth, opposing attempts to enforce celibacy on poor women and arguing that free enjoyment of “animal liberty” made women both moral and beautiful. RÉSUMÉ Edward Gibbon Wakefield propose que son programme de « colonisation systématique » ga- rantirait la formation de colons au caractère moral et civilisé. Ce programme, né d’une pre- mière lecture de l’oeuvre de Robert Gourlay, A Statistical Account of Upper Canada, contri- buerait à reproduire la structure des classes sociales impériales dans les colonies. Son analyse inverse la relation dominante entre école et société entretenue par la plupart de réformateurs de l’éducation. Sans une colonisation systématique, prétend Wakefield, la scolarisation universelle serait cause de danger politique et de démoralisation pour la société. Wakefield intervient dans le débat contemporain entourant les questions d’aide sociale et de croissance de la population. Il s’oppose aux efforts d’imposer le célibat au femmes pauvres et il argumente que l’expression de leur ‘liberté animale’ rend les femmes morales et belles. -
The Cambridge School Richard Bourke
The Cambridge School Richard Bourke 1. What are the origins of the Cambridge School? The existence of a “Cambridge School” was first identified by J. G. A. Pocock in the early 1970s, but the description was intended to refer to an approach to the history of ideas that began to achieve prominence in the 1960s. The practitioners whom Pocock had in mind as exemplary members of this School included himself, Quentin Skinner and John Dunn. Over time, it became clear that these three figures had distinct concerns in the fields of intellectual history and political theory. Pocock himself has tended to focus his research on the history of historiography, Skinner on the history of philosophy, and Dunn on political theory understood as a branch of historical inquiry. However, in the 1960s they shared much common ground. By the end of the decade, they had all contributed to methodological debates in the history of ideas. At the same time, each of them had made significant contributions to the study of the history of political thought itself: Pocock, the eldest of the three, had produced a major account of the ideology of ancient constitutionalism in seventeenth-century English political debate; Dunn had produced his classic treatment of the political thought of John Locke; and Skinner had published original studies of the political philosophy of Thomas Hobbes. What distinguished these works was their use of properly historical forms of investigation to explore the writings of past thinkers. This meant eschewing a range of historical fallacies: most importantly, anachronism, prolepsis, and teleology. It also entailed treating ideas as arguments rather than as disembodied entities. -
Musical Style and Historical Culture: Handel's London | Goldsmiths, University of London
10/02/21 Musical Style and Historical Culture: Handel's London | Goldsmiths, University of London Musical Style and Historical Culture: View Online Handel's London Aspden, S. (1997). Ballads and Britons: Imagined Community and the Continuity of ‘English’ Opera. Journal of the Royal Musical Association, 122(1), 24–51. https://doi.org/10.1093/jrma/122.1.24 Ballad Operas Online. (n.d.). http://www.odl.ox.ac.uk/balladoperas/ Fiske, Roger. (1973). English theatre music in the eighteenth century. Oxford University Press. Gagey, Edmond McAdoo. (1965). Ballad opera: Vol. Columbia University studies in English and comparative literature. B. Blom. Gay, John, Miller, Jonathan, Daltrey, Roger, Hoskins, Bob, Johns, Stratford, Routledge, Patricia, Hall, Carol, Bayliss, Peter, Ashe, Rosemary, Crowden, Graham, Tibbs, Gary, Gardiner, John Eliot, Barlow, Jeremy, Pepusch, John Christopher, & English Baroque Soloists. (1983). The beggar’s opera. BBC in association with RM Arts. Handel, George Frideric, Ozmo, Zak, Bevan, Mary, Tassell, Greg, & L’Avventura. (2009). Handel in the Playhouse. Opella Nova. John, G. (n.d.). The music of John Gay’s The Beggars Opera: edited and arranged from eighteenth-century sources by Jeremy Barlow (J. Barlow (Ed.)). Oxford University Press. Joncus, B. (n.d.). TIMELINE FOR BALLAD OPERA: TOWARDS A HISTORY. https://learn.gold.ac.uk/mod/resource/view.php?id=193801 Joncus, B. (2006). Handel at Drury Lane: Ballad Opera and the Production of Kitty Clive. Journal of the Royal Musical Association, 131(2), 179–226. https://doi.org/10.1093/jrma/fkl013 Joncus, B. (2012). "The Assemblage of every female Folly”: Lavinia Fenton, Kitty Clive and the Genesis of Ballad Opera. -
A Study of Edward Gibbon and the Decline and Fall of the Roman Empire
University of Wollongong Thesis Collections University of Wollongong Thesis Collection University of Wollongong Year The historian as moralist: a study of Edward Gibbon and The decline and fall of the Roman Empire David Dillon-Smith University of Wollongong Dillon-Smith, David, The historian as moralist: a study of Edward Gibbon and The decline and fall of the Roman Empire, Doctor of Philosophy thesis, Department of History, University of Wollongong, 1982. http://ro.uow.edu.au/theses/1426 This paper is posted at Research Online. VOLUME TWO 312 CHAPTER SEVEN BARBARISM AND RELIGION If Gibbon's work gave classical expression to the nqtion of Rome's decline and fall, it did not close the great debate on the end of the ancient world. To some admiring contemporaries he seemed to have said the last word and he long remained without significant challenge. But eventually new questions and fresh evidence led to a diversity of answers and emphases. Perhaps only the assumption contained in his title still seems reasonably certain, though even the appropriateness of 'fall' in relation to the Western Empire has raised doubts. In discussing an aspect of the perennial question two centuries after Gibbon had gazed on the ruined greatness of the imperial city, Arnaldo Momigliano expressed satisfaction that he could at least begin with that 'piece of good news': 'it can still be considered an historical truth that the Roman Empire declined and fell'} There, however, agreement seemed to end and even when attention is confined to Gibbon's own contribution to the debate, there is divergence of opinion as to what constitutes the theme and crux of his version of Rome's decline and fall. -
