PÓRTICOSemanal

Música 50

Nº 1112 — 10 marzo 2014 Obras generales Teoría y pedagogía musicales Ediciones musicales Historia de la música Música española Folklore — Jazz — Rock — Pop Etnomusicología Ópera — Canto — Danza Instrumentos musicales PÓRTICO LIBRERÍAS PÓRTICO SEMANAL

Año XXVII, Nº 1112 — 10 marzo 2014 MÚSICA 50 Dirige: José Miguel Alcrudo

Responsable de la Sección: Concha Aguirre PÓRTICO LIBRERÍAS, S.A. www.porticolibrerias.es Muñoz Seca, 6 HORARIO / OPEN HOURS: Tel. (+34) 976 55 70 39 50005 Zaragoza — España 976 35 03 03 Lunes a jueves / Monday to Thursday 976 35 70 07 Fundada en 1945 10–14 15–18 Fax (+34) 976 35 32 26 Viernes / Friday 10–14

OBRAS GENERALES

Acciaiuoli, M. / P. Ferreira de Castro, eds.: A dança e a música nas artes plásticas do século XX 2012 – 174 pp. € 16,00

Anttila, M. E.: Luther’s Theology of Music. Spiritual Beauty and Pleasure 2013 – viii + 227 pp. € 89,95 ÍNDICE: Introduction — Voluptates aurium: the pleasures of music in Antiquity and the Middle Ages — Optimum Dei donum – the essence of music — Domina et gubernatrix affectuum humanorum – the power of music — Joy (gaudium) and Pleasure (voluptas) in Luther’s theology — Theology of beauty and the virtues of music — Conclusion.

Begbie, J.: Music, Modernity, and God. Essays in Listening 2013 – 272 pp. € 43,70 ÍNDICE: Introduction: Listening to Music — Shifting Sensibilities: Calvin and Music — Disquieting Conversations: Bach, Modernity and God — The Nature of Music: Rameau, Rousseau and Natural Theology — Musical Apotheosis: Early German Romanticism — Room of One s Own? Music, Space, and Freedom — Music and God-talk (1): Mapping the Field — Music and God-talk (2): Interaction in Action.

Bhogal, G. K.: Details of Consequence. Ornament, Music, and Art in Paris 2013 – 368 pp., 18 fig., 37 not., 2 tabl. € 52,45 ÍNDICE: Introduction — Ornament and Expression in Music and the Visual Arts — Ornament and the Arabesque: From Line to Melody — Ornament and Virtuosity in French Piano Music — Ornament and Antiquity from Debussy’s Arabesque to Ravel’s Daphnis et Chloé — Ornament and Neo-Primitivism in Le Sacre du Printemps — Ornament and Disenchantment around the First World War. PÓRTICO LIBRERÍAS PS 1112 — Música 50 3

Blanco Ruiz, C.: Historia del festival de plectro de La Rioja: una referencia internacional 2011 – 392 pp., 1 CD-ROM, 1 fig., lám.col. € 15,00

Brown, J. / A. Davison, eds.: The Sounds of the Silents in Britain 2013 – 352 pp., 27 fig. € 28,70 ÍNDICE: Introduction: The Sounds of the Silents in Britain: J. Brown / A. Davison — Speaking to Pictures: Professional Lecturing in Early British Film Shows: J. Kember — «Now, where were we?» Ideal and Actual Early Cinema Lecturing Practices in Britain, Germany and the US: J. Buchanan — Eric Williams: Speaking to Pictures: S. Bottomore — Sounding Scottish: Sound Practices and Silent Cinema in Scotland: T. Griffiths — Accompanying pictures: «Suitable music»: Accompaniment Practice in Early London Screen Exhibition from R. W. Paul to the Picture Palaces: I. Christie — The Art of Not Playing to Pictures in British Cinemas, 1906-1914: J. Burrows — «The efforts of the wretched pianist: Learning to Play to the Pictures in Britain, 1911-1913: A. Higson — The Reception of Bri- tish Exhibition Practices in The Moving Picture World, 1907-1914: J. Buhler — Perfor- mance in cinemas: 9. Selsior Dancing Films, 1912-1917: S. Bottomore — Song Perfor- mance in the Early Sound Shorts of British Pathé: D. B. Scott — Atmospheric Film Prolo- gues and the British Film Trade Papers, 1919-1926: J. Brown, R. Holloway — Animating the Audience: Singalong Films in Britain in the 1920s: M. Cook — Musicians, Companies and Institutions: Workers’ Rights and Performing Rights: Cinema Music and Musicians Prior to Synchronized Sound: A. Davison — Sound at the Film Society: J. Riley — Edmund Meisel’s «visual sound» in The Crimson Circle (1929): The Case of the Vanishing Part- Talkie: F. Ford.

Cott, J.: Dinner with Lenny. The Last Long Interview with Leonard Bernstein 2013 – 208 pp., 15 fot. € 21,20

Dolan, T.: Manet, Wagner, and the Musical Culture of their Time 2013 – 310 pp., 84 fig., 4 lám.col. € 81,15 ÍNDICE: Introduction: Manet’s soundscape — Wagner in Paris: the music of the future — Listening to color and seeing sound: Baudelaire, Wagner and Manet — Transposing and composing — Gautier, Wagner and Manet — Realism and music: Champfleury, Courbet, Wagner and Manet — Ebony keys: Fantin’s Venusberg scene and Manet’s Balloon — Serious spoofing: Offenbach, Wagner and Manet — Facing the music: Wagner and Manet — Con- clusion: MéloManet.

Fairclough, P., ed.: Twentieth-Century Music and Politics. Essays in Memory of Neil Edmunds 2013 – 312 pp., 5 fig., 18 not. € 87,45 ÍNDICE: Foreword, R. Milner-Gulland — Preface — Introduction, P. Fairclough — ‘A world of Marxist orthodoxy’? Alan Bush’s Wat Tyler in Great Britain and the German Democratic PÓRTICO LIBRERÍAS PS 1112 — Música 50 4

Republic, J. Bullivant — Stravinsky’s Petrushka: modernizing the past, Russianizing the fu- ture, or, how Stravinsky learned to be an exile, J. Cross — Détente to Cold War: Anglo-Soviet musical exchanges in the late Stalin period, P. Fairclough — Front theatre, musical films and the war in Nazi cinema, G. Heldt — ‘Those damn foreigners’: xenophobia and British musical life during the first half of the 20th century, E. Levi — ‘An angry ape’: some preliminary thoughts about Orango, G. McBurney — A bridge between two worlds: the founding years of the Warsaw Autumn Festival, B. Mika — Winning hearts and minds? Soviet music in the Cold War struggle against the West, S. Mikkonen — Preserving the façade of normal times: musical life in Belgrade under the German occupation (1941-44), M. Milin — Musical commemorations in post-Civil War Spain: Joaquin Rodrigo’s Concierto Heroico, E. Moreda Rodriguez — The radicalization and ghettoization of music in the General Government, K. Naliwajek — ‘I only need the good old Budapest’: Hungarian cabaret in wartime London, Florian Scheding; Irish nationalism, British imperialism, and the role of popular music, D. B. Scott — Shostakovich as film music theorist, J. Titus — Diaspora, music, and politics: Russian musical life in Shan- ghai during the inter-war period, H.-L. Yang.

García Bernalt Alonso, B.: Catálogo del Archivo de música de la Capilla de la Universidad de Salamanca 2013 – 957 pp., not. € 50,00

García Quiñonés, M. / A. Kassabian / E. Boschi, eds.: Ubiquitous Musics. The Everyday Sounds That We Don’t Always Notice 2013 – 228 pp., 8 fig., 2 not. € 74,90

Garrett, C. H., ed.: The Grove Dictionary of American Music. Second Edi- tion, 8 vols. 2014 – 5.472 pp., 418 fig., 142 not. € 1447,00

Georis, C.: Claudio Monteverdi letterato ou les métamorphoses du texte 2013 – 744 pp. € 120,00

Glahn, D. von: Music and the Skillful Listener. American Women Compose the Natural World 2013 – 392 pp., 19 fig., 72 not. € 33,70

Haines, J.: Music in Films on the Middle Ages: Authenticity vs. Fantasy 2013 – 230 pp. € 99,85

Hui, A. / J. Kursell / M. W. Jackson, eds.: Music, Sound, and the Laboratory PÓRTICO LIBRERÍAS PS 1112 — Música 50 5 from 1750-1980. Edited by A. Hui, J. Kursell, and M. W. Jackson 2013 – 352 pp. € 28,70

Kelly, J.: In Her Own Words. Conversations with Composers in the United States 2013 – 448 pp., 25 fot. € 54,95

Liszt, F.: Correspondence of Franz Liszt and the Comtesse Marie D’Agoult. Edited by M. Short 2013 – 400 pp. € 69,70

Neumeyer, D.: The Oxford Handbook of Film Music Studies 2014 – 672 pp., 93 fig. + 58 lám. € 124,80 ÍNDICE: Overview: D. Neumeyer — 1. Film Music : Central Questions: Music and the Ontology of the Sound Film: The Classical Hollywood System: J. Buhler / D. Neumeyer — Opera and Film: M. Citron — Visual Representation of Film Sound as Analytical Tool: R. Altman — Film Music from the Perspective of Cognitive Science: A. Cohen — Composing for Film: Hanns Eisler’s Lifelong Film-Music Project: P. Schweinhardt & al. — Ontological, Formal, and Critical Theories of Film Music and Sound: J. Buhler — 2. Genre and Platform: Drawing a New Narrative for Cartoon Music: D. Goldmark — Genre Theory and the Film Musical: C. McDonnell — «The Tunes They are a-Changing»: Moments of Historical Rupture and Reconfiguration in the Production and Commerce of Music in Film: J. Smith — The Compilation Soundtrack from the 1960s to the Present: J. Hubbert — The Origins of Musical Style in Video Games, 1977-1983: N. Lerner — 3. Interpretative Theory & Practice: Classical Music, Virtual Bodies, Narrative Film: L. Kramer — Gender, Sexuality, and the Soundtrack: J. Buhler — Psychoanalysis, Apparatus Theory, and Subjectivity: J. Buhler — Case Studies: Introduction: R. Stilwell — (Case Study 1) The Order of Sanctity: Sound, Sight, and Suasion in DeMille’s The Ten Commandments: M. Morris — (Case Study 2) Strange Recognitions and Endless Loops: Music, Media, and Memory in Terry Gilliam’s 12 Monkeys: J. McQuinn — 4. Contemporary Approaches to Analysis: Transformational Theory and the Analysis of Film Music: S. Murphy — Listening in Film: Music/Film Temporality, Materiality and Memory: M. Kielian-Gilbert — Auteurship and Agency in Television Music: R. Rodman — 5. Historical Issues: When the Music Surges: Melodrama and the Nineteenth-Century Theatrical Precedents for Film Music Style and Placement: M. Pisani — Audio-Visual Palimpsests: Resynchronizing Silent Films with «Special» Music: J. Brown — Performance Practices and Music in Early Cinema outside Hollywood: Kathryn Kalinak — Performing Prestige: American Cinema Orchestras, 1910-1958: N. Platte.

Orden, K. van: Music, Authorship, and the Book in the First Century of Print 2013 – 256 pp., 13 fot., 8 tabl., 4 not. € 52,35

Osborne, R.: Vinyl: A History of the Analogue Record 2012 – 224 pp. € 74,90 PÓRTICO LIBRERÍAS PS 1112 — Música 50 6

Rogers, J.: The Death and Life of the Music Industry in the Digital Age 2013 – 192 pp. € 24,95

Stravinsky, I. / R. Craft: Memorias y comentarios. Traducción del inglés de C. Font 2013 – 437 pp. + 26 lám. € 28,00

Téllez, J. L.: Paisajes imaginarios. Escritos sobre música y cine. Edición de J. Talens y S. Zunzunegui 2013 – 350 pp. € 20,00 ÍNDICE: J. Talens / S. Zunzunegui: La pasión del más fuerte, o los paisajes imaginarios de José Luis Téllez — Nota del autor — Preludio: El destino de la música — 1. Pasión de los fuertes: Notas para una teoría de la música dramática — Apuntes para una visión lingüística de la música — La banda sonora como frontera de la narratividad — Música y esperpento — 2. Noches blancas: Jugar con fuego (sobre Le nozze di Figaro) — Las manos del abismo (sobre Don Giovanni) — ¿Solo un cuento (in)moral? (sobre Così fan tutte) — El corazón del bosque — Como un torrente — Amami, Alfredo! — Ocho puntos sobre la originalidad de Rigoletto — El océano en llamas — Un círculo en la arena (apuntes sobre Carmen) — Tatiana escribe una carta — Desde lo más profundo — Expresionismo, dramaturgia y forma musical en Wozzeck — Blanche, o los infortunios de la virtud — El verdadero amor (notas sobre The Rake’s Progress) — 3. Sobre un arte ignorado: Memoria de la arena (presencia del surrealismo en la obra cinematográfica de Luis Buñuel) — De historia y de folclore (Notas sobre el 2.º período CIFESA) — El imposible ayer — Tarnished Angels — Bardem: un formalista — Coda: Propuesta para un plan general de salubridad canora o Las miserias del repertorio y cómo combatirlas victoriosamente.

Vernallis, C. / A. Herzog / J. Richardson, eds.: The Oxford Handbook of Sound and Image in Digital Media 2014 – 800 pp. + 100 lám. € 118,60 ÍNDICE: Introduction — C. Vernallis / A. Herzog: Cinema in the Realm of the Digital: Foundational Approaches — T. Elsaesser: Digital Cinema: Convergence or Contradiction? — J.-P. Geuens: Angels of Light — W. Whittington: Lost in Sensation-Reevaluating the Role of Cinematic Sound in the Digital Age Dialogue: Screens and Spaces — S. Cubitt: Large Screens, Third Screens, Virtuality and Innovation» — W. Straw: Public Screens and Urban Life» — Glitches, Noise, and Interruption: Materiality and Digital Media — L. U. Marks: A Noisy Brush with the Infinite: Noise in Enfolding-Unfolding Aesthetics» — L. Coulthard: Dirty Sound: Haptic Noise in New Extremism» — C. Benson-Allott: «Going Gaga for Glitch: Digital Failure @nd Feminist Spectacle in Twenty-F1rst Century Music Video» — J. Demers: «Discursive Accents in Some Recent Digital Media Works» — M. Ragona: «Doping the Voice» — Uncanny Spaces and Acousmatic Voices — W. Cheng: «Monstrous Noise: Silent Hill and the Aesthetic Economies of Fear» — A. Herzog: «‘Charm the Air to Give a Sound’: The Uncanny Soundscape of Punchdrunk’s Sleep No More» — G. PÓRTICO LIBRERÍAS PS 1112 — Música 50 7

Toles: «A Gash in the Portrait: Martin Arnold’s Deanimated» — W. Buckland: «The Acousmatic Voice and Metaleptic Narration in Inland Empire» — Dialogue: Visualization and Sonification — L. Manovich: «Visualization Methods for Media Studies» — J. Smith: «Explorations in Cultureson» — Virtual Worlds, Paranoid Structures, and States of War — D. Chapman: «Music and the State of Exception in Alfonso Cuarón’s Children of Men» — M. Sumera: «Understanding the Pleasures of War’s Audiovision» — J. Buhler / A. Newton: «Outside the Law of Action: Music and Sound in the Bourne Trilogy» — E. Thanouli: «Debating the Digital: Film and Reality in Barry Levinson’s Wag the Dog» — T. Cateforis: «Between Artifice and Authenticity: Music and Media in Wag the Dog» Blockbusters! Franchises, Remakes, and Intertextual Practices — J. Aldred: «‘I Am Beowulf! Now, It’s Your Turn’: Playing With (And As) the Digital Convergence Character» — C. Donelan / R. Rodman: «Lion and Lambs: Industry-Audience Negotiations in the Twilight Saga Franchise» — A. Wood: «Sonic Times in Watchmen and Inception» — M. Mera: «Inglo(u)rious Basterdization? Tarantino and the War Movie Mashup» — Dialogue: De-Coding Source Code — G. Stewart: «Sound Thinking: Looped Time, Duped Track» — S. Cubitt, «Source Code: Eco-Criticism and Subjectivity» — J. Buhler, «Notes to Source Code’s Soundtrack» Rethinking Audiovisual Embodiment — K. Miller, «Virtual and Visceral Experience in Music-Oriented Videogames» — D. McCarthy / M. Zuazu: «A Gaga-World Pageant: Channeling Difference and the Per- formance of Networked Power» — P. Morris / S. Paasonen: «Coming to Mind: Pornography and the Mediation of Intensity» Sounds and Images of the New Digital Documentary — J. Belton: «The World in the Palm of Your Hand: Agnes Varda, Trinh T. Minh-ha, and the Digital Documentary» — S. Kara: «The Sonic Summons: Meditations on Nature and Anempathetic Sound in Digital Documentaries» — J. Peterson, «Workers Leaving the Factory: Witnessing Industry in the Digital Age» Modes of Composition: Digital Convergence and Sound Production — E. Lyon: «The Absent Image in Electronic Music» — J. Pasler: «Hu- gues Dufourt’s Cinematic Dynamism: Space, Timbre, and Time in L’Afrique d’après Tie- polo» — R. Sadoff: «Scoring for Film and Video Games: Collaborative Practices and Digital Post-Production» — N. Dibben, «Visualising the App Album with Björk’s Biophilia» Digi- tal Aesthetics Across Platform and Genre — C. Vernallis: «Accelerated Aesthetics: a New Lexicon of Time, Space and Rhythm» — J. Beck: «Acoustic Auteurs and Transnational Cinema» — A. Cameron: «Instrumental Visions: Electronica, Music Video, and the Environmental Interface».

