Religion and the Afterlife

Total Page:16

File Type:pdf, Size:1020Kb

Religion and the Afterlife 10/24/2011 L16: Myth, Religion and the Afterlife HIST 225 Fall 2011 Introduction to Heroic Myth • Humans are the protagonists, not gods • Narrative about events in the human, not divine, past • “Hero” – Homer: noble-born male who’s alive – Arcahic/Classical: noble figure from the distant past. Origins of Greek Heroes • Divine birth and miraculous birth and childhood • Great strength (power) is a benefit and menace • taboo • fights off temptation (female) 1 10/24/2011 The Quest Motif • Given a task to prove his worth • Help from gods • Return home and is domesticated – from wild to civilized (boy to man) • Rewarded for his efforts – political authority • Great funeral Legend of Perseus Danaë and the Shower of Gold Titian 1570 Perseus’ Birth Danae’s father locked her in an underground tomb to keep her from having children, since a prophecy had said his grandson would kill him. But Zeus entered in a shower of gold and impregnated her. She kept Perseus’ birth a secret until the sound of his playing gave them away. Her father locked them in a box and set them afloat. They were found by a fisherman, Dictys (“Net”) on the island of Seriphos. The king, Polydectes, fell in love with Danae when Perseus was a young man. 2 10/24/2011 The Quest Polydectes wanted to get Perseus out of the way. Once he invited Perseus to a feast, the price for admission was to bring the king a horse. Perseus said he could just as easily bring him the Gorgon’s head (meaning he was way too poor). Polydectes said “Do it, then,” and sent him on the quest. Both Hermes and Athena took pity on Perseus. They told him how to proceed, bringing him to the Graeae, old women who shared only one eye and one tooth among them. Perseus maneuvered them into helping him. They gave him a cap of invisibility, winged sandals, and a magic bag. The Gorgons Three Gorgons lived on an island way out in the ocean. There are different versions of their nature: •They were beautiful maidens •They were hideous figures with snakes for hair But sources agree that •The Gorgons were dangerous, flying women •Medusa was loved by Poseidon •Medusa was the only one who was vulnerable •One look at Medusa would turn the looker into stone Perseus received a scimitar from Hermes, and Athena advised him to polish up his shield. The Quest All of Perseus’ gifts came in handy. • He flew there and away with the winged sandals • He looked in the polished shield so as not to be turned into stone while he cut off the Gorgon’s head with the scimitar • He popped the head right into the magic bag • and he got away with it because he was invisible. 3 10/24/2011 Pegasus As Medusa died, her two sons by Poseidon sprang out: •Chrysaor (golden-sword), later father of Geryon, and •Pegasus, the winged horse From the drops of the gorgon’s blood as Perseus flew across Libya came all the poisonous snakes of the world. Andromeda On his way back, Persus stopped to save the maiden Andromeda, who was tied to a rock, waiting to be eaten by a sea serpent. He killed the monster and rescued the maiden, who became his wife. When he returned home, he found that Polydectes was trying to force himself on Danae. He revealed the Gorgon’s head, turning the evil king and his supporters to stone. The Central Role of Religion • Calling upon the divine was central to EVERY SINGLE endeavor undertook by Athens • meetings war • literary work • personal venture • oration • Athenian ekklesia opened with a purificatory sacrifice of a pig 4 10/24/2011 Statements of Alliance 362/1 Athenian vow of alliance with the Arcadians and other Peloponnesian states promised: • Zeus Olympios, Athena Polias, Demeter, Kore, the Twelve Gods and the Furies • “make a sacrifice and a procession if the results of the alliance were as they wished.” Sanctuaries, Festivals and Sacrifices • In the month of Boedriomion, at the Proerosia: for Zeus Polieus a choice sheep, a choice young pig to be totally burnt, the priest provide the meal for one attending; for Kephalos a choice sheep, for the Heroines of Thorikos a table, for Poseidon at Sounion a choice lamb, for Apollo Painted wooden plaque, c. 540 