Understanding the Reasons Behind the Failure of Wakefield's Systematic Colonization in South
When Colonization Goes South: Understanding the Reasons Behind the Failure of Wakefield’s Systematic Colonization in South Australia Edwyna Harris Monash University Sumner La Croix* University of Hawai‘i 3 December 2018 Abstract Britain after the Napoleonic wars saw the rise of colonial reformers, such as Edward Wakefield, who had extensive influence on British colonial policy. A version of Wakefield’s “System of Colonization” became the basis for an 1834 Act of Parliament establishing the South Australia colony. We use extended versions of Robert Lucas’s 1990 model of a colonial economy to illustrate how Wakefield’s institutions were designed to work. Actual practice followed some of Wakefield’s principles to the letter, with revenues from SA land sales used to subsidize passage for more than 15,000 emigrants over the 1836-1840 period. Other principles, such as surveying land in advance of settlement and maintaining a sufficient price of land, were ignored. Initial problems stemming from delays in surveying and a dysfunctional division of executive authority slowed the economy’s development over its first three years and led to a financial crisis. These difficulties aside, we show that actual SA land institutions were more aligned with geographic and political conditions in SA than the ideal Wakefield institutions and that the SA colony thrived after it took measures to speed surveying and reform its system of divided executive authority. Please do not quote or cite or distribute without permission © For Presentation at the ASSA Meetings, Atlanta, Georgia January 4, 8-10 am, Atlanta Marriott Marquis, L505 Key words: Adelaide; colonization; priority land order; South Australia; auction; Wakefield; special surveys; land concentration; emigration JEL codes: N47, N57, N97, R30, D44 *Edwyna Harris, Dept. -
The Libraries of the Boswells of Auchinleck, 1695–1825
chapter 4 Affleck Generations: The Libraries of the Boswells of Auchinleck, 1695–1825 James J. Caudle* As the ends of such a partnership cannot be obtained in many genera- tions, it becomes a partnership not only between those who are living, but between those who are living, those who are dead, and those who are to be born.1 edmund burke ... I consider a public sale as the most laudable method of disposing of it. From such sales my books were chiefly collected, and when I can no lon- ger use them they will be again culled by various buyers according to the measure of their wants and means … [I do not intend] to bury my trea- sure in a country mansion under the key of a jealous master! I am not flattered by the [idea which you propose of the] Gibbonian collection.2 edward gibbon ∵ These two quotations from two acquaintances of James Boswell (1740–95) sug- gest an essential tension in eighteenth-century private libraries, between the * This work emerged from over five years of collaboration with Terry Seymour, as well as J erry Morris and his team, on identifying Boswell’s books. Much of the work on this chapter was done while on a Fleeman Fellowship at the University of St Andrews in spring 2016. There, I benefitted from discussions with David Allan and Tom Jones, and the comments by the Eng- lish Research Seminar Series to whom I presented a version of this chapter. 1 The Beauties of the Late Right Hon. Edmund Burke … In Two Volumes (London: printed by J.W. -
Oui2.Pdf (2.141Mb)
COLONIAL CAPITALISM AND THE DILEMMAS OF LIBERALISM: LOCKE, BURKE, WAKEFIELD AND THE BRITISH EMPIRE A Dissertation Presented to the Faculty of the Graduate School of Cornell University in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy by Onur Ulas Ince August 2013 © 2103 Onur Ulas Ince Colonial Capitalism and the Dilemmas of Liberalism: Locke, Burke, Wakefield and the British Empire Onur Ulas Ince, PhD Cornell University 2013 This dissertation offers a historical investigation of liberalism as a unified yet internally variegated intellectual field that has developed in relation to “colonial capitalism.” I examine the impact of colonial economic relations on the historical formation of liberalism, which is often overlooked in the scholarship on the history of political thought. Focusing on the British Empire between the late-seventeenth and early-nineteenth centuries, I analyze three historical cases in which the liberal self-image of capitalism in Britain was contradicted by the manifestly illiberal processes of displacement and coercion in its imperial possessions. I situate this contradiction within the debates on property claims in American colonies, the trade relation between Britain and its Indian dominions, and the labor problem during the colonial settlement of Australia and New Zealand. Corresponding to the three nodal questions of “property,” “exchange,” and “labor,” I analyze the works of John Locke, Edmund Burke, and Edward Gibbon Wakefield as three prominent political theorists who attempted to reconcile the liberal image of Britain as a commercial and pacific society with the illiberal processes of conquest, expropriation, and extraction of British colonialism. Highlighting the global and colonial as opposed to the national or European terrain on which modern economic relations and their political theorization have emerged, I emphasize the need to situate the history of political thought in a global context. -