Weliver, P. / K. Ellis, eds.: Words and Notes in the Long Nineteenth Century 2013 – 268 pp., 4 fig. € 68,65

Wilson, C. R. / M. Calore: Music in Shakespeare. A Dictionary 2014 – 528 pp., 10 fig. € 32,45

Zola, E.: Écrits sur la musique. Edition établie, annotée et présentée par O. Sauvage 2013 – 508 pp. € 32,00 PÓRTICO LIBRERÍAS PS 1112 — Música 50 8

TEORÍA Y PEDAGOGÍA MUSICALES

Adolphe, B.: The Mind’s Ear. Exercises for Improving the Musical Imagina- tion for Performers, Composers, and Listeners. Second Edition 2013 – 176 pp., 6 not. € 16,25

Ammetto, F.: I concerti per due violini di Vivaldi 2013 – xxxii + 368 pp., 47 fig., 19 tabl. € 40,50

Antokoletz, E.: A History of Twentieth-Century Music in a Theoretic- Analytical Context 2013 – 528 pp., fig. € 156,00 ÍNDICE: Part 1: Music to the Late 1940s — The Vienna of Freud: Toward Expressionism and the transformation of chromatic tonality — Vienna Schoenberg circle: Expressionism and free atonality — Schoenberg’s music societies, World War I, and evolution of the twelve- tone method — Musical reactions to the ultrachromaticism of the Wagner-Strauss period: Rise of national styles — Toward synthesis of divergent folk- and art-music sources in Eastern Europe — Cultural identity and cosmopolitan developments in European music — New musical sources and aesthetics in the United States — Search for cultural identity in Latin America — Rise of neoclassicism in France: The Cocteau-Satie era and “Les Six” — Stravinsky in Switzerland and Paris (1914-1939): The neoclassical style — Neotonality and Gebrauchsmusik in Germany — The music of Soviet composers — Color, noise, and new sonorities — Early developments of the twelve-tone system beyond Schoenberg, Berg, and Webern — Part 2: Music Since the Mid 1940s — Total serialization in Europe — Varied approaches to the twelve-tone principle and rhythmic formulization in the United States — Twelve-tone tonality — Musique concrète and electronic music — Aleatory—Chance, improvisation, open form—and Minimalist Music — Synthesis of national and other earlier trends in Europe — Synthesis of national and other earlier trends in the United States — Latin American Composers at home and abroad: Synthesis of national and other earlier trends — Synthesis of East and West in Eastern Asia.

Arte y políticas de identidad, 7 — Diciembre 2012: Entre el arte sonoro y el arte de la escucha 2012 – 277 pp., fig. € 9,00 ÍNDICE: M. Molina Alarcón / J. Cerdá: Introducción — C. Pardo Salgado: En los arenales del arte sonoro — B. Gómez Moreno: Paralelismo diacrónico sobre la investigación sonora en el espacio de las artes plásticas — V. Y. Picado Fernández: Arte y escultura sonora: del sonido como objeto al objeto sonoro — R. Garriga Inarejos: El silencio audible: de la escucha asombrada a la escucha generativa — A. R. do Nascimento: Taquigrafonías: la máquina de escribir en el PÓRTICO LIBRERÍAS PS 1112 — Música 50 9 cambio del imaginario laboral femenino y como expresión sonora de la memoria colectiva — J. A. Cerezuela: Confesiones captadas, registradas y transmitidas mediante dispositivos sonoros — J. Ariza: El poder visual del altavoz: propuestas artísticas en torno a la dimensión plástica del altavoz como epicentro visual y agente sonoro — M. Andueza Olmedo: A las ciudades se las conoce, como a las personas, en el andar: Orígenes de la instalación sonora en el espacio público en el marco del urbanismo y la sociología de los años 60 — J. Cerdà: Observatorio de la transformación urbana del sonido: la ciudad como texto, derivas, mapas y cartografía sonora — D. T. Marquina: La función comunicativa del arte: sonido, espacio público e imaginario colectivo — D. Duarte Loza: Hacia el arte indisciplinario: algunas reflexiones y una acción (sonora colectiva y participativa en movimiento) — E. Comelles Allue: Mapas sonoros, netlabels y culturas emergentes: una aproximación sobre la fonografía y el paisaje sonoro en la era digital — Entrevistas: P. Ortuño: La fonoteca SONM: música concreta del mundo en el universo sonoro de Francisco López — Intervenciones: L. Barber: Y sobre las músicas devenidas «visivas»— M. Jordá: La cabellera viajera: instalación sonora — G. Lapeña Gallego: El tiempo re-velado — Recensiones.

Asensio, J. C.: El canto gregoriano. Historia, liturgia, formas... 20112 – 557 pp., 1 CD-ROM, not. € 37,60

Baumann, D.: Music and Space. A Systematic and Historical Investigation into the Impact of Architectural Acoustics on Performance Practice Followed by A Study of Handel’s Messiah 2011 – xxiv + 417 pp., 1 comp. € 79,90 ÍNDICE: Acoustic knowledge applied to the construction and use of rooms — Room acoustics and music: changing relations — Music and space: conditions for perception — Sound and sensation: physical, physiological and psychological principles — Room acoustics: fundamental concepts in physics — Spatial impression in sound recording — Architecture related quality factors in room acoustics — Music related the quality factors in room acoustics — The change of performance practice and room acoustics — Handel, the oratorio volgare, and Arcangelo Corelli — The performance practice of the early English oratorio — The oratorio Messiah — Handel’s performances of Messiah in London — The impact of room acoustics on Handel’s compositions — The enlargement of the musical ensemble after Handel’s death.

Billings, J. / F. Budelmann / F. Macintosh, eds.: Choruses, Ancient and Mo- dern 2013 – 448 pp., 20 fig. € 112,35 ÍNDICE: Introduction: Choral Fantasies — Scholarship: A.-E. Peponi: Theorising the Chorus in Greece — S. Goldhill: The Greek Chorus: Our German Eyes — C. Güthenke: The Middle Voice: German Classical Scholarship and the Greek Tragic Chorus — I. Rutherford: Chorus, Song, and Anthropology — Aesthetics: F. Budelmann: Greek Festival Choruses in and out of Context — H. Slaney: Seneca’s Chorus of One — R. Savage: Something like the Choruses of the Ancients: the Coro Stabile and the Chorus in European Opera, 1598-1782 — J. Billings: An Alien Body? Choral Autonomy around 1800 — M. Revermann: Brechtian Chorality — PÓRTICO LIBRERÍAS PS 1112 — Música 50 10

Shadows: S. Murnaghan: The Nostalgia of the Male Tragic Chorus — C. Biet: A Senecan Theatre of Cruelty: Audience, Citizens, and Chorus in Late-Sixteenth and Early-Seventeenth- Century French — Dramas: C. Dudouyt: Phantom Chorus: Missing Chorality on the French Eighteenth-Century Stage — L. Dreyfus: Sunk in the Mystic Abyss: The Choral Orchestra in Wagner’s Music Dramas — Z. Dunbar: How do you solve a problem like the chorus? Hammerstein s Allegro and the Reception of the Greek Chorus on Broadway — Company: R. Seaford: The Politics of the Mystic Chorus — E. Hall: Mob, Cabal, or Utopian Commune? The Political Contestation of the Ancient Chorus 1789-1917 — F. Macintosh: Choruses, Community, and the Corps de Ballet — E. Ioannidou: Chorus and the Vaterland: Greek Tragedy and the Ideology of Choral Performance in Inter-War Germany — E. Fischer-Lichte: Revivals of Choric Theatre as Utopian Visions — H. Eastman: Chorus in Contemporary British Theatre — Bibliography.

Campbell, E.: Music after Deleuze 2013 – 208 pp. € 22,45 ÍNDICE: Introduction — Music, Difference and Repetition — Producing New Music: Rhizo- mes, Assemblages and Refrains — Rethinking Musical Pitch: The Smooth and the Striated — Thinking Musical Time — A Deleuzian Semiotics of Music — Conclusion.

Caplin, W. E.: Analyzing Classical Form. An Approach for the Classroom 2013 – 480 pp., 430 not., 15 fig. € 52,45

Chabanon, M.-P. G. de: De la musique considérée en elle-même et dans ses rapports avec la parole, la poésie et le théâtre [1785, reprint] 2013 – 468 pp. € 70,00

Cobussen, M. / N. Nielsen: Music and Ethics 2012 – 194 pp., not. € 74,90

Collins, D., ed.: Music Theory and its Methods. Structures, Challenges, Di- rections 2013 – viii + 333 pp., 24 gráf. € 62,70 ÍNDICE: R. Woodward: Towards New Editing Methods for Transcribing the Polyphonic Notre Dame Conductus Repertory — L. Bruno: A Methodological Approach Toward the Harmony of Sixteenth-Century Secular Polyphony — D. Collins: John Bull’s «Art of Ca- non» and Plainsong-Based Counterpoint in the Late Renaissance — B. Almén: Toward a Pluralism of Musical Cognitive Processes — T. Dwight Edwards: The Sinfonias of J. S. Bach as an Advanced Discourse on Harmony – Dimitar Ninov: Basic Formal Structures in Music: A New Approach — D. Cole: Incorporating Transcriptions and Notation: Pedagogical Issues for the World Music Ensemble — E. Lee: Music, Imagery, Meaning, and Emotion in Hugo Wolf’s «An eine Äolsharfe». An Analytical Triangulation via Schenkerian Analysis, the PÓRTICO LIBRERÍAS PS 1112 — Música 50 11

Theory of Musical Forces, and Cognitive Metaphor Theory — S. Perry: Pitch-Notational Analysis: A Basis for an Approach to Understanding Harmonic Thinking in Common-Practice and Post Common-Practice Tonality — M. Zatkalik: Reconsidering Teleological Aspects of Nontonal Music — L. Stefanija: Levers of Satire in Twentieth-Century Music.

Collins, I. H.: A Dictionary of Music Education 2013 – 352 pp. € 56,10

Delalande, F.: Las conductas musicales 2013 – 262 pp. € 18,00 ÍNDICE: T. Silva Rojas / M. I. Cárdenas Serván: Notas de las traductoras — M. I. Cárdenas Serván: Pédagogie musicale d’éveil/Pedagogía de creación musical/Pedagogía de las conductas musicales — L. Marconi: Para un estudio de las relaciones hombre-música — ¿Qué es la musica? — El gesto musical, de lo senso-motor a lo simbólico — La gestualidad del intérprete: el caso Gould — Del cuerpo sonoro al instrumento — Las estrategias del compositor — La invención musical: el niño y el músico — La música que se hace y la que se escucha — Percepción y pertinencia — Tipos de escucha y escuchas-tipo — El análisis musical: ¿una disciplina experimental? — Objeto/conductas — Bibliografía.

Dickinson, P., ed.: Music Education in Crisis. The Bernarr Rainbow Lec- tures and Other Assessments 2013 – 200 pp., 1 fig. € 31,20

Dingle, C. / R. Fallon, eds.: Messiaen Perspectives 1: Sources and Influen- ces 2013 – 388 pp., 35 fig., 73 not. € 93,60 ÍNDICE: Introduction, C. Dingle / R. Fallon — Part I. Sources: Perspectives on sources, C. Dingle / R. Fallon — Olivier Messiaen and the Prix de Rome as rite of passage, L. Hamer / C. Brent Murray — Olivier Messiaen and Portique pour une fille de France, L. Kayas / C. Brent Murray — Formal genesis in the sketches for Visions de l’Amen, Y. Balmer — From music for the radio to a piano cycle: sources for the Vingt Regards sur l’Enfant-Jésus, L. Kayas — My collaboration with Olivier Messiaen and Yvonne Loriod on Harawi, S. von Osten — Olivier Messiaen’s Timbres-durées, C. B. Murray — From Reveil des oiseaux to Catalogue des oiseaux: Messiaen’s Cahiers de notations des chants d’oiseaux, 1952-59, P. Hill — In the beginning was the Word? An exploration of the origins of the Méditations sur le mystère de la Sainte Trinité, A. M. Keeley — Intermède: Yvonne Loriod as source and influence, C. Dingle — Part II. Influences: Perspectives on influences, C. Dingle / R. Fallon — Messiaen and Mozart: a love without influence?, C. Dingle — Messiaen and the romantic gesture: contemplations on his piano music and pianism, C. Rae — Messiaen and the problem of communication, J. Anderson — Messiaen and Art Sacré, S. Broad — Messiaen, the Cinq Rechants and ‘spiritual violence’, P. Weller — Messiaen in retrospect, H. Macdonald — Appendix: Yvonne Loriod discography, C. Dingle. PÓRTICO LIBRERÍAS PS 1112 — Música 50 12

Dingle, C. / R. Fallon, eds.: Messiaen Perspectives 2: Techniques, Influence and Reception 2013 – 464 pp., 8 fig., 83 not. € 93,60 ÍNDICE: Introduction, C. Dingle / R. Fallon — Part I. Techniques: Perspectives on techniques, C. Dingle / R. Fallon — Sacred machines: fear, mystery and transfiguration in Messiaen’s mechanical procedures, C. Dingle — La fauvette des jardins and the ‘spectral attitude’, R. Chadwick — Aspects of compositional organization and stylistic innovation in Petites Esquisses d’oiseaux, D. Kopp — Messiaen’s counterpoint, C. Neidhöfer — Intermède 1; A catalogue of Messiaen’s birds, R. Fallon. Part II. Influence: Perspectives on influence, C. Dingle / R. Fallon — Messiaen and Ohana: parallel preoccupations or anxiety of influence?, C. Rae — The Messiaen-Xenakis conjunction, A.-S. Barthel-Calvet — From France to Quebec: Messiaen’s transatlantic legacy, Heather White Luckow; Messiaen and the spectralists, M. Nonken — Intermède II; The tombeaux of Messiaen: at the intersection of influence and reception, R. Fallon — Part III Reception: Perspectives on reception, C. Dingle / R. Fallon — The reception of Olivier Messiaen in Italy: a historical interpretation, R. Pozzi — Three decades of Messiaen’s music in Spain: a brief survey, 1945-1978, G. Gan-Quesada — Placing Mount Messiaen, R. Fallon — Genesis and reception of Olivier Messiaen’s Traité de rythme, de couleur, et d’ornithologie, 1949-1992: toward a new reading of the composer’s writings, J. Boivin — Appendix: a critical catalogue of Messiaen’s musical works, C. Dingle / R. Fallon.

Donnelly, K. J.: Occult Aesthetics. Synchronization in Sound Film 2014 – 272 pp., 39 fig. € 24,95 ÍNDICE: Introduction: The Lock of Synchronization — Synchronization: McGurk and Beyond — Sound Montage — Occult Aesthetics — Isomorphic Cadences: Film as ‘Musical’ — ‘Visual’ Sound Design: the Sonic Continuum — ‘Pre’ and ‘Post’ Sound — Wildtrack Asynchrony — Conclusion: Final Speculations.

Fubini, E.: Los enciclopedistas y la música 2002 – 252 pp. € 15,00 ÍNDICE: El clasicismo y la música — La liberación de la música: un intento anacrónico — El lenguaje originario del hombre — Diderot: hacia un arte privilegiado — Los enciclopedistas y el clasicismo — Gluck: la restauración ilustrada — Música y revolución: ¿lenguaje nacional o lenguaje universal?

García Revilla, E.: La estética musical de Hector Berlioz a través de sus textos 2013 – 274 pp. € 18,00 ÍNDICE: P.-R. Serna: Prólogo — Introducción — Introducción a la estética musical berlioziana — Crítica del materialismo musical: la degradación del arte — La creación musical — La percepción del arte musical — La fidelidad a la voluntad del compositor — Consideraciones sobre la acústica de salas — Post scriptum (a la manera de una coda beethoveniana). PÓRTICO LIBRERÍAS PS 1112 — Música 50 13

Gloag, K.: Postmodernism in Music 2012 – 224 pp., 27 not. € 22,75 ÍNDICE: Preface — Introducing postmodernism — Postmodern musicology – postmodern music — From anti-modernism to postmodern nostalgia — The challenge of the past — The music of George Rochberg: from modern serialism to postmodern pastiche — The music of John Zorn: ‘a postmodernism of resistance’ — Blurring the boundaries — The music of Sofia Gubaidulina (and others): ‘as if the history of music were at an end’ — Repetitions and revisions: from bebop to hip-hop — Postscript.

Grabner, H.: Teoría general de la música. Con un apéndice de D. de la Motte 2001 – 334 pp., not. € 33,80

Grimes, N. & al., eds.: Rethinking Hanslick. Music, Formalism, and Expres- sion 2013 – 374 pp., 4 fig. € 74,90

Grodner, M.: A Double Bassist’s Guide to Refining Performance Practices 2013 – 168 pp. € 33,75

Herissone, R.: Musical Creativity in Restoration England 2013 – 456 pp., 38 fig., 60 tabl., 152 not. € 88,45 ÍNDICE: Part I. Creative Contexts and Principles: Imitation, originality and authorship — Sources and their functions — Part II. Creative Strategies: ‘Ye Fowle Originall in Score’: initial invention and the functions of notation — ‘I have here sent ye full Anthems’: serial recomposition and the culture of transmission — ‘For Seaverall Friends’: private music and the study of musical texts — ‘His mind be filled with the materiall’: arrangement, improvi- sation and the role of memory.

Jeserich, P.: Musica naturalis. Speculative Music Theory and Poetics, from Saint Augustine to the Late Middle Ages in France. Translated by Michael J. Curley and Steven Rendall 2013 – 576 pp., 12 fig., 2 fot. € 64,50

Juslin, P. N. / J. A. Sloboda, eds.: Handbook of Music and Emotion. Theory, Research, Applications 2011 – xiv + 975 pp. € 43,70 ÍNDICE: Part I. Overture: P. N. Juslin / J. A. Sloboda: Introduction: Aims, organization, and terminology — Part II. Multidisciplinary Perspectives: S. Davies: Emotions expressed and aroused by music: Philosophical perspectives — N. Cook / N. Dibben: Emotion in culture and history: Perspectives from musicology — J. A.Sloboda / P. N.Juslin: At the interface PÓRTICO LIBRERÍAS PS 1112 — Música 50 14 between the inner and outer world: Psychological perspectives — I. Peretz: Towards a neurobiology of musical emotions — J. Becker: Exploring the habitus of listening: Anthropological perspectives — Tia DeNora: Emotion as social emergence: Perspectives from music sociology — Part III. Measurement: M. Zentner / T. Eerola: Self-report measures and models — Emery Schubert: Continuous self-report methods — D. Västfjäll: Indirect perceptual, cognitive, and behavioural measures — D. A.Hodges: Psychophysiological measures — S. Kölsch, Walter A. Siebel, / T. Fritz: Functional neuroimaging — Part IV. Music Making: D. Keith Simonton: Emotion and composition in classical music: Historiometric perspectives — A. Gabrielsson / E. Lindström: The role of structure in the musical expression of emotions — R. Woody / Gary E.McPherson: Emotion and motivation in the lives of performers — Dianna T.Kenny: The role of negative emotions in performance anxiety — P. Juslin & Renee Timmers: Expression and communication of emotion in music performance — Part V. Music Listening: John A.Sloboda: Music in everyday life: The role of emotions — David J.Hargreaves & Adrian C.North: Experimental aesthetics and liking for music — Alf Gabrielsson: Strong experiences with music — David Huron & Elisabeth Hellmuth Margulis: Musical expectancy and thrills — P. N. Juslin & al.: How does music evoke emotions? Exploring the underlying mechanisms — Part VI. Development, Personality and Social Factors: S. E. Trehub & al.: Perspectives on music and affect in the early years — P. J. Rentfrow / J. A.McDonald: Preference, personality, and emotion — V. J.Konecni: The influence of affect on music choice — R. Garofalo: Politics, mediation, social context, and public use — W. F. Thompson / L.-L. Balkwill: Cross-cultural similarities and differences — Part VII. Applications: S. Hallam: Music education: the role of affect — M. H.Thaut / B. L. Wheeler: Music therapy — S. Hanser: Music, health, and well-being — A. J. Cohen: Music as a source of emotion in film — A. C.North & David J. Hargreaves: Music and marketing — Part VIII. Encore: Patrik N.Juslin & John A.Sloboda: The past, present, and future of music and emotion research.