BCE a choice he-goat, for found in a cave in Pitsa, near Corinth. Kourotrophos a choice pig, for National Archaeological Museum, Athens. Demeter a pig, for Zeus Hereios a perfect victim, … Offerings to the Sanctuary of Olympia • Greek temples became repositories of wealth • focal point of a particular cult • sculptures, votive offering, pottery, bronze, gold and silver objects • temple inventories late 7th century BCE survive Corinthian letters – objects do not family name of the Kypselids 5 10/24/2011 http://www.trentu.ca/faculty/rfitzsimons/AHC L2200Y/LE%2011-01.htm The Twelve Olympians The Twelve Olympians - a family of gods and goddesses - lived on Mount Olympus - each ruled a different area of life or nature - anthropomorphic - had human forms and human characteristics - theoi = shining 6 10/24/2011 Zeus- Ruler of all gods and Humanity Ruled the Olympians. god of the sky, lightning and thunder carrying a thunderbolt as his symbol . married Hera, his sister, which was a family habit. He fathered many children with various goddesses and mortals. Artemesion Zeus, Bronze found in northern Euboea. Athenian 460 BC. Hera- Goddess of Marriage & Childbirth • wife of Zeus • protector of marriage and home • associated with the peacock, because of her great beauty. • She and Zeus were always quarreling. • called the queen of intriguers, a vindictive and jealous wife, who frequently tricked her husband, Zeus. Hera Campana. Marble, Roman copy of Hellenistic original, 2nd C. CE Apollo- Sun God; God of Music & Poetry • twin brother of Artemis and the most handsome of the gods. • god of the healing arts and of medicine. • drove his chariot across the sky to pull the sun each day. • His son, Phaethon, drives Apollo’s sun chariot with Piraeus Apollo, Bronze (530-20 BCE) disastrous results. Archaeological Museum of Piraeus (Athens). This archaic-style bronze among one of the very few Archaic bronzes survived 7 10/24/2011 Artemis- Goddess of Hunting & Wilderness • twin sister of Apollo • huntress who always carried a silver bow and arrows • ruled over the untamed places of the earth. Hero Cults • Herakles • son of Zeus and the immortal Alcmene • prodigious strength • patron deity of the Louvre E 701 Main panel: Hercules and Kerberos gymnasium Musée du Louvre • 12 labors Cult of Asclepius Model of the Asclepian temple at Epidaurus 8 10/24/2011 Sanctuary of Asclepius at Corinth Inscriptions at Epidaurus • Aristagora of Troezen. She had a tapeworm in her belly, and she slept in the Temple of Asclepius at Troezen and saw a dream. It seemed to her that the sons of the god..cut off her head, but being unable to put it back again, they sent a messenger to Asclepius, asking him to come. 9 10/24/2011 Cures at Epidauros • Asclepius won greater .15 preferment, to raise the “Hermodikos of dead and heal the sick; Lampsakos was paralyzed. and for these things When he slept in the being a god he has temple the god healed everlasting fame among him and ordered him to men. bring to the temple as • -Xenophon, Kynegetikos large of a stone as he 1.6 could. The man brought the stone which now stands before the Abaton” The Afterlife • no centralized religious authority existed • varied positions on the afterlife • Homer says that Hades can be approached by land and sea. • Hades = “that which is unseen” – brother of Zeus and Poseidon • “Spirits of the dead dwell; the phantoms of men who are worn out.” – shades of the departed The Perpetually Damned • Deep in the bowels of Hades is a windy region called Tartaros Tantalos- condemned for cannibalism to stand in a pool of water with fruit trees overhead – dying of thirst and hunger – waters recede and trees snap back their limbs 10 10/24/2011 Charon the Ferryman • had to pay boatman to cross the River Styx • obol in the mouth of the deceased • three-headed dog named Cerberus • 3 Furies from blood drops that avenge crimes against the family The Hope of Something Better • Those who ran Hades were inoffensive • By the 6th century BCE a new idea that if you lived a good life, things would be easier • Pythagoras, mathematician and philosopher – self discipline and no eating meat • idea of the soul (nous) lived on past the death of the body 11 .