Obama's Biggest Problem Is Edward Gibbon
Obama’s Biggest Problem is Edward Gibbon By Dr. John C. Hulsman May 20th, 2013 Aspen Italy Online It is a great pity that no one bothers to read seminal social science texts much anymore. For more than anything else, a social science treatise written over 200 years ago best illuminates the greatest foreign policy risk confronting the Obama White House: Irretrievable domestic political and economic decline. Between 1776-1788 Edward Gibbon embarked on The Decline and Fall of the Roman Empire. But despite the unprecedented scope of the work, the narrative content is held together by only a few basic but profound analytical insights that give unique form and balance to what by rights ought to have been an unholy mess. It is striking that one of these themes was the micro notion that the overall decline of the greatest empire the world has ever known was the result of the very personal failings of its citizens, which was then reflected in increasing political paralysis. Gibbon is prescient in realizing that great political powers are almost always destroyed from within, and that political polarization becomes the means of societal suicide. As was true far latter-day Rome, there is little doubt that America is failing to deal with the perilous structural problems that lie dead ahead. Out-of-control federal spending and the consequent rise of the American debt burden--and both parties’ signal inability to confront this reality--epitomize the cancer lying at the heart of the American political system. The numbers tell the story. Since the day of his first inauguration (January 20, 2009), President Obama has overseen the national debt rising from $10.63 trillion to $16.02 trillion by the beginning of September 2012. -
Peter Laslett (1915–2002)
Copyright: Alan Macfarlane 2002 (People who have influenced me most, by Alan Macfarlane) Peter Laslett (1915–2002) Peter Laslett was a major intellectual figure in the world of political philosophy, social and demographic history and the organization and communication of knowledge in the second half of the twentieth century. (q.v. ‘100 thinkers’). I first encountered him through his book The World we have lost (1965). This came out in the middle of my D.Phil on witchcraft at Oxford and caused a great stir. I remember it had an enormously stimulating effect on me, along with his famous article on English listings, ‘Clayworth and Cogenhoe’. It was a time when a new social history, based on local historical documents, was being born. Peter’s combination of broad questions, no-nonsense approach, interest in social structure and demography fitted well with a growing interest in the French social historians like Bloch, Braudel, Ariès, Goubert, Ladurie and was a breath of fresh air. I remember arguing with Christopher Hill, who was very dismissive of his attempt to reject the Marxist class war model and of Peter’s scholarship. I also remember starting to encounter the exciting works of Peter’s colleagues at the newly formed ‘Cambridge Group for the History of Population and Social Structure’, in particular Tony Wrigley, at this time. I remember a walk through the Parks at Oxford with Charles Phythian-Adams, when he introduced me both to Ariès, Centuries of Childhood, and Wrigley’s method of family reconstitution. In my research on witchcraft I was already using local records, parish registers, ecclesiastical court records, quarter sessions and assize records. -
Ballad Opera in England: Its Songs, Contributors, and Influence
BALLAD OPERA IN ENGLAND: ITS SONGS, CONTRIBUTORS, AND INFLUENCE Julie Bumpus A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF MUSIC August 7, 2010 Committee: Vincent Corrigan, Advisor Mary Natvig ii ABSTRACT Vincent Corrigan, Advisor The ballad opera was a popular genre of stage entertainment in England that flourished roughly from 1728 (beginning with John Gay's The Beggar's Opera) to 1760. Gay's original intention for the genre was to satirize not only the upper crust of British society, but also to mock the “excesses” of Italian opera, which had slowly been infiltrating the concert life of Britain. The Beggar's Opera and its successors were to be the answer to foreign opera on British soil: a truly nationalistic genre that essentially was a play (building on a long-standing tradition of English drama) with popular music interspersed throughout. My thesis explores the ways in which ballad operas were constructed, what meanings the songs may have held for playwrights and audiences, and what influence the genre had in England and abroad. The thesis begins with a general survey of the origins of ballad opera, covering theater music during the Commonwealth, Restoration theatre, the influence of Italian Opera in England, and The Beggar’s Opera. Next is a section on the playwrights and composers of ballad opera. The playwrights discussed are John Gay, Henry Fielding, and Colley Cibber. Purcell and Handel are used as examples of composers of source material and Mr. Seedo and Pepusch as composers and arrangers of ballad opera music.