Kerchner, J. L.: Music across the Senses. Listening, Learning, and Making Meaning 2014 – 208 pp., 18 fig., 9 tabl. € 21,25

King, E. / H. M. Prior, eds.: Music and Familiarity. Listening, Musicology and Performance 2013 – 316 pp., 24 fig., 5 not. € 68,65 ÍNDICE: Introduction, E. King / H. M. Prior: Part I. Listening: Keeping it fresh: how listeners regulate their own exposure to familiar music, A. Greasley / A. Lamont: Familiarity, schemata and patterns of listening, H. M. Prior — The effects of repertoire familiarity and listening preparation on new audiences’ experiences of classical concert attendance, M. C. Dobson — Familiarity with music in post-operative clinical care: a qualitative study, K. A. Finlay — Part II. Musicology: Unfamiliar sounds? Approaches to intercultural interaction in the world’s musics, H. Stobart — Well, what do you know? Or, what do you know well? Familiarity as a structural force in Crumb’s Black Angels, J. J. Hargreaves — Familiarity, information and musicological efficiency, V. Hawes — Familiarity and reflexivity in the research process, PÓRTICO LIBRERÍAS PS 1112 — Música 50 15

Clemens Wöllner, J. Ginsborg / A. Williamon; Familiarity in music education, S. Hallam — Part III. Performance: The significance of familiar structures in music memorisation and performance, A. Apostolaki — Groove as familiarity with time, R. Oliver — Social familiarity: styles of interaction in chamber ensemble rehearsal, E. King — Familiarity and musical performance, M. Dogantan-Dack.

Kleinman, J. / P. Buckoke: The Alexander Technique for Musicians 2013 – 224 pp. € 24,95

Kurtzman, J.: Approaches to Monteverdi. Aesthetic, Psychological, Analytical and Historical Studies 2013 – 308 pp., 4 fig., 60 not. € 106,10 ÍNDICE: Introduction — Bibliography — Part 1. Aesthetic and Psychological Studies: Monteverdi and early Baroque aesthetics: the view from Foucault — A taxonomic and affective analysis of Monteverdi’s Hor che’l ciel e la terra — A Jungian perspective on Monteverdi’s late madrigals — Intimations of chaos in Monteverdi’ L’Orfeo — The psychic disintegration of a demi-god: conscious and unconscious in Striggio and Monteverdi’s L’Orfeo — Part 2. Sacred Music Studies: What makes Claudio divine? Criteria for analysis of Monteverdi’s large-scale concertato style — The Mantuan sacred music — ‘Laetatus sum’ (1610) — A Monteverdi Vespers in 1611 (with Licia Mari) — Monteverdi’s Mass of Thanksgiving: da capo; Monteverdi’s missing sacred music: evidence and conjectures — Part 3. Critical Editions: Collected works of Claudio Monteverdi: the Malipiero and Cremona editions.

Leroy, J.-L., ed.: Topicality of Musical Universals / Actualité des universaux musicaux 2013 – 326 pp. € 36,00 ÍNDICE: J.-L. Leroy: Preface — Introduction: J.-L. Leroy: A paradigm for musical universals — 1. Where Are Musical Universals?: M. Reybrouck: Musical universals and the axiom of psychobiological equivalence — T. M. Pooley: Dismantling music: reductionist models and evolutionary explanations in music cognition — M. Baroni: On the concept of musical grammar: definitions and universal aspects — M. Imberty: Les universaux musicaux entre histoire et neurosciences — S. E. Trehub: Musical universals: perspectives from infancy — E. Negretto: Innate versus universal – a conceptual distinction — F.-B. Mâche: Éléments de réflexion sur les universaux en musique — B. Lortat-Jacob: Les universaux: immatériels et partagés — 2. On Some Possible Aspects of Universality in Music: A. Ockelford: What makes ‘music’? Theoretical explorations using zygonic theory — P. Nelson: Towards a social theory of rhythm — A. Arleo: Investigating the universal children’s rhythm hypothesis: data, issues, perspectives — F. Joliat: L’effet de l’expertise musicale sur la syntonisation à des gestes musicaux — E. Costa-Giomi: Infants’ perception of timbre in music — A. Labussière: Bercer en chantant: geste universel? Un parcours analytique du plan de l’expression — O. Lartillot: For a copernican revolution in the understanding of universality of structural analysis of music — F. Dufour: Approche écologique de la perception des dimensions temporelles de la musique et des arts numériques et unités sémiotiques temporelles — J. K. Saslaw / J. P. PÓRTICO LIBRERÍAS PS 1112 — Música 50 16

Walsh: Adjacency and alienation — S. Bhagwati: Bhava and rasa: creative misunderstandings and musical universals — Conclusion: J.-L. Leroy: Opening up horizons / Une ouverture sur l’horizon — Appendix: J.-L. Leroy: Un paradigme pour les universaux musicaux.

Magowan, F. / L. Wrazen, eds.: Performing Gender, Place, and Emotion in Music. Global Perspectives 2013 – 220 pp., 15 fig. € 68,65

Malhomme, F.: Musica humana. La musique dans la pensée de l’huma- nisme italien 2013 – 401 pp. € 45,00 ÍNDICE: Avertissement — Introduction: De l’harmonie à la grâce — Pétrarque et la musique de l’âme — La musique et les studia humanitatis — Beauté et inspiration musicale chez Marsile Ficin — Musique et encyclopédisme chez Ange Politien — La musique et la grâce — Musique et architecture chez Cesare Cesariano — La douceur de l’harmonie: Daniele Barbaro, Gioseffo Zarlino et l’aristotélisme vénitien — La voix et l’esprit. Pour un humanisme du chant — Tragédie et musique dans l’aristotélisme poétique du cinquecento.

Manfredini, Vincenzo: Regole armoniche. Fac-simile of the 1775 Venice Edition. Edited by M. Sala with an Annotated English Translation by R. Zappulla 2013 – 350 pp., 116 fig. € 114,40

Margulis, E. H.: On Repeat. How Music Plays the Mind 2014 – 224 pp., 36 fig. € 29,95 ÍNDICE: The Puzzle of Musical Repetition — From Acoustic to Perceived Repetition — Attention, Temporality, and Music that Repeats Itself — Earworms, Technology, and the Verbatim — Relistenings — In Performance — Overt Participation, Implied Participation — Repetition, Music, and Mind.

Marston, N.: Heinrich Schenker and Beethoven’s Hammerklavier Sonata 2013 – 186 pp., 5 fig., 37 not. € 74,90

Mas i Garcia, C.: Aproximació a la técnica coreográfica del contrapas 1988 – 297 pp., fig., not. € 12,02

Nattiez, J.-J.: Analyses et interprétations de la musique. La mélodie du berger dans le Tristan et Isolde de Wagner. Préface de P. Boulez 2013 – 400 pp. € 35,00 PÓRTICO LIBRERÍAS PS 1112 — Música 50 17

November, N.: Beethoven’s Theatrical Quartets. Opp. 59, 74, and 95 2014 – 295 pp., 9 fig., 94 not. € 75,85 ÍNDICE: Introduction — Setting the scene: theories, practices, and the early nineteenth- century string quartet — Curtain up: performing the middle-period quartets in Beethoven’s time — ‘Not generally comprehensible’: Op. 59 No. 1 and the drama of becoming — ‘With much feeling’: song, sensibility, and rhapsody in Op. 59 No. 2 — ‘Helden-Quartett’: genre, innovation, and ‘heroic’ voices in Op. 59 No. 3 — Freudvoll und leidvoll: songful impetus and dualistic voice in the ‘Harp’ Quartet — ‘The quick-witted brevity of the genuine dramatist’: Op. 95 and the idea of the fragment — A tale of heroic emancipation? Reception narratives for the middle-period string quartets.

Petersen, P.: Music and Rhythm. Fundamentals - History - Analysis 2013 – 312 pp. € 55,00 ÍNDICE: Rhythm — Meter — Beat — Pulse — Accent — Component — Rhythmic Weight — Accumulation of Rhythmic Weights — Rhythmic Theory — Accentual Theory — Sound — Pitch — Diastematy — Dynamics — Articulation – Timbre — Phrase — Prosody — Harmony — Texture — Upbeat — Syncope — Hemiola — Augmentation — Diminution — Isometry — Heterometry — Symmetry.

Potter, K. / K. Gann / P. Ap Sion: The Ashgate Research Companion to Minimalist and Postminimalist Music 2013 – 458 pp., 9 fig., 53 not. € 106,10 ÍNDICE: Introduction: Experimental, minimalist, postminimalist? Origins, definitions, communities, K. Gann & al. — Part I. Historical and Regional Perspectives: Mapping early minimalism, K. Potter — A technically definable stream of postminimalism, its characteristics and its meaning, K. Gann — European minimalism and the modernist problem, M. Beirens — Systems and other minimalism in Britain, V. Anderson — Part II. Minimalism and the Theatre: Minimalism in the time-based arts: dance, film and video, D. Suzuki — From minimalist music to postopera: repetition, representation and (post)modernity in the operas of Philip Glass and Louis Andriessen, J. Novak — Accommodating the threat of the machine: the act of repetition in live performance, J. P. Jones — Part III. Minimalism and Other Media: Minimalism, technology and electronic music, R. Glover — Minimalist and postminimalist music in multimedia: from the avant-garde to the blockbuster film, R. M. D. Eaton — Going with the flow: minimalism as cultural practice in the USA since 1945, R. Fink — Disaffected sounds, temporalized visions: Philip Glass and the audiovisual impulse in postminimalist music, J. Richardson / S. Välimäki — Part IV. Analytical and Philosophical Perspectives: Analysing minimalist and postminimalist music: an overview of methodologies, T. Evans — Reference and quotation in minimalist and postminimalist music, P. ap Siôn — Minimalism and narrativity: some stories by Steve Reich, J. Pymm — A theoretical model of postminimalism and two brief ‘case studies’, M. Masnikosa — Part V. Minimalism and Beyond: Defining ‘spiritual minimalism’ D. Dies — Minimalism and pop: influence, reaction, consequences, J. W. Bernard — Musical minimalism in Serbia: emergence, beginnings and its creative endeavours, D. Stojanovic-Novicic — Part VI. Issues of Performance: Clapping Music: a performer’s PÓRTICO LIBRERÍAS PS 1112 — Música 50 18 perspective, R. Hartenberger — Performing minimalist music, J. Harle — Performance anxiety and minimalism, S. Cahill — Some observations on the performance of Arvo Pärt’s choral music, P. Hillier.

Pouradier, M.: Esthétique du répertoire musical. Archéologie du concept d’œuvre 2013 – 200 pp. € 16,00 ÍNDICE: L’importation d’une notion théâtrale — La mémoire de la musique — Qu’est-ce que la musique classique ? Répertoire, canon et patrimoine — Un « institutionnalisme » non constituant — L’œuvre musicale : une question d’opéra — Le modèle lyrique de la musique instrumentale — La dérépertorialisation de l’oeuvre musicale – paradoxes ontologiques et temporels — Les paradoxes du répertoire moderne.

Rabassa, P.: Guía para los principiantes que desean perfeccionarse en la composición de la música [facsímil]. Edición F. Bonastre 1991 – xlii + 315 pp., not. € 61,90

Raykoff, I.: Dreams of Love. Playing the Romantic Pianist 2014 – 320 pp., 46 fot., 10 not. € 28,70

Richardson, J. / C. Gorbman / C. Vernallis, eds.: The Oxford Handbook of New Audiovisual Aesthetics 2013 – 720 pp. € 124,80 ÍNDICE: I. INTRODUCTION: J. Richardson / C. Gorbman — II. THEORETICAL PRESSURE POINTS: L. Kramer, Classical Music for the Posthuman Condition — N. Cook, Beyond Music: mashup, multimedia mentality, and intellectual property — M. Chion, The Audio-Logo-Visual and the Sound of Languages in Recent Film — A. Kassabian, The End of Diegesis As We Know It? — S. Connor, Sounding Out Film — III. NARRATIVE, GENRE, MEANING: Changing Times, Changing Practices: R. J. Stilwell, Audio-Visual Space in an Era of Technological Convergence — A. Davison, Title Sequences for Contemporary Television Serials — C. Burwell, No Country for Old Music — J. K. Halfyard, Cue the Big Theme? The Sound of the Superhero — M. Chanan, Video Speech in Latin America — Animated Sounds: D. Goldmark, Pixar and the Animated Soundtrack — R. Thom, Notes on Sound Design in Contemporary Animated Films — L. Perrott, Zig Zag: Re-animating Len Lye as Improvised Theatrical Performance and Immersive Visual Music — Musical Moments and Transformations: C.ao, Chinese Rock ‘n’ Roll Film and Cui Jian on Screen — J. Richardson, The Neosurrealist Metamusical: Tsai’s The Wayward Cloud — P. Brophy, Parties In Your Head: From the Acoustic to the Psycho-Acoustic — IV. EXPANDED SOUNDTRACKS: M. Chion, Sensory Aspects of Contemporary Cinema — J. Smith, The Sound of Intensified Continuity — K.J. Donnelly, Paratexts of the Audio-Visual: Paratexts of the Audio-Visual: Soundtrack Extensions Beyond the Film — S. Välimäki, The Audiovisual Construction of Transgender Identity in Transamerica — M. Kytö, Soundscapes of Istanbul in Turkish film Soundtracks — C. Kronengold, PÓRTICO LIBRERÍAS PS 1112 — Música 50 19

Audiovisual Objects, Multisensory People and the Intensified Ordinary in Hong Kong Action Films — V. E MERGING AUDIOVISUAL FORMS: Music Video and Beyond: C. Vernallis, Music Video’s Second Aesthetic — S. Hawkins, Aesthetics and Hyperembodiment in Pop Videos: Rihanna’s “Umbrella” — P. Hearsum / I. Inglis, The Emancipation Of Music Video: YouTube And The Cultural Politics Of Supply And Demand — M. Bonde Korsgaard, Music Video Transformed — Video Art: H. Rogers, “Betwixt and Between” Worlds: Spatial and Temporal Liminality in Video Art-Music — M. Turim / M. Walsh, Sound Events: Innovation in Projection and Installation — Gaming: R. Bridgett, Contextualizing Game Audio Aesthetics — K. Collins, Implications of Interactivity: What does it mean for sound to be “interactive”? — M. Kerins, Multi-channel Gaming and the Aesthetics of Interactive Surround — VI. AUDIOVISUALITY IN DAILY LIFE: P. Auslander, Sound and Vision: The Audio/Visual Economy of Musical Performance — J. Lanza, Foreground Flatland — M. Bull, Remaking the Urban: The Audio- Visual Aesthetics of iPod Use — H. Järviluoma / N. Vikman, On Soundscape Methods and Audiovisual Sensibility — M. Hara / T. DeNora, Leaving Something to the Imagination: “Seeing” New Places through a Musical Lens.

Smith, G. D.: I Drum, Therefore I Am. Being and Becoming a Drummer 2013 – 226 pp., 4 fig. € 68,65

Solomos, M.: De la musique au son. L’émergence du son dans la musique des XXe-XXIe siècles 2013 – 548 pp., fig. € 24,00 ÍNDICE: Introduction — I. Du Timbre: «Timbre» — Substituer le timbre à la hauteur — Prolonger l’harmonie dans le timbre— Timbre et son — II. Du Bruit: Du Bruit — De deux histoires de la musique — Dissonances — Bruitismes — Musiques concrètes — Révolte, contestation et critique sociale — Bruit et son — III. Écouter (Les sons): Libérer l’écoute — Phénoménologie de l’écoute — IV. Immersion sonore: La vie «intérieure» du son — De l’«immersion» — La «profondeur» du son — L’«abîme» du son — V. Composer le son: La question du matériau — Résonances composées — Sonorités composées — Micro- et macrocomposition — VI. L’espace-son: L’espace de représentation comme catégorie opératoire — Composer l’espace physique — Conclusion.

Stakelum, M., ed.: Developing the Musician. Contemporary Perspectives on Teaching and Learning 2013 – 350 pp., 11 fig., 9 not. € 68,65 ÍNDICE: Introduction — Part I. Aspiration and Identity: Identity dimensions and age as predictors of adult music preferences, R. Leadbeater / A. Marsden — Conservatoire students’ attitudes, self-efficacy and aspirations, M. Long — The formation and development of musical identities with a hearing impairment, R. Fulford — Undergraduate music students’ experiences in community settings: developing the musician within a university module, A. Triantafyllaki / C. Anagnostopoulou — Knowing me, knowing you, M. Pulman — The influence of learning history on musical approaches to piano improvisation, Y. Morijiri — Levels of expertise and musical aspirations in young instrumental players, S. Hallam — Part II. Attitudes to Teaching PÓRTICO LIBRERÍAS PS 1112 — Música 50 20 and Learning: The MaPS project: mapping teacher conceptions of musical development, M. Stakelum / D. Baker — Canon (re)formation in popular music pedagogy, T. Parkinson — Music as a specific learning support resource for children with special educational needs and disability in mainstream primary education: practice and attitudes, M. Mather — Continuing professional development for the musician as teacher in a university context, E. Haddon — Part III. Modes of Assessment: ‘Ryan’s not counting - it’s eight beats on C’: developing the musician in a classroom context, Catherine Preston — Cultural tools in the classroom - a tool to develop the musician?, A. B. Bister — Exploring and encouraging metacognitive awareness in novice music students, M. Bathgate / C. Schunn — Assessing leadership skills in the conservatoire, T. Palmer — Music, informal learning and the instrumental lesson: teacher and student evaluations of the Ear Playing Project (EPP), D. Baker.