Recommended publications
  • MYTHOLOGY MAY 2018 Detail of Copy After Arpino's Perseus and Andromeda
    HOMESCHOOL THIRD THURSDAYS MYTHOLOGY MAY 2018 Detail of Copy after Arpino's Perseus and Andromeda Workshop of Giuseppe Cesari (Italian), 1602-03. Oil on canvas. Bequest of John Ringling, 1936. Creature Creation Today, we challenge you to create your own mythological creature out of Crayola’s Model Magic! Open your packet of Model Magic and begin creating. If you need inspiration, take a look at the back of this sheet. MYTHOLOGICAL Try to incorporate basic features of animals – eyes, mouths, legs, etc.- while also combining part of CREATURES different creatures. Some works of art that we are featuring for Once you’ve finished sculpting, today’s Homeschool Third Thursday include come up with a unique name for creatures like the sea monster. Many of these your creature. Does your creature mythological creatures consist of various human have any special powers or and animal parts combined into a single creature- abilities? for example, a centaur has the body of a horse and the torso of a man. Other times the creatures come entirely from the imagination, like the sea monster shown above. Some of these creatures also have supernatural powers, some good and some evil. Mythological Creatures: Continued Greco-Roman mythology features many types of mythological creatures. Here are some ideas to get your project started! Sphinxes are wise, riddle- loving creatures with bodies of lions and heads of women. Greek hero Perseus rides a flying horse named Pegasus. Sphinx Centaurs are Greco- Pegasus Roman mythological creatures with torsos of men and legs of horses. Satyrs are creatures with the torsos of men and the legs of goats.
    [Show full text]
  • Hesiod Theogony.Pdf
    Hesiod (8th or 7th c. BC, composed in Greek) The Homeric epics, the Iliad and the Odyssey, are probably slightly earlier than Hesiod’s two surviving poems, the Works and Days and the Theogony. Yet in many ways Hesiod is the more important author for the study of Greek mythology. While Homer treats cer- tain aspects of the saga of the Trojan War, he makes no attempt at treating myth more generally. He often includes short digressions and tantalizes us with hints of a broader tra- dition, but much of this remains obscure. Hesiod, by contrast, sought in his Theogony to give a connected account of the creation of the universe. For the study of myth he is im- portant precisely because his is the oldest surviving attempt to treat systematically the mythical tradition from the first gods down to the great heroes. Also unlike the legendary Homer, Hesiod is for us an historical figure and a real per- sonality. His Works and Days contains a great deal of autobiographical information, in- cluding his birthplace (Ascra in Boiotia), where his father had come from (Cyme in Asia Minor), and the name of his brother (Perses), with whom he had a dispute that was the inspiration for composing the Works and Days. His exact date cannot be determined with precision, but there is general agreement that he lived in the 8th century or perhaps the early 7th century BC. His life, therefore, was approximately contemporaneous with the beginning of alphabetic writing in the Greek world. Although we do not know whether Hesiod himself employed this new invention in composing his poems, we can be certain that it was soon used to record and pass them on.
    [Show full text]
  • University of Groningen the Sacrifice of Pregnant Animals Bremmer, Jan N
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Groningen University of Groningen The Sacrifice of Pregnant Animals Bremmer, Jan N. Published in: Greek Sacrificial Ritual: Olympian and Chthonian IMPORTANT NOTE: You are advised to consult the publisher's version (publisher's PDF) if you wish to cite from it. Please check the document version below. Document Version Publisher's PDF, also known as Version of record Publication date: 2005 Link to publication in University of Groningen/UMCG research database Citation for published version (APA): Bremmer, J. N. (2005). The Sacrifice of Pregnant Animals. In B. Alroth, & R. Hägg (Eds.), Greek Sacrificial Ritual: Olympian and Chthonian (pp. 155-165). Gothenburg: Paul Astroms Forlag. Copyright Other than for strictly personal use, it is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), unless the work is under an open content license (like Creative Commons). Take-down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Downloaded from the University of Groningen/UMCG research database (Pure): http://www.rug.nl/research/portal. For technical reasons the number of authors shown on this cover page is limited to 10 maximum. Download date: 12-11-2019 THE SACRIFICE OF PREGNANT ANIMALS by JAN N. BREMMER There has recently been renewed interest in Olympian sacrifice and its chthonian counterparts, 1 but much less attention has been paid to its more unusual variants.