Suurpaa, L.: Death in Winterreise. Musico-Poetic Associations in Schubert’s Song Cycle 2013 – 272 pp., 28 not. € 37,50

Symonds, D. / M. Taylor: Gestures of Music Theater. The Performativity of Song and Dance 2014 – 336 pp., 33 fig. € 34,35

Szabo-Knotik, C. / L. Le Diagon-Jacquin / M. Saffle, eds.: Franz Liszt: un musicien dans la société 2013 – 385 pp. € 34,00

Thompson, M. / I. Biddle, eds.: Sound, Music, Affect. Theorizing Sonic Experience 2013 – 288 pp. € 22,45 ÍNDICE: Introduction: Somewhere Between the Signifying and the Sublime; M. Thompson / I. Biddle — Section 1. Affective (Re)Thinking: Sound as Affect and Affect as Sound: Non- cochlear Sound: On Affect and Exteriority: W. Schrimshaw — Felt as Thought (or, musical abstraction and the semblance of affect): E. Priest — My Mother’s Scream: P. Ticineto Clough — Section 2. Hearing, Playing, Feeling: Music and the Organization of Affect: So Transported: Nina Simone, ‘My Sweet Lord’ and the (Un)folding of Affect: R. Elliott — (I Can’t Get No) Affect: J. Mowitt — Listening to the Talking Cure: Sprechstimme, Hypnosis, and the Sonic Organization of Affect: C. Latham — Section 3. Affects of Turbulence: Spread the Virus: Affective Prophecy in Industrial Music: D. Lockwood — Brace and Embrace: Masochism in Noise Performance: P. Hegarty — Three Screams: M. Thompson — Section 4. Palliative Sounds and the Marketing of Affection: Music for Sleeping: A. Kassabian — Relax, Feel Good, Chill Out: the Affective Distribution of Classical Music: F. Jarman — Quiet Sounds and Intimate Listening: the Politics of Tiny Seductions: I. Biddle. PÓRTICO LIBRERÍAS PS 1112 — Música 50 21

Tomita, Y. / R. A. Leaver / J. Smaczny, eds.: Exploring Bach’s B-Minor Mass 2013 – 341 pp., 28 fig., 67 not. € 82,15 ÍNDICE: Part I. Historical Background and Contexts: Past, present, and future – perspectives on Bach’s B-Minor Mass C. Wolff — Bach’s Mass: ‘Catholic’ or ‘Lutheran’? R. A. Leaver — Bach’s Missa BWV 232I in the context of Catholic Mass settings in Dresden, 1729–1733 J. B. Stockigt — The role and significance of the Polonaise in the ‘Quoniam’ of the B-Minor Mass S. Paczkowski — — ‘The Great Catholic Mass’: Bach, Count Questenberg and the Musicalische congregation in Vienna M. Maul — Part II. Structure and Proportion: Some observations on the formal design of Bach’s B-minor M. U. Siegele — Chiastic reflection in the B-Minor Mass: lament’s paradoxical mirror M. P. Unger — Parallel proportions, numerical structures and harmonie in Bach’s Autograph score R. Tatlow — Part III. Sources: Many problems, different solutions: editing Bach’s B-Minor Mass U. Wolf — Manuscript score No. 4500 in St Peters- burg: a new source of the B-Minor Mass T. Shabalina — Part IV. Reception: Haydn’s copy of the B-Minor Mass and Mozart’s Mass in C Minor: Viennese traditions of the B-Minor Mass U. Leisinger — A ‘fairly correct copy of the mass’? Mendelssohn’s score of the B-Minor Mass as a document of the Romantics’ view on matters of performance practice and source criticism A. Hartinger — The B-Minor Mass in nineteenth-century England K. Pardee — Bach’s B- Minor Mass: an incarnation in Prague in the 1860s and its consequences J. Smaczny.

Viñuela Suárez, L.: La perspectiva de género y la música popular: dos nuevos retos para la musicología 2003 – 139 pp. € 10,95

Woolley, A. / J. Kitchen, eds.: Interpreting Historical Keyboard Music. Sour- ces, Contexts and Performance 2013 – 328 pp., 9 fig., 102 not. € 87,40 ÍNDICE: Introduction; Part I. Renaissance Keyboard Music: Some aspects of P-Cug, MM 242: António Carreira’s keyboard tentos and fantasias and their close relationship with Jacques Buus’s ricercari from his Libro primo (1547), F. Mesquita de Oliveira — Making connections: William Byrd, ‘virtual’ networks and the English keyboard dance, D. J. Smith — William Byrd’s My Ladye Nevells Booke (1591): negotiating between the stile antico and the stile modern in the solo keyboard repertory, W. K. Kreyszig — Part II 17th-Century Keyboard Music: Giovanni Maria Trabaci and the New Manner of Inganni: a musical mockery in the early seicento ricercare, M. Guido — Places of memory and invention: the compositional process in Frescobaldi’s manuscripts, C. Jeanneret — The Libro di Fra Gioseffo da Ravenna: a little light on a 17th-century Italian keyboard collection, B. Cipollone — A discourse of styles: contrasting gigue types in the A minor Jig from the Purcell partial autograph, GB-Lbl, MS Mus.1, T. Charlston — Part III. Performance Practice: Questions of keyboard temperament in the 16th century, J. Koster — 17th-century harpsichords: playing the four- foot stop, P. Mole — ‘In playing those bells, his amazing dexterity raised my wonder much higher’: carillon performance practice in the 17th and 18th centuries, C. van Eyndhoven — Dynamics and orchestral effects in late 18th-century Portuguese organ music: the works of José Marques e Silva (1782-1837) and the organs of António Xavier Machado e Cerveira PÓRTICO LIBRERÍAS PS 1112 — Música 50 22

(1756-1828), J. Vaz — Czerny and the organ: pragmatism, prestige and performance practice, I. Quinn — Part IV. Perspectives on 18th-Century Repertoire: Some reflections on François Couperin’s ‘new and diversified character’, J. Clark — Music for connoisseurs and amateurs: C.P.E. Bach and the keyboard, S. Wollenberg — João Cordeiro da Silva (1735-1808?): a Portuguese Galant keyboard composer, M. Marques Trilha — Part V. The 19th-Century Piano and Repertoire: Grand and grander: economic sidelights on piano design and piano salesmanship in early 19th-century Vienna, T. Skowroneck / A. Pinnock — Left-hand techni- ques in Carl Czerny’s pedagogical piano works and 19th-century pianism, K. Wong — In the footsteps of Jean Paul: sonority and pedalling in Robert Schumann’s Papillons, Op. 2, B. Neergaard — A forgotten repertoire: the emergence of female piano composers in 19th-century Portugal, N. Lee Harper.

Young, J. O.: Critique of Pure Music 2014 – 224 pp. € 43,70 ÍNDICE: Music and Expressiveness — Music and the Arousal of Emotion — The Content of Music — Music and Lyrics — The Value of Music — Bibliography.

EDICIONES MUSICALES

Balius y Vila, J.: Magnificat. Del 5º tono a doble coro (copia de la catedral de Albarracín). Orquesta catedralicia (2 óboes, 2 trompas, violines I y II, AC-VC). Estudio y transcripción J. M. Muneta Martínez de Morentín 2010 – 101 pp., not. € 12,00

Beethoven, L. van: Beethoven’s Eroica Sketchbook. A Critical Edition. Transcribed, Edited, and with A Commentary by L. Lockwood and A. Gosman, 2 vols. (1: Commentary and Transcription; 2: Facsimile) 2013 – 488 pp., 19 fig., 182 lám.col., 219 not. € 167,50

Bonno, Giuseppe: L’isola disabitata. Libreto Pietro Metastasio. Edición J. P. Fernández Cortés 2013 – 183 pp., not. € 20,00

Campo, C. del: La flor del agua. Zarzuela en un acto. Libreto: Victor Said Armesto. Edición crítica: J. Trillo y C. Villanueva 2013 – 270 pp., not. € 35,00

Debussy, C.: Prelude à l’après-midi d’un faune. Fac-simile du manuscrit PÓRTICO LIBRERÍAS PS 1112 — Música 50 23 autographe de la partition d’orchestre. Introduction par D. Herlin 2013 – 80 pp., 40 lám.col. € 156,00

Hill, J. W., ed.: Antología de la música barroca 2013 – xi + 565 pp., not. € 35,00

Janota, J. / U. Evers, eds.: Die Melodien der lateinischen Osterfeiern. Editionen und Kommentare, Part 1: Edition. Part 2: Commentary, 4 vols. 2013 – 2.384 pp., 183 fig. € 399,00

Josa, L. / M. Lambea, eds.: «Todo es amor». Manojuelo poético-musical de Barcelona (Biblioteca de Catalunya). Introducción y edición crítica de (...) 2013 – 301 pp. € 43,68

Mañez Martorell, R.: A musica nas catedrais galegas: a catedral de Ourense, 1: Felipe Prats (1766-1768) - Francisco Najer (1768-1779) 2013 – 137 pp., not., fig. € 20,00

Máñez Martorell, R.: A musica nas catedrais galegas: a catedral de Ourense, 2: José Quiroga (1780-1816) 2013 – 143 pp., not. € 20,00

Máñez Martorell, R.: A musica nas catedrais galegas: a catedral de Ourense, 3: Manuel rabago (1816-1819) 2013 – 139 pp., not. € 20,00

Máñez Martorell, R.: A musica nas catedrais galegas: a catedral de Ourense, 4: Joaquín Pedrosa (1819-1835) 2013 – 143 pp., not. € 20,00

Máñez Martorell, R.: A musica nas catedrais galegas: a catedral de Ourense, 5: Pascual Enciso y Arriola (1853-1873) 2013 – 151 pp., not. € 20,00

Marqués, P. M.: El anillo de hierro. Drama lírico en tres actos. Libreto de M. Zapata. Edición crítica de L. Remartínez 2012 – xlix + 397 pp., not. € 45,00 PÓRTICO LIBRERÍAS PS 1112 — Música 50 24

Nebra, J. de: Obra selecta. Música litúrgica, IV: Responsorios de los tres nocturnos del oficio «In nativitate Domini». Estudio y transcripción M. S. Álvarez Martínez 2013 – 414 pp. € 36,00

Riquer, I. de / M. C. Gómez Muntané: Las canciones de Sant Joan de les Abadesses. Estudio y edición filológica y musical 2003 – 94 pp. € 26,00

Serrano, J.: La reina mora. Sainete lírico en un acto. Libreto J. y S. Álvarez Quintero. Edición crítica J. M. Pérez Sierra 2013 – xli + 145 pp., not. € 25,00

Sessé, B. de: Pasos, intentos y otras piezas para tecla de Basilio de Sessé (1756-1816). Transcripción y edición P. Rejas Suárez 2013 – 156 pp., not. € 20,00

Yáñez Navarro, C., ed.: Piezas para clave, órgano y piano en dos cuadernos misceláneos españoles del siglo XIX 2013 – viii + 161 pp., not. € 26,00

HISTORIA DE LA MÚSICA

Alberti, L.: La giovinezza sommersa di un compositore: Luigi Dallapiccola 2013 – xxx + 522 pp., 8 lám.col. € 47,90

Amadeo Zimbaldo, D.: Aproximación a la música de Dallapiccola 2011 – 123 pp. € 14,00

Arnold, J. M. / K. Küster / H. Otte, eds.: Singen, Beten, Musizieren. Theo- logische Grundlagen der Kirchenmusik in Nord- und Mitteldeutschland zwischen Reformation und Pietismus (1530-1750) 2014 – 252 pp. € 41,60

Banks, P., ed.: Britten’s Gloriana: Essays and Sources 2012 – 206 pp. € 25,00 PÓRTICO LIBRERÍAS PS 1112 — Música 50 25

Barendregt, B. / E. Bogaerts, eds.: Recollecting Resonances. Indonesian- Dutch Musical Encounters 2013 – xii + 354 pp. € 130,00

Bartoli, J.-P. / J. Roudet: L’essor du romantisme. La fantaisie pour clavier, de Carl Philipp Emmanuel Bach à Franz Liszt 2013 – 387 pp. € 32,00

Boccadoro, B. / G. Starobinski, eds.: A Fresco. Mélanges offerts au profes- seur Etienne Darbellay 2013 – 541 pp. € 109,95 ÍNDICE: L. F. Tagliavini: Organo e cembalo nell’opera di Girolamo Frescobaldi — D. Fabris: Frescobaldi et les Napolitains: une nouvelle source — A. Morelli: Un amico di Fres- cobaldi: Lelio Guidiccioni, uomo di lettere, connoisseur d’arte e di musica — L. Collarile / C. Bacciagaluppi: «Tutte le opere del Girolamo Frescovaldi» 1647: Roma - Lucerna, solo andata — A. Silbiger: Four Centuries of Frescobaldi Reception: How His Music Made Its Way Through the World from His Time to Ours — A. Giardina: Les mensurations et les proportions dans l’œuvre imprimée de Tomás Luis de Victoria: état des lieux, problèmes et quelques réponses — Y. Fournier: La notation des gagliarde vers 1600 — N. Rieben: Le «Viersprachendruck» de Roland de Lassus — J.-C. Zehnder: Zur Überlieferung von Bachs Passacaglia c-Moll BWV 582 — C. Frei: Du manuscrit à la publication: un contrepoint épistolaire entre Beethoven et Breitkopf & Härtel — L. Pugin: Going digital: Finding the right path for critical music editions — A. Macinanti: Qui a de la tête & du génie! Ovvero: di come si possa render su gli strumenti [da tasto] il parlar del cuore, ora con delicato tocco d’angelo, ora con violenta irruzione di passioni — M. Pearlmann: Armand-Louis Couperin and his Keyboard Instruments — F. Hammond: Sacred Sounds in Sacred Spaces: Two Venetian Puzzles — G. Starobinski: Premières voix du lied schumannien — B. Boccadoro: Rosenmüller: umori e affetti nei salmi veneziani — E. Selfridge-Field: Associative Aspects of Perceived Musical Similarity and their Intersections with Seconda-prattica Affetti — L. Zoppelli: «Une force invincible qui enlève l’âme». Les techniques d’écriture handeliennes et la catégorie esthétique du sublime — J.-J. Nattiez: Pour un modèle d’analyse du leitmotiv wagnérien — Y. Tokumaru: Quotation and intertextuality from a Japanese viewpoint — E. Laszlo: A greater role for music in our common future.

Carter, T. / R. A. Goldthwaite: Orpheus in the Marketplace. Jacopo Peri and the Economy of Late Renaissance Florence 2013 – 496 pp., 37 fig., 3 map. € 46,75

Chaillou, C.: «Faire los motz e·l so». Les mots et la musique dans les chan- sons des troubadours 2013 – 274 pp., 25 fig. € 72,80 PÓRTICO LIBRERÍAS PS 1112 — Música 50 26

Chesser, R. / D. W. Jones, eds.: The Land of Opportunity. Joseph Haydn and Britain 2013 – 208 pp., 30 fig. € 49,95

Cooke, P. A. / D. Maw, eds.: The Music of Herbert Howells 2013 – 382 pp., 10 fig. € 62,40

Cuthbert, M. S. / S. Gallagher / C. Wolff, eds.: City, Chant, and the Topography of Early Music. In Honor of Thomas Forrest Kelly 2013 – xi + 355 pp., fig., not. € 42,20 ÍNDICE: Preface — 1. First Nights: Early Music in Paris and Rome: C. Wright: Quantification in medieval Paris and how it changed western music — I. Fenlon: First nights in baroque Rome: Stefano Landi’s Sant’Alessio — P. Bloom: Berlioz’s First Nights — 2. The Musical Traditions and Influence of Benevento: D. Hiley: Surge, Petre! Sets of chants for St. Peter in Benevento, Peterborough, and some places in between — K. Livljanic: The genealogy according to St. Luke in beneventan Dalmatia: Does the scribe help the singer? — M. G. Peattie: Beneventan music and gregorian modality: Evidence of modal change in the melodic fund of the old beneventan chant — A. Pfisterer: Easter vigil canticles from Italy — 3. The Persistence of Chant and of «Medieval» Music: A. H. Ingólfsson: Echoes from the periphery: Rask 98, modal change, and oral transmission in seventeenth-century Iceland — S. Boynton: Reproducing the middle ages ini eighteenth-century Toledo — 4. Origins of Forms and of Ideas: A. Haug: Ways of singing hexameter in tenth-century Europe — S. Rankin: Beyond the boundaries of roman-frankish chant: Alcuin’s de laude Dei and other early medieval sources of office chants — 5. French Music in the Middle Ages: M.-N. Colette: Un fragment de torpaire aquitain peu connu (ParisBN, nouv. acq. lat. 2444, ff. 5-6) — M. Huglo & al.: The topography of music theory in Paris, 900-1450.

Cypess, R. & al., eds.: Word, Image, and Song. Essays on Early Modern Italy and Essays on Musical Voices, 2 vols. Set 2013 – 768 pp., 48 fig. € 123,55

Deruchie, A.: The French Symphony at the Fin de Siècle. Style, Culture, and the Symphonic Tradition 2013 – 310 pp. € 68,65

Deusen, N. van: The Cultural Context of Medieval Music 2011 – xiv + 203 pp., not. € 37,50 ÍNDICE: Preface: Music, devotion, emotion, and intellection — Introduction: Principles, vocabulary, concepts — Music in a culture of the mind: a medieval view of resources, material, and composition — What did this medieval «forest» contain? Preesistent subs- PÓRTICO LIBRERÍAS PS 1112 — Música 50 27 tance, unlimited possibilities — Music within the context of medieval education — Silva: inner and outer substance, music, and material culture — «They all read the same books»: a book-bag from antiquity — Musica disciplina: analogies and explanations — Music at the forefront of science: the usefulness of medieval music — Editions: Music to sing — Glossary of terms — Selected biblbiography.

Dirst, M.: Engaging Bach. The Keyboard Legacy from Marpurg to Men- delssohn 2012 – 200 pp., 9 fig., 7 tabl., 38 not. € 72,05 ÍNDICE: Why the keyboard works? — Inventing the Bach chorale — What Mozart learned from Bach — A bürgerlicher Bach: turn-of-the-century German advocacy — The virtuous fugue: English reception to 1840 — Bach for whom? Modes of interpretation and perfor- mance, 1820–1850.