    [Show full text]
  • Hercules, Heracles, Herakles
    Ms. Lardas/Mrs. Despines/Mrs. Rentschler February 2013 Hercules, Heracles, Herakles Print Books that may be helpful are located on a cart. These books will not be checked out of the library so that everyone has fair access to them. General encyclopedias may be helpful. They are located near the computers at the front of the library. eBooks USC High School’s FollettShelf eBooks: Go to the high school web site and click on the LIBRARY tab, or go the the USCHS Library class in Blended Schools. Notice that there is a link to the Quick Reference Guide for the Follett Digital Reader to help you navigate through the ebook. Click onto the FOLLETTSHELF icon. User name: uschs password: panther Click onto The Facts on File encyclopedia of world mythology and legend. Click the OPEN BOOK link. After you are done reading the book, you must go to the top left of toolbar and click the FOLLETT SHELF ICON. On the next screen, click CLOSE TITLE. 1 POWER Library Database---eBooks from EBSCOhost From STUDENT LINKS, click POWER Library. Under LITERATURE click eBooks on EBSCO Type the title of your work in the FIND bar. If necessary, make sure to select FULL TEXT. For home access: Go to STUDENT LINKS or go to the Township Library’s web page http://www.twpusc.org/library/index.html o You will need the barcode number from your TOWNSHIP LIBRARY CARD! o On the right-hand side of the screen, click onto ONLINE DATABASES. Click POWER LIBRARY under “Databases by Subject,” or “General Reference.” o Follow the directions and enter the barcode number on your Township Library card.
    [Show full text]
  • The Hecate of the Theogony Jenny Strauss Clay
    STRAUSS CALY, JENNY, The Hecate of the "Theogony" , Greek, Roman and Byzantine Studies, 25:1 (1984) p.27 The Hecate of the Theogony Jenny Strauss Clay EAR THE MIDDLE of the Theogony, Hesiod appears to drop N everything in order to launch into an extended encomium of Hecate (411-52). Because of its length and apparent lack of integration into its context, but above all because of the peculiar terms of praise reserved for the goddess, the so-called "Hymn to Hecate" has often been dismissed as an intrusion into the Hesiodic text.l To be sure, voices have also been raised in defense,2 and, at present, the passage stands unbracketed in the editions of Mazon, Solmsen, and West.3 But questions remain even if the authenticity of the lines is acknowledged. Why does Hesiod devote so much space to so minor a deity? What is the origin and function of Hesiod's Hecate, and what role does she play in the poem ?4 1 Most notably by U. von Wilamowitz-Moellendorff, Der Glaube der Hellenen I (Berlin 1931) 172. Wilamowitz is followed by M. P. Nilsson, Geschichte der griechischen Re/igion 3 I (Munich 1969) 723. Condemnation is fairly universal among earlier editors. Cf 0. Gruppe, Ueber die Theogonie des Hesiod (Berlin 1841) 72; G. Schoemann, Die He­ siodische Theogonie (Berlin 1868) 190, who, after many good observations, concludes that the passage is a later interpolation; H. Flach, Die Hesiodische Theogonie (Berlin 1873) 81; A. Fick, Hesiods Gedichte (Gottingen 1887) 17 ("Der Verfasser war ein Or­ phiker"); F.
    [Show full text]
  • Leto As Mother: Representations of Leto with Apollo and Artemis in Attic Vase Painting of the Fifth Century B.C
    https://publications.dainst.org iDAI.publications ELEKTRONISCHE PUBLIKATIONEN DES DEUTSCHEN ARCHÄOLOGISCHEN INSTITUTS Dies ist ein digitaler Sonderdruck des Beitrags / This is a digital offprint of the article Lavinia Foukara Leto as Mother: Representations of Leto with Apollo and Artemis in Attic Vase Painting of the Fifth Century B.C. aus / from Archäologischer Anzeiger Ausgabe / Issue Seite / Page 63–83 https://publications.dainst.org/journals/aa/2027/6626 • urn:nbn:de:0048-journals.aa-2017-1-p63-83-v6626.5 Verantwortliche Redaktion / Publishing editor Redaktion der Zentrale | Deutsches Archäologisches Institut Weitere Informationen unter / For further information see https://publications.dainst.org/journals/aa ISSN der Online-Ausgabe / ISSN of the online edition 2510-4713 ISSN der gedruckten Ausgabe / ISSN of the printed edition Verlag / Publisher Ernst Wasmuth Verlag GmbH & Co. Tübingen ©2019 Deutsches Archäologisches Institut Deutsches Archäologisches Institut, Zentrale, Podbielskiallee 69–71, 14195 Berlin, Tel: +49 30 187711-0 Email: [email protected] / Web: dainst.org Nutzungsbedingungen: Mit dem Herunterladen erkennen Sie die Nutzungsbedingungen (https://publications.dainst.org/terms-of-use) von iDAI.publications an. Die Nutzung der Inhalte ist ausschließlich privaten Nutzerinnen / Nutzern für den eigenen wissenschaftlichen und sonstigen privaten Gebrauch gestattet. Sämtliche Texte, Bilder und sonstige Inhalte in diesem Dokument unterliegen dem Schutz des Urheberrechts gemäß dem Urheberrechtsgesetz der Bundesrepublik Deutschland. Die Inhalte können von Ihnen nur dann genutzt und vervielfältigt werden, wenn Ihnen dies im Einzelfall durch den Rechteinhaber oder die Schrankenregelungen des Urheberrechts gestattet ist. Jede Art der Nutzung zu gewerblichen Zwecken ist untersagt. Zu den Möglichkeiten einer Lizensierung von Nutzungsrechten wenden Sie sich bitte direkt an die verantwortlichen Herausgeberinnen/Herausgeber der entsprechenden Publikationsorgane oder an die Online-Redaktion des Deutschen Archäologischen Instituts ([email protected]).
    [Show full text]
  • Hamilton's Perseus.Pdf
    .; I CHAPTER I Perseus This story is on the level of the fairy story. Hermes and Atherw. act like the fairy godmother in Cinderella. The magi- cal wallet and cap belong to the properties fairy tales abound in everywhere. It is the only myth in which magic plays a decisive part, and it seems to have been a great favorite in Greece. Many poets allude to it. The description of Danae in the wooden chest was the most famous passage of a fa- mous poem by Simonides of Ceos, a great lyr'ic poet who lived in the sixth century. The entire story is told by both Ovid and Apollodorus. The latter, probably a hundred years later than Ovid, is here the superior of the two. His account is simple and stmightforward; OvicI s extremely verbose- for instance, he takes a hundred lines to kill the sea serpent. I have followed Apollodorus, but I have added the fragment from Simonides, and short quotations from other poets, no- tably IIesiod and Pirular. ING ACRISIUS of Argos had only one child, a daugh- Kter, Danae. She was beautiful above all the other women of the land, but this was small comfort to the King for not having a son. He journeyed to Delphi to ask the god if there was any hope that some day he would be the father 198 Mythology Perseus 199 of a boy. The priestess told him no, and added what was boy's life was a terrible danger to his own. He was afraid to far worse: that his daughter would have a son who would kill him for the same reason that had kept him from killing kill him.