Downes, S.: After Mahler. Britten, Weill, Henze and Romantic Redemption 2013 – 287 pp., 100 not. € 82,15 ÍNDICE: Mahler’s moment — Naïve and sentimental: Britten and Mahler — Real and surreal: shocks, dreams and temporality in the music of Weill and Mahler — Tyranny and freedom: Henze and Mahler.

Drysdale, J.: Elgar’s Earnings 2013 – 254 pp. € 62,40

Earle, B.: Luigi Dallapiccola and Musical Modernism in Fascist Italy 2013 – 316 pp., 67 not. € 82,15 ÍNDICE: Preface — Modernism before Fascism — The true spirit of Italian music — Fascist modernism — Protest music? — The politics of commitment.

Edlund, B.: Chopin. The Preludes and Beyond 2013 – 532 pp., not., 4 tabl. € 96,90

Feurzeig, L.: Schubert’s Lieder and the Philosophy of Early German Romanticism 2014 – 214 pp., 38 not. € 74,90

Fisher, A. J.: Music, Piety, and Propaganda. The Soundscape of Counter- Reformation Bavaria 2014 – 384 pp., 31 fig. € 44,95

Floros, C.: Gustav Mahler and the Symphony of the 19th Century. Translated PÓRTICO LIBRERÍAS PS 1112 — Música 50 28 by Neil K. Moran 2014 – x + 397 pp., 80 fig. € 77,10 ÍNDICE: Beethoven and the new categories of symphonic music — Aspects of architectonics — Content and form — Musical themes and the «poetic conception» — Universality of the symphony: genres and characteristics — The symbol in music — Satanism and the Crucifix — Dall’ Inferno al Paradiso — Rhythmic leitmotivs — Characteristic Chord — Symbolic Sounds.

Fontijn, C.: Desperate Measures. The Life and Music of Antonia Padoani Bembo 2014 – 392 pp., 83 fig. € 24,95

Fulcher, J. F., ed.: The Oxford Handbook of the New Cultural History of Music 2013 – 608 pp., 37 fig., 41 fot. € 43,70 ÍNDICE: J. F. Fulcher: Introduction: Defining the new cultural history of music, its origins, methodologies, and lines of inquiry — 1. CULTURAL IDENTITY AND ITS EXPRESSION: CONSTRUCTIONS, REPRESENTATIONS, AND EXCHANGES. Constructions or Representations of the Body, Gender, Sexuality, and Race: J. Borders: Gender, performativity, and allusion in medieval services for the consecration of virgins — R. Leppert: Music, violence, and the stakes of listening — A. Dorschel: Music and pain — Subjectivity and the Shaping of the Self in Society: J. E. Toews: «The road into the open»: from narrative closure to the endless performance of subjectivity in Mahler and Freud at the Turn of the Century — J. Brown: Understanding Schoenberg as Christ — M. Beckerman: The strange landscape of Middles — Nationalism, Cosmopolitanism, and Transnationalism: P. Ther: The genre of national opera in a european comparative perspective — W. Weber: Cosmopolitan, national, and regional identities in eighteenth-century european musical life — C. Applegate: Mendelssohn on the road: music, travel, and the anglo-german symbiosis — Elite and Popular Cultural Exchanges: C. H. Garrett: «Sooting the keys»: musical horseplay and high culture — J. Waeber: Yvette Guilbert and the revaluation of the Chanson populaire and Chanson ancienne during the Third republic, 1889-1914 — A. Fry: Remembrance of jazz past: Sidney Bechet in France — 2. CULTURAL EXPERIENCE: PRACTICES, APPROPRIATIONS, AND EVALUATIONS. Urban, Aural, and Print Culture: E. Muir: An evening at the opera in seventeenth-century Venice — K. van Orden: Josquin des Prez, Renaissance historiography, and the cultures of print — J. F. Fulcher: From «the voice of the Maréchal» to musique concrète: Pierre Schaeffer and the case for cultural history — Symbols, Icons, and Sites of Collective Memory or Ritual: J. S. C. Lam: A matter of style: state sacrificial music and cultural- political discourse in southern Song China (1127-1279) — C. Sorba: Ermani hats: italian opera as a repertoire of political symbols during the risorgimento — J. Hepokoski: Modalities of national identity: Sibelius builds a first symphony — Politics, Aesthetics, and Transmission: L. Plantinga: Beethoven, Napoleon, and political romanticism — P. V. Bohlman: Translating Herder translating: cultural translation and the making of modernity — L. Botstein: The eye of the needle: music as history after the age of recording — M. P. Steinberg: Afterword: Whose culture? Whose history? Whose music? PÓRTICO LIBRERÍAS PS 1112 — Música 50 29

Geary, J.: The Politics of Appropriation. German Romantic Music and the Ancient Greek Legacy 2014 – 288 pp., 36 not., 3 fig. € 40,60 ÍNDICE: Introduction — Ancient Greece and the German Cultural Imagination — Mendelssohn’s Antigone and the Rebirth of Greek Tragedy — The Reception of Antigone and the Aesthetics of Appropriation — The Growth of a Genre: Taubert’s Medea and the Greek Stage — Revival in Berlin — Mendelssohn and Oedipus in the Age of Christianity — Lachner and the Emergence of a New Athens — The Wagnerian Turn — Epilogue: The Decline of a Genre.

Graaf, M. J. de: The New York Composers’ Forum Concerts, 1935-1940 2013 – 292 pp., 5 fig. € 62,40

Haggh-Huglo, B. / D. Lacoste, eds.: Cantus Planus. Papers Read Ath the 15th Meeting of the IMS Study Group. Dobogoko / Hungary, 2009, Aug. 23-29, vol. 2 2013 – iv + 258 pp., lám.col. € 98,80 ÍNDICE: G. Kiss: Comparative research into medieval mass repertories — M. Ward: Trinity College, Cambridge, «Ms. Fragment 2»: New evidence for the mutable transmission and notation of chant in the later middle ages — O. Csomó: The liturgical placement of three processional antiphons — J. Borders: The transmission of non-CAO antiphons in later medieval pontificals — M. I. Földváry: A recent survey of catalonian and mallorcan ordinals and its contribution to the editorial approach to normative liturgical texts — I. Behrendt: Die Notation im Seckauer Liber ordinarius der Handschrift A-Gu 756 von 1345 und ein Einblick in die Rekonstruierung der Kyrie-Melodien anhand der Neumierung — O. Gerlach: Religious chant in the late ottoman empire between Petros Bereketês and Hamamîzade Ismail Dede Efendi — G. Gilányi: Lenten chants on the raising of Lazarus in early mediterranean antiphoners — C. Ruini: Nota romana in Aemilia: Documenti sulla diffusione della notazione dell’Italia centrale nella diocesi di Reggio Emilia — M. M. Wendling: Pitch clarification in twelfth- century Bamberg — S. Poliakova: The manuscripts Sin 319 and Voskr 27: innovation in russian liturgical practice at the end of the twelth century — J. Snoj: The franciscans in Carnila and the chant — A. Cizmic: The Dubrovnik antiphoner.

Haggh-Huglo, B. / D. Lacoste, eds.: Cantus Planus. Papers Read at the 15th Meeting of the IMS Study Group. Dobogoko / Hungary, 2009, Aug. 23-29, vol. 3 2013 – v + 330 pp., not., tabl. € 135,20 ÍNDICE: H. Parkes: The composition of english Saints’Offices in the tenth and eleventh centuries — P. Mannaerts: A new source for the liturgical office of St Vicent, Tongeren Stadsarchief (B-TOa), Sint-Jacobsgasthuis 61 — A. Kovács: Un ufficio sconosciuto di san Gerardo di Csanád — D. Hiley: The chants for St Verena of Zurzach and other historiae of the lake Constance region — S. A. Long: The office for the translation of St Nicholas in fifteenth- century parisian confraternity manuscripts — J. Boyce: Making a saint Orthodox: honoring PÓRTICO LIBRERÍAS PS 1112 — Música 50 30

St. Albert of Sicily — T. László Csanády: «Tangere cymbalum»: On the meaning of cymbals in the daily life of religious communities of the canons regular in the high middle ages — S. Engels: Zum Wesen liturgischer Spiele — D. Toigo: Dalla contemplatio alla compassio: tendenze espressive in Passioni italiane fra medioevo e Rinascimento — A. Vildera: Dramatic frameworks in the office of St Daniel, levita et martyr or Padua — N. Morandi: The hungarian Officium stellae within a european network of epiphany dramas — L. Menga: Realizzare oggi un dramma liturgico — J. F. Weber: Gallican chant before the Octoechos — M. Huglo: Response to Jerome Weber — M. Høye: Two early Kyrie chants — R. Bernagiewicz: Some traces of the «Enchiriadis» systems in Justus ut palma graduals — A. Yaropolov: From orbit to landscape: the deployment of the Octoichos (with introduction by C. Troelsgård) — G. Maessen: Fluxus: music notation for performing tenth-century chant–a performer’s opinion on music notation — K. S. Lagergren: Monastic liturgical singing after the second Vatican council — D. Lacoste: CANTUS, a database for latin ecclesiastical chant: progress report, august 2009 — I. Behrendt, & al.: Antiphonaria, inventories of antiphoners in belgian Flanders: report 2009.

Head, M.: Sovereign Feminine. Music and Gender in Eighteenth-Century Germany 2013 – 350 pp., 14 fot., 8 tabl., 49 not. € 58,50 ÍNDICE: Introduction: Fictions of Female Ascendance — Europe’s Living Muses: Women, Music, and Modernity in Burney’s History and Tours — “If the pretty little hand won’t stretch”: Music for the Fair Sex — Charlotte (“Minna”) Brandes and the Beautiful Dead — An Evening in Tiefurt: Corona Schröter’s Die Fischerin and Vegetable Genius — Sophie Westenholz and the Eclipse of the Female Sign — Beethoven Heroine: A Female Allegory of Music and Authorship in Egmont — Conclusion — Appendix: Johann Friedrich Reichardt, Two Prefaces to the Fair Sex.

Hooker, L. M.: Redefining Hungarian Music from Liszt to Bartok 2013 – 320 pp., 6 fig., 36 not., 8 tabl. € 47,45

Illiano, R., ed.: Viva V.E.R.D.I.: Music from the Risorgimento to the Unifica- tion of Italy 2013 – xii + 396 pp., 50 fig. € 114,40

Jones, R. D. P.: The Creative Development of Johann Sebastian Bach, I: 1695-1717. Music to Delight the Spirit 2007 – xiv + 335 pp., 69 not. € 161,00 ÍNDICE: 1. Formative Years (c. 1695-c. 1709): Introduction — The sonata and other genres — Fugue and fantasy I — The Neumeister Collection and other organ chorales — The early cantatas: BWV 150, 131, 106, 71, 196, 4 — Conclusion — 2. First Maturity (c. 1709-1717): Introduction — The concerto and other genres — Fugue and fantasy II — The Orgelbüchlein and other chorales — The Weimar cantatas — Conclusion — Bibliography. PÓRTICO LIBRERÍAS PS 1112 — Música 50 31

Jones, R. D. P.: The Creative Development of Johann Sebastian Bach, vol. II: 1717-1750. Music to Delight the Spirit 2013 – 512 pp., 70 not. € 149,80 ÍNDICE: Part I. The Cðthen and Early Leipzig Years: 1717-1729: Introduction — The Well- Tempered Clavier I and Other Keyboard Works — The Brandenburg Concertos and Other Instrumental Works — Sacred and Secular: the Vocal Works — Conclusion — Part II. The Middle Leipzig Years 1729-39: Introduction — Clavierübung II-III and other Harpsichord, Organ, and Lute Works — The Harpsichord Concertos and Other Instrumental Works — Sacred and Secular: Vocal Works II — Conclusion — Part III. The Late Leipzig Years 1739- 50: Introduction — The Well-Tempered Clavier II and Other Keyboard/Organ Works — The Musical Offering and Other Instrumental Works — The B minor Mass and Other Vocal Works — Conclusion.

Karnes, K. C.: A Kingdom not of this World. Wagner, the Arts, and Utopian Visions in Fin-de-Siècle Vienna 2013 – 304 pp., 32 fig., 48 not. € 52,50 ÍNDICE: Introduction — Fin-de-Siècle Vienna and the Utopian Imagination — Max Klinger, the Gesamtkunstwerk, and the Dream of a Third Kingdom — «All of Vienna has become Secessionistic»: Longings of an Organization — Dreams of Transcendence, Fantasies of Control: Gustav Klimt — The Sacred Spring of Arnold Schoenberg and Alexander Zemlinsky — Gustav Mahler and the Promise of Return — Epilogue. Endings and Beginnings.

Kelly, B. L.: Music and Ultra-Modernism in France. A Fragile Consensus, 1913-1939 2013 – 269 pp., 4 fig. € 68,65

Kienzle, B. M. / D. L. Stoudt / G. Ferzoco, eds.: A Companion to Hildegard of Bingen 2013 – 360 pp. € 155,00 ÍNDICE: Introduction — B. M. Kienzle / D. L. Stoudt: What Do We Know About the Life of Jutta and Hildegard at Disibodenberg and Rupertsberg? — F. J. Felten: St Disibod and the History of the Disibodenberg up to the Beginning of the 12th Century — F. J. Felten: Hildegard of Bingen and the Hirsau Reform in Germany 1080-1180 — C. J. Mews: Unequal Twins: Visionary Attitude and Monastic Culture in Elisabeth of Schonau and Hildegard of Bingen — F. Heinzer: Hildegard, the Schools, and their Critics — J. A. Stover: Intertextuality in Hildegard’s Works: Ezekiel and the Claim to Prophetic Authority — B. M. Kienzle / T. A. Stevens: Hearing the Heavenly Symphony: An Overview of Hildegard’s Musical Oeuvre with Case Studies — T. Leigh-Choate & al.: Hildegard as Musical Hagiographer: Engelberg, Stiftsbibliothek Ms. 103 and Her Songs for Saints Disibod and Ursula — T. Leigh-Choate & al.: The Theology of Repentance: Observations on the Liber vite meritorum — S. Ruge: The Medical, the Magical, and the Miraculous in the Healing Arts of Hildegard of Bingen — D. L. Stoudt: Hildegard of Bingen (1098-1179): A History of Reception — M. Embach: The PÓRTICO LIBRERÍAS PS 1112 — Música 50 32

Canonization and Doctorization of Hildegard of Bingen — G. Ferzoco: Notes on Hildegard’s “Unknown” Language and Writing.

Loewen, P. W.: Music in Early Franciscan Thought 2013 – 288 pp., 18 fig. € 136,25 ÍNDICE: Introduction — Music and Preaching in the Life of St. Francis of Assisi — Music and the Narrative of Penance in Lotario dei Segni’s De missarum mysteriis — William of Middleton’s Opusculum super missam: Musical Instruction for Simple Priests and Clerics — David von Ausburg: Music for the Outer and Inner Human — Robert Grosseteste on Music, Science, and the Cura animarum — Roger Bacon on the Science of Music and Preaching — Bartholomaeus Anglicus on Music and Preaching in De proprietatibus rerum — The Ars musica of Juan Gil de Zamora: Musical Expression and Instruments of the Reconquista — Conclusion.

McGee, T. / S. Carter, eds.: Instruments, Ensembles, and Repertory, 1300- 1600. Essays in Honor of Keith Polk 2013 – x + 342 pp., 87 fig. € 104,00 ÍNDICE: I. Instruments: A Tale of Bells and Bows: Stalking the U-slide Trumpet: S. Carter — The Medieval Fiddle: Tuning, Technique, and Repertory: T. J. McGee — Lute Ladies and Old Men in Early Sixteenth-Century Flemish Paintings: Mirrors, Magdalenes, Mottoes, Moralities, Vanities, Allegories: H. C. Slim — Organs and Instrumental Performance at the Collegiate Church of St Omer, Northern France, in the Later Middle Ages: A. Kirkman — II. Ensembles: Renaissance Piety and Ceremony: Antwerp’s Speellieden at Work: K. K. Forney — Music in Late-Medieval Tours and Orléans: A Reflection of Political Allegiance in the Loire Valley: G. Peters — Reverse Engineering Fifteenth-Century Counterpoint: Es solt ein man kein mole farn and Cançon de pifari dco. el Ferrarese: A. Gilbert — Ensemble Improvisation in the Fifteenth-Century Mensural Dance Repertoire: R. Duffin — III. Repertory: Reclaiming the Past: Bishop Antonio Altoviti’s Entrance into Florence in 1567: F. A. D’Accone — Out of the Shadows: The Double Canon En l’ombre d’ung buissonnet: L. Litterick — A Hidden Arrangement of Gentil madonna: D. Fallows — A Lesson in Ficta from Bidon?: J. Rifkin — Appendix: K. Polk: Publications.

Millington, B.: Richard Wagner. The Sorcerer of Bayreuth 2013 – 320 pp., 120 fig., 165 lám.col. € 31,15

Muir, S. / A. Belina-Johnson, eds.: Wagner in Russia, Poland and the Czech Lands. Musical, Literary, and Cultural Perspectives 2013 – 254 pp., 30 not. € 81,15 ÍNDICE: Foreword: so much more than a composer, R. Taruskin — Preface: from the Editors — ‘One can learn a lot from Wagner, including how not to write operas’: Sergey Taneyev and his road to Wagner, A. Belina-Johnson — ‘The end of opera itself’: Rimsky Korsakov and Wagner, S. Muir — How Russian was Wagner? Russian campaigns to defend or destroy the German composer during the Great War (1914-1918), R. Mitchell — Prophecy of a revolution: PÓRTICO LIBRERÍAS PS 1112 — Música 50 33

Aleksey Losev on Wagner’s aesthetic outlook, V. Marchenkov — ‘The great little man’: Dvorák and Wagner, J. Smaczny — Wagnerisms in Moravia: Janácek’s first opera, Šárka, M. Ewans — ‘Where the king spirit becomes manifest’: Stanislaw Wyspianski in search of the Polish Bayreuth, R. Okulicz-Kozaryn — The reception of Wagner’s music and ideas in Poland during the Communist years (1945-1989), M. Dziadek.