    [Show full text]
  • Greek Mythology: Heroes
    Greek Mythology: Heroes Baldwin’s Mythology Heroes ● Odysseus ● Heracles (Hercules) ● Jason ● Theseus ● Achilles ● Perseus Odysseus ● Legendary Hero in Greek Mythology ● King of the island of Ithaca and the protagonist in Homer’s epic The Odyssey ● It all started over a woman... Odysseus (continued) ● Odysseus was one of the suitors that wanted to marry Helen, step-daughter of king Tyndareus of Sparta. However, there suitors, so they drew straws. As a result, Menelaus drew the lucky straw, while Odysseus married Penelope. ● Helen was abducted by Prince Paris of Troy, so all suitors were summoned to help Menelaus in his quest to bring her back. ● After the Greeks reached Troy and the war started, Odysseus played a particularly influential role as an advisor. He maintained the morale of the Greeks in a high level and managed to keep everyone sane. Odysseus (continued) ● Odysseus was most famous in the war for his contribution to create the Trojan Horse, a huge wooden horse that was supposed to be a gift to the Trojans by the retreating Greeks. The Trojans accepted the gift joyfully and started celebrating around it. When the night fell and everyone was drunk, the Greek warriors, who had hidden in the hollow body of the horse, revealed themselves and slew the Trojans, winning the war. Hercules ● Heracles (or Hercules) is best known as the strongest of all mortals, and even stronger than many gods. ● He was the last mortal son of Zeus, and the only man born of a mortal woman to become a god upon his death. ● Terrible things happened to him because of Hera's hatred, a hatred that he was not responsible for.
    [Show full text]
  • Stories and Essays on Persephone and Medusa Isabelle George Rosett Scripps College
    Claremont Colleges Scholarship @ Claremont Scripps Senior Theses Scripps Student Scholarship 2017 Voices of Ancient Women: Stories and Essays on Persephone and Medusa Isabelle George Rosett Scripps College Recommended Citation Rosett, Isabelle George, "Voices of Ancient Women: Stories and Essays on Persephone and Medusa" (2017). Scripps Senior Theses. 1008. http://scholarship.claremont.edu/scripps_theses/1008 This Open Access Senior Thesis is brought to you for free and open access by the Scripps Student Scholarship at Scholarship @ Claremont. It has been accepted for inclusion in Scripps Senior Theses by an authorized administrator of Scholarship @ Claremont. For more information, please contact [email protected]. VOICES OF ANCIENT WOMEN: STORIES AND ESSAYS ON PERSEPHONE AND MEDUSA by ISABELLE GEORGE ROSETT SUBMITTED TO SCRIPPS COLLEGE IN PARTIAL FULFILLMENT OF THE DEGREE OF BACHELOR OF ARTS PROFESSOR NOVY PROFESSOR BERENFELD APRIL 21, 2017 1 2 Dedicated: To Max, Leo, and Eli, for teaching me about surviving the things that scare me and changing the things that I can’t survive. To three generations of Heuston women and my honorary sisters Krissy and Madly, for teaching me about the ways I can be strong, for valuing me exactly as I am, and for the endless excellent desserts. To my mother, for absolutely everything (but especially for fielding literally dozens of phone calls as I struggled through this thesis). To Sam, for being the voice of reason that I happily ignore, for showing up with Gatorade the day after New Year’s shenanigans, and for the tax breaks. To my father (in spite of how utterly terrible he is at carrying on a phone conversation), for the hikes and the ski days, for quoting Yeats and Blake at the dinner table, and for telling me that every single essay I’ve ever asked him to edit “looks good” even when it was a blatant lie.
    [Show full text]
  • Heroic Pattern Chart Perseus King Arthur
    HEROIC PATTERN CHART PERSEUS THESEUS HERCULES KING ARTHUR PROPHECY Will kill grandfather, Oracle to Aegeus not to Tiresias confirms that Would become King of Acrisius open wineskin Father is Zeus, and that England Heracles will be immortal UNUSUAL Zeus as liquid stream of Aegeus drunk & Poseidon Zeus stops the sun for Uther visits Ygraine BIRTH/ gold also involved three days to sleep with disguised as her husband; Alcmene, disguised as her at birth, handed over to CONCEPTION husband Merlin PRECOCIOUS Sent to sea in a chest/ Raised by single mom; Super-strong: survives Raised by a foster family CHILDHOOD rescued by Zeus/ attacks Herculesʼ lion skin being abandoned in a field; (Ector) in Wales Foster-child at 7 years old kills 2 snakes in his crib CALL TO King Polydectesʼ At 15, mother reveals his Eurystheus calls on him to Pulls sword from stone at a ADVENTURE challenge to get him out true identity; he takes on complete his Labours. tournament of the way his fatherʼs gifts and (Initial refusal) heads to Athens to claim his birthright. QUEST The Medusaʼs head Free the Athenians from 10-12 Labours (two didnʼt Create the Round Table— the curse of the Minotaur count) unify England; ultimately they embark on the Quest for the Holy Grail HELPERS/GIFTS Athena & Hermes in Father leaves sword & Childhood lessons by Merlinʼs magic; disguise; objects: pair of sandals; experts (bow, wrestling, All his knights winged sandals, leather Ariadne gives him ball of etc.) bag, helmet of thread to get out of the Iolaus helps with the invisibility; sickle- Labyrinth Hydra; Athenaʼs rattles, etc.
    [Show full text]
  • LESSON 12 the Story of Medusa and Athena
    GRADE 6: MODULE 1: UNIT 2: LESSON 12 The Story of Medusa and Athena Once upon a time, a long time ago, there lived a beautiful maiden named Medusa. Medusa lived in the city of Athens in a country named Greece—and although there were many pretty girls in the city, Medusa was considered the most lovely. Unfortunately, Medusa was very proud of her beauty and thought or spoke of little else. Each day she boasted of how pretty she was, and each day her boasts became more outrageous. On and on Medusa went about her beauty to anyone and everyone who stopped long enough to hear her—until one day when she made her first visit to the Parthenon with her friends. The Parthenon was the largest temple to the goddess Athena in all the land. It was decorated with amazing sculptures and paintings. Everyone who entered was awed by the beauty of the place and couldn’t help thinking how grateful they were to Athena, goddess of wisdom, for inspiring them and for watching over their city of Athens. Everyone, that is, except Medusa. When Medusa saw the sculptures, she whispered that she would have made a much better subject for the sculptor than Athena had. When Medusa saw the artwork, she commented that the artist had done a fine job considering the goddess’s thick eyebrows—but imagine how much more wonderful the painting would be if it was of someone as delicate as Medusa. And when Medusa reached the altar, she sighed happily and said, “My, this is a beautiful temple.
    [Show full text]
  • Iconography of the Gorgons on Temple Decoration in Sicily and Western Greece
    ICONOGRAPHY OF THE GORGONS ON TEMPLE DECORATION IN SICILY AND WESTERN GREECE By Katrina Marie Heller Submitted to the Faculty of The Archaeological Studies Program Department of Sociology and Archaeology In partial fulfillment of the requirements for the degree of Bachelor of Science University of Wisconsin-La Crosse 2010 Copyright 2010 by Katrina Marie Heller All Rights Reserved ii ICONOGRAPHY OF THE GORGONS ON TEMPLE DECORATION IN SICILY AND WESTERN GREECE Katrina Marie Heller, B.S. University of Wisconsin - La Crosse, 2010 This paper provides a concise analysis of the Gorgon image as it has been featured on temples throughout the Greek world. The Gorgons, also known as Medusa and her two sisters, were common decorative motifs on temples beginning in the eighth century B.C. and reaching their peak of popularity in the sixth century B.C. Their image has been found to decorate various parts of the temple across Sicily, Southern Italy, Crete, and the Greek mainland. By analyzing the city in which the image was found, where on the temple the Gorgon was depicted, as well as stylistic variations, significant differences in these images were identified. While many of the Gorgon icons were used simply as decoration, others, such as those used as antefixes or in pediments may have been utilized as apotropaic devices to ward off evil. iii Acknowledgements I would first like to thank my family and friends for all of their encouragement throughout this project. A special thanks to my parents, Kathy and Gary Heller, who constantly support me in all I do. I need to thank Dr Jim Theler and Dr Christine Hippert for all of the assistance they have provided over the past year, not only for this project but also for their help and interest in my academic future.
    [Show full text]