Murray, S. E.: The Career of an Eighteenth-Century Kapellmeister. The Life and Music of Antonio Rosetti 2014 – 558 pp., 17 fig. € 81,15

Owens, S. / B. M. Reul / J. B. Stockigt, eds.: Music at German Courts, 1715- 1760. Changing Artistic Priorities 2011 – 504 pp., fig. € 74,90

Poche, C.: Ziryab, musicien andalou: histoire et légende 2012 – 137 pp. € 10,00

Py, M.: Benjamin Britten entre deux mondes 2012 – 724 pp. € 59,00

Rawson, R. G.: Bohemian Baroque. Czech Musical Culture and Style, 1600- 1750 2013 – 299 pp., 26 fig. € 68,65

Rodmell, P., ed.: Music and Institutions in the Nineteenth Century 2012 – 308 pp., 15 fig. € 87,40 ÍNDICE: Introduction, P. Rodmell — Part I. Music Societies and Venues: The management of 19th-century Dublin music societies in the public and private spheres: the Philharmonic Society and the Dublin Musical Society, C. Ferris — Three madrigal societies in early 19th- century England, J. Hobson — ‘A melodious phenomenon’: the institutional influence on town-hall music-making, R. E. Milestone — A home for the ‘Phil’: Liverpool’s first Philharmonic Hall (1849), F. M. Palmer — James Mapleson and the ‘National Opera House’, P. Rodmell — Part II. Music Education: Musical diplomacy and Mary Gladstone’s diary, P. Weliver — The expansion and development of the music degree syllabus at Trinity College Dublin during the 19th century, L. Parker — The music exams of the Society for the Encou- ragement of Arts, Manufactures and Commerce, 1859-1919, D. Wright — Resisting the Empire? Public music examinations in Melbourne, 1896-1914, K. Crichton — Part III. Music and the State: Birmingham Cathedral, Royle Shore and the revival of early English church music, S. Cole — On the beat: the Victorian policemen as musician, R. Cowgill — The British military as a musical institution, c.1780-c.1860, T. Herbert / H. Barlow — Edward PÓRTICO LIBRERÍAS PS 1112 — Música 50 34

Jones ‘bard to the king’: the Crown, Welsh national music, and identity in late Georgian Britain, M. Hughes.

Rühle, U.: Locos por la música. La juventud de los grandes compositores 2013 – 491 pp. € 14,50

Rupprecht, P., ed.: Rethinking Britten 2013 – 320 pp., 13 fig., 76 not. € 37,45 ÍNDICE: Introduction: Britten’s Music and its Audiences: P. Rupprecht — I. Public and Private: On Ambiguity in Britten: P. Kildea — «O Hurry to the Fêted Spot of your Deliberate Fall»: Death in Britten, 1936-1940: S. A. Allen — Love Knots: Britten, Pears, and the Sonnet: L. Whitesell — II. Opera: Britten, Grimes, and the «Tuneful Air»: A. Ashby — Post-War Women in Britten: J.P.E. Harper-Scott — Be Flat or Be Natural? Pitch Symbolism in Britten’s Operas: M. Cooke — III. Post-War Encounters: Britten and the Avant-Garde in the 1950s: P. Rupprecht — Curlew River and Cultural Encounter: H. Wiebe — Britten’s Rhetoric of Resistance: the Works for Rostropovich: A. Whittall — IV. Late Modern: An Excess of Less? Critiquing Britten’s Late Song-Cycles: C. Mark — Animating Owen Wingrave: Ghosts and Global Television: D. Ward-Griffin — The Dye-line Rehearsal Scores for Death in Venice: C. Wintle.

Saltzstein, J.: The Refrain and the Rise of the Vernacular in Medieval French Music and Poetry 2013 – 208 pp. € 74,90

Smith, D. J. / R. Taylor, eds.: Networks of Music and Culture in the Late Sixteenth and Early Seventeenth Centuries. A Collection of Essays in Celebration of Peter Philip’s 450th Anniversary 2013 – 326 pp., 8 fig., 80 not. € 87,50 ÍNDICE: Introduction, D. J. Smith — The interconnection of religious, social and musical networks: creating a context for the keyboard music of Peter Philips and its dissemination, D. J. Smith — The Liber fratrum cruciferorum Leodiensium and the dissemination of organ repertoire in the Netherlands during the 17th century, É. Corswarem — The pious Mr Philips and his few-voiced motets at Isabella’s Confraternity of Our Lady, A. Lyman — The ear of the lynx: the musical legacy of the Accademia dei Lincei, N. J. Barker — Politics, religion, style and the Passamezzo Galliards of Byrd and Philips: a discussion of networks involving Byrd and his disciples, R. Taylor / F. Jürgensen — Musical rhetoric lost in translation: national, religious and linguistic networks and the determination of title in Sweelinck’s Organ Variations on Psalm 36, J. R. Dokter — What is a composer? Problems of attribution in keyboard music from the circle of Philips and Sweelinck, D. Schulenberg — Orlando Gibbons’s keyboard music: the continental perspective, P. Dirksen — A pattern recognition approach to the attribution of early 17th-century keyboard compositions using features of diminutions, P. van Kranenburg / J. Zoutendijk — ‘Full of art, and profundity’: the five-part consort pavan as a medium for sophisticated musical expression and compositional cross-reference in late PÓRTICO LIBRERÍAS PS 1112 — Música 50 35

Renaissance England, J. Bryan — Networking, patronage and professionalism in the early history of violin playing: the case of William Brade (c.1560-1630), A. Spohr — Practice and dissemination of music in the Catholic network as suggested by the music collection of Edward Paston (1550-1630) and other contemporary sources, H. Sequera — Social networking in 17th-century Italy: the ‘harmonious letters’ of a monk-musician, A. Ballantyne.

Sprout, L. A.: The Musical Legacy of Wartime France 2013 – 298 pp., 5 fot., 7 tabl., 22 not. € 56,20 ÍNDICE: Poulenc’s Wartime Secrets — Honegger’s Postwar Rehabilitation — Ignoring Jolivet’s Testimony, Embracing Messiaen’s Memories — The Timeliness of Duruflé’s Requiem — From the Postwar to the Cold War: Protesting Stravinsky in Postwar France.

Thieffry, S.: L’édition musicale à Bruxelles au XIXe siècle. L’exemple de la maison Schott Frères 2013 – 370 pp., 8 tabl. € 49,50

Trippett, D.: Wagner’s Melodies. Aesthetics and Materialism in German Musical Identity 2013 – 460 pp., 21 fig., 17 not. € 88,45 ÍNDICE: Introduction — German melody — Melodielehre? — Wagner in the melodic workshop — Hearing voices: Wilhelmine Schröder-Devrient and the Lohengrin ‘Recitatives’ — Vowels, voices, and ‘original truth’ — Wagner’s material expression — Excursus: Bellini’s Sinnlichkeit and Wagner’s Italy.

Upton, E. R.: Music and Performance in the Later Middle Ages 2012 – 248 pp. € 72,45 ÍNDICE: Introduction — History and Evidence — The Singers’ Voices — Polyphonic Music in Performance — The Listeners’ Experience — Reframing the Sacred/Secular Divide.

Varga, B. A.: From Boulanger to Stockhausen. Interviews and a Memoir 2013 – 408 pp. € 31,20

Walden, J. S.: Sounding Authentic. The Rural Miniature and Musical Modernism 2014 – 304 pp., 15 fig., 53 not. € 38,70 ÍNDICE: Introduction — Part I. Aesthetic and Theoretical Approaches to the Rural Minia- ture: Musical Realism Reconsidered: The Rural Miniature and Representation — The Rural Miniature in Performance and Sound Recording — Part II. Historical Case Studies: The Genre’s Precedents: Representations of Rom Performance in Nineteenth-Century Violin Repertoire — The Rural Miniature Based on Spanish Folk Music — The Rural Miniature in the Culture of the Jewish Diaspora — Béla Bartók’s Rural Miniatures and the Case of Romanian Folk Dances — Conclusion. PÓRTICO LIBRERÍAS PS 1112 — Música 50 36

MÚSICA ESPAÑOLA

Adkins, M. / M. Russ, eds.: The Roberto Gerhard Companion 2013 – 402 pp., 4 fig., 73 not. € 99,85 ÍNDICE: Introduction, M. Adkins / M. Russ — Early works and life of Roberto Gerhard, M. E. Perry — ‘Unquestionably decisive’: Roberto Gerhard’s studies with Arnold Schoenberg, D. Alonso Tomás — ‘Promoting and diffusing Catalonian musical heritage’: Roberto Gerhard and Catalan folk music, J. White — Roberto Gerhard’s ballets: music, ideology and passion, L. Sánchez de Andrés — Roberto Gerhard, Shakespeare and the Memorial Theatre, S. Llano — Music as autobiography: Roberto Gerhard’s Violin Concerto, M. Russ — Two men in tune: the Gerhard-Camus relationship, B. Pérez Castillo — Roberto Gerhard’s serial procedures and formal design in String Quartets Nos 1 and 2, R. E. Mitchell — Composing with sets: Roberto Gerhard’s Concerto for Piano and String Orchestra, M. Russ — Roberto Gerhard the serial symphonist, D. Sproston — In search of a ‘third way’, M. Adkins — The influence of electronic music on Roberto Gerhard’s Symphony No 4 ‘New York’, C. Duque — Roberto Gerhard’s BBC sound compositions, G. Garciá Karman.

Argueda Carmona, M. F.: Vida y obra del compositor Cipriano Martínez Ruecker (1861-1924) 2002 – 317 pp. € 16,83

Clark, W. A. / W. C. Krause: Federico Moreno Torroba. A Musical Life in Three Acts 2013 – 368 pp., 31 fig., 51 not. € 37,45 ÍNDICE: Introduction: «The Eternal Tradition» — Act I. 1891-1932: 1898, The End — Madrileño — Analysis of works: La Virgen de mayo, La marchenera, Luisa Fernanda; Suite castellana, Sonatina, Piezas características (selections) — Act II. 1932-1960: 1936, Anarchy — Navarro — Analysis of works: Azabache, Xuanón, La chulapona, Monte Carmelo, La Caramba; Madroños, Romance de los pinos — Act III. 1960-1982: 1975, The Beginning — Español — Analysis of works: El poeta; Castillos de España (selections), Puertas de Madrid (selections), Diálogos entre guitarra y orquesta, Concierto ibérico — Finale: The Legacy of Torroba — Appendices: Chronology — Works List.

Fuente Charfole, J. de la: El maestro de capilla Juan de Castro y Mallagaray (1570-1632), discípulo de Felipe Rogier. Aportaciones al conocimiento de su vida y obra musical 2012 – 538 pp., not. € 35,00 PÓRTICO LIBRERÍAS PS 1112 — Música 50 37

Hornby, E. / R. Maloy: Music and Meaning in Old Hispanic Lenten Chants. Psalmi, Threni and the Easter Vigil Canticles 2013 – 564 pp., 14 fig. € 93,60

Iborra, J.: La mirada del conserge. Dietari del gran teatre del Liceu (1862- 1981). Presentació de R. Pla i Arxe 1999 – 395 pp. € 17,43

Le Guin, E.: The Tonadilla in Performance. Lyric Comedy in Enlightenment Spain 2013 – 408 pp., 6 fot., 7 tabl., 24 not. € 61,10

Madridejos, M.: El flamenco en la Barcelona de la Exposición interna- cional 1929-1930 2012 – 464 pp. € 35,00

Madridejos, M. / D. Pérez Merinero: Carmen Amaya 2013 – 296 pp., fig. € 35,00

Morales, N.: L’artiste de cour dans l’Espagne du XVIIIe siècle. Étude de la communauté des musiciens au service de Philippe V (1700-1746) 2007 – xii + 597 pp., tabl. € 44,00 ÍNDICE: 1. La chapelle royale: institution centrale de la musique du roi: Le cadre institutionnel — La chapelle royale entre continuité et rupture (1701-1724) — Les années noires de la musique sacrée (1724-1746) — 2. La musique de chambre: configuration progressive: Une musique de chambre sous le signe du changement (1701-1714) — Une cour et une musique de chambre à l’heure italienne (1715-1746) — 3. Le musicien du roi: sa condition sociale: Le musicien en famille. Alliances et stratégies matrimoniales — Le train de vie de l’artiste: gentilhomme ou artisan? — À l’ombre du pouvoir: activités et privilèges des musiciens du roi — Conclusion. Nassarre. Revista aragonesa de musicología, 29 — 2013 2014 – 254 pp., fig., lám.col. € 40,00 ÍNDICE: P. Calahorra Martínez: Saboreando un siglo — 1. Estudios: E. T. Esteve Roldán: El surgimiento del magníficat polifónico en la Península Ibérica — C. Bejarano Pellicer: La música en las fiestas municipales de verano en Sevilla en la baja modernidad — M. A. Pallarés Jiménez: El maestro de capilla aragonés José Gargallo y sus opciones profesionales en las catedrales castellanas (1771-1794) — J. B. Boïls: El manuscrito de José de Teixidor en la Historia de la música española de Mariano Soriano Fuertes — M. A. Díez Huerga: El liceo PÓRTICO LIBRERÍAS PS 1112 — Música 50 38 de Oviedo: un ejemplo de sociedad musical en el siglo XIX — J. I. Palacios Sanz: Aportaciones de Aquilino Amezua a la organería de Castilla y León — S. Ruiz Torres: Los Triludios al Santísimo Sacramento de Luis Iraurrízaga (1891-1928): tradición y renovación en la producción sacra española a principios del siglo XX — 2. Cátedra de música medieval aragonesa: D. A. Fernández: Fragmentos litúrgico-musicales (siglos XII-XVI) del Archivo histórico provincial de Zaragoza (parte 1ª).

Obrador Cladera, J. / P. Cortada Obrador, eds.: Les matines de Nadal a les Illes Balears. Un dels orígens del teatre religiós a Europa (drama litúrgic del cicle de Nadal) 2010 – 270 pp., 20 + lám. € 20,00 ÍNDICE: X. Carbonell Castell: Pròleg — J. Amengual i Bartle: Origen de les matines de Nadal a les Illes Balears — S. Melià i Mora: Un cant anomenat gregorià — F. Ramis i Darder: La processó dels profetes — A. Reynés i Florit: L’obra musical d’Antoni Martorell en les matines de Nadal a les Illes Balears — J. Rotger i Martínez: La memòria dels ministrils — G. Saguí i Trobat / F. Vicens i Vidal: El cant de la Sibilla a la litúrgia medieval mallorquina — R. Ballester i Vives: Anunci de l’Àngel i Adoració del nin de Betlem — R. Ballester i Vives: La calenda de Lluc — E. Gené: Crítica de l’acte: retorn al futur — J. Obrador i Cladera: Cronologia de les representacions: el «Nadal a Lluc» i la «Processó dels profetes» — F. Munar i Munar: Costums al voltant de Nadal — Addenda — Text de les matines de Nadal a les Illes Balears — J. Obrador i Cladera: Petit diccionari de les matines de Nadal a Illes Balears — F. Vicens Vidal: El cant de la Sibilla: patrimoni immaterial de la humanitat.

Pérez Zalduondo, G. / G. Gan Quesada, eds.: Music and Francoism 2013 – xi + 488 pp., 50 fig. € 114,40 ÍNDICE: Musical Exchanges in Europe at War: E. Levi: The reception of spanish music in Germany during the nazi era — I. Contreras Zubillaga / M. Deniz Silva: Obligados a convivir pared con pared. Los intercambios musicales entre España y Portugal durante los primeros años del franquismo (1939-1944) — J. Suárez-Pajares: Festivals and orchestras. Nazi musical propaganda in Spain during the early 1940s — Institutions and Political Practices: B. Martínez del Fresno: Women, land, and nation: the dances of the Falange’s women’s section in the political map of Franco’s Spain (1939-1952) — I. Larrinaga Cuadra: Dura lex, sed lex. La depuración franquista en las instituciones musicales dependientes del ayuntamiento de Donostia-San Sebastián (1936-1940) — X. Aviñoa: Musical institutions in Catalonia in francoist Spain — G. Pérez Zalduondo: Que nada aparezca en la calle que resulte ajeno [...] a los intereses del estado: La música en el Ministerio de información y turismo (1951-1956) — M. Cureses: The institutionalization of the avant-garde in Catalonia as of 1939 — Sociopolitical Implications of Popular Music: P. Ramos López: Beyond francoist propaganda and current nostalgia: some remarks on coplas — J. Arce: Castanets and white telephones: (Musical) comedies during the early years of the Franco regime — P. Ordóñez Eslava: Qualities of flamenco in the francoism: between the renaissance and the conscience of protest — D. Party: Raphael is different: spanish canción melódica under late francoism — Specific Studies: M. I. Cabrera García: Europe in the creation of the aesthetic ideology of the francoism before PÓRTICO LIBRERÍAS PS 1112 — Música 50 39 the civil war — L. Velasco Pufleau: The spanish civil war in the work of Silvestre Revueltas — W. A. Clark / W. C. Krause: Federico Moreno Torroba’s Monte Carmelo and cultural politics under Franco during the 1940s — C. A. Hess: Anti-fascism by another name: Gustavo Durán, the good neighbor policy, and Franquismo in the United States — M. Christoforidis: Manuel de Falla’s Atlántida and the politics of Spain: from conception to first performance — F. J. Fernández Vicedo: Spanish music and wind instruments: stylistic changes in chamber music for clarinet (1950-1965) — C. Heine: Zwölftonkomposition im Nachkriegsspanien am Beispiel von Gerardo Gombaus Música 3+1 für Streichquartett (1967).

Revista catalana de musicologia, 6 — 2013 2013 – 135 pp., fig., not. € 12,10 ÍNDICE: J. Cuscó i Clarasó: Ministrers i joglars a la Catalunya Nova (segles XIV-XVII) — D. Codina i Giol: Gènesi i publicació del volum de les misses tonals del pare Joan Cererols (1618-1680) — N. Mendes Santos: Obres per a violí en un llibre d’orgue del segle XVII: el manuscrit 387 de la Biblioteca de Catalunya — J. A. Alberola Verdú: El sistema modal/tonal de la música vocal hispànica en temps de Cabanilles — G. Ballús i Casóliva / A. Ezquerro Esteban: La primera edición conocida de gozos polifónicos a la manera de las hojas volantes (Barcelona, 1702) — C. Lahera Aineto: La recepción de la zarzuela en la Barcelona de 1898.

Rey Olleros, M.: La música medieval en Compostela. Pergaminos del Archivo de la catedral 2013 – 206 pp., fig., not. € 20,00

Rey Olleros, M.: La música medieval en Lugo. Breviario de Lugo, I 2013 – 334 pp., not. € 20,00

Rey Olleros, M.: La música medieval en Lugo. Breviario de Lugo, II 2013 – 338 pp., not. € 20,00

Rey Olleros, M.: La música medieval en Pontevedra, I: Pergaminos del Archivo histórico provincial 2013 – 358 pp., not., fig. € 20,00

Rey Olleros, M.: La música medieval en Pontevedra, II: Pergaminos del Archivo capitular de Tui 2013 – 190 pp., fig., not. € 20,00

Ribera y Tarrago, J.: La música de la jota aragonesa. Ensayo histórico [1928, facsímil] 2003 – 164 pp., not. € 15,00 PÓRTICO LIBRERÍAS PS 1112 — Música 50 40

Suárez Pajares, J. / M. del Sol, eds.: Estudios. Tomas Luis de Victoria. Studies 2013 – 628 pp. € 40,00 ÍNDICE: M. A. Recio Crespo: Prólogo — J. Suárez-Pajares: Introducción. Una reflexión historiográfica — 1. Fuentes y obras: I. Fenlon: From print to public: the Milanese and Dillingen editions of Victoria’s motets — M. Noone / G. Skinner: The cathedral, the copyist, the composer and the canon: revising Toledo cathedral’s Victoria choirbook and the Liber primus (1576) — M. del Sol: Rethinking Victoria’s lamentations in post-tridentine Rome — N. O’Regan: Why should we sing the Lord’s song in a strange land? Victoria’s psalm settings composed for Rome — C. Wiesenfeldt: Homine hispano or Uomo universale? Victoria’s marian masses and the case of artistic identity in the late-sixteenth century — O. Rees: Victoria’s Officium defunctorum (1605) in context — A. Giardina: Who wrote the second Ave maris stella of Tomás Luis de Victoria? — G. Wagstaff: Singing praises to Mary in a new world: a Salve regina attributed to Tomás Luis de Victoria in Puebla, Mexico — 2. Análisis: M. A. Roig-Francolí: Tonal structures in the magnificats, psalms and motets by Tomás Luis de Victoria — D. V. Filippi: Formal design and sonic architecture in the roman motet around 1570. Palestrina and Victoria — S. Rice: Aspects of dissonance treatment in Victoria’s five- voice motets and antiphons — J. I. Suárez García: La decoratio en los responsorios del Officum hebdomadae sanctae de Tomás Luis de Victoria — J. Griffiths: Architecture and rhetoric in music of the age of Victoria — 3. Estudios sobre interpretación: J. C. Asensio Palacios: Liturgia y canto llano en la obra de Tomás Luis de Victoria — M. Ham: Victorias as self-editor: changing musical texts and their implications — A. Cea Galán: Cantar Victoria al órgano: documentos, música y praxis — 4. Contextos biográficos y musicales: J. Ruiz Jiménez: Creación del canon de polifonía sacra en las instituciones religiosas de la corona de Castilla, 1550-1625 — A. Sabe Andreu: Libros de música en la catedral de Ávila hasta 1630 — S. Aguirre Rincón: Entre contrapunto y canto de órgano. La formación musical de Tomás Luis de Victoria en Ávila, con mención especial a la obra de Bartolomé de Escobedo — F. Escrivà Llorca: La vida de las descalzas reales a través de los epistolarios de Juan de Borja (1584-1604) — 5. Estudios historiográficos: T. Knighton: Victoria and the english choral tradition — C. Urcheguía: Victoria in Germania. Tomás Luis de Victoria y la historiografía alemana hasta principios del siglo XX — M. Sancho García: Tomás Luis de Victoria en la obra musicológica de Felipe Pedrell: la creación de un mito nacional — A. de Vicente: Victoria, anteayer mismo. La contribución de Samuel Rubio — 6. Victoria en los siglos XX y XXI: E. Torres: Tomás Luis de Victoria reinventado por Manuel de Falla: homenajes, recreaciones y versiones expresivas — M. Castillo Ferreira: Otro aniversario de Tomás Luis de Victoria: 1940 o el resurgimiento del espíritu nacional — J. Suárez-Pajares: Tomás Luis de Victoria, Pablo Sorozábal y la séptima de Shostakóvich — G. Gan Quesada: Victoria, notre contemporain? Tomás Luis de Victoria en la creación musical española actual. PÓRTICO LIBRERÍAS PS 1112 — Música 50 41

FLOKLORE — JAZZ — ROCK — POP

Ashby, A., ed.: Popular Music and the New Auteur. Visionary Filmmakers after MTV 2013 – 224 pp., 32 fig. € 28,80 ÍNDICE: Introduction / A. Ashby — Music and Cinematic Time: «Without Music I Would Be Lost»: Scorsese, Goodfellas, and a New Soundtrack Practice / J. Hubbert — Lost in Translation: Popular Music and The Melodramatic Mode of Sofia Coppola / T. Anderson — Music and the Image: A Musical Tour of the Bizarre: Popular Music as Fantasy in David Lynch / G. Willet — Songs of Delusion: Popular Music and the Aesthetics of the Self in Wong Kar-wai’s Cinema / G. Biancorosso — Music as Instrument of Irony and Authenticity: O Brother Where Chart Thou?: Pop Music and the Coen Brothers / J. Smith — You’ve Heard This One Before: Quentin Tarantino’s Scoring Practices from Kill Bill to Inglourious Basterds / K. Garner — Wes Anderson, Ironist and Auteur / A. Ashby.

Baade, C. L.: Victory through Harmony. The BBC and Popular Music in World War II 2013 – 288 pp., 25 fot. € 24,95 ÍNDICE: Introduction: «Victory through Harmony» — Uplift, Dance Music, and the BBC in Interwar Britain — «In Tempore Belli»: Popular Music for Morale in the Phony War — Music While You Work: Discipline, Dance Music, and Workers in Wartime — Between Blitzkrieg and Call-Up: BBC Dancing Club, Masculinity, and the Dance Band Scheme — Radio Rhythm Club: Race, Authenticity, and the British Swing Boom — Sincerely Yours: The Trouble with Sentimentality and the Ban on Crooners — Calling the British Forces in Malta: Broadcasting Femininity Abroad - and at Home — «Invasion Year»: Americans in Britain, Americanization, and the Dance Music Backlash — Conclusion.

Belleret, R.: Dictionnaire Ferré 2013 – 301 pp., fot. € 23,82

Cohen, R. D. / J. Capaldi, eds.: The Pete Seeger Reader 2014 – 368 pp. € 28,80

Duffett, M., ed.: Popular Music Fandom. Identities, Roles and Practices 2014 – 234 pp. € 99,85

Encarnacão, J.: Punk Aesthetics and New Folk. Way Down the Old Plank PÓRTICO LIBRERÍAS PS 1112 — Música 50 42

Road 2013 – 298 pp., 2 fig. € 81,15

Epperson, B. D.: More Important Than the Music. A History of Jazz Discography 2013 – 304 pp., 11 fig. € 39,35

Ford, P.: Dig. Sound and Music in Hip Culture 2013 – 336 pp., 15 fig., 2 not. € 24,95

Giddins, G.: Celebrating Bird. The Triumph of Charlie Parker 2013 – 208 pp., 104 fig. € 16,85

Gray, L. E.: Fado Resounding. Affective Politics and Urban Life 2013 – 320 pp., 12 fig., 10 lám.col. € 21,30

Harrison, D.: Then Sings My Soul. The Culture of Southern Gospel Music 2012 – 264 pp., 16 fot. € 23,90

Hytonen-Ng, E.: Experiencing ‘Flow’ in Jazz Performance 2013 – 184 pp. € 74,90

Jamin, J. / P. Williams: Une anthropologie du jazz 2013 – 382 pp. € 10,00

Kennedy, M.: Roadshow! The Fall of Film Musicals in the 1960s 2014 – 352 pp., 25 fot. € 28,70

Leibetseder, D.: Queer Tracks: Subversive Strategies in Rock and Pop Music 2012 – 236 pp., 6 fig. € 74,90

Mcdonald, D. A.: My Voice is My Weapon. Music, Nationalism, and the Poetics of Palestinian Resistance 2013 – 352 pp., 29 fig. € 21,40

Misina, D.: Shake, Rattle and Roll: Yugoslav Rock Music and the Poetics PÓRTICO LIBRERÍAS PS 1112 — Música 50 43 of Social Critique 2013 – 258 pp. € 81,15

Pecknold, D., ed.: Hidden in the Mix. The African American Presence in Country Music 2013 – 384 pp., 21 fig. € 23,80

Ramsey, G. P., Jr.: The Amazing Bud Powell. Black Genius, Jazz History, and the Challenge of Bebop 2013 – 288 pp., 7 fot., 16 not. € 31,20

Simonett, H., ed.: The Accordion in the Americas. Klezmer, Polka, Tango, Zydeco and More! 2012 – 360 pp., 34 fig., 3 map., 1 not. € 24,95

Solis, G.: Thelonious Monk Quartet with John Coltrane at Carnegie Hall 2014 – 192 pp., 29 not. € 15,00

Spelman, N.: Popular Music and the Myths of Madness 2012 – 206 pp., 17 not. € 74,90

Vicens Vidal, F.: Diguem visca sant Antoni! Una aproximació musical a la festa 2010 – 235 pp., 29 lám.col. € 20,00

Vicens Vidal, F.: El cant de la Sibil·la a Mallorca. Un fenom emergent. 2ª edició revisada i ampliada 20122 – 163 pp. + 16 lám. € 15,00

Warner, S.: Text and Drugs and Rock ‘N’ Roll. The Beats and Rock, from Kerouac to Cobain 2013 – 352 pp., 15 fig. € 25,00 PÓRTICO LIBRERÍAS PS 1112 — Música 50 44

ETNOMUSICOLOGÍA

Bohlman, P. V., ed.: The Cambridge History of World Music 2013 – 875 pp., 43 fig., 5 not., 11 tabl. € 139,00 ÍNDICE: Introduction: world music’s histories P. V. Bohlman — Part I. Histories of World Music: On world music as a concept in the history of music scholarship B. Nettl — Music cultures of mechanical reproduction P. Manuel — Western music as world music N. Cook — Part II. The History of Music before History: Foundations of musical knowledge in the Muslim world S. Blum — Indian music history in the context of global encounters B. C. Wade — Native American ways of (music) history B. Diamond — Part III. Music Histories of Global Encounter and Exchange: Encounter music in Oceania: cross-cultural musical exchange in eighteenth- and early nineteenth-century voyage accounts V. Agnew — Music, history, and the sacred in South Asia J. Jones — Music, minas, and the golden Atlantic S. A. Reily — Part IV. The Enlightenment and World Music’s Historical Turn: Johann Gottfried Herder and the global moment of world-music history P. V. Bohlman — Tartini the Indian: perspectives on world music in the Enlightenment S. Klotz — The music of non-western nations and the evolution of British ethnomusicology B. Zon — Part V. Music Histories of the Folk and the Nation: Korean music before and after the West K. Howard — Folk music in Eastern Europe T. J. Cooley — A story with(out) gauchos: folk music in the building of the Argentine nation B. Illari — Part VI. Asian Music Histories: Four recurring themes in histories of Chinese music J. P. J. Stock — On the history of the musical arts in South East Asia M. Kartomi — Musicians and the politics of dignity in South India K. Mason — Part VII. Institutions and Politics of Representation: Images of sound: Erich M. von Hornbostel and the Berlin phonogram archive L.-C. Koch — Music in the mirror of multiple nationalisms: sound archives and ideology in Israel and Palestine R. F. Davis — Repatriation as reanimation through reciprocity A. A. Fox — Part VIII. The Globalization of World Music in History: Landscapes of diaspora T. Rommen — Sufism and the globalization of sacred music Regula B. Qureshi — Global exoticism and modernity W. A. Sheppard — Part IX. Musical Discourses of Modernity: Encountering African music in history and modernity G. Barz — The politics of music categorization in Portugal S. El-Shawan Castelo-Branco — The world according to the Roma M. Beckerman — Part X. Musical Ontologies of Globalization: Disseminating world music T. A. Jackson — Musical antinomies of race and empire W. Marshall / R. Radano — Globalized new capitalism and the commodification of taste T. D. Taylor — Part XI. Beyond World- Music History: The time of music and the time of history M. Clayton — The ethics of ethnomusicology in a cosmopolitan age K. Kaufman Shelemay — Towards a new world? The vicissitudes of American popular music R. Middleton — Afterword: A worldly musicology? M. Stokes.

Bonini Baraldi, F.: Tsiganes, musique et empathie 2013 – 357 pp., 1 DVD., fig., lám.col. € 39,00 PÓRTICO LIBRERÍAS PS 1112 — Música 50 45

Campos Calvo Sotelo, P.: Fiesta, identidad y contracultura. Contribuciones al estudio histórico de la gaita en Galicia 2007 – 287 pp. € 12,00

Clayton, M. / B. Dueck / L. Leante, eds.: Experience and Meaning in Music Performance 2014 – 240 pp., 44 fig. € 23,70 ÍNDICE: About the companion web site — Introduction: M. Clayton & al. — Entrainment, ethnography and musical interaction: M. Clayton — Social co-regulation and communication in North Indian duo performances: N. Moran — Groove: temporality, awareness and the feeling of entrainment in jazz performance: M. Doffman — Performing the Rosary: meanings of time in Afro-Brazilian Congado music: G. Lucas — Performance and shame: A. McGuiness — Rhythm and role recruitment in Manitoban aboriginal vocal and instrumental music: B. Dueck — Imagery, gesture and listeners’ construction of meaning in North Indian classical music: L. Leante — Embodiment and movement in musical performance: M. Clayton / L. Leante.

Dueck, B.: Musical Intimacies and Indigenous Imaginaries. Aboriginal Music and Dance in Public Performance 2013 – 288 pp., 31 fig. € 24,95

Erguner, K.: La flûte des origines: un soufi d’Istanbul. Entretiens avec Dominique Sewane 2013 – 439 pp., fig., 36 lám. € 26,00

Fargion, J. T.: Taarab Music in Zanzibar in the Twentieth Century. A Story of ‘Old is Gold’ & Flying Spirits 2014 – 250 pp., 10 fig. € 75,00

Ferranti, H. de / A. Tokita, eds.: Music, Modernity and Locality in Prewar Japan: Osaka and Beyond 2013 – 332 pp., 18 fig., 3 map., 4 not. € 87,40

García, M.: Etnografías del encuentro. Saberes y relatos sobre otras músicas 2012 – 152 pp. € 18,00

Helmlinger, A.: Pan Jumbie: Mémoire sociale et musicale dans les steelbands (Trinidad et Tobago) 2012 – 223 pp., 1 DVD., lám.col. € 23,01 PÓRTICO LIBRERÍAS PS 1112 — Música 50 46

Kidula, J. N.: Music in Kenyan Christianity. Logooli Religious Song 2013 – 248 pp., 17 fig., 53 not. € 31,20

Madrid, A. L. / R. D. Moore: Danzon. Circum-Caribbean Dialogues in Music and Dance 2014 – 320 pp., 42 fig., 50 not. € 34,35 ÍNDICE: Danzón Matters: Mapping Out the Issues — Genre Matters: Danzón as a Perfor- mance Complex — . Race, Morality, and the Circulation of Danzón, 1870-1940 — The Danzón and Musical Dialogues with Early Jazz — Nostalgia, Affect and Performativity in Contemporary Danzón Scenes — Cachondería, Discipline, and Danzón Dancing — Danzón Musings beyond the Dance Hall.

McGraw, A. C.: Radical Traditions. Reimagining Culture in Balinese Contemporary Music 2013 – 304 pp., 18 not., 11 fot., 1 map. € 24,95 ÍNDICE: Preface: Encounter — Prelude: Geräusch, Setting the Scene — Introduction: Radi- cal Traditions — Placing Bali in the Global Aesthetic Network — Kosong: Developing Culture in the Empty New Order (1966-1998) — Moha: Aesthetic and Social Dissensus in the Reformation (1998) — Téori and the Komposer — The Technologies and Materials of Musik Kontemporer — Ombak: Time, Energy, and Homology in the Analysis of Balinese Music — The Semiotics of Musik Kontemporer — Musik Kontemporer and Intercultural Performance — Conclusion: Reimagining Culture in Bali.

Nooshin, L., ed.: The Ethnomusicology of Western Art Music 2014 – 192 pp. € 106,10 ÍNDICE: Introduction — The Ethnomusicology of Western Art Music: L. Nooshin — Music Teachers as Missionaries: Understanding Europe’s Recent Dispatches to Ramallah: R. B. Willson — The Orchestration of Civil Society: Community and Conscience in Symphony Orchestras: T. K. Ramnarine — Classical Cult or Learning Community? Exploring New Audience Members’ Social and Musical Responses to First-time Concert Attendance: M. C. Dobson / S. E. Pitts — Ethnographic Research into Contemporary String Quartet Rehearsal: A. Bayley — «The Condition of Mozart»: Mozart Year 2006 and the New Vienna: E. M. Usner — Reflections on an Ethnomusicological Study of a Contemporary Western Art Music Composer Pirkko Moisala — A. Philip V. Bohlman.

Rice, T.: Ethnomusicology: A Very Short Introduction 2014 – 160 pp., 10 fig. € 10,00

Sumarsam: Javanese Gamelan and the West 2013 – 220 pp., 6 fig. € 74,90 PÓRTICO LIBRERÍAS PS 1112 — Música 50 47

Tabar, H.: Le santur persan 2013 – 279 pp., 1 DVD., fig., lám.col. € 44,00

Tucker, J.: Gentleman Troubadours and Andean Pop Stars. Huayno Music, Media Work, and Ethnic Iimaginaries in Urban Peru 2013 – 240 pp., 18 fig., 1 map. € 26,25

Um, H.: Korean Musical Drama: P’Ansori and the Making of Tradition in Modernity 2013 – 313 pp., 50 fig., 67 not. € 87,40

Wade, B. C.: Composing Japanese Musical Modernity 2013 – 272 pp. € 26,25 ÍNDICE: Introduction — Part I. Composers in the Infrastructures of Japanese Modernity: The Primary Connection: Music and Education — Connectivities of Government, Educa- tion, Industry, and Commerce — Part II. Japanese Composers in Shared Cultural Spaces of Western Music: International Participation in the Shared Space of Concert Music in the Glo- bal Cosmopolitan Culture — Hogaku in the Environment of Shared Cultural Space in Japanese Musical Modernity — Part III. The Presence in Japan of European Spheres of Musical Participation: Composing for European Instrumental Ensembles — Composing for Chorus — Conclusion.

Waligorska, M.: Klezmer’s Afterlife. An Ethnography of the Jewish Music Revival in Poland and Germany 2013 – 352 pp. € 28,80

Widdess, R.: Dapha: Sacred Singing in a South Asian City. Music, Perfor- mance and Meaning in Bhaktapur, Nepal 2013 – 364 pp., 50 fig., 50 not., 1 map. € 93,60

ÓPERA — CANTO — DANZA

Auclair, M. / P. Vidal, eds.: Verdi, Wagner et l’Opéra de Paris. Exposition à la Bibliothèque-Musée de l’Opéra de Paris du 17 décembre 2013 au 9 mars 2014 2013 – 313 pp., 150 fig. € 39,00 PÓRTICO LIBRERÍAS PS 1112 — Música 50 48

Bales, M. / K. Eliot, eds.: Dance on its Own Terms. Histories and Methodologies 2013 – 448 pp. € 32,50 ÍNDICE: Introduction — 1. In the Moment of re-Creation and Performance: «Dancing the Canon in Wartime: Sergeyev, de Valois, and Inglesby and the Classics of British Ballet,» K. Eliot — «Reimagining Le Boeuf sur le Toit,» A. Dils — «Reframing the Recent Past: Issues of Reconstruction in Israeli Contemporary Dance,» D. F. Galili — «The Body Censored: Dance, Morality and the Production Code during the Golden Age of the Film Musical,» B. Cooper — «‘Single Ladies’ is Gay: Queer Performances and Mediated Masculinities on YouTube,» H. Bench 2. Within the Body and Mind of the Dancer and Choreographer: «La Cosmografia del minor mondo: Recovering Dance Theory to Create Today’s Baroque Practice,» C. Turocy — «Touchstones of Tradition and Innovation: Pas de Deux by Petipa, Balanchine and Forsythe,» M. Bales — «Pavlova and her Daughters: Genealogies of Contingent Autonomy,» C. G. Casey — «Joined-up Fragments in A Wedding Bouquet: Ashton, Berners and Stein,» G. Morris — «Kaddish at the Wall: The Long Life of Anna Sokolow’s ‘Prayer for the Dead,’» H. Kosstrin — «Developing the American Ballet Dancer: The Pedagogical Lineage of Rochelle Zide-Boo.essica Zeller — 3. In the Shape of Written Records: «Recording the Imperial Ballet: Anatomy and Ballet in Stepanov’s Notation,» S. Marion — «Musical Expression in the Bournonville-Løvenskjold La Sylphide Variation,» R. Schwartz-Bishir — «Archives of Embodiment: Visual Culture and the Practice of Score Reading,» V. Watts — «Reading Music, Gesture, and Dualism in Mark Morris’ Dido and Aeneas,» Riggs-Leyva — «What’s in a Dance? The Complexity of Information in Writings about Dance,» C. Feck.

Beauce, P.: Parodies d’opéra au siècle des Lumières: évolution d’un genre comique 2013 – 466 pp. € 24,00 ÍNDICE: Première partie: Un siècle de parodie dramatique d’opéra — Une pratique éphémère? Séries, reprises et édition — Évolutions des réflexions théoriques et dramaturgiques — Deuxième partie: La parodie de tragédie en musique — Parodie, ballet et pastorale : l’union des genres — À opéra réformé, parodie réformée? Parodier le genre sérieux à la fin du XVIIIe siècle — Aux sources de la relation parodique : du mythe au livret — Troisième partie: La musique au cœur du spectacle — Jeu, danse, décor et costumes: l’épreuve de la scène — Un spectaculaire inattendu.

Burden, M.: Regina Mingotti: Diva and Impresario at the King’s Theatre, London 2013 – 200 pp., 14 fig. € 74,90

Burton, D.: Recondite Harmony. Essays on Puccini’s Operas 2013 – 330 pp. € 44,00

Castelvecchi, S.: Sentimental Opera. Questions of Genre in the Age of Bour- PÓRTICO LIBRERÍAS PS 1112 — Música 50 49 geois Drama 2013 – 294 pp., 13 fig., 17 not. € 82,15 ÍNDICE: Preface — A prologue on genre — Pamela goes to the opera — The emergence of bourgeois drama — The codification of bourgeois drama — Opera as drame — Sensibility and the moral cure — A sentimental opera — Sentimental, anti-sentimental — Avenues — Appendix: Bartolomeo Benincasa’s preface to Il disertore (1784).

Darlow, M.: Dissonance in the Republic of Letters. The Querelle des Gluckistes et des Piccinnistes 2013 – 240 pp. € 56,20

Daub, A.: Tristan’s Shadow. Sexuality and the Total Work of Art after Wagner 2013 – 240 pp. € 39,35

Daykin, F.: The Encyclopedia of French Art Song. Fauré, Debussy, Ra- vel, Poulenc 2013 – 750 pp. € 87,50

Gibbons, W.: Building the Operatic Museum. Eighteenth-Century Opera in Fin-de-Siècle Paris 2013 – 280 pp., 16 fig. € 68,65

Izzo, F.: Laughter between Two Revolutions. Opera Buffa in Italy, 1831- 1848 2013 – 318 pp., 10 fig. € 74,90

Lambert, P.: To Broadway, to Life! The Musical Theater of Bock and Harnick 2013 – 384 pp., 10 fot., 80 not. € 21,25

McCleave, S.: Dance in Handel’s London Operas 2013 – 280 pp., 14 fig. € 68,65

Mordden, E.: Anything Goes. A History of American Musical Theatre 2013 – 400 pp., 25 fot. € 24,95

Niccolai, M. / J.-C. Branger, eds.: Gustave Charpentier et son temps 2013 – 304 pp. € 25,00 ÍNDICE: Préface: C. Massip — Préambule: G. Condé — Introduction : Gustave Charpentier PÓRTICO LIBRERÍAS PS 1112 — Música 50 50 au-delà de Louise…: M. Niccolai — 1. Charpentier et ses contemporains: Charpentier, élève de Massenet : sous l’influence et le regard du prophète: J.-C. Branger — Alfred Bruneau et Gustave Charpentier : deux compositeurs ouverts au monde musical amateur: J.-S. Macke — Quand Mimi Pinson croise Ciboulette : Gustave Charpentier et Reynaldo Hahn: P. Blay — 2. Charpentier et la naissance d’une nouvelle esthétique musicale: Didon (1887) de Gustave Charpentier : un exemple de relecture des mythes antiques: A. Dratwicki — Gustave Charpentier à l’ombre de Berlioz ?: A. Ramaut — Baudelaire fin de siècle: un cycle méconnu de Charpentier: S. Huebner — 3. Mettre en scène Charpentier: Chambres avec vue. Regards croisés sur Louise et Pelléas et Mélisande: G. Montemagno — Louise et la mise en scène: de Paris à Moscou: M. Niccolai — Catalogue des œuvres imprimées de Gustave Charpentier — Bibliographie sélective.

Picard, T.: Verdi-Wagner: imaginaire de l’opéra et identités nationales 2013 – 323 pp. € 22,80

Plaza Orellana, R.: Los bailes españoles en Europa. El espectáculo de los bailes de España en el siglo XIX 2013 – 420 pp. + 8 lám. € 23,00

Rodmell, P.: Opera in the British Isles, 1875-1918 2013 – 380 pp., 16 fig. € 93,60

Rutherford, S.: Verdi, Opera, Women 2013 – 303 pp., 9 fig., 11 not. € 75,85 ÍNDICE: Prologue: Verdi and his audience — War — Prayer — Romance — Sexuality — Marriage — Death — Laughter.

Sala, E.: The Sounds of Paris in Verdi’s La Traviata 2013 – 219 pp., 16 fig., 40 not. € 69,50

Simonson, M.: Body Knowledge. Performance, Intermediality, and American Entertainment at the Turn of the Twentieth Century 2013 – 304 pp., 21 fot., 8 not. € 24,95

Till, N., ed.: The Cambridge Companion to Opera Studies 2012 – 362 pp. € 26,55 ÍNDICE: Introduction: Opera studies today N. Till — Part I. Institutions: Opera, the state and society T. Ertman — The business of opera N. Payne — The operatic event: opera houses and opera audiences N. Till — Part II. Constituents: ‘Too much music’: the media of opera C. Morris — Voices and singers S. Rutherford — Opera and modes of theatrical pro- duction S. Williams — Opera and the technologies of theatrical production N. Ridout — Part PÓRTICO LIBRERÍAS PS 1112 — Música 50 51

III. Forms: The dramaturgy of opera L. E. Zeiss — Genre and poetics A. Campana — The operatic work: texts, performances, receptions and repertories N. Till — Part IV. Issues: Opera and gender studies H. Hadlock — Opera and national identity S. Aspden — ‘An exotic and irrational entertainment’: opera and our others, opera as other N. Till.

Vazsonyi, N., ed.: The Cambridge Wagner Encyclopedia 2013 – 897 pp., 8 tabl., 48 not. € 151,65

Zalfen, S.: Staats-Opern? Der Wandel von Staatlichekeit und die Opernkrisen in Berlin, London und Paris am Ende des 20. Jahrhunderts 2011 – 452 pp., 20 fig. € 49,80

INSTRUMENTOS MUSICALES

Aubat-Andrieu, M. & al.: La harpe aux XXe et XXIe siècles: facture, nota- tion, repertoire 2013 – 224 pp. € 26,00

Ayats Abella, J., ed.: El claviórgano Hauslaib del Museu de la música de Barcelona 2013 – 70 pp., fig. € 20,00

Badía Ibáñez, T. / J. Coca Moreno: Los instrumentos de cuerda pulsada. Su origen y evolución 2013 – 79 pp., lám.col. € 10,00

Buron, T. / A. Barruol / I. Darnas, eds.: Regards sur le paysage sonore: le patrimoine campanaire. Colloque de l’Association des conservateurs des antiquités et objets d’art de France, Angers, mai 2009 2010 – 275 pp., lám.col. € 25,40 ÍNDICE: La cloche au cœur de l’histoire: T. Gonon: Les cloches en France au moyen âge — L. Hamonière: Des cloches dans et hors les murs: petites histoires campanaires dans l’Ain à travers les archives textuelles pendant et après la Révolution — B. Richard: La cloche, le maire et le curé dans l’Yonne de la fin de l’Ancien Régime à la loi de séparation — N. Hennique: L’usage liturgique des cloches dans le rite romain — N. Andrieu: Les cloches en volées tournantes: les «demoiselles» de Louison — Les techniques d’inventaire: H. Gouriou: De la technique d’inventaire au rapport d’expertise — A. Jouffray: 1979-2009: de l’art campanaire à l’ingénierie du clocher. Trente ans d’une politique patrimoniale — C. Regnault: PÓRTICO LIBRERÍAS PS 1112 — Música 50 52

La cloche dans le paysage sonore: éléments d’inventaire companaire — B. Ollé: L’inventaire des carillons toulousains: analyses historique, technique et acoustique — E. Sutter: La Société française de campanologie — De la protection à la conservation: J.-B. Faivre / V. Matéos: L’innovation companaire sous la révolution industrielle — D. Mens: Petite hisoire du plan de sauvegarde des objets d’art en Morbihan de 1939 à 1945 — S. Leprince: Les cloches de Corneville ou les tribulations d’un carillon de la belle epoque — E. Brottier: La restauration des cloches — F. Hoffmann: La restauration des sonneries de la cathédrale de Lausanne (1998-2002): une approche pluridisciplinaire — P. Trarieux: Etude et restauration du jacquemart de Nîmes, dit «le Chinois» — La cloche et son actualité: O. Tarozzi: Création et amélioration d’ensembles campanaires. Quel rôle pour un expert diocésain? — P. Bergamo: Technologies nouvelles au service de l’art campanaire — V. Bassetti-Bergamo: Création contemporaine — G.-N. Ollivier: Identité campanaire du centre Trégor: valoriser le territoire par le sonore et valoriser le sonore du territoire — A. Macé: Rôle et missions des campanistes — A. Robinault-Jaulin: De la nature juridique des cloches en droit positif français — S. Théfo: Tout se vole, même les cloches! — Cahier départemental: T. Buron: La sonnerie et le carillon de l’église du Sacré-Cœur de Cholet — T. Buron: La découverte d’une cloche de la collégiale Saint-Martin d’Angers — T. Buron: La seconde vie de la sonnerie de la cathédrale de Constantine.

Ceulemans, A. E.: De la viele du moyen âge au violon du XVIIe siècle. Étude terminologique, iconographique et theorique 2011 – 267 pp., 25 fig., 75 lám.col. € 88,40

Claudot-Hawad, H. / V. Ginouvès: Être luthier au début du XXe siècle 2013 – 210 pp. € 10,00

Curtis, G. D. W.: A Provincial Organ Builder in Victorian England. William Sweetland of Bath 2011 – 328 pp., 47 fig. € 93,60

Di Sandro, M.: Macchine musicali al tempo di Händel. Un orologio di Charles Clay nel palazzo reale di Napoli 2012 – x + 144 pp., not., 4 lám.col. € 22,00

García Llovera, J. M.: El órgano antiguo español 2006 – xii + 298 pp., fig. € 26,00

García Llovera, J. M.: El órgano gótico español 2009 – 416 pp., 83 fig., 73 fot. € 29,00 PÓRTICO LIBRERÍAS PS 1112 — Música 50 53

Gonzalo López, J.: Un órgano traído en carros desde Daroca. El órgano de la iglesia de Santiago de Daroca (F. Usarralde - T. Sánchez, 1772) asentado nuevamente en la parroquial de Encinacorba en 1918. La organería, del gótico al siglo XX, en ambas iglesias 2006 – 199 pp., lám.col., fig. € 20,00

López Pérez, F. / R. Cardero / P. Merino: Restauración del órgano del santuario de Nuestra Señora del Perpetuo Socorro: un plan para la recuperación del patrimonio musical madrileño 2009 – 160 pp., lám.col. € 10,00

Markovits, M.: Die Orgel im Altertum 2003 – xxiv + 783 pp., 24 fig., 41 lám. € 272,50

Müller, M. C. / S. Heuer, eds.: Orgeldenkmalpflege. Nachhaltigkeit als Zukunftsstrategie für eine vielfältige Orgelkultur 2013 – 152 pp., 35 fig. € 25,95

Musique, images, instruments, 14: Le serpent, itinéraires passés et presents 2013 – 307 pp., fig. € 35,00 ÍNDICE: C. Davy-Rigaux, Florence Gétreau, Volny Hostiou, Éditorial — I. Le serpent en- tre réalité et imaginaire: F. Gétreau, Les images du serpent d’Église en France : caractéristi- ques, usages, symbolismes — H. Audéon, Le serpent dans les oeuvres littéraires en France au XIXe siècle — II. Le serpent et l’Église: F. Auzeil, Les origines du serpent en France : nouvelles perspectives — B. Dompnier, Isabelle Langlois et Bastien Mailhot, Serpentiste d’Église : une profession au XVIIIe siècle — C. Davy-Rigaux, « Jouer le plain-chant » : le serpent à l’unisson de la voix chantres dans la France d’Ancien Régime — C. Ahrens, Ber- lioz et la remise en cause du serpent à l’Église en France au XIXe siècle — III. Le serpent et les basses à l’église: J. Scherpereel, Variations serpentines en terres papales — J. Duron, Le serpent dans le motet français : une simple affaire de couleur sonore ? — V. Hostiou / S. Le Conte, La « voix » du serpent : étude des complémentarités de timbre entre chanteur et serpent — IV. Facture et organologie: S. K. Klaus, Serpent Precursors in Italy and elsewhere ; the Serpent in the Low Countries and in Germany — V. Hostiou, Le serpent dit « français » : aspects organologiques et sonores — T. Maniguet, Les formes dérivées du serpent dans la première moitié du XIXe siècle — D. Yeo, The Serpent in England : Evolution and Design — V. Répertoires profanes du serpent: T. Maniguet, L’usage du serpent à l’époque révolu- tionnaire — F. de La Grandville, Le serpent au Conservatoire de Paris : un enseignement manqué — D. Gasche, L’utilisation du serpent dans la Harmonicmusik viennoise — D. Yeo, The serpent in England : Context, Decline and Revival — H. Audéon, Le serpent dans les orchestres des théâtres et des concerts en France (1770-1830) — R. Meucci, Le serpent en Italie à l’époque de Rossini — VI. Biographie, résumés, abstracts. PÓRTICO LIBRERÍAS PS 1112 — Música 50 54

Palacios Sanz, J. I.: Campanas en la provincia de Soria 2007 – 189 pp., DVD., fot., fig. € 30,00

Poves Oliván, A.: En tabla, piedra y pergamino. Los instrumentos de rueda en la España medieval (siglos XII-XV) 2013 – 207 pp., 84 lám.col. € 35,00

Steiner, T., ed.: Cordes et claviers au temps de Mozart / Bowed and Keyboard Instruments in the Age of Mozart. Actes des rencontres internationales harmoniques, Lausanne 2006 / Proceedings of the Harmoniques International Congress, Lausanne 2006 2010 – 376 pp., 1 Com., fig., lám.col. € 58,00 ÍNDICE: R. Hopfner: Der Streichinstrumentenbau in Wien zur Zeit W. A. Mozarts — C. Brown: Leopold Mozart’s Violinschule and the performance of W. A. Mozart’s violin music — M. Garnier-Panafieu: Le quatuor à cordes au temps de Mozart : trajectoires et spécificités — F. Gétreau: Retour sur les portraits de Mozart au clavier : un état de la question — R. Maunder: Viennese Keyboard Instruments, 1750-1790 — M. Latcham: Johann Andreas Stein and the search for the expressive Clavier — R. Menger: Zwei «piano forte» mit für das 18. Jahrhundert signifikanten Mechaniken — J.-C. Battault: Les pianoforte en forme de clavecin de Pascal Taskin. Recherches d’un facteur sous l’Ancien Régime — D. Piollet : Jean-Baptiste Schweickart (1751-1819): «Un des plus remarquables facteurs d’orgues parisiens vers 1787» — S. Birkett: Observing the 18th-century Prellzungenmechanik through high-speed imaging - Pianissimo and forte response compared — S. Birkett: The physical characteristics of historical iron music wire and a report on its replication as a viable modern product.

Wali, K. C.: Cremona Violins. A Physicist’s Quest for the Secrets of Stradivari 2008 – 200 pp. € 38,80

Watson, J. R.: Changing Keys. Keyboard Instruments for America 1700-1830 2013 – 150 pp. € 56,10

Wilder, T., ed.: The Conservation, Restoration, and Repair of Stringed Ins- truments and their Bows 2011 – 1.600 pp., 1200 fig., 1 CD-ROM € 1240,